Songs like John Cage by Ross from Friends
Based on a tempo of (+/- 10%) and a similar genre
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Elsa Hewitt
Breathing SpaceX
108 bpm • F min • 03:41 • -20.51db
15% Popularity • 69% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
15% Popularity • 69% Danceability • 28% Energy • 12% Liveness
88% Instrumentalness • 34% Positiveness
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Session Victim
Hyuwee
108 bpm • C Maj • 03:47 • -10db
32% Popularity • 88% Danceability • 48% Energy • 10% Liveness
56% Instrumentalness • 53% Positiveness
32% Popularity • 88% Danceability • 48% Energy • 10% Liveness
56% Instrumentalness • 53% Positiveness
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HNNY
Cheer Up, My Brother
108 bpm • C min • 05:05 • -14.76db
56% Popularity • 76% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 32% Positiveness
56% Popularity • 76% Danceability • 26% Energy • 10% Liveness
24% Instrumentalness • 32% Positiveness
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Ross from Friends
John Cage - Edit
108 bpm • C# min • 04:17 • -8.92db
34% Popularity • 76% Danceability • 61% Energy • 16% Liveness
41% Instrumentalness • 75% Positiveness
34% Popularity • 76% Danceability • 61% Energy • 16% Liveness
41% Instrumentalness • 75% Positiveness
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Against All Logic
If Loving You is Wrong
108 bpm • E min • 03:56 • -6.24db
34% Popularity • 73% Danceability • 90% Energy • 64% Liveness
16% Instrumentalness • 72% Positiveness
34% Popularity • 73% Danceability • 90% Energy • 64% Liveness
16% Instrumentalness • 72% Positiveness
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Typesun
Last Home - DJ Nature Remix
108 bpm • E min • 08:19 • -8.35db
29% Popularity • 71% Danceability • 53% Energy • 34% Liveness
58% Instrumentalness • 31% Positiveness
29% Popularity • 71% Danceability • 53% Energy • 34% Liveness
58% Instrumentalness • 31% Positiveness
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Leon Vynehall
Midnight on Rainbow Road
109 bpm • F min • 06:23 • -7.53db
34% Popularity • 47% Danceability • 85% Energy • 28% Liveness
97% Instrumentalness • 14% Positiveness
34% Popularity • 47% Danceability • 85% Energy • 28% Liveness
97% Instrumentalness • 14% Positiveness
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Black Light Smoke
Lovework
109 bpm • F min • 06:26 • -8.51db
32% Popularity • 85% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 73% Positiveness
32% Popularity • 85% Danceability • 74% Energy • 7% Liveness
91% Instrumentalness • 73% Positiveness
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letherette
Sweeter
107 bpm • G Maj • 03:53 • -7.57db
33% Popularity • 78% Danceability • 67% Energy • 16% Liveness
18% Instrumentalness • 37% Positiveness
33% Popularity • 78% Danceability • 67% Energy • 16% Liveness
18% Instrumentalness • 37% Positiveness
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Ross from Friends
John Cage
108 bpm • G# min • 06:06 • -10db
33% Popularity • 69% Danceability • 62% Energy • 7% Liveness
56% Instrumentalness • 53% Positiveness
33% Popularity • 69% Danceability • 62% Energy • 7% Liveness
56% Instrumentalness • 53% Positiveness
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Against All Logic
Cityfade
108 bpm • A# min • 05:40 • -7.77db
45% Popularity • 71% Danceability • 89% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
45% Popularity • 71% Danceability • 89% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Al Dobson Jr.
