Songs like Joshua Fit De Battle of Jericho by Sidney Bechet
Based on a tempo of (+/- 10%) and a similar genre
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The Cats & The Fiddle
Gangbusters
96 bpm • D min • 03:06 • -11.03db
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
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Bill Elliott Swing Orchestra
Mildred, Won't You Behave?
96 bpm • C Maj • 03:43 • -8.14db
26% Popularity • 69% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 69% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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Louis Armstrong & His Hot Five
Struttin' with Some Barbecue - 78 rpm Ve...
96 bpm • G# Maj • 03:03 • -8.71db
21% Popularity • 74% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
21% Popularity • 74% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
16% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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Sidney Bechet
Joshua Fit De Battle of Jericho
96 bpm • G Maj • 04:07 • -14.85db
18% Popularity • 62% Danceability • 12% Energy • 21% Liveness
24% Instrumentalness • 74% Positiveness
18% Popularity • 62% Danceability • 12% Energy • 21% Liveness
24% Instrumentalness • 74% Positiveness
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Wingy Manone
When I Get You Alone Tonight
95 bpm • D# Maj • 03:12 • -7.5db
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
18% Popularity • 69% Danceability • 52% Energy • 6% Liveness
1% Instrumentalness • 94% Positiveness
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Bix Beiderbecke
Ostrich Walk
97 bpm • D# Maj • 03:09 • -11.79db
26% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
26% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
21% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
21% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Stuff Smith
It Ain't Right
97 bpm • G min • 02:42 • -8.61db
26% Popularity • 78% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 78% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Rex Stewart
Shake It and Break It
95 bpm • G# Maj • 01:51 • -11.41db
21% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Sidney Bechet
Ballin' The Jack
97 bpm • D min • 03:52 • -8.78db
24% Popularity • 70% Danceability • 73% Energy • 26% Liveness
88% Instrumentalness • 93% Positiveness
24% Popularity • 70% Danceability • 73% Energy • 26% Liveness
88% Instrumentalness • 93% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
Moon Ray
98 bpm • G# Maj • 02:59 • -12.84db
16% Popularity • 50% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 50% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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THE SCHWINGS BAND
Lithuanian Artillery
98 bpm • C Maj • 03:18 • -15.11db
20% Popularity • 79% Danceability • 31% Energy • 16% Liveness
71% Instrumentalness • 70% Positiveness
20% Popularity • 79% Danceability • 31% Energy • 16% Liveness
71% Instrumentalness • 70% Positiveness
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King Oliver
Black Snake Blues
95 bpm • C Maj • 02:50 • -10.1db
20% Popularity • 55% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 20% Energy • 9% Liveness
20% Instrumentalness • 55% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
33% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Naomi & Her Handsome Devils
I Know How to Do It
98 bpm • A min • 03:31 • -6.81db
27% Popularity • 73% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
27% Popularity • 73% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Sidney Bechet
Sweet Lorraine
94 bpm • G Maj • 04:22 • -13.75db
20% Popularity • 57% Danceability • 24% Energy • 24% Liveness
91% Instrumentalness • 45% Positiveness
20% Popularity • 57% Danceability • 24% Energy • 24% Liveness
91% Instrumentalness • 45% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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Ingrid Lucia & The Flying Neutrinos
Bei Mir Bist Du Schon
98 bpm • F min • 04:36 • -15db
29% Popularity • 76% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 76% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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King Oliver
Canal Street Blues
94 bpm • F Maj • 02:28 • -9.99db
21% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
21% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
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Fletcher Henderson
Christopher Columbus
98 bpm • G min • 03:00 • -8.05db
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
16% Popularity • 67% Danceability • 53% Energy • 8% Liveness
93% Instrumentalness • 84% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
32% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Sidney Bechet
Avalon
94 bpm • F Maj • 04:55 • -7.82db
17% Popularity • 63% Danceability • 68% Energy • 5% Liveness
93% Instrumentalness • 95% Positiveness
17% Popularity • 63% Danceability • 68% Energy • 5% Liveness
93% Instrumentalness • 95% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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Reverent Juke
Castle Rock
98 bpm • G# Maj • 05:44 • -10db
16% Popularity • 71% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 71% Danceability • 46% Energy • 78% Liveness
0% Instrumentalness • 70% Positiveness
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Art Hodes
Way Down Yonder In New Orleans
98 bpm • F Maj • 03:09 • -9.67db
23% Popularity • 72% Danceability • 71% Energy • 18% Liveness
70% Instrumentalness • 61% Positiveness
23% Popularity • 72% Danceability • 71% Energy • 18% Liveness
70% Instrumentalness • 61% Positiveness
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Red Norvo
Some Like It Hot
98 bpm • D min • 02:54 • -9.71db
13% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
13% Popularity • 79% Danceability • 46% Energy • 16% Liveness
87% Instrumentalness • 89% Positiveness
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Naomi & Her Handsome Devils
Goody Goody
94 bpm • F min • 03:24 • -7.09db
24% Popularity • 77% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 77% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Tommy Dorsey
Well, Git It! - 1990 Remastered
99 bpm • D# Maj • 03:00 • -4.83db
20% Popularity • 63% Danceability • 80% Energy • 39% Liveness
91% Instrumentalness • 94% Positiveness
20% Popularity • 63% Danceability • 80% Energy • 39% Liveness
91% Instrumentalness • 94% Positiveness
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King Oliver
Dipper Mouth Blues
93 bpm • A min • 02:30 • -13.6db
15% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
15% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
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Meschiya Lake and The Little Big Horns
Joseph! Joseph!
