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Joey On The Fiddle
Songs like
Joey On The Fiddle
by
Michael English
Based on a tempo of (+/- 10%) and a similar genre
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Stuart Moyles
Westport Town
100 bpm • C# Maj • 04:09 • -4.44db
34% Popularity • 57% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Gary Gamble
Catch Me If You Can
100 bpm • G Maj • 02:26 • -4.86db
38% Popularity • 83% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Stephen Smyth
The Boy From Donegal
100 bpm • A Maj • 02:54 • -7.45db
16% Popularity • 72% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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The Ennis Brothers
Star Of The County Down
100 bpm • C min • 02:53 • -5.31db
43% Popularity • 63% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Jack Keogh
100 Numbers
100 bpm • G# Maj • 02:49 • -5db
28% Popularity • 53% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Michael English
Joey On The Fiddle
100 bpm • A# Maj • 03:31 • -5.95db
24% Popularity • 62% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Stuart Moyles
Hold The Line
100 bpm • F Maj • 04:07 • -5db
11% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Lee Matthews
The Farmer Wants a Wife
100 bpm • G# Maj • 02:49 • -3.65db
37% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Gary Gamble
Star of the County Down
100 bpm • D Maj • 02:52 • -4db
21% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 97% Positiveness
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Ritchie Remo
Shine Up My Boots
100 bpm • E min • 02:59 • -5.59db
14% Popularity • 60% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 82% Positiveness
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T.R. Dallas
Say You Love Me
100 bpm • F Maj • 02:53 • -8.4db
20% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Jim Devine
Ireland's Turning Country
100 bpm • D Maj • 03:25 • -6.11db
34% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Stuart Moyles
Hold The Line
100 bpm • F Maj • 04:09 • -4.42db
24% Popularity • 57% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Murphys
Love Won't Break Your Heart Boy
100 bpm • A# Maj • 03:04 • -4.38db
17% Popularity • 59% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Michael English
Song For Ireland
100 bpm • D Maj • 03:39 • -10.77db
4% Popularity • 54% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Ritchie Remo
Tipperary Girl
100 bpm • A Maj • 02:58 • -7db
22% Popularity • 68% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Matthew O'Donnell
Johnny and Sally
99 bpm • D Maj • 03:29 • -3.72db
15% Popularity • 60% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Bernie Heaney
The World is Not My Home
100 bpm • F Maj • 02:55 • -7.4db
15% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Stuart Moyles
Westport Town
100 bpm • C# Maj • 04:08 • -5db
12% Popularity • 56% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Liam Kelly
The One That Got Away
101 bpm • F# Maj • 02:32 • -7db
18% Popularity • 62% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Michael English
A Million Memories
101 bpm • F Maj • 03:58 • -8.51db
19% Popularity • 64% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Gerry Guthrie
The Boxer
101 bpm • C Maj • 03:24 • -6.78db
36% Popularity • 59% Danceability • 79% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Shane Owens
Never Tire Of The Road
99 bpm • G Maj • 03:49 • -4.23db
25% Popularity • 63% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Derek Ryan
The Night That Went On For Days
101 bpm • G# Maj • 03:11 • -4.54db
34% Popularity • 59% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Patrick Feeney
Old Dan Tucker
99 bpm • D Maj • 02:52 • -7.41db
23% Popularity • 68% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Ritchie Remo
Country Boy
99 bpm • F Maj • 03:15 • -4.12db
20% Popularity • 72% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Michael English
Say Adios
101 bpm • A Maj • 03:12 • -6.28db
4% Popularity • 58% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Lisa McHugh
Apple Jack
99 bpm • E Maj • 03:17 • -3.08db
38% Popularity • 73% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Conor O Donnell
Owenies Bar
101 bpm • G Maj • 03:22 • -3db
26% Popularity • 49% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Derek Ryan
Won't Ya Come Down (To Yarmouth Town)
99 bpm • A# Maj • 03:22 • -8.7db
30% Popularity • 69% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Brendan Shine
Where Did You Meet Her
99 bpm • G Maj • 02:42 • -9.52db
29% Popularity • 66% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Patrick Feeney
Red Haired Mary