Santiago Black - Ptaki Remix
109 bpm • B Maj • 06:45 • -9db
28% Popularity • 91% Danceability • 57% Energy • 10% Liveness
81% Instrumentalness • 55% Positiveness
28% Popularity • 91% Danceability • 57% Energy • 10% Liveness
81% Instrumentalness • 55% Positiveness
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Theo Parrish
Sweet Sticky
110 bpm • G Maj • 07:15 • -8db
34% Popularity • 69% Danceability • 84% Energy • 7% Liveness
90% Instrumentalness • 43% Positiveness
34% Popularity • 69% Danceability • 84% Energy • 7% Liveness
90% Instrumentalness • 43% Positiveness
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Route 8
Tomorrow Comes Today
109 bpm • C Maj • 05:53 • -8.3db
27% Popularity • 76% Danceability • 64% Energy • 7% Liveness
71% Instrumentalness • 48% Positiveness
27% Popularity • 76% Danceability • 64% Energy • 7% Liveness
71% Instrumentalness • 48% Positiveness
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Toro y Moi
Rose Quartz
110 bpm • C min • 04:13 • -12.37db
52% Popularity • 76% Danceability • 48% Energy • 31% Liveness
72% Instrumentalness • 41% Positiveness
52% Popularity • 76% Danceability • 48% Energy • 31% Liveness
72% Instrumentalness • 41% Positiveness
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Ross from Friends
Don't Wake Dad
110 bpm • B min • 06:52 • -10.17db
25% Popularity • 73% Danceability • 61% Energy • 15% Liveness
43% Instrumentalness • 32% Positiveness
25% Popularity • 73% Danceability • 61% Energy • 15% Liveness
43% Instrumentalness • 32% Positiveness
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Payfone
Paradise
110 bpm • A# min • 07:42 • -10.24db
34% Popularity • 78% Danceability • 51% Energy • 56% Liveness
82% Instrumentalness • 50% Positiveness
34% Popularity • 78% Danceability • 51% Energy • 56% Liveness
82% Instrumentalness • 50% Positiveness
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Against All Logic
Know You
107 bpm • F min • 04:24 • -4.74db
33% Popularity • 90% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 90% Danceability • 86% Energy • 46% Liveness
0% Instrumentalness • 68% Positiveness
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Bella Boo
Do The Right Thing
110 bpm • E min • 06:44 • -17.52db
25% Popularity • 79% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
25% Popularity • 79% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 31% Positiveness
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Mr. Fingers
Crying Over You
110 bpm • D min • 05:40 • -12.43db
13% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 67% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Space Dimension Controller
The Love Quadrant
110 bpm • D# min • 07:18 • -13db
28% Popularity • 69% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
28% Popularity • 69% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 21% Positiveness
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Rick Wade
Shinjuku Strut
110 bpm • F# min • 05:14 • -12.28db
43% Popularity • 56% Danceability • 69% Energy • 5% Liveness
78% Instrumentalness • 64% Positiveness
43% Popularity • 56% Danceability • 69% Energy • 5% Liveness
78% Instrumentalness • 64% Positiveness
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Ara Koufax
Brenda
110 bpm • F Maj • 09:04 • -7.65db
32% Popularity • 74% Danceability • 63% Energy • 9% Liveness
70% Instrumentalness • 97% Positiveness
32% Popularity • 74% Danceability • 63% Energy • 9% Liveness
70% Instrumentalness • 97% Positiveness
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Baxter Dury
Miami - Parrot and Cocker Too Remix
110 bpm • B min • 08:49 • -11.01db
30% Popularity • 72% Danceability • 60% Energy • 5% Liveness
55% Instrumentalness • 56% Positiveness
30% Popularity • 72% Danceability • 60% Energy • 5% Liveness
55% Instrumentalness • 56% Positiveness
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Kelly Lee Owens
Bird
110 bpm • A# Maj • 05:15 • -13db
36% Popularity • 66% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Luvless
Down With You Baby
106 bpm • F min • 06:43 • -10.19db
28% Popularity • 76% Danceability • 60% Energy • 8% Liveness