93 bpm • G min • 03:03 • -9.59db
11% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 66% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
11% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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Boilermaker Jazz Band
Let's Misbehave
99 bpm • D Maj • 02:52 • -6.76db
26% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 70% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Wingy Manone
Ain't It a Shame About Mame?
99 bpm • C min • 03:04 • -10.58db
11% Popularity • 77% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
11% Popularity • 77% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 88% Positiveness
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Sidney Bechet
Ain't Gonna Give Nobody None Of My Jelly...
93 bpm • F Maj • 02:58 • -14.85db
13% Popularity • 66% Danceability • 38% Energy • 32% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 66% Danceability • 38% Energy • 32% Liveness
1% Instrumentalness • 96% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
27% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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The Blue Vipers Of Brooklyn
Blue Drag
93 bpm • C# Maj • 03:40 • -9.11db
23% Popularity • 63% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 63% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Lucky Millinder
I Know Who Threw the Whiskey in the Well...
92 bpm • A# Maj • 02:46 • -8.7db
21% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 75% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Charlie Barnet & His Orchestra
Flying Home
92 bpm • F Maj • 02:55 • -5.86db
9% Popularity • 61% Danceability • 68% Energy • 32% Liveness
82% Instrumentalness • 91% Positiveness
9% Popularity • 61% Danceability • 68% Energy • 32% Liveness
82% Instrumentalness • 91% Positiveness
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The Cats & The Fiddle
When I Grow Too Old to Dream
100 bpm • F Maj • 02:47 • -9.78db
22% Popularity • 83% Danceability • 45% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
22% Popularity • 83% Danceability • 45% Energy • 18% Liveness
4% Instrumentalness • 89% Positiveness
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Sidney Bechet
Summertime
93 bpm • C min • 03:12 • -11.83db
20% Popularity • 41% Danceability • 42% Energy • 23% Liveness
85% Instrumentalness • 61% Positiveness
20% Popularity • 41% Danceability • 42% Energy • 23% Liveness
85% Instrumentalness • 61% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
34% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
34% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Louis Armstrong & His Hot Five
Cornet Chop Suey
92 bpm • E Maj • 03:07 • -20.04db
8% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 80% Positiveness
8% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 80% Positiveness
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James P. Johnson
Riffs
100 bpm • A# Maj • 03:09 • -18.32db
29% Popularity • 77% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 69% Positiveness
29% Popularity • 77% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 69% Positiveness
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Slim Gaillard
A-Well-A-Take-Um-A-Joe
92 bpm • F Maj • 03:05 • -9.42db
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
19% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
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The Cats & The Fiddle
Stomp, Stomp
100 bpm • G# Maj • 02:56 • -10.4db
18% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 82% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
16% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
23% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Johnny Dodds
Wild Man Blues
92 bpm • E min • 03:14 • -11.98db
18% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
18% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
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Lonnie Johnson
Jet Black Blues
92 bpm • D# Maj • 03:02 • -11.89db
18% Popularity • 73% Danceability • 25% Energy • 7% Liveness
22% Instrumentalness • 69% Positiveness
18% Popularity • 73% Danceability • 25% Energy • 7% Liveness
22% Instrumentalness • 69% Positiveness
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Sidney Bechet
Sister Kate's Night Out
101 bpm • D# Maj • 03:03 • -12.23db
17% Popularity • 65% Danceability • 31% Energy • 20% Liveness
93% Instrumentalness • 81% Positiveness
17% Popularity • 65% Danceability • 31% Energy • 20% Liveness
93% Instrumentalness • 81% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
25% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
25% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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King Oliver
Out of Nowhere
91 bpm • G min • 03:00 • -10.53db
18% Popularity • 53% Danceability • 39% Energy • 14% Liveness
69% Instrumentalness • 52% Positiveness
18% Popularity • 53% Danceability • 39% Energy • 14% Liveness
69% Instrumentalness • 52% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
29% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
29% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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James P. Johnson
A Porter's Love Song To A Cham
101 bpm • F min • 02:45 • -20.34db
39% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
39% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
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Jimmie Lunceford
Uptown Blues
90 bpm • C Maj • 02:57 • -9.38db
18% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
18% Popularity • 41% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 38% Positiveness
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Sidney Bechet
Black And Blue - Alternate Take
90 bpm • D min • 02:13 • -10.9db
33% Popularity • 56% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 79% Positiveness
33% Popularity • 56% Danceability • 32% Energy • 8% Liveness
84% Instrumentalness • 79% Positiveness
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The Cats & The Fiddle
Killing Jive - Alternate Take
91 bpm • C Maj • 02:51 • -10.07db
13% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
13% Popularity • 75% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 82% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Fred Astaire
Steppin' Out With My Baby
90 bpm • C min • 02:20 • -16.98db
42% Popularity • 74% Danceability • 21% Energy • 11% Liveness
34% Instrumentalness • 71% Positiveness
42% Popularity • 74% Danceability • 21% Energy • 11% Liveness
34% Instrumentalness • 71% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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Bix Beiderbecke
Thou Swell
90 bpm • D# Maj • 03:00 • -12db
22% Popularity • 71% Danceability • 29% Energy • 22% Liveness
83% Instrumentalness • 89% Positiveness
22% Popularity • 71% Danceability • 29% Energy • 22% Liveness
83% Instrumentalness • 89% Positiveness
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Sidney Bechet
Black And Blue
90 bpm • A min • 03:36 • -10.03db
23% Popularity • 53% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 71% Positiveness
23% Popularity • 53% Danceability • 36% Energy • 4% Liveness
92% Instrumentalness • 71% Positiveness
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Slim Gaillard
Look-A There
90 bpm • C Maj • 02:16 • -18.51db
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
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Slim & Slam
8, 9 and 10 (Alternate Take)
89 bpm • D Maj • 02:42 • -15.23db
9% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
9% Popularity • 70% Danceability • 20% Energy • 11% Liveness
35% Instrumentalness • 82% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Lonnie Johnson
I'm Not Rough
103 bpm • G# Maj • 02:59 • -15.03db
21% Popularity • 65% Danceability • 23% Energy • 17% Liveness
78% Instrumentalness • 65% Positiveness
21% Popularity • 65% Danceability • 23% Energy • 17% Liveness
78% Instrumentalness • 65% Positiveness
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The Cats & The Fiddle
Public Jitterbug Number One - Alternate ...
104 bpm • C min • 02:54 • -9db
15% Popularity • 77% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 77% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Jonah Jones
Baby, Won't You Please Come Home - Remas...
104 bpm • F min • 02:21 • -15.12db
29% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 69% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Walter Page's Blue Devils
Blue Devil Blues
104 bpm • D# Maj • 02:46 • -13db
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 77% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
29% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Roy Eldridge
All Of Me
104 bpm • C Maj • 02:33 • -11db
24% Popularity • 77% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 77% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Naomi & Her Handsome Devils
If We Never Meet Again
104 bpm • F min • 03:00 • -12.29db
9% Popularity • 65% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 65% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Norbert Susemihl
Once In A While
104 bpm • C Maj • 04:31 • -14.62db
26% Popularity • 69% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
26% Popularity • 69% Danceability • 43% Energy • 10% Liveness
80% Instrumentalness • 85% Positiveness
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Duke Ellington Orchestra
Let's Get Together
89 bpm • F Maj • 02:38 • -6.69db
12% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Genevieve Davis
Haven't Got a Dollar to Pay Your House R...
104 bpm • F Maj • 03:28 • -13.05db
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 61% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Johnny Dodds
Mad Dog
105 bpm • A# Maj • 02:49 • -8db
18% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
18% Popularity • 72% Danceability • 59% Energy • 24% Liveness
79% Instrumentalness • 83% Positiveness
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James P. Johnson
Honeysuckle Rose
105 bpm • F Maj • 02:40 • -17.09db
34% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
34% Popularity • 73% Danceability • 31% Energy • 8% Liveness
88% Instrumentalness • 95% Positiveness
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Bix Beiderbecke
I Like That
88 bpm • D# Maj • 03:02 • -15.06db
38% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
38% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
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Slim Gaillard
The Flat Foot Floogie
88 bpm • C Maj • 02:49 • -12db
23% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
23% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
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Charlie Barnet
Wichita Windstorm
105 bpm • F# Maj • 02:39 • -8db
23% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
23% Popularity • 68% Danceability • 49% Energy • 24% Liveness
81% Instrumentalness • 82% Positiveness
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Kid Ory's Creole Jazz Band
Muskrat Ramble
105 bpm • G# Maj • 02:52 • -10db
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
22% Popularity • 66% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 96% Positiveness
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Eddie Condon
Home Cooking
105 bpm • C min • 03:10 • -10db
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
21% Popularity • 67% Danceability • 36% Energy • 16% Liveness
4% Instrumentalness • 62% Positiveness
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James P. Johnson
Blue Note Boogie
105 bpm • C# Maj • 03:58 • -15db
30% Popularity • 73% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
30% Popularity • 73% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 89% Positiveness
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Bix Beiderbecke
Riverboat Shuffle
105 bpm • G# Maj • 03:11 • -10db
21% Popularity • 73% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 95% Positiveness
21% Popularity • 73% Danceability • 47% Energy • 10% Liveness
89% Instrumentalness • 95% Positiveness
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George Lewis
Careless Love
105 bpm • D# Maj • 03:39 • -12.02db
21% Popularity • 72% Danceability • 34% Energy • 20% Liveness
89% Instrumentalness • 93% Positiveness
21% Popularity • 72% Danceability • 34% Energy • 20% Liveness
89% Instrumentalness • 93% Positiveness
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Norbert Susemihl
I Need You By My Side
87 bpm • G Maj • 03:24 • -12.22db
16% Popularity • 57% Danceability • 14% Energy • 34% Liveness
1% Instrumentalness • 46% Positiveness
16% Popularity • 57% Danceability • 14% Energy • 34% Liveness
1% Instrumentalness • 46% Positiveness
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Sidney Bechet
Wild Man Blues
87 bpm • G min • 03:20 • -13.64db
9% Popularity • 71% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 70% Positiveness
9% Popularity • 71% Danceability • 28% Energy • 8% Liveness
52% Instrumentalness • 70% Positiveness
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Eddie Condon
Carnegie Drag
106 bpm • A# Maj • 03:16 • -13db
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
15% Popularity • 69% Danceability • 31% Energy • 9% Liveness
72% Instrumentalness • 82% Positiveness
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Fletcher Henderson
Wrappin' It Up
106 bpm • F# Maj • 02:41 • -9.53db
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
18% Popularity • 70% Danceability • 58% Energy • 9% Liveness
90% Instrumentalness • 88% Positiveness
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Bix Beiderbecke
There'll Come A Time
106 bpm • F Maj • 02:57 • -14db
43% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
43% Popularity • 79% Danceability • 29% Energy • 7% Liveness
88% Instrumentalness • 93% Positiveness
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Boilermaker Jazz Band
Don't Go 'Way Nobody
106 bpm • F min • 02:51 • -5.88db
31% Popularity • 73% Danceability • 81% Energy • 16% Liveness
64% Instrumentalness • 96% Positiveness
31% Popularity • 73% Danceability • 81% Energy • 16% Liveness
64% Instrumentalness • 96% Positiveness
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King Oliver
St James Infirmary
106 bpm • F min • 03:36 • -4.56db
13% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
13% Popularity • 69% Danceability • 36% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Johnny Dodds
I'm Goin' Huntin'
106 bpm • F Maj • 02:59 • -9.69db
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
23% Popularity • 70% Danceability • 49% Energy • 36% Liveness
91% Instrumentalness • 89% Positiveness
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Jimmie Lunceford
Harlem Shout
106 bpm • D Maj • 03:03 • -10.74db
18% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 50% Energy • 9% Liveness
95% Instrumentalness • 93% Positiveness
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Gordon Webster
Hard Hearted Hannah
107 bpm • G Maj • 03:30 • -7.19db
16% Popularity • 72% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 72% Danceability • 45% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Naomi & Her Handsome Devils
What Can I Say Dear After I Say I'm Sorr...
107 bpm • C Maj • 04:18 • -11.88db
14% Popularity • 68% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 68% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
