Songs like Jole Vasa Padho Ami by Mohima Hosen
Based on a tempo of (+/- 10%) and a similar genre
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Sandipan
Kalo Shape
147 bpm • G# Maj • 03:02 • -6.73db
0% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 69% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Robi Chowdhury
Nissho Kore Diyona
147 bpm • G# Maj • 04:32 • -8.52db
0% Popularity • 73% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 73% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Mohima Hosen
Jole Vasa Padho Ami
147 bpm • C Maj • 04:11 • -13.03db
2% Popularity • 62% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
2% Popularity • 62% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Pramod
Shree Chakravasini
146 bpm • A min • 06:17 • -6.31db
9% Popularity • 50% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 50% Danceability • 73% Energy • 58% Liveness
0% Instrumentalness • 89% Positiveness
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Pousali Banerjee
Eki Labonye Purno Prano
147 bpm • F min • 04:33 • -11.95db
14% Popularity • 46% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 46% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Ramanuj Dasgupta
Khelicho E Bishwa Loye
148 bpm • F min • 04:26 • -8.79db
10% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sandipan
Shundor Ek Khan Mukh
146 bpm • F Maj • 04:51 • -8.47db
2% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Durbadal Biswas
Krishnokoli 02
148 bpm • D Maj • 03:33 • -10.6db
8% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 62% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Kiran Chandra Roy
Janli Na Mon Kothay Se
146 bpm • D Maj • 05:02 • -8.91db
0% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Bari Siddiquee
Manush Dhoro Manush Bhajo
148 bpm • F# Maj • 05:13 • -7.6db
8% Popularity • 70% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 86% Positiveness
8% Popularity • 70% Danceability • 74% Energy • 8% Liveness
9% Instrumentalness • 86% Positiveness
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Mohima Hosen
Amar Poran
148 bpm • E Maj • 03:26 • -6.03db
5% Popularity • 55% Danceability • 74% Energy • 14% Liveness
26% Instrumentalness • 63% Positiveness
5% Popularity • 55% Danceability • 74% Energy • 14% Liveness
26% Instrumentalness • 63% Positiveness
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Surojit Chatterjee
Aaj Meghla Din
148 bpm • C# Maj • 02:21 • -18.04db
16% Popularity • 41% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 41% Danceability • 24% Energy • 69% Liveness
0% Instrumentalness • 48% Positiveness
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Papiya Sarowar
Adhek Ghume
149 bpm • D Maj • 05:05 • -8.62db
0% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Sohini Mishra
Balma
145 bpm • F# Maj • 05:12 • -6.49db
8% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 69% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Kiran Chandra Roy
Janli Na Mon Kothay Se
146 bpm • D Maj • 05:01 • -8.55db
1% Popularity • 65% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 65% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Leemon
Boshonto Ashlay
149 bpm • E Maj • 06:29 • -10.43db
0% Popularity • 61% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 61% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Sandipan
Biya Korle Kiyamot
150 bpm • F min • 03:08 • -4.94db
0% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 52% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Ramachandra Murthy
Maadu Meikum Kanne - Instrumental
150 bpm • D Maj • 07:22 • -8.9db
11% Popularity • 54% Danceability • 47% Energy • 17% Liveness
24% Instrumentalness • 56% Positiveness
11% Popularity • 54% Danceability • 47% Energy • 17% Liveness
24% Instrumentalness • 56% Positiveness
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Pramod
Adupambe
150 bpm • A# Maj • 05:14 • -6.79db
8% Popularity • 68% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 68% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Bharti Gill
Kho Gaya
150 bpm • G# Maj • 03:59 • -10.67db
7% Popularity • 76% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
7% Popularity • 76% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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Kiran Chandra Roy
Ajke Amar Mon Mojilo
150 bpm • F min • 04:17 • -9.38db
0% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 68% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Jasper Kunapo
Vedakudi
144 bpm • F min • 06:18 • -8.06db
8% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Mohima Hosen
Full Bagane
150 bpm • A Maj • 03:29 • -7.6db
0% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Shawon
Char Beharar Palki
150 bpm • C# min • 04:48 • -4.09db
0% Popularity • 61% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 61% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Bombay Saradha
Vana Durga Gayatri
150 bpm • G# Maj • 03:00 • -7.19db
8% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 72% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Sasha Ghoshal
Ektuku Chowa Lage
144 bpm • E min • 05:32 • -10.79db
7% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 55% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Ankita Bhattacharya
Loke Jodi