64% Instrumentalness • 59% Positiveness
28% Popularity • 76% Danceability • 60% Energy • 8% Liveness
64% Instrumentalness • 59% Positiveness
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Ross from Friends
D1RT BOX
110 bpm • C Maj • 04:33 • -8.37db
24% Popularity • 81% Danceability • 87% Energy • 34% Liveness
89% Instrumentalness • 50% Positiveness
24% Popularity • 81% Danceability • 87% Energy • 34% Liveness
89% Instrumentalness • 50% Positiveness
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DARKSIDE
Gone Too Soon
106 bpm • F Maj • 05:26 • -12.24db
34% Popularity • 85% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
34% Popularity • 85% Danceability • 39% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Tiger & Woods
Gin Nation - Original
106 bpm • C# Maj • 08:09 • -7db
35% Popularity • 70% Danceability • 83% Energy • 10% Liveness
36% Instrumentalness • 50% Positiveness
35% Popularity • 70% Danceability • 83% Energy • 10% Liveness
36% Instrumentalness • 50% Positiveness
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Felix Laband
Righteous Red Berets - Luke Vibert Remix
106 bpm • D# Maj • 06:03 • -5db
38% Popularity • 83% Danceability • 51% Energy • 8% Liveness
30% Instrumentalness • 50% Positiveness
38% Popularity • 83% Danceability • 51% Energy • 8% Liveness
30% Instrumentalness • 50% Positiveness
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Andras
Friendship Theme
106 bpm • A min • 03:57 • -10.87db
11% Popularity • 73% Danceability • 57% Energy • 10% Liveness
9% Instrumentalness • 46% Positiveness
11% Popularity • 73% Danceability • 57% Energy • 10% Liveness
9% Instrumentalness • 46% Positiveness
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Sandy B
Student Night
110 bpm • G# Maj • 06:06 • -13.17db
35% Popularity • 84% Danceability • 66% Energy • 43% Liveness
42% Instrumentalness • 78% Positiveness
35% Popularity • 84% Danceability • 66% Energy • 43% Liveness
42% Instrumentalness • 78% Positiveness
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Shinichiro Yokota
Quiet Town of Tokyo
106 bpm • E min • 06:06 • -8.29db
30% Popularity • 78% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
30% Popularity • 78% Danceability • 55% Energy • 11% Liveness
92% Instrumentalness • 53% Positiveness
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Mndsgn
Cosmic Perspective
111 bpm • G# Maj • 04:19 • -8db
33% Popularity • 69% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 60% Positiveness
33% Popularity • 69% Danceability • 73% Energy • 16% Liveness
1% Instrumentalness • 60% Positiveness
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Matt Karmil
I Love It
111 bpm • C min • 04:04 • -17.89db
14% Popularity • 86% Danceability • 29% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
14% Popularity • 86% Danceability • 29% Energy • 12% Liveness
97% Instrumentalness • 25% Positiveness
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Against All Logic
Such a Bad Way
111 bpm • F min • 04:53 • -5.12db
33% Popularity • 67% Danceability • 84% Energy • 7% Liveness
85% Instrumentalness • 50% Positiveness
33% Popularity • 67% Danceability • 84% Energy • 7% Liveness
85% Instrumentalness • 50% Positiveness
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Mo Kolours
Mike Black
111 bpm • D min • 03:09 • -5.25db
23% Popularity • 85% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
23% Popularity • 85% Danceability • 64% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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Photay
Warmth in the Coldest Acre
111 bpm • A Maj • 04:34 • -9.54db
9% Popularity • 68% Danceability • 57% Energy • 21% Liveness
88% Instrumentalness • 24% Positiveness
9% Popularity • 68% Danceability • 57% Energy • 21% Liveness
88% Instrumentalness • 24% Positiveness
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Hiatt dB
6 O'Clock Rock
111 bpm • D Maj • 05:28 • -11db
31% Popularity • 68% Danceability • 64% Energy • 12% Liveness
13% Instrumentalness • 20% Positiveness
31% Popularity • 68% Danceability • 64% Energy • 12% Liveness
13% Instrumentalness • 20% Positiveness
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Jitwam
I'm a Rock
111 bpm • C# Maj • 03:24 • -7db
57% Popularity • 87% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
57% Popularity • 87% Danceability • 49% Energy • 10% Liveness
31% Instrumentalness • 52% Positiveness
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Tirzah
Make It Up
105 bpm • C# Maj • 03:50 • -12.25db
46% Popularity • 91% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 91% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Donny Benét
Beneath The Sheets
105 bpm • G min • 08:40 • -11.34db
30% Popularity • 72% Danceability • 49% Energy • 16% Liveness
83% Instrumentalness • 50% Positiveness
30% Popularity • 72% Danceability • 49% Energy • 16% Liveness
83% Instrumentalness • 50% Positiveness
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Galcher Lustwerk
Template
105 bpm • G# Maj • 05:14 • -10.04db
21% Popularity • 80% Danceability • 33% Energy • 7% Liveness
78% Instrumentalness • 55% Positiveness
21% Popularity • 80% Danceability • 33% Energy • 7% Liveness
78% Instrumentalness • 55% Positiveness
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Soulwax
Close to Paradise
105 bpm • B min • 07:07 • -11.43db
30% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 80% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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박혜진 Park Hye Jin
CLOUDS
105 bpm • F# min • 03:16 • -14.69db
38% Popularity • 81% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
38% Popularity • 81% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Art Feynman
Slow Down
105 bpm • C# Maj • 03:07 • -5.53db
35% Popularity • 78% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
35% Popularity • 78% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
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Scrimshire
Theme for Us
105 bpm • B min • 07:28 • -9db
29% Popularity • 64% Danceability • 70% Energy • 61% Liveness
10% Instrumentalness • 69% Positiveness
29% Popularity • 64% Danceability • 70% Energy • 61% Liveness
10% Instrumentalness • 69% Positiveness
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Against All Logic
Lkj
112 bpm • F min • 04:59 • -7.56db
32% Popularity • 84% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 84% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Leon Vynehall
Movements (Chapter III) - Edit
104 bpm • G Maj • 02:53 • -14.76db
36% Popularity • 51% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 5% Positiveness
36% Popularity • 51% Danceability • 31% Energy • 14% Liveness
70% Instrumentalness • 5% Positiveness
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Folamour
Y'all Right
112 bpm • F# min • 05:34 • -7.98db
22% Popularity • 75% Danceability • 67% Energy • 9% Liveness
58% Instrumentalness • 76% Positiveness
22% Popularity • 75% Danceability • 67% Energy • 9% Liveness
58% Instrumentalness • 76% Positiveness
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Session Victim
Over and Over
104 bpm • G Maj • 02:43 • -13.71db
44% Popularity • 65% Danceability • 69% Energy • 21% Liveness
82% Instrumentalness • 92% Positiveness
44% Popularity • 65% Danceability • 69% Energy • 21% Liveness
82% Instrumentalness • 92% Positiveness
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Tirzah
No Romance
104 bpm • D# Maj • 03:57 • -8.17db
44% Popularity • 74% Danceability • 52% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
44% Popularity • 74% Danceability • 52% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Soichi Terada
Saturday Love Sunday
104 bpm • B Maj • 05:56 • -9db
29% Popularity • 85% Danceability • 40% Energy • 9% Liveness
70% Instrumentalness • 16% Positiveness
29% Popularity • 85% Danceability • 40% Energy • 9% Liveness
70% Instrumentalness • 16% Positiveness
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Against All Logic
You Are the One
112 bpm • E Maj • 07:17 • -10.92db
19% Popularity • 56% Danceability • 71% Energy • 5% Liveness
72% Instrumentalness • 60% Positiveness
19% Popularity • 56% Danceability • 71% Energy • 5% Liveness
72% Instrumentalness • 60% Positiveness
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Leon Vynehall
Movements (Chapter III)
104 bpm • B min • 03:51 • -15.26db
49% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
49% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Supersempfft
I See Stars - Mixed
113 bpm • B min • 03:46 • -12.97db
26% Popularity • 75% Danceability • 69% Energy • 14% Liveness
79% Instrumentalness • 96% Positiveness
26% Popularity • 75% Danceability • 69% Energy • 14% Liveness
79% Instrumentalness • 96% Positiveness
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Elsa Hewitt
Invisible Threads
103 bpm • D Maj • 05:34 • -16.87db
13% Popularity • 71% Danceability • 35% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
13% Popularity • 71% Danceability • 35% Energy • 12% Liveness
89% Instrumentalness • 19% Positiveness
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Session Victim
Crystal Maze
113 bpm • D Maj • 02:54 • -10db
38% Popularity • 73% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
38% Popularity • 73% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
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New Jackson
Having a Coke with You
113 bpm • C# Maj • 10:27 • -16.11db
31% Popularity • 72% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
31% Popularity • 72% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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Fatima Yamaha
Only Of The Universe
113 bpm • F Maj • 04:08 • -9.24db
35% Popularity • 86% Danceability • 64% Energy • 11% Liveness
82% Instrumentalness • 96% Positiveness
35% Popularity • 86% Danceability • 64% Energy • 11% Liveness
82% Instrumentalness • 96% Positiveness
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Mind Enterprises
Lover Boy
113 bpm • F# min • 04:40 • -5db
27% Popularity • 87% Danceability • 83% Energy • 38% Liveness
82% Instrumentalness • 52% Positiveness
27% Popularity • 87% Danceability • 83% Energy • 38% Liveness
82% Instrumentalness • 52% Positiveness
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Sébastien Tellier
La ritournelle (Gilligan Moss Mix)
113 bpm • F min • 06:57 • -9db
43% Popularity • 70% Danceability • 66% Energy • 11% Liveness
79% Instrumentalness • 52% Positiveness
43% Popularity • 70% Danceability • 66% Energy • 11% Liveness
79% Instrumentalness • 52% Positiveness
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MorMor
Heaven's Only Wishful - Jacques Greene E...
103 bpm • E min • 05:29 • -7db
27% Popularity • 69% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 18% Positiveness
27% Popularity • 69% Danceability • 64% Energy • 11% Liveness
76% Instrumentalness • 18% Positiveness
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Soulwax
Heaven Scent
103 bpm • C Maj • 04:43 • -5.55db
41% Popularity • 75% Danceability • 85% Energy • 34% Liveness
72% Instrumentalness • 38% Positiveness
41% Popularity • 75% Danceability • 85% Energy • 34% Liveness
72% Instrumentalness • 38% Positiveness
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fleet.dreams
EKG - Club Mix
114 bpm • C Maj • 05:06 • -6db
22% Popularity • 66% Danceability • 92% Energy • 11% Liveness
3% Instrumentalness • 90% Positiveness
22% Popularity • 66% Danceability • 92% Energy • 11% Liveness
3% Instrumentalness • 90% Positiveness
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Richenel
Autumn
114 bpm • G# min • 06:29 • -9db
30% Popularity • 78% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 78% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Duke Hugh
Home
114 bpm • A min • 05:36 • -12.43db
25% Popularity • 82% Danceability • 44% Energy • 22% Liveness
84% Instrumentalness • 44% Positiveness
25% Popularity • 82% Danceability • 44% Energy • 22% Liveness
84% Instrumentalness • 44% Positiveness
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Omar S
Sky Train - Vocal Mix
114 bpm • A Maj • 05:46 • -19db
36% Popularity • 82% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 71% Positiveness
36% Popularity • 82% Danceability • 20% Energy • 12% Liveness
72% Instrumentalness • 71% Positiveness
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Shinichiro Yokota
Right Here! Right Now!
