Songs like Johanna (From Sweeney Todd: The Demon Barber of Fleet Street) by Cris Groenendaal
Based on a tempo of (+/- 10%) and a similar genre
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Maury Yeston
What a Remarkable Age This Is!
64 bpm • G min • 03:17 • -17.12db
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
Prologue: So Happy
63 bpm • C Maj • 05:00 • -12.97db
32% Popularity • 49% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 49% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Cris Groenendaal
Johanna
64 bpm • F Maj • 01:55 • -10.66db
0% Popularity • 26% Danceability • 68% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 26% Danceability • 68% Energy • 71% Liveness
0% Instrumentalness • 45% Positiveness
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Kate Reinders
I Love the Way
63 bpm • G Maj • 02:49 • -8.47db
38% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 36% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Heidi Blickenstaff
I Am Playing Me
63 bpm • C Maj • 01:40 • -13db
26% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 70% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Lindsay Mendez
Mister Snow - Reprise
65 bpm • G Maj • 02:28 • -11.44db
17% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 45% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Peter Gallagher
My Time of Day
66 bpm • F Maj • 02:00 • -23db
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 4% Energy • 41% Liveness
0% Instrumentalness • 18% Positiveness
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Jared Gertner
Sort of Fairy Tale
66 bpm • G Maj • 04:09 • -13.19db
20% Popularity • 60% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 60% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Jekyll, Edward Hyde
First Transformation
66 bpm • E min • 03:51 • -13.97db
26% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 33% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Cris Groenendaal
Bring Him Home (Live)
67 bpm • G Maj • 03:29 • -10.67db
0% Popularity • 33% Danceability • 26% Energy • 70% Liveness
1% Instrumentalness • 11% Positiveness
0% Popularity • 33% Danceability • 26% Energy • 70% Liveness
1% Instrumentalness • 11% Positiveness
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Keith McDaniel
Over The Wall I
67 bpm • F min • 01:28 • -18db
11% Popularity • 42% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 42% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Matthew Morrison
Il Mondo Era Vuoto
67 bpm • D# Maj • 03:57 • -13db
19% Popularity • 18% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Heidi Blickenstaff
Right Hand Man - Reprise
68 bpm • C# Maj • 01:21 • -14db
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 44% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The Pirates Of Penzance
Oh, Men of Dark and Dismal Fate
70 bpm • G Maj • 09:21 • -10.85db
19% Popularity • 27% Danceability • 47% Energy • 65% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 27% Danceability • 47% Energy • 65% Liveness
0% Instrumentalness • 28% Positiveness
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Georgia Engel
Love Is Always Lovely in the End
58 bpm • C min • 02:16 • -11db
24% Popularity • 74% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 74% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Sheila Hancock
Here Within These Walls - Reprise
70 bpm • G# Maj • 01:37 • -12.94db
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Jerry Herman
Look over There
70 bpm • F min • 02:54 • -14.9db
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ben Rappaport
Now I Have Everything
58 bpm • G# Maj • 01:55 • -7db
23% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 45% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Kate Baldwin
Ribbons Down My Back
71 bpm • D min • 03:08 • -14db
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
28% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Pirates Of Penzance
Away! Away! My Heart's on Fire
70 bpm • B min • 01:29 • -11.38db
18% Popularity • 55% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 55% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Ripley
Why Stay? / A Promise
71 bpm • F Maj • 02:35 • -7db
29% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 47% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Cris Groenendaal
Baby Mine
71 bpm • D min • 04:41 • -16.47db
0% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 54% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Simon Stride, Emma Carew
Emma's Reasons
71 bpm • F# Maj • 01:40 • -15.3db
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Carrie: The Musical Ensemble
Alma Mater
71 bpm • C Maj • 00:59 • -7.44db
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Original Cast of Amélie
Tour De France
71 bpm • D Maj • 02:33 • -8.29db
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Rose, Herbie, June, Mr. Goldstone and Boys
Have an Eggroll, Mr. Goldstone
57 bpm • B Maj • 02:26 • -4.59db
14% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 45% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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David Burt
The Attack
72 bpm • D# Maj • 00:53 • -6.41db
33% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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New Broadway Cast of Merrily We Roll Along
Third Transition
57 bpm • F# Maj • 00:59 • -10.18db
32% Popularity • 55% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 55% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Josh Groban
Pierre & Andrey
73 bpm • C min • 03:04 • -11.63db
31% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 40% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Stephanie J. Block, Megan Hilty, Allison Janney, Marc Kudisch and Ensemble
Joy To The Girls
73 bpm • D Maj • 01:02 • -6.16db
25% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 39% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Derek Klena
Come Back
56 bpm • C Maj • 02:50 • -6db
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Burnap
How To Handle a Woman
75 bpm • D Maj • 01:59 • -17.6db
18% Popularity • 37% Danceability • 16% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
18% Popularity • 37% Danceability • 16% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
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The Pirates Of Penzance
How Beautifully Blue the Sky
75 bpm • B Maj • 02:09 • -11.85db
19% Popularity • 44% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 44% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Rachel Bay Jones
I Guess I'll Miss the Man
55 bpm • C Maj • 02:06 • -14.11db
30% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cris Groenendaal
Music of the Night (Live)
75 bpm • C# Maj • 05:08 • -8.69db
0% Popularity • 37% Danceability • 23% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 37% Danceability • 23% Energy • 68% Liveness
0% Instrumentalness • 12% Positiveness
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Douglas Lyons
A Rumblin’ and a Rollin’
75 bpm • C Maj • 03:31 • -7.14db
26% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 47% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Groban
Pierre & Anatole
75 bpm • C# min • 03:56 • -7.22db
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 74% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Faith Prince
Entr'acte / Take Back Your Mink
77 bpm • C min • 05:20 • -15.45db
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
