Songs like Journey to the Past (From The "Anastasia" Soundtrack) by Liz Callaway
Based on a tempo of (+/- 10%) and a similar genre
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Halle
For the First Time
90 bpm • F min • 04:08 • -13.67db
52% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
52% Popularity • 58% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Liz Callaway
Journey to the Past
90 bpm • G# Maj • 02:55 • -10.56db
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
49% Popularity • 36% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Ben Moore
A Moment Like This
90 bpm • F Maj • 02:38 • -17.73db
3% Popularity • 37% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 37% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Mena Massoud
Desert Moon
90 bpm • G# Maj • 02:52 • -14.6db
42% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Audra McDonald
Aria
90 bpm • B min • 01:02 • -6.65db
38% Popularity • 42% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 42% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 29% Positiveness
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Christy Altomare
Once Upon a December
90 bpm • B min • 02:59 • -12db
64% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
64% Popularity • 22% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Angela Lansbury
Beauty and the Beast
91 bpm • F min • 02:45 • -17.45db
58% Popularity • 34% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
58% Popularity • 34% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Charles Strouse
Maybe (Annie) - Voice
91 bpm • G Maj • 02:47 • -11.11db
31% Popularity • 34% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 34% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Judy Kuhn
Oh, What a Beautiful Mornin' / the Call
91 bpm • G Maj • 06:59 • -13.74db
12% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 30% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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The Cast of Peter Pan
Your Mother and Mine - Original
89 bpm • F Maj • 01:58 • -18.71db
19% Popularity • 31% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 31% Positiveness
19% Popularity • 31% Danceability • 10% Energy • 13% Liveness
3% Instrumentalness • 31% Positiveness
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Audra McDonald
Beauty and the Beast (Finale)
90 bpm • A# Maj • 02:14 • -8.63db
44% Popularity • 18% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 18% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Roy Hamilton Orchestra
Looking Through Your Eyes, Pt. 2
89 bpm • A# Maj • 03:39 • -10.55db
27% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 18% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Edward Sanders
Not While I'm Around
89 bpm • F Maj • 04:11 • -12db
25% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Charles Strouse
Maybe/Tomorrow (Reprise) (Grace) - Voice
89 bpm • F Maj • 02:04 • -12db
23% Popularity • 24% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
23% Popularity • 24% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Brian Nissen Lyrics By Clive Romney and Sydney Clarke
Because I Love Her
91 bpm • D# Maj • 02:20 • -13.93db
25% Popularity • 28% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 28% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Roger Bart
Go the Distance
89 bpm • A Maj • 03:14 • -17.08db
65% Popularity • 28% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
65% Popularity • 28% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Liz Callaway
Since You Stayed Here (Brownstone)
89 bpm • C# Maj • 03:17 • -14db
6% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
6% Popularity • 35% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Animated Classic Films
Journey To The Past - from Anastasia
91 bpm • C# Maj • 03:34 • -7.33db
34% Popularity • 56% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 56% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Judy Kuhn
Colors of the Wind
92 bpm • C# Maj • 03:32 • -11.81db
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
59% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
36% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
36% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
51% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Kurt Bestor
Let Me In
92 bpm • C Maj • 01:35 • -15db
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 27% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Caissie Levy
Monster
92 bpm • C Maj • 03:42 • -5.62db
48% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 41% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Halle
Part of Your World (Reprise)
88 bpm • A min • 02:37 • -19.99db
52% Popularity • 18% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
52% Popularity • 18% Danceability • 7% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Liz Callaway
Since You Stayed Here
92 bpm • F# Maj • 03:19 • -14.79db
11% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 26% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Charles Strouse
Annie: Tomorrow
92 bpm • F# Maj • 02:07 • -13db
43% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
43% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
92 bpm • F Maj • 02:18 • -12db
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Jodi Benson
Disneyland