114 bpm • G min • 04:31 • -9.73db
42% Popularity • 84% Danceability • 40% Energy • 7% Liveness
85% Instrumentalness • 82% Positiveness
42% Popularity • 84% Danceability • 40% Energy • 7% Liveness
85% Instrumentalness • 82% Positiveness
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Marvin Belton
Bleed to be Free
114 bpm • G min • 09:49 • -6.19db
10% Popularity • 77% Danceability • 88% Energy • 13% Liveness
73% Instrumentalness • 65% Positiveness
10% Popularity • 77% Danceability • 88% Energy • 13% Liveness
73% Instrumentalness • 65% Positiveness
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Luvless
Luvmaschine
114 bpm • F# Maj • 06:54 • -11.06db
17% Popularity • 80% Danceability • 55% Energy • 7% Liveness
68% Instrumentalness • 48% Positiveness
17% Popularity • 80% Danceability • 55% Energy • 7% Liveness
68% Instrumentalness • 48% Positiveness
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Andras
Running Late
114 bpm • C min • 04:58 • -10db
32% Popularity • 78% Danceability • 50% Energy • 10% Liveness
36% Instrumentalness • 88% Positiveness
32% Popularity • 78% Danceability • 50% Energy • 10% Liveness
36% Instrumentalness • 88% Positiveness
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Frank & Tony
Bring The Sun Gry - Original Mix
114 bpm • A min • 08:20 • -11.23db
32% Popularity • 88% Danceability • 61% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
32% Popularity • 88% Danceability • 61% Energy • 10% Liveness
91% Instrumentalness • 50% Positiveness
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O'Flynn
Painted Wolf
114 bpm • E min • 05:43 • -12.2db
22% Popularity • 67% Danceability • 55% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
22% Popularity • 67% Danceability • 55% Energy • 13% Liveness
13% Instrumentalness • 30% Positiveness
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Shigeto
Detroit Part II
114 bpm • C# Maj • 07:28 • -13.66db
32% Popularity • 88% Danceability • 41% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
32% Popularity • 88% Danceability • 41% Energy • 22% Liveness
83% Instrumentalness • 27% Positiveness
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letherette
Langsette
114 bpm • D# Maj • 03:26 • -5.44db
38% Popularity • 79% Danceability • 55% Energy • 12% Liveness
52% Instrumentalness • 32% Positiveness
38% Popularity • 79% Danceability • 55% Energy • 12% Liveness
52% Instrumentalness • 32% Positiveness
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Julien Dyne
Stained Glass Fresh Frozen - Mixed
102 bpm • A# min • 02:26 • -15db
28% Popularity • 89% Danceability • 41% Energy • 9% Liveness
29% Instrumentalness • 56% Positiveness
28% Popularity • 89% Danceability • 41% Energy • 9% Liveness
29% Instrumentalness • 56% Positiveness
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Andras
What They Say
114 bpm • A Maj • 05:48 • -10db
33% Popularity • 81% Danceability • 65% Energy • 20% Liveness
43% Instrumentalness • 65% Positiveness
33% Popularity • 81% Danceability • 65% Energy • 20% Liveness
43% Instrumentalness • 65% Positiveness
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Larry Heard
You Rock Me - Long Version
114 bpm • G Maj • 06:12 • -11.61db
38% Popularity • 78% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
38% Popularity • 78% Danceability • 57% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Crazy P
The Witness
102 bpm • D min • 04:45 • -7.84db
36% Popularity • 77% Danceability • 60% Energy • 9% Liveness
21% Instrumentalness • 82% Positiveness
36% Popularity • 77% Danceability • 60% Energy • 9% Liveness
21% Instrumentalness • 82% Positiveness
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Galcher Lustwerk
Cig Angel
114 bpm • C# Maj • 02:50 • -11db
29% Popularity • 87% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 76% Positiveness
29% Popularity • 87% Danceability • 32% Energy • 10% Liveness
6% Instrumentalness • 76% Positiveness
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Lord Echo
The Sweetest Meditation
115 bpm • B min • 05:54 • -8.59db
44% Popularity • 78% Danceability • 81% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
44% Popularity • 78% Danceability • 81% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
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Jamie xx
Girl
102 bpm • G# min • 04:05 • -12db
46% Popularity • 36% Danceability • 60% Energy • 20% Liveness
62% Instrumentalness • 47% Positiveness
46% Popularity • 36% Danceability • 60% Energy • 20% Liveness
62% Instrumentalness • 47% Positiveness
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Andras
Romance
114 bpm • A min • 06:45 • -12.29db
22% Popularity • 72% Danceability • 37% Energy • 7% Liveness
80% Instrumentalness • 42% Positiveness
22% Popularity • 72% Danceability • 37% Energy • 7% Liveness
80% Instrumentalness • 42% Positiveness
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Oriyin
Roll The Dice - Mixed
115 bpm • B Maj • 02:45 • -8.53db
23% Popularity • 68% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 68% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Duke Hugh
Canvas
115 bpm • A# Maj • 04:43 • -13.82db
28% Popularity • 78% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
28% Popularity • 78% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 71% Positiveness
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Folamour
I Don't Sleep At Night But I Wake Up At ...
115 bpm • F# min • 05:09 • -7.54db
31% Popularity • 68% Danceability • 91% Energy • 7% Liveness
76% Instrumentalness • 37% Positiveness
31% Popularity • 68% Danceability • 91% Energy • 7% Liveness
76% Instrumentalness • 37% Positiveness
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Aaron Childs
Tangerine - Channel Tres Remix
115 bpm • B Maj • 04:54 • -9.55db
47% Popularity • 87% Danceability • 35% Energy • 18% Liveness
20% Instrumentalness • 37% Positiveness
47% Popularity • 87% Danceability • 35% Energy • 18% Liveness
20% Instrumentalness • 37% Positiveness
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Catching Flies
New Gods (Ron Basejam Remix)
115 bpm • F Maj • 05:04 • -8.84db
28% Popularity • 73% Danceability • 56% Energy • 22% Liveness
62% Instrumentalness • 37% Positiveness
28% Popularity • 73% Danceability • 56% Energy • 22% Liveness
62% Instrumentalness • 37% Positiveness
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Life on Planets
Fork in the Path - David Marston & Dan I...
115 bpm • G min • 07:12 • -10db
42% Popularity • 86% Danceability • 50% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
42% Popularity • 86% Danceability • 50% Energy • 10% Liveness
60% Instrumentalness • 6% Positiveness
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Chaos In The CBD
Common Unity
115 bpm • F Maj • 05:05 • -6.51db
34% Popularity • 76% Danceability • 72% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
34% Popularity • 76% Danceability • 72% Energy • 11% Liveness
92% Instrumentalness • 39% Positiveness
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Session Victim
Hey Stranger
115 bpm • A# min • 04:12 • -8.21db
37% Popularity • 72% Danceability • 65% Energy • 8% Liveness
80% Instrumentalness • 58% Positiveness
37% Popularity • 72% Danceability • 65% Energy • 8% Liveness
80% Instrumentalness • 58% Positiveness
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Francis Harris
You Can Always Leave
115 bpm • G# min • 08:59 • -15.8db
24% Popularity • 79% Danceability • 41% Energy • 9% Liveness
66% Instrumentalness • 26% Positiveness
24% Popularity • 79% Danceability • 41% Energy • 9% Liveness
66% Instrumentalness • 26% Positiveness
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Ross from Friends
Bootman
115 bpm • D min • 06:05 • -12.2db
40% Popularity • 79% Danceability • 63% Energy • 45% Liveness
33% Instrumentalness • 25% Positiveness
40% Popularity • 79% Danceability • 63% Energy • 45% Liveness
33% Instrumentalness • 25% Positiveness
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Kraak & Smaak
Hands of Time
115 bpm • G# Maj • 05:44 • -11.22db
38% Popularity • 70% Danceability • 36% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
38% Popularity • 70% Danceability • 36% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Photay
Inharmonious Slog
115 bpm • C# min • 04:20 • -11.08db
22% Popularity • 79% Danceability • 49% Energy • 34% Liveness
80% Instrumentalness • 12% Positiveness
22% Popularity • 79% Danceability • 49% Energy • 34% Liveness
80% Instrumentalness • 12% Positiveness
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O'Flynn
Sunspear
115 bpm • C Maj • 04:35 • -9.69db
33% Popularity • 69% Danceability • 80% Energy • 24% Liveness
53% Instrumentalness • 58% Positiveness
33% Popularity • 69% Danceability • 80% Energy • 24% Liveness
53% Instrumentalness • 58% Positiveness
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HAAi
Be Good
101 bpm • C Maj • 06:33 • -10.54db
38% Popularity • 50% Danceability • 49% Energy • 12% Liveness
58% Instrumentalness • 29% Positiveness
38% Popularity • 50% Danceability • 49% Energy • 12% Liveness
58% Instrumentalness • 29% Positiveness