25% Popularity • 42% Danceability • 24% Energy • 61% Liveness
2% Instrumentalness • 53% Positiveness
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'Falsettos' 2016 Broadway Company
The Baseball Game
76 bpm • F# Maj • 04:44 • -7db
41% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 59% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Bonnie Milligan
How to Wash a Check (Reprise)
77 bpm • C Maj • 01:00 • -9.49db
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 64% Danceability • 29% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
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J.C. Montgomery
A Rumblin' and a Rollin'
77 bpm • A min • 03:28 • -8.27db
15% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 66% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Charles Strouse
Parents (Bonus Track)
77 bpm • C min • 02:12 • -22db
13% Popularity • 54% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 54% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Carrie: The Musical Ensemble
Prom Arrival
77 bpm • C Maj • 01:59 • -7.04db
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Maury Yeston
Still
77 bpm • F Maj • 02:31 • -19.43db
20% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Daisy Eagan
Storm II
78 bpm • E min • 01:23 • -20.43db
20% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 31% Danceability • 6% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Victoria Clark
Make a Wish
78 bpm • D# Maj • 05:08 • -11.29db
26% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 48% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Sally Dexter
London Bridge
78 bpm • G Maj • 04:00 • -19db
18% Popularity • 24% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 7% Positiveness
18% Popularity • 24% Danceability • 22% Energy • 22% Liveness
2% Instrumentalness • 7% Positiveness
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Broadway Cast Recording
Kiss Me, Kate (Finale)
78 bpm • A# Maj • 00:56 • -7.32db
12% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Maury Yeston
Dressed in Your Pyjamas in the Grand Sal...
78 bpm • G# Maj • 04:41 • -19.24db
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Daniel Radcliffe
Good Thing Going
78 bpm • C Maj • 02:22 • -14.09db
34% Popularity • 60% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 60% Danceability • 17% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Adrianna Hicks
At The Old Majestic Nickel Matinee
78 bpm • E min • 04:26 • -13.33db
22% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Cris Groenendaal
Send in the Clowns
79 bpm • G Maj • 03:48 • -11.21db
0% Popularity • 46% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 16% Positiveness
0% Popularity • 46% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 16% Positiveness
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Ann Brown
Lullaby
79 bpm • B Maj • 02:47 • -18.73db
12% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 42% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Ann Harada
The More You Ruv Someone
79 bpm • G# Maj • 02:23 • -7.55db
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 47% Danceability • 26% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Jekyll, Emma
I Must Go On
79 bpm • A Maj • 01:32 • -12.04db
25% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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John Kander
Cabaret: What Would You Do?
79 bpm • G# min • 03:26 • -14db
10% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 36% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lynn Ahrens
Alone in The Universe (Reprise) - Origin...
80 bpm • G Maj • 01:06 • -19.65db
28% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 30% Danceability • 12% Energy • 31% Liveness
0% Instrumentalness • 24% Positiveness
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Marcia Lewis
Class
80 bpm • A Maj • 03:08 • -14.93db
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 45% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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David Haig as George Banks
Good For Nothing / Being Mrs Banks (repr...
80 bpm • C# Maj • 04:06 • -18.9db
20% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 40% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Strouse
Annie: Annie
80 bpm • C# Maj • 01:35 • -12.68db
22% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Cris Groenendaal
Forever Young
80 bpm • D Maj • 03:13 • -18.59db
0% Popularity • 42% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
0% Popularity • 42% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Marcia Lewis
When You're Good to Mama
80 bpm • C# Maj • 03:22 • -12.88db
34% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
► Preview
'Falsettos' 2016 Broadway Company
Days Like This
81 bpm • D Maj • 03:18 • -7.33db
37% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 64% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Barbara Bryne
Gossip
81 bpm • B min • 01:01 • -12.21db
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
James Snyder
Hey, Kid
81 bpm • F Maj • 03:38 • -11.83db
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 34% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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'Falsettos' 2016 Broadway Company
Jason's Bar Mitzvah
82 bpm • E Maj • 05:08 • -8.72db
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
18% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Denée Benton
Sunday Morning
82 bpm • G# min • 02:05 • -9.24db
33% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 51% Danceability • 29% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
The Reckoning
82 bpm • A# Maj • 01:42 • -13.52db
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The "Crazy for You" Ensemble
Entrance To Nevada
82 bpm • D# Maj • 02:41 • -14db
19% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 44% Danceability • 48% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Lawrence Clayton
Normandy
82 bpm • D Maj • 03:33 • -13db
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 41% Danceability • 28% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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'Come From Away' Company
Darkness And Trees - Reprise
82 bpm • E min • 01:44 • -9.78db
39% Popularity • 54% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 54% Danceability • 35% Energy • 25% Liveness
0% Instrumentalness • 12% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
19% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Rose and Herbie
Small World
83 bpm • B Maj • 03:31 • -10.82db
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Cris Groenendaal
Always
83 bpm • B min • 02:46 • -23.53db
0% Popularity • 36% Danceability • 2% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
0% Popularity • 36% Danceability • 2% Energy • 15% Liveness
2% Instrumentalness • 25% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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Brittain Ashford
Sonya & Natasha
83 bpm • C min • 04:12 • -8.61db
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 37% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jonathan Pryce
Reviewing the Situation - Reprise
83 bpm • F min • 01:03 • -17.08db
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Ward Billeisen
There'll Always Be a Lady Fair
83 bpm • C Maj • 01:30 • -13.76db
24% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 58% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness