Songs like Josef Erich by Trilok Gurtu
Based on a tempo of (+/- 10%) and a similar genre
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Pablo Woj
essai
120 bpm • C Maj • 01:51 • -37.12db
16% Popularity • 73% Danceability • 8% Energy • 7% Liveness
85% Instrumentalness • 99% Positiveness
16% Popularity • 73% Danceability • 8% Energy • 7% Liveness
85% Instrumentalness • 99% Positiveness
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Trilok Gurtu
Josef Erich
120 bpm • A# min • 05:40 • -13.14db
13% Popularity • 70% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
13% Popularity • 70% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
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Daniel Herskedal
Help From Hollywood
120 bpm • C Maj • 01:00 • -21.53db
28% Popularity • 88% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 52% Positiveness
28% Popularity • 88% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 52% Positiveness
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Marco Vezzoso
A Tuk Tuk for Phnom Penh
120 bpm • D min • 05:34 • -9.98db
1% Popularity • 74% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 55% Positiveness
1% Popularity • 74% Danceability • 59% Energy • 9% Liveness
87% Instrumentalness • 55% Positiveness
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Three Noisy Rabbits
Blue Alley
120 bpm • G min • 05:54 • -13.97db
23% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 72% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Stefano Ianne
Neda Freedom
120 bpm • D Maj • 03:31 • -14.54db
6% Popularity • 55% Danceability • 20% Energy • 44% Liveness
92% Instrumentalness • 7% Positiveness
6% Popularity • 55% Danceability • 20% Energy • 44% Liveness
92% Instrumentalness • 7% Positiveness
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Nguyên Lê
Purple Haze
120 bpm • B min • 05:19 • -9.32db
10% Popularity • 63% Danceability • 80% Energy • 4% Liveness
49% Instrumentalness • 64% Positiveness
10% Popularity • 63% Danceability • 80% Energy • 4% Liveness
49% Instrumentalness • 64% Positiveness
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Trilok Gurtu
Folded Hands
120 bpm • A min • 07:43 • -12.65db
3% Popularity • 64% Danceability • 36% Energy • 18% Liveness
51% Instrumentalness • 35% Positiveness
3% Popularity • 64% Danceability • 36% Energy • 18% Liveness
51% Instrumentalness • 35% Positiveness
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Doctor 3
Doctor 01
120 bpm • C# Maj • 01:01 • -14.2db
38% Popularity • 60% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
38% Popularity • 60% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Pat Metheny Group
Imaginary Day
120 bpm • C Maj • 10:11 • -10.15db
22% Popularity • 36% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
22% Popularity • 36% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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Dino Saluzzi
Los Them
119 bpm • E min • 03:25 • -15.46db
18% Popularity • 68% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
18% Popularity • 68% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Stefano Ianne
Too Bright
120 bpm • A min • 05:33 • -11.81db
0% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
0% Popularity • 70% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Miguel Mandrak
Meditations
120 bpm • C# min • 03:32 • -11.96db
15% Popularity • 24% Danceability • 35% Energy • 38% Liveness
61% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 35% Energy • 38% Liveness
61% Instrumentalness • 4% Positiveness
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John Abercrombie Quartet
Arcade
119 bpm • F min • 09:37 • -18db
9% Popularity • 43% Danceability • 38% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
9% Popularity • 43% Danceability • 38% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
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Trilok Gurtu
Shobharock
121 bpm • B Maj • 07:37 • -10.94db
4% Popularity • 60% Danceability • 73% Energy • 8% Liveness
84% Instrumentalness • 40% Positiveness
4% Popularity • 60% Danceability • 73% Energy • 8% Liveness
84% Instrumentalness • 40% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. II
121 bpm • B min • 02:33 • -11.53db
36% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
36% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Bernabeu Quartet
RM13
119 bpm • C Maj • 02:00 • -9.97db
13% Popularity • 45% Danceability • 75% Energy • 6% Liveness
52% Instrumentalness • 18% Positiveness
13% Popularity • 45% Danceability • 75% Energy • 6% Liveness
52% Instrumentalness • 18% Positiveness
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Hadouk Trio
Alma Celesta
119 bpm • C min • 05:23 • -11.32db
28% Popularity • 63% Danceability • 50% Energy • 17% Liveness
81% Instrumentalness • 25% Positiveness
28% Popularity • 63% Danceability • 50% Energy • 17% Liveness
81% Instrumentalness • 25% Positiveness
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Daniel Goyone
Danse des lamantins
121 bpm • E min • 03:57 • -19.82db
0% Popularity • 27% Danceability • 18% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
0% Popularity • 27% Danceability • 18% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
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Stéphane Galland
Lamma Bada Yatathanna
119 bpm • G min • 09:57 • -12.73db
13% Popularity • 53% Danceability • 35% Energy • 9% Liveness
83% Instrumentalness • 18% Positiveness
13% Popularity • 53% Danceability • 35% Energy • 9% Liveness
83% Instrumentalness • 18% Positiveness
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Trilok Gurtu
Believe
121 bpm • F# Maj • 06:25 • -14.39db
3% Popularity • 46% Danceability • 54% Energy • 8% Liveness
46% Instrumentalness • 68% Positiveness
3% Popularity • 46% Danceability • 54% Energy • 8% Liveness
46% Instrumentalness • 68% Positiveness
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Marco Antônio Guimarães
Trilobita
119 bpm • C# min • 04:33 • -18.23db
16% Popularity • 77% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 81% Positiveness
16% Popularity • 77% Danceability • 26% Energy • 10% Liveness
94% Instrumentalness • 81% Positiveness
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Espoo Big Band
Lake Disappointment
121 bpm • E min • 05:39 • -20.36db
0% Popularity • 29% Danceability • 21% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
0% Popularity • 29% Danceability • 21% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
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Anouar Brahem
Galilée mon amour
118 bpm • F min • 07:17 • -20.29db
30% Popularity • 64% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
30% Popularity • 64% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
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Hadouk Trio
Moussa
118 bpm • G Maj • 03:58 • -11.17db
25% Popularity • 70% Danceability • 65% Energy • 7% Liveness
90% Instrumentalness • 59% Positiveness
25% Popularity • 70% Danceability • 65% Energy • 7% Liveness
90% Instrumentalness • 59% Positiveness
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Gilberto Gil
Watapá
118 bpm • F Maj • 05:23 • -7.99db
4% Popularity • 74% Danceability • 54% Energy • 23% Liveness
18% Instrumentalness • 55% Positiveness
4% Popularity • 74% Danceability • 54% Energy • 23% Liveness
18% Instrumentalness • 55% Positiveness
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Trilok Gurtu
The Glimpse
119 bpm • C Maj • 06:49 • -20.73db
3% Popularity • 50% Danceability • 12% Energy • 10% Liveness
15% Instrumentalness • 10% Positiveness
3% Popularity • 50% Danceability • 12% Energy • 10% Liveness
15% Instrumentalness • 10% Positiveness
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Mathias Eick
Family
118 bpm • C Maj • 04:15 • -18db
17% Popularity • 41% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
17% Popularity • 41% Danceability • 20% Energy • 8% Liveness
87% Instrumentalness • 9% Positiveness
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Vali Kasma
Assault
118 bpm • C min • 01:52 • -10.56db
9% Popularity • 42% Danceability • 30% Energy • 67% Liveness
92% Instrumentalness • 14% Positiveness
9% Popularity • 42% Danceability • 30% Energy • 67% Liveness
92% Instrumentalness • 14% Positiveness
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Marco Monteverde
Le Chat Noir
118 bpm • B min • 02:15 • -11.22db
10% Popularity • 74% Danceability • 56% Energy • 20% Liveness
49% Instrumentalness • 66% Positiveness
10% Popularity • 74% Danceability • 56% Energy • 20% Liveness
49% Instrumentalness • 66% Positiveness
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Hadouk Trio
Brasero des soucis
118 bpm • C# Maj • 06:46 • -12.66db
24% Popularity • 51% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 22% Positiveness
24% Popularity • 51% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 22% Positiveness
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Enzo Avitabile
Rape ca t' è utèle - Live Version
118 bpm • G Maj • 06:21 • -8.05db
6% Popularity • 54% Danceability • 75% Energy • 16% Liveness
14% Instrumentalness • 46% Positiveness
6% Popularity • 54% Danceability • 75% Energy • 16% Liveness
14% Instrumentalness • 46% Positiveness
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Trilok Gurtu
You Remember This
118 bpm • D Maj • 03:38 • -8.07db
5% Popularity • 51% Danceability • 78% Energy • 16% Liveness
3% Instrumentalness • 71% Positiveness
5% Popularity • 51% Danceability • 78% Energy • 16% Liveness
3% Instrumentalness • 71% Positiveness
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Pat Metheny Group
Offramp
118 bpm • G min • 05:55 • -16.26db
23% Popularity • 33% Danceability • 46% Energy • 4% Liveness
17% Instrumentalness • 56% Positiveness
23% Popularity • 33% Danceability • 46% Energy • 4% Liveness
17% Instrumentalness • 56% Positiveness
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Henri Texier
Navajo Dream
118 bpm • D Maj • 01:52 • -28.62db
15% Popularity • 59% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
15% Popularity • 59% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 30% Positiveness
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Dhafer Youssef
Nouba
118 bpm • F min • 06:47 • -10.98db
7% Popularity • 69% Danceability • 32% Energy • 12% Liveness
77% Instrumentalness • 27% Positiveness
7% Popularity • 69% Danceability • 32% Energy • 12% Liveness
77% Instrumentalness • 27% Positiveness
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John Surman
Roundelay
123 bpm • G# Maj • 05:10 • -18.15db
8% Popularity • 38% Danceability • 8% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
8% Popularity • 38% Danceability • 8% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Marco Vezzoso
Wake up in Manila
117 bpm • F# Maj • 04:54 • -9.71db
1% Popularity • 62% Danceability • 33% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
1% Popularity • 62% Danceability • 33% Energy • 12% Liveness
8% Instrumentalness • 10% Positiveness
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Peter Giger's Family Of Percussion
Anonymus V
123 bpm • G# Maj • 03:05 • -13.05db
2% Popularity • 54% Danceability • 87% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
2% Popularity • 54% Danceability • 87% Energy • 7% Liveness
92% Instrumentalness • 72% Positiveness
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Hadouk Trio
Barca solaris
123 bpm • F# min • 05:30 • -10.4db
22% Popularity • 75% Danceability • 38% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
22% Popularity • 75% Danceability • 38% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
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Henri Texier
Korokoro
122 bpm • E min • 05:17 • -14.25db
12% Popularity • 50% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
12% Popularity • 50% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Dhafer Youssef
Hayastan Dance
123 bpm • E min • 05:00 • -11.21db
21% Popularity • 41% Danceability • 62% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
21% Popularity • 41% Danceability • 62% Energy • 11% Liveness
89% Instrumentalness • 30% Positiveness
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John Surman
Prelude And Rustic Dance
117 bpm • A# Maj • 05:13 • -15.27db
8% Popularity • 64% Danceability • 10% Energy • 17% Liveness
61% Instrumentalness • 34% Positiveness
8% Popularity • 64% Danceability • 10% Energy • 17% Liveness
61% Instrumentalness • 34% Positiveness
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Fadhilah Kharisma Apriliani
Kemarau - Acoustic
117 bpm • F# min • 01:00 • -22.74db
11% Popularity • 49% Danceability • 33% Energy • 12% Liveness
71% Instrumentalness • 68% Positiveness
11% Popularity • 49% Danceability • 33% Energy • 12% Liveness
71% Instrumentalness • 68% Positiveness
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Mukta
Bindi
124 bpm • G Maj • 04:07 • -7.48db
22% Popularity • 75% Danceability • 62% Energy • 13% Liveness
29% Instrumentalness • 50% Positiveness
22% Popularity • 75% Danceability • 62% Energy • 13% Liveness
29% Instrumentalness • 50% Positiveness
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Hadouk Trio
Hijaz
123 bpm • G min • 05:05 • -13.12db
13% Popularity • 54% Danceability • 33% Energy • 17% Liveness
62% Instrumentalness • 20% Positiveness
13% Popularity • 54% Danceability • 33% Energy • 17% Liveness
62% Instrumentalness • 20% Positiveness
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Peter Giger's Family Of Percussion
Amadillo
116 bpm • C min • 04:59 • -13.2db
3% Popularity • 69% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 86% Positiveness
3% Popularity • 69% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 86% Positiveness
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Dhafer Youssef
Ondes of Chakras
116 bpm • E min • 06:17 • -18.89db
16% Popularity • 50% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 51% Positiveness
16% Popularity • 50% Danceability • 29% Energy • 7% Liveness
93% Instrumentalness • 51% Positiveness
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Rabih Abou-Khalil
Rabou-Abou-Kabou
124 bpm • A Maj • 04:50 • -16.25db
15% Popularity • 59% Danceability • 42% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
15% Popularity • 59% Danceability • 42% Energy • 8% Liveness
88% Instrumentalness • 44% Positiveness
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Daniel Goyone
Dance of the Lords
116 bpm • B min • 04:37 • -17.34db
0% Popularity • 50% Danceability • 55% Energy • 7% Liveness
80% Instrumentalness • 55% Positiveness
0% Popularity • 50% Danceability • 55% Energy • 7% Liveness
80% Instrumentalness • 55% Positiveness
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Trilok Gurtu
Connected
116 bpm • G# Maj • 00:56 • -18.43db
19% Popularity • 56% Danceability • 60% Energy • 9% Liveness
93% Instrumentalness • 86% Positiveness
19% Popularity • 56% Danceability • 60% Energy • 9% Liveness
93% Instrumentalness • 86% Positiveness
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Hadouk Trio
Hadouk Blues
116 bpm • F min • 06:13 • -16db
32% Popularity • 50% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 16% Positiveness
32% Popularity • 50% Danceability • 24% Energy • 14% Liveness
88% Instrumentalness • 16% Positiveness
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Yazz Ahmed
The Space Between the Fish and the Moon
125 bpm • E Maj • 05:02 • -16.59db
15% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Dhafer Youssef
Longing & Saltation Journey
124 bpm • A Maj • 06:43 • -16.6db
11% Popularity • 46% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
11% Popularity • 46% Danceability • 42% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Billy Bang
Yo! Ho Chi Minh Is in the House
125 bpm • A min • 10:25 • -7.44db
10% Popularity • 48% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
10% Popularity • 48% Danceability • 59% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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Rabih Abou-Khalil
Blue Camel
115 bpm • D Maj • 08:22 • -16db
18% Popularity • 64% Danceability • 51% Energy • 11% Liveness
67% Instrumentalness • 58% Positiveness
18% Popularity • 64% Danceability • 51% Energy • 11% Liveness
67% Instrumentalness • 58% Positiveness
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Trilok Gurtu
Dinki Puriya
125 bpm • D Maj • 03:02 • -7db
2% Popularity • 47% Danceability • 81% Energy • 38% Liveness
13% Instrumentalness • 53% Positiveness
2% Popularity • 47% Danceability • 81% Energy • 38% Liveness
13% Instrumentalness • 53% Positiveness
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Ray Lema
Transcendance
125 bpm • F min • 04:42 • -9.06db
21% Popularity • 80% Danceability • 79% Energy • 17% Liveness
82% Instrumentalness • 96% Positiveness
21% Popularity • 80% Danceability • 79% Energy • 17% Liveness
82% Instrumentalness • 96% Positiveness
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Wolfgang Muthspiel
Gnadenwald
115 bpm • F# min • 07:18 • -12.11db
8% Popularity • 28% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
8% Popularity • 28% Danceability • 51% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Dhafer Youssef
Al-Akhtal Rhapsody Part II
124 bpm • F# min • 01:55 • -16.8db
26% Popularity • 45% Danceability • 56% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
26% Popularity • 45% Danceability • 56% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
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Cristiano Parato
Sunset Fly
115 bpm • D Maj • 01:40 • -21.69db
39% Popularity • 64% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Trio Chermirani
Âtash
125 bpm • C# Maj • 02:01 • -14.87db
14% Popularity • 67% Danceability • 60% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
14% Popularity • 67% Danceability • 60% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Trilok Gurtu
Ola Bombay
125 bpm • A Maj • 03:49 • -9.3db
3% Popularity • 80% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
3% Popularity • 80% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 78% Positiveness
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Terje Rypdal
Per Ulv
125 bpm • G Maj • 08:35 • -18.38db
13% Popularity • 57% Danceability • 37% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
13% Popularity • 57% Danceability • 37% Energy • 18% Liveness
86% Instrumentalness • 20% Positiveness
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Peter Giger's Family Of Percussion
Where the Hammer Hangs
125 bpm • C# min • 02:08 • -14.54db
1% Popularity • 41% Danceability • 64% Energy • 10% Liveness
79% Instrumentalness • 65% Positiveness
1% Popularity • 41% Danceability • 64% Energy • 10% Liveness
79% Instrumentalness • 65% Positiveness
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Roswell Rudd
Jackie-Ing
126 bpm • F Maj • 05:43 • -13.43db
9% Popularity • 60% Danceability • 51% Energy • 8% Liveness
81% Instrumentalness • 47% Positiveness
9% Popularity • 60% Danceability • 51% Energy • 8% Liveness
81% Instrumentalness • 47% Positiveness
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Deepak Ram
Prince Down Gerty Street
126 bpm • D Maj • 01:43 • -8db
14% Popularity • 75% Danceability • 91% Energy • 12% Liveness
88% Instrumentalness • 96% Positiveness
14% Popularity • 75% Danceability • 91% Energy • 12% Liveness
88% Instrumentalness • 96% Positiveness
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Nguyên Lê
Breathe
126 bpm • D Maj • 02:33 • -8.29db
9% Popularity • 39% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 39% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 25% Positiveness
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World Kora Trio
Straight Line
126 bpm • C Maj • 04:18 • -9.27db
16% Popularity • 38% Danceability • 65% Energy • 5% Liveness
59% Instrumentalness • 85% Positiveness
16% Popularity • 38% Danceability • 65% Energy • 5% Liveness
59% Instrumentalness • 85% Positiveness
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Michel Bisceglia
Igold Generation (Ww Rework)
126 bpm • C Maj • 04:46 • -9.7db
1% Popularity • 35% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 35% Danceability • 43% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Hadouk Trio
Lomsha
126 bpm • D min • 07:20 • -14db
27% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
27% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Mark Egan
Joy Ride
126 bpm • A# min • 03:31 • -13.83db
8% Popularity • 74% Danceability • 58% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
8% Popularity • 74% Danceability • 58% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Steve Tibbetts
Sitavana
126 bpm • D min • 01:29 • -24.93db
31% Popularity • 54% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
31% Popularity • 54% Danceability • 10% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
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Abdoulaye Diabaté
Xam-Xam
114 bpm • D min • 04:15 • -5.86db
16% Popularity • 61% Danceability • 87% Energy • 14% Liveness
90% Instrumentalness • 95% Positiveness
16% Popularity • 61% Danceability • 87% Energy • 14% Liveness
90% Instrumentalness • 95% Positiveness
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Markus Stockhausen
Basswave
126 bpm • D min • 05:17 • -13.95db
12% Popularity • 54% Danceability • 43% Energy • 9% Liveness
87% Instrumentalness • 42% Positiveness
12% Popularity • 54% Danceability • 43% Energy • 9% Liveness
87% Instrumentalness • 42% Positiveness
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Didier François
Swamimalai (WW rework)
126 bpm • A min • 05:08 • -14.69db
1% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Tarek Yamani
Samrias
114 bpm • F Maj • 04:43 • -10.99db
7% Popularity • 54% Danceability • 68% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
7% Popularity • 54% Danceability • 68% Energy • 8% Liveness
96% Instrumentalness • 5% Positiveness
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Sylvain Rifflet
I'vo'bene
127 bpm • G min • 02:22 • -13.09db
17% Popularity • 46% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
17% Popularity • 46% Danceability • 36% Energy • 11% Liveness
91% Instrumentalness • 54% Positiveness
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Joachim Kühn
The End
126 bpm • G Maj • 04:04 • -13db
9% Popularity • 46% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
9% Popularity • 46% Danceability • 59% Energy • 10% Liveness
88% Instrumentalness • 60% Positiveness
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Hadouk Trio
Babbalanja
127 bpm • C min • 04:10 • -14.82db
31% Popularity • 53% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
31% Popularity • 53% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Jamie Saft
Little Harbor
127 bpm • F min • 04:30 • -18.2db
14% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
14% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
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Henri Texier
Bororo Dance
114 bpm • C# min • 06:46 • -10.69db
11% Popularity • 41% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
11% Popularity • 41% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Renaud Garcia-Fons
Montmartre en courant
114 bpm • G min • 05:35 • -10.19db
7% Popularity • 56% Danceability • 61% Energy • 4% Liveness
4% Instrumentalness • 68% Positiveness
7% Popularity • 56% Danceability • 61% Energy • 4% Liveness
4% Instrumentalness • 68% Positiveness
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Nik Bärtsch
Modul 45
127 bpm • C Maj • 09:41 • -17.06db
9% Popularity • 45% Danceability • 27% Energy • 9% Liveness
51% Instrumentalness • 9% Positiveness
9% Popularity • 45% Danceability • 27% Energy • 9% Liveness
51% Instrumentalness • 9% Positiveness
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Rabih Abou-Khalil
On Time
113 bpm • C Maj • 06:21 • -17.28db
16% Popularity • 54% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
16% Popularity • 54% Danceability • 24% Energy • 10% Liveness
86% Instrumentalness • 57% Positiveness
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Babos Project Romani
Bossa-Roma
127 bpm • A min • 07:32 • -11.82db
0% Popularity • 41% Danceability • 52% Energy • 93% Liveness
77% Instrumentalness • 26% Positiveness
0% Popularity • 41% Danceability • 52% Energy • 93% Liveness
77% Instrumentalness • 26% Positiveness
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Anne Paceo
Talking Drums
113 bpm • F Maj • 01:16 • -13.53db
27% Popularity • 66% Danceability • 59% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
27% Popularity • 66% Danceability • 59% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Tito Oliveira
T Século XXX
113 bpm • C Maj • 02:24 • -8.93db
15% Popularity • 46% Danceability • 78% Energy • 11% Liveness
83% Instrumentalness • 64% Positiveness
15% Popularity • 46% Danceability • 78% Energy • 11% Liveness
83% Instrumentalness • 64% Positiveness
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Pat Metheny
Estupenda Graca
113 bpm • A# Maj • 02:41 • -23.3db
26% Popularity • 24% Danceability • 6% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 6% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
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Larnell Lewis
Hiding Place
127 bpm • A# min • 04:47 • -21.06db
20% Popularity • 40% Danceability • 43% Energy • 30% Liveness
85% Instrumentalness • 66% Positiveness
20% Popularity • 40% Danceability • 43% Energy • 30% Liveness
85% Instrumentalness • 66% Positiveness
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Rabih Abou-Khalil
The Lewinsky March
113 bpm • C# Maj • 05:28 • -10.88db
15% Popularity • 66% Danceability • 60% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
15% Popularity • 66% Danceability • 60% Energy • 5% Liveness
88% Instrumentalness • 66% Positiveness
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Terje Rypdal
Avskjed
113 bpm • G min • 05:42 • -21.24db
18% Popularity • 20% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
18% Popularity • 20% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Scott Kinsey
The Harvest
128 bpm • C# Maj • 06:35 • -13.31db
9% Popularity • 62% Danceability • 78% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
9% Popularity • 62% Danceability • 78% Energy • 11% Liveness
80% Instrumentalness • 89% Positiveness
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Daniel Goyone
Syogam à "M.H.S"
113 bpm • D# Maj • 05:59 • -19.4db
0% Popularity • 72% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 90% Positiveness
0% Popularity • 72% Danceability • 46% Energy • 9% Liveness
89% Instrumentalness • 90% Positiveness
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L. Shankar
I Know
128 bpm • E min • 07:31 • -15.7db
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
49% Instrumentalness • 70% Positiveness
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
49% Instrumentalness • 70% Positiveness
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Dhafer Youssef
Delightfully Odd
112 bpm • G Maj • 06:42 • -12.23db
17% Popularity • 44% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
17% Popularity • 44% Danceability • 53% Energy • 10% Liveness
84% Instrumentalness • 22% Positiveness
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Arild Andersen
Hyperborean
128 bpm • G min • 05:15 • -26.98db
12% Popularity • 27% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
12% Popularity • 27% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 20% Positiveness
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Nenad Vasilic
Vranjanka
112 bpm • G Maj • 03:15 • -20.86db
18% Popularity • 77% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
18% Popularity • 77% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