150 bpm • F Maj • 02:33 • -10.91db
9% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 70% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Naynesh Jani
Shiv Manas Puja
150 bpm • D# Maj • 06:24 • -7.86db
10% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Khalid
Barir Kache Arshi Nogor
150 bpm • B Maj • 05:57 • -11.23db
9% Popularity • 69% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
9% Popularity • 69% Danceability • 86% Energy • 13% Liveness
1% Instrumentalness • 92% Positiveness
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Shawon
Jiboner Khela Ghor
144 bpm • C# Maj • 05:08 • -6.29db
0% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 69% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Rabi Chowdhury
Shopno Dekhbo - Duet
150 bpm • D# Maj • 04:56 • -9.94db
0% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 50% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Bombay Saradha
Lakshmi Varaha Gayatri
150 bpm • G# Maj • 02:59 • -5.64db
8% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 69% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Rankini Dutta
Sokhi Tora Prem Koriyo Na
150 bpm • B Maj • 04:16 • -7.44db
24% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 65% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Shreya Guhathakurta
Tomar Sur Shunaye
144 bpm • G Maj • 05:25 • -4.83db
9% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Papiya Sarowar
Ami Chini Go Chini
150 bpm • G# Maj • 04:53 • -10.06db
0% Popularity • 52% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 52% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Dohar
Chol Mini Assam Jabo
144 bpm • F min • 05:20 • -5.37db
14% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
14% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Farida Parveen
Milon Hobe Koto Dine
150 bpm • G# min • 05:42 • -9.37db
8% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
8% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Titiksha Chowdhury
Ami Chini Go Chini Tomare
144 bpm • C Maj • 04:10 • -11.8db
8% Popularity • 43% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 43% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kiran Mohanta
Tor Lagin Bhela Mansik
144 bpm • A# Maj • 06:19 • -6.29db
8% Popularity • 62% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 62% Danceability • 74% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Paushali Sahu
Chokh Mele Dekho Tumi
143 bpm • C Maj • 04:29 • -9.46db
16% Popularity • 46% Danceability • 47% Energy • 11% Liveness
15% Instrumentalness • 52% Positiveness
16% Popularity • 46% Danceability • 47% Energy • 11% Liveness
15% Instrumentalness • 52% Positiveness
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Khalid
Sritir Shathe Bojhapora
143 bpm • C# min • 07:25 • -8.63db
8% Popularity • 61% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 61% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Pantha Kanai
Mone Mone
143 bpm • B Maj • 06:32 • -11.41db
1% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Papiya Sarowar
Jodi Tor Dak Shune
142 bpm • A Maj • 03:38 • -9.35db
0% Popularity • 68% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 68% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Durnibar Saha
E Ki Labanye Purna Pran
152 bpm • A# Maj • 03:23 • -10.21db
9% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Aditi Munshi
Anandini Maa
152 bpm • C min • 05:31 • -7.01db
12% Popularity • 55% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 55% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Lopamudra Mitra
Onnyo Bhorer Golpo
142 bpm • A# Maj • 04:18 • -7.25db
8% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
8% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Khalid
Shob Chawa Hoyna Puron
152 bpm • A# Maj • 07:06 • -9.55db
16% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 48% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Pantha Kanai
Chan Mukhe
152 bpm • D# Maj • 05:28 • -9.14db
1% Popularity • 44% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
1% Popularity • 44% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Shawon
Mondalokkha Nodir Tire
142 bpm • C Maj • 03:42 • -10.28db
0% Popularity • 82% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 82% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Kamruzzaman Rabbi
Ami Bamon Hoiya
141 bpm • G min • 04:31 • -10.42db
9% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 74% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Pramod
Shivarathri Dinam
141 bpm • C Maj • 04:17 • -6.4db
10% Popularity • 65% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 65% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
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Papiya Sarowar
Purano Shei Diner Kotha
141 bpm • A Maj • 05:33 • -6.55db
0% Popularity • 37% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 37% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Khalid
Apon Ami Bhabi Jare
141 bpm • D Maj • 04:18 • -7.86db
12% Popularity • 70% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
12% Popularity • 70% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Dohar
Gainjar Chirol Chirol Paat
141 bpm • C Maj • 06:57 • -11.27db
8% Popularity • 64% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 64% Danceability • 40% Energy • 30% Liveness
0% Instrumentalness • 67% Positiveness
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Shawon
Khoma Kore Diyo
154 bpm • C# Maj • 04:44 • -7.42db
0% Popularity • 63% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
0% Popularity • 63% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Debolina Nandy
Maa Go Anondomoyi
154 bpm • C# Maj • 04:13 • -4.25db
12% Popularity • 60% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 60% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Subhamita Banerjee
Basontika
154 bpm • C Maj • 05:33 • -8.35db
8% Popularity • 45% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 45% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Aditi Munshi
Debi Bhagabati
154 bpm • G Maj • 04:04 • -7.53db
18% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 55% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Sandipan
Ami Apar Hoye Bose
140 bpm • A# min • 04:54 • -10.58db
0% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 52% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Himali V Naik
Intro
140 bpm • C Maj • 01:02 • -9.96db
9% Popularity • 51% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 51% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 20% Positiveness
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Khairul Anam Shakil
Ajo Kade Kanone
154 bpm • C Maj • 04:47 • -10.01db
4% Popularity • 36% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
4% Popularity • 36% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sudha Biswas
Bhanga Mon
140 bpm • F Maj • 03:46 • -7.5db
27% Popularity • 45% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 45% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Khalid
Shukher Ovinoy
140 bpm • C# min • 04:59 • -7.73db
9% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 72% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Mamta Chandrakar
TEL HARDI
140 bpm • F# Maj • 03:39 • -4.54db
17% Popularity • 70% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 70% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Sandipan
Mon Rey Krishi Kaaj Janona
140 bpm • C# Maj • 04:56 • -9.09db
0% Popularity • 69% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 69% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Pousali Banerjee
Bolo Go Bolo Go Shokhi
155 bpm • G Maj • 04:44 • -8.63db
9% Popularity • 76% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 75% Positiveness
9% Popularity • 76% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 75% Positiveness
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Maadal
Sajo Sundori Koinnya
140 bpm • D Maj • 04:44 • -9.92db
7% Popularity • 75% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
7% Popularity • 75% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Poushali Banerjee
Satyanarayan Panchali
155 bpm • F Maj • 11:35 • -7.29db
7% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
7% Popularity • 55% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Khairul Anam Shakil
Padmar Dheu Re
140 bpm • F Maj • 07:16 • -11.67db
2% Popularity • 34% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 34% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Abanty Maity
Edin Aji
140 bpm • D# Maj • 03:03 • -11.41db
9% Popularity • 58% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 58% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Kuthi Mansur
Ke Bole Manush More
140 bpm • B Maj • 05:58 • -9.41db
12% Popularity • 52% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 52% Danceability • 30% Energy • 4% Liveness
0% Instrumentalness • 26% Positiveness
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Anushila Basu
Eso Eso Aamar Ghare
139 bpm • A Maj • 03:48 • -8.14db
10% Popularity • 46% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 46% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 56% Positiveness
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Ferdous Wahid
Mamunia
139 bpm • A Maj • 04:26 • -10.05db
1% Popularity • 73% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
1% Popularity • 73% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Sandipan
Modhu Koi Koi
156 bpm • G# Maj • 04:23 • -13.83db
1% Popularity • 74% Danceability • 48% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
1% Popularity • 74% Danceability • 48% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
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Kiran Chandra Roy
Aha Mori Mori Re
156 bpm • C Maj • 06:53 • -7.46db
1% Popularity • 69% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
1% Popularity • 69% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Papiya Sarowar
Alo Amar Alo
138 bpm • A# Maj • 04:51 • -5.15db
5% Popularity • 55% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
5% Popularity • 55% Danceability • 84% Energy • 12% Liveness
1% Instrumentalness • 89% Positiveness
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Ramanuj Dasgupta
Kaberi Nodir Jole Kego
138 bpm • F# min • 04:12 • -10.05db
1% Popularity • 50% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
1% Popularity • 50% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 81% Positiveness
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Seema Mishra
Aaja Sanvariya To Dropadi Ki Lage Bachaj...
