Songs like Jone's Ale by Traditional
Based on a tempo of (+/- 10%) and a similar genre
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Giulio Caccini
Caccini: Ave Maria
84 bpm • A min • 03:43 • -17.06db
17% Popularity • 15% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
17% Popularity • 15% Danceability • 16% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
35% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
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Probandi Benedittini Di San Giovanni In Parma
Sanctus Benedictus
84 bpm • F Maj • 02:01 • -20.44db
44% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 16% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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KITKA Women's Vocal Ensemble
Ochte Nash
84 bpm • E Maj • 02:29 • -19.49db
14% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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"The Orthodox Singers" Male Choir
Do Not Reject In My Old Age
84 bpm • C min • 07:01 • -32db
17% Popularity • 8% Danceability • 4% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 4% Energy • 13% Liveness
77% Instrumentalness • 4% Positiveness
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Traditional
Ordinarium Missae: Kyrie
84 bpm • D Maj • 01:18 • -22.61db
32% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
32% Popularity • 19% Danceability • 5% Energy • 9% Liveness
2% Instrumentalness • 7% Positiveness
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St. Petersburg Optina Pustyn Male Choir
3 Choruses from Tsar Fyodor Ioannovich: ...
84 bpm • C min • 03:44 • -24db
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 4% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
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John Johnson
Greensleeves
83 bpm • F Maj • 03:58 • -23db
36% Popularity • 35% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
36% Popularity • 35% Danceability • 16% Energy • 13% Liveness
78% Instrumentalness • 60% Positiveness
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Jan Campanus Vodnansky
Rorando coeli
83 bpm • A Maj • 02:14 • -27db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Monks Of The Abbey Of Notre Dame
Benedicamus Patrem
85 bpm • D Maj • 01:42 • -26db
44% Popularity • 40% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
83 bpm • D Maj • 01:44 • -39.68db
39% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
39% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Traditional
Veni Creator Spiritus
83 bpm • A# Maj • 03:08 • -19.99db
5% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
5% Popularity • 21% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Kristina Arakelyan
You Know Me
83 bpm • A# Maj • 04:04 • -25.32db
27% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 16% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Francis Poulenc
Dialogues des Carmélites, FP 159: Ave M...
85 bpm • B min • 01:55 • -31.7db
23% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 8% Liveness
76% Instrumentalness • 3% Positiveness
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James Whitbourn
Give us the wings of faith
85 bpm • A min • 02:36 • -25db
35% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
35% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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John Dowland
Lady Rich, Her Galliard
83 bpm • F# Maj • 01:57 • -32.65db
38% Popularity • 30% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
38% Popularity • 30% Danceability • 2% Energy • 9% Liveness
82% Instrumentalness • 48% Positiveness
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Pérotin
Beata Viscera
85 bpm • G# min • 06:12 • -25db
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Monks Of The Abbey Of Notre Dame
Introit Benedicta Sit
83 bpm • F# Maj • 03:22 • -23db
47% Popularity • 19% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Pyort Goncharov
Krestu Tvoemu (Thy Cross Do We Adore)
85 bpm • G Maj • 02:43 • -21.55db
22% Popularity • 23% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
37% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
37% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
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Traditional
Traditional: Overture: Invitatory Surrex...
85 bpm • E Maj • 06:26 • -26.07db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
23% Instrumentalness • 12% Positiveness
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
23% Instrumentalness • 12% Positiveness
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Claude Gervaise
Pavane, Gaillarde & Branle de Champagne
85 bpm • G min • 04:47 • -14db
36% Popularity • 30% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
36% Popularity • 30% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 37% Positiveness
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McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Francesco Landini
Echo la primavera
85 bpm • F Maj • 01:17 • -28db
26% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Hortus Musicus
Veni creator spiritus
85 bpm • A# Maj • 03:05 • -14.81db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Domestik Municipal Choir of Ekaterinburg
It Is Truly Meet
83 bpm • G Maj • 02:26 • -17.93db
19% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
19% Popularity • 22% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Traditional
Tropaires de la 1ère et de la 3ème Ode...
83 bpm • F min • 08:44 • -16.56db
31% Popularity • 22% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 22% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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Kammerkoor Head Ööd Vend
Muusika
83 bpm • F Maj • 02:37 • -30.67db
30% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 22% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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University Of Pretoria Camerata
Tykus Tykus
86 bpm • D# Maj • 04:28 • -22.86db
20% Popularity • 17% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
20% Popularity • 17% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
35% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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St. Petersburg Optina Pustyn Male Choir
The Lovely Night
82 bpm • G Maj • 04:38 • -18.89db
11% Popularity • 13% Danceability • 19% Energy • 18% Liveness
14% Instrumentalness • 4% Positiveness
11% Popularity • 13% Danceability • 19% Energy • 18% Liveness
14% Instrumentalness • 4% Positiveness
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John Tavener
Mother of God
86 bpm • F Maj • 03:01 • -28.8db
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 5% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Corydon Singers
In Pardisum
82 bpm • B Maj • 03:13 • -19.99db
13% Popularity • 19% Danceability • 17% Energy • 14% Liveness
99% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 17% Energy • 14% Liveness
99% Instrumentalness • 3% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
82 bpm • C# Maj • 02:34 • -28db
24% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Daniel Elder
Twinkle, Twinkle, Little Star
82 bpm • D Maj • 03:16 • -29db
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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KITKA Women's Vocal Ensemble
Shen Khar Venakhi
82 bpm • D Maj • 04:10 • -22.7db
22% Popularity • 17% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
22% Popularity • 17% Danceability • 7% Energy • 13% Liveness
60% Instrumentalness • 6% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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A.Gitnik
Unfailing Light-(A.Gitnik)
82 bpm • G# Maj • 02:46 • -14db
14% Popularity • 8% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
14% Popularity • 8% Danceability • 18% Energy • 10% Liveness
36% Instrumentalness • 4% Positiveness
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The Schola Cantorum of St. Peter's in the Loop
Phos Hilaron
86 bpm • C min • 01:48 • -22.54db
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 16% Positiveness
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Francisco Guerrero
Maria Magdalene
86 bpm • A Maj • 08:20 • -21.25db
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 19% Energy • 14% Liveness
37% Instrumentalness • 4% Positiveness
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Alice Tegner
O Salve Regina
82 bpm • G min • 01:40 • -22.76db
24% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Hieronymos Tragodistes of Cyprus
O Great and Most Sacred Pascha
82 bpm • G min • 01:36 • -18.33db
27% Popularity • 19% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
27% Popularity • 19% Danceability • 21% Energy • 13% Liveness
35% Instrumentalness • 5% Positiveness
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Traditional
Danny Boy (Londonderry Air) (arr. J. Flu...
86 bpm • D# Maj • 03:07 • -32.21db
8% Popularity • 10% Danceability • 13% Energy • 70% Liveness
61% Instrumentalness • 27% Positiveness
8% Popularity • 10% Danceability • 13% Energy • 70% Liveness
61% Instrumentalness • 27% Positiveness
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Valentin Silvestrov
Liturgical Chants: Ave Maria
82 bpm • B min • 03:20 • -36db
34% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
34% Popularity • 10% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Dmitry Bortniansky
Cherubic Hymn No. 7
82 bpm • D Maj • 05:30 • -31db
16% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 3% Energy • 11% Liveness
70% Instrumentalness • 4% Positiveness
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Christian Chants
Paradisus
82 bpm • F Maj • 01:29 • -20.64db
25% Popularity • 23% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
25% Popularity • 23% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Georgius Bardos
Eli, Eli
82 bpm • C min • 03:40 • -27db
10% Popularity • 9% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 2% Energy • 9% Liveness
57% Instrumentalness • 4% Positiveness
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Canonici Regolari Di Sant'Antimo
Tempo Della Chiesa: Pater Noster
86 bpm • G Maj • 01:22 • -23.09db
39% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
39% Popularity • 34% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Traditional
Were You There?
82 bpm • E Maj • 03:50 • -31.95db
16% Popularity • 19% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 6% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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St. Cyril & Methodius Ukrainian Church Choir
The Mother of God (Ukraine)
82 bpm • C# Maj • 02:05 • -32db
35% Popularity • 8% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Eric Whitacre
Five Hebrew Love Songs 1. Temuna
87 bpm • G Maj • 01:47 • -25.49db
18% Popularity • 11% Danceability • 6% Energy • 45% Liveness
95% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 6% Energy • 45% Liveness
95% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Alleluia: I. Evening
82 bpm • C Maj • 02:18 • -35db
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
34% Popularity • 13% Danceability • 1% Energy • 14% Liveness
78% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Ojcze Nasz
82 bpm • F Maj • 01:15 • -21.55db
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 9% Energy • 12% Liveness
7% Instrumentalness • 10% Positiveness
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The Benedictine Monks of Worth Abbey
Morning Prayer: III. Psalm 1
87 bpm • D# Maj • 02:00 • -31.78db
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Monks Of The Abbey Of Notre Dame
Pax Aeterna
81 bpm • G# Maj • 01:15 • -23.24db
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
45% Popularity • 23% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Christina Pluhar
Are mou rindineddha
81 bpm • B min • 04:35 • -15.42db
27% Popularity • 31% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 31% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Bartolomeo Tromboncino
Ostinato vos seguire
87 bpm • F Maj • 03:32 • -15db
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 46% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Jacob Clemens non Papa
Adesto dolori meo
87 bpm • A# Maj • 06:23 • -25.6db
18% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
9% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Guillaume de Machaut
Messe de Notre-Dame: X. Agnus Dei
87 bpm • F# Maj • 03:27 • -28db
22% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Angel City Chorale
Song of Peace (Finlandia)
81 bpm • E Maj • 02:58 • -24db
12% Popularity • 22% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
12% Popularity • 22% Danceability • 13% Energy • 12% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Tylman Susato
Susato: 12 Dances from The Danserye: I. ...