101 bpm • A# Maj • 03:33 • -7db
36% Popularity • 59% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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Michael English
Friday at the Dance
99 bpm • C Maj • 02:51 • -5db
36% Popularity • 72% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Davitt Country Band
Locklins Bar Irish Song
101 bpm • G Maj • 03:37 • -6.32db
11% Popularity • 85% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Shawn Cuddy
It Takes People Like You
98 bpm • A# Maj • 02:27 • -7.74db
27% Popularity • 76% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Shane Owens
Some Nights
102 bpm • G Maj • 03:08 • -5.46db
16% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Jimmy Buckley
Half A Heart
98 bpm • A Maj • 02:45 • -6.56db
21% Popularity • 71% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Ailish McBride
Windy City
98 bpm • D Maj • 03:16 • -8.08db
29% Popularity • 52% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Michael English
Charley Pride Medley
99 bpm • B Maj • 03:41 • -5.85db
14% Popularity • 58% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Frank McCaffrey
The Wedding Song
98 bpm • A Maj • 03:42 • -7.71db
24% Popularity • 50% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Claudia Buckley
Dearly Beloved
102 bpm • E Maj • 02:18 • -5db
25% Popularity • 67% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 95% Positiveness
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Shane Owens
Walking On The Waves
102 bpm • G# Maj • 04:05 • -5db
32% Popularity • 62% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Kathy Durkin
Louisiana Saturday Night
98 bpm • A Maj • 02:21 • -14db
20% Popularity • 33% Danceability • 59% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Declan Nerney
Marquee In Drumlish
98 bpm • D Maj • 03:14 • -5.28db
29% Popularity • 82% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Michael English
Home Away From Home
102 bpm • D Maj • 03:44 • -5.21db
28% Popularity • 61% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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Brian Coll
Green Fields Of Ireland
98 bpm • G# Maj • 02:49 • -12.02db
30% Popularity • 59% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Claudia Buckley
Country Is As Country Does
98 bpm • C Maj • 03:31 • -5.53db
19% Popularity • 60% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Liam Kelly
Shamrock and Heather
98 bpm • D Maj • 03:04 • -5.78db
17% Popularity • 66% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Stuart Moyles
The Streets Of Galway
98 bpm • G Maj • 03:39 • -2.56db
31% Popularity • 68% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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Paul Kelly
So In Love
98 bpm • A Maj • 03:38 • -6.02db
11% Popularity • 58% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Michael English
Kitty Gordon's
102 bpm • G Maj • 03:26 • -5.02db
16% Popularity • 66% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Larry Cunningham
Old Dungarvan Oak
98 bpm • C# Maj • 02:55 • -9.52db
23% Popularity • 72% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Jack Keogh
One More
98 bpm • F# Maj • 03:45 • -6.62db
37% Popularity • 51% Danceability • 76% Energy • 43% Liveness
0% Instrumentalness • 83% Positiveness
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The Murphys
Nelena
98 bpm • F# min • 03:38 • -6.36db
28% Popularity • 57% Danceability • 66% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Jim Devine
Leighann Loves To Dance
98 bpm • D# Maj • 03:10 • -7db
29% Popularity • 63% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Ritchie Remo
Hills Of Connemara
102 bpm • B Maj • 03:08 • -3.76db
36% Popularity • 69% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Michael English
Head Over Heels
98 bpm • A Maj • 03:05 • -6.05db
9% Popularity • 57% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Olivia Douglas
Don't Think Twice
98 bpm • D Maj • 03:30 • -8db
15% Popularity • 66% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Patrick Feeney
Place In The Choir
103 bpm • E Maj • 03:06 • -6db
32% Popularity • 69% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Brady
Down By The River
98 bpm • F Maj • 03:13 • -5.22db
29% Popularity • 65% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Matthew O'Donnell
Sing for Philly
98 bpm • D Maj • 04:01 • -5.13db
11% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Paul Kelly
The Hangover
103 bpm • A# Maj • 03:14 • -5.29db
23% Popularity • 62% Danceability • 81% Energy • 62% Liveness
0% Instrumentalness • 96% Positiveness
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Michael English
I Don't Want The Money - Live From INEC,...