137 bpm • F# Maj • 07:59 • -14.62db
8% Popularity • 67% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 67% Danceability • 60% Energy • 80% Liveness
0% Instrumentalness • 80% Positiveness
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Pantha Kanai
Amar Hat Badhibi
137 bpm • A Maj • 05:14 • -10.75db
0% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 70% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Shawon
Pothara Pakhi
136 bpm • D# Maj • 04:11 • -9.73db
0% Popularity • 28% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 28% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Rama Karmakar
Kaindona Kaindona Rai - Bangla Song
136 bpm • G min • 07:44 • -10.59db
10% Popularity • 47% Danceability • 55% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 47% Danceability • 55% Energy • 56% Liveness
0% Instrumentalness • 72% Positiveness
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Papiya Sarowar
Anondoloke
138 bpm • A# Maj • 05:25 • -11.02db
0% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
0% Popularity • 55% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Miraj Khan
Dukkho Koste Jibon Vora
136 bpm • D min • 04:36 • -8.76db
9% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 78% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Kavita Krishnamurthy
Ei Naditike Dekhe
160 bpm • C Maj • 05:11 • -10.38db
8% Popularity • 49% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 49% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Pantha Kanai
Barir Kache Arshi Nogor
158 bpm • E Maj • 06:36 • -10.33db
0% Popularity • 52% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 52% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Freemenbd
Shopno Pori
136 bpm • F Maj • 05:10 • -9.55db
8% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
8% Popularity • 55% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Uvie
Om Hanumate Namah
160 bpm • A# Maj • 01:14 • -8db
10% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Shayan
Age Jodi Janitam - Tribute
160 bpm • D Maj • 07:14 • -10.42db
8% Popularity • 52% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 52% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Durbadal Biswas
Kalo Meye Kalo Rupe
160 bpm • B min • 02:36 • -14.65db
1% Popularity • 46% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 46% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Nirmalya Roy
In the Tune of Morning Raga
135 bpm • D Maj • 02:39 • -11.27db
7% Popularity • 75% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 75% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Mohammad Kayes
ও আমায় à¦à¦¾à¦²à§‹à¦¬à¦¾ï¿½...
135 bpm • D min • 01:44 • -16.79db
9% Popularity • 52% Danceability • 26% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 52% Danceability • 26% Energy • 46% Liveness
0% Instrumentalness • 22% Positiveness
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Shawon
Nishthur Tumi
160 bpm • G min • 04:19 • -5.25db
0% Popularity • 60% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 60% Danceability • 95% Energy • 41% Liveness
0% Instrumentalness • 79% Positiveness
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Doly Sayontoni
Tui Jodi Hoiti Golar Mala
135 bpm • E Maj • 05:31 • -0.32db
11% Popularity • 82% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 82% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Khalid
Ke Tumi Priyotoma
135 bpm • A Maj • 06:01 • -12.05db
12% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Shivpreet Singh
Aas
135 bpm • F min • 03:07 • -11.66db
7% Popularity • 46% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 46% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Nirmalya Roy
The Giraffe Has a Long Neck (Giraffer Lo...
160 bpm • D# Maj • 01:11 • -7.19db
7% Popularity • 70% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 70% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Tune Hut
Ogo Maa
135 bpm • A min • 02:57 • -10.43db
32% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Padmini Chandrashekar
Keshava Madhava
135 bpm • C Maj • 05:09 • -8.49db
8% Popularity • 48% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 48% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