87 bpm • C Maj • 01:15 • -9.67db
11% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
11% Popularity • 53% Danceability • 56% Energy • 13% Liveness
68% Instrumentalness • 25% Positiveness
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Amy Beach
Peace I Leave with You
81 bpm • D# Maj • 01:39 • -27db
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
29% Popularity • 24% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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John Alexander
There Will Be Rest
81 bpm • D# Maj • 06:23 • -25db
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 7% Energy • 10% Liveness
46% Instrumentalness • 4% Positiveness
► Preview
William Walton
Coronation Te Deum
81 bpm • A Maj • 09:47 • -23.37db
7% Popularity • 15% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 14% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
41% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Traditional
Traditional: Santa Lucia
87 bpm • E Maj • 01:29 • -18.02db
38% Popularity • 22% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 22% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 46% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
31% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Choir of the Moscow Church
Bless the Lord, O my Soul
88 bpm • G min • 05:13 • -20.45db
21% Popularity • 12% Danceability • 19% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 12% Danceability • 19% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Sergey Khvoshchinsky
Bogoroditse Devo, raduysia
87 bpm • D# Maj • 05:18 • -19db
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Kim André Arnesen
Even When He Is Silent
81 bpm • C Maj • 06:20 • -26db
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Jesu, Meine ...
81 bpm • C# min • 01:05 • -18db
26% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
26% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Dan Gibson's Solitudes
Credo III
81 bpm • D Maj • 06:43 • -21.38db
44% Popularity • 8% Danceability • 18% Energy • 36% Liveness
53% Instrumentalness • 7% Positiveness
44% Popularity • 8% Danceability • 18% Energy • 36% Liveness
53% Instrumentalness • 7% Positiveness
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The Choir of Trinity College, Melbourne
Be Still, My Soul
80 bpm • D# Maj • 03:02 • -24.86db
24% Popularity • 15% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 15% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Dominican House of Studies
Protect Thy People, O Lord
88 bpm • E min • 01:02 • -22db
37% Popularity • 19% Danceability • 16% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 16% Energy • 8% Liveness
32% Instrumentalness • 4% Positiveness
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Men's Chamber Choir of Sofia
The Noble Joseph
80 bpm • C Maj • 02:38 • -19.31db
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Glory
80 bpm • A# Maj • 01:57 • -14db
30% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
30% Popularity • 14% Danceability • 39% Energy • 12% Liveness
82% Instrumentalness • 17% Positiveness
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Valentin Silvestrov
Liturgical Chants: 4 Spiritual Songs: Ch...
80 bpm • A Maj • 02:34 • -32db
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
32% Popularity • 12% Danceability • 1% Energy • 8% Liveness
80% Instrumentalness • 3% Positiveness
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Traditional
A Worcester Ladymass: Agnus Dei
80 bpm • A min • 03:34 • -32.05db
17% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Shelley Phillips And Friends
Mr. Beveridge's_Hole in the Wall
80 bpm • A# Maj • 04:51 • -11db
14% Popularity • 47% Danceability • 19% Energy • 13% Liveness
56% Instrumentalness • 27% Positiveness
14% Popularity • 47% Danceability • 19% Energy • 13% Liveness
56% Instrumentalness • 27% Positiveness
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St. Petersburg Optina Pustyn Male Choir
Hey, You, Wide Steppe
88 bpm • G min • 03:13 • -22.42db
17% Popularity • 10% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 7% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
34% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Traditional
Greensleeves
88 bpm • E min • 04:44 • -27.25db
12% Popularity • 12% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
12% Popularity • 12% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 9% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