98 bpm • A Maj • 03:05 • -5.2db
8% Popularity • 64% Danceability • 80% Energy • 95% Liveness
0% Instrumentalness • 65% Positiveness
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Mike Denver
Messenger Boy
97 bpm • C Maj • 03:06 • -6.83db
24% Popularity • 62% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 85% Positiveness
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The Murphys
The Boy Who Cries The Tears
98 bpm • D Maj • 03:10 • -5.2db
18% Popularity • 55% Danceability • 86% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Alanna Maher
Heartbreak Hill
97 bpm • D Maj • 03:00 • -3.69db
20% Popularity • 64% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 85% Positiveness
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The Davitt Country Band
Marlena
97 bpm • F Maj • 02:38 • -8db
26% Popularity • 65% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Patricia Maguire
Truck Drivin Woman
97 bpm • G Maj • 02:19 • -10.31db
20% Popularity • 68% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Michael English
Bundlin
97 bpm • D Maj • 03:24 • -4.96db
6% Popularity • 57% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Declan Nerney
Let's Dance
97 bpm • A Maj • 03:10 • -6.02db
23% Popularity • 61% Danceability • 88% Energy • 14% Liveness
1% Instrumentalness • 71% Positiveness
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Jim Devine
Crooked Jack
103 bpm • G Maj • 04:00 • -3.68db
11% Popularity • 61% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Ciarán Rosney
Uncle Pen
103 bpm • G Maj • 02:47 • -6.34db
28% Popularity • 66% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Mike Denver
My Oklahoma Home Blowed Away
103 bpm • D Maj • 03:47 • -5.19db
30% Popularity • 68% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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The Outlaws
Five Minutes More
97 bpm • B Maj • 02:37 • -6db
28% Popularity • 69% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Michael English
Come On Eileen
103 bpm • C Maj • 03:28 • -6.35db
9% Popularity • 60% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 81% Positiveness
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David James
My Donegal Doll
97 bpm • G Maj • 02:59 • -7.83db
32% Popularity • 60% Danceability • 78% Energy • 44% Liveness
0% Instrumentalness • 96% Positiveness
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Shane Owens
Sunny Side
97 bpm • G# Maj • 02:49 • -5.5db
15% Popularity • 63% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Ciarán Rosney
Marie's Wedding
103 bpm • G Maj • 03:39 • -3db
37% Popularity • 63% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 93% Positiveness
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Mike Denver
Tommy K the Dj
97 bpm • A# Maj • 02:50 • -3.45db
34% Popularity • 68% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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The Outlaws
I Believe
97 bpm • G Maj • 02:40 • -4db
21% Popularity • 65% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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The Tumbling Paddies
The Way I Am
97 bpm • D Maj • 03:26 • -4.54db
50% Popularity • 62% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Michael English
The Band Is Back In Town - Live From INE...
97 bpm • G Maj • 03:28 • -5.84db
15% Popularity • 66% Danceability • 90% Energy • 87% Liveness
0% Instrumentalness • 69% Positiveness
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Dominic Kirwan
Country Medley - Oh Lonesome Me/Heartach...
97 bpm • D Maj • 04:32 • -11.2db
16% Popularity • 67% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Ciarán Rosney
Found
103 bpm • F# Maj • 03:27 • -4.17db
34% Popularity • 68% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Seamus Moore
Me Traveller's Daughter
103 bpm • A Maj • 03:15 • -5.12db
16% Popularity • 80% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Ritchie Remo
Hit the Diff
103 bpm • A Maj • 04:08 • -4db
34% Popularity • 71% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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Patrick Feeney
Courtin' In The Kitchen
104 bpm • A# Maj • 03:16 • -3.64db
18% Popularity • 61% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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The Murphys
The Streets Of Promise
97 bpm • G Maj • 03:07 • -5.48db
36% Popularity • 63% Danceability • 73% Energy • 53% Liveness
0% Instrumentalness • 64% Positiveness
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Stuart Moyles
Jessie
97 bpm • G# Maj • 03:26 • -5.91db
30% Popularity • 62% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Robert Mizzell
Gone, Gone, Gone
97 bpm • F# Maj • 03:16 • -5.75db
29% Popularity • 60% Danceability • 75% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Johnny Brady
The Last Thing on My Mind
96 bpm • A Maj • 03:35 • -5db
17% Popularity • 70% Danceability • 76% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Shawn Cuddy
Old Dungarvan Oak
96 bpm • F Maj • 02:15 • -7.01db
24% Popularity • 74% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Logue & McCool
Rainbows & Roses
96 bpm • A Maj • 03:13 • -9.92db
28% Popularity • 63% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 89% Positiveness
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Patrick Feeney
Step It Out Mary
104 bpm • B min • 03:48 • -1.9db
25% Popularity • 62% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Ciarán Rosney
Green Green Grass
104 bpm • F Maj • 03:41 • -5.28db
32% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Barry Kirwan
Mary Mac
104 bpm • D Maj • 02:50 • -6.33db
20% Popularity • 65% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
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Mike Denver
Country Medley
104 bpm • C Maj • 03:55 • -6db
27% Popularity • 62% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 61% Positiveness
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Shawn Cuddy
Locklin's Bar
104 bpm • D Maj • 02:48 • -7.42db
22% Popularity • 75% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Michael English
Long Long Before Your Time
104 bpm • A Maj • 04:12 • -14.24db
6% Popularity • 62% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Kelly
How's She Cutting, Keep On Truckin'
104 bpm • G Maj • 03:06 • -7.15db
28% Popularity • 67% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Joey On The Fiddle