88 bpm • C Maj • 03:05 • -11.69db
16% Popularity • 30% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 30% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Emma Thompson
Beauty and the Beast
88 bpm • G min • 03:19 • -12.52db
51% Popularity • 21% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 21% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Mary Costa
Blue Bird / I Wonder
88 bpm • C# Maj • 02:43 • -19.97db
36% Popularity • 28% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
36% Popularity • 28% Danceability • 16% Energy • 8% Liveness
82% Instrumentalness • 9% Positiveness
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Liz Callaway
Beautiful City
88 bpm • C# Maj • 03:31 • -9.04db
6% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
6% Popularity • 42% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Platt
You Will Be Found
87 bpm • A Maj • 06:00 • -7.13db
60% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
60% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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David Shannon
Till I Hear You Sing
93 bpm • F Maj • 03:07 • -6db
31% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Kurt Bestor
The Melody Within
87 bpm • F Maj • 03:39 • -11.72db
26% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Emma Watson
Belle (Reprise)
87 bpm • C Maj • 01:15 • -7.93db
52% Popularity • 40% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
52% Popularity • 40% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Mary Costa
I Wonder
93 bpm • C# Maj • 01:31 • -18db
35% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dickie Jones
I've Got No Strings
93 bpm • D# Maj • 02:22 • -8.91db
33% Popularity • 52% Danceability • 42% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
33% Popularity • 52% Danceability • 42% Energy • 6% Liveness
2% Instrumentalness • 90% Positiveness
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Caissie Levy
Monster
93 bpm • C Maj • 03:42 • -6.92db
35% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 42% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Anne Hathaway
I Dreamed A Dream
93 bpm • A# Maj • 04:37 • -17.23db
51% Popularity • 27% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 27% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Liz Callaway
Goodbye for Now (Reds)
94 bpm • D min • 02:29 • -15.9db
5% Popularity • 25% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
5% Popularity • 25% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Adam Mitchell
Days In The Sun
94 bpm • A# Maj • 02:40 • -10db
53% Popularity • 30% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 30% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Jonah Hauer-King
Wild Uncharted Waters
86 bpm • F min • 02:59 • -11.01db
55% Popularity • 26% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
55% Popularity • 26% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Cast of Peter Pan
You Can Fly! You Can Fly! You Can Fly! (...
94 bpm • F Maj • 04:24 • -14.43db
30% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 46% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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The Cast of Mary Poppins
Feed The Birds (Tuppence A Bag)
86 bpm • F# Maj • 03:51 • -23.51db
20% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Helena Bonham Carter
The Worst Pies in London
94 bpm • F Maj • 02:23 • -10.99db
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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The Burbank Ensemble
At the Beginning (Anastasia)
94 bpm • G# Maj • 03:38 • -12.02db
39% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 58% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Amy Adams
Happy Working Song
86 bpm • D Maj • 02:10 • -6.42db
48% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 66% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Les Misérables Cast
One Day More
86 bpm • A Maj • 03:41 • -11.95db
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Liz Callaway, Howard McGillin, David Zippel, Lex de Azevedo, Larry Bastian, Larry Schwartz
Far Longer Than Forever
86 bpm • C Maj • 02:24 • -18.73db
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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The Cast of Mary Poppins
Pavement Artist (Chim Chim Cher-Ee)
94 bpm • A# min • 01:59 • -21.78db
11% Popularity • 39% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Auli'i Cravalho
Part of Your World (Reprise)
86 bpm • A Maj • 02:12 • -12db
34% Popularity • 17% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 17% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Julie Andrews
Sixteen Going On Seventeen
94 bpm • D Maj • 03:06 • -20.16db
35% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 35% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jerry Orbach
Are You In Or Out?
86 bpm • F Maj • 02:35 • -16.78db
32% Popularity • 58% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 58% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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Pocahontas
Where Do I Go From Here
95 bpm • G# Maj • 02:43 • -12db
33% Popularity • 38% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 38% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Mandy Moore
I See the Light
95 bpm • F Maj • 03:44 • -10.09db
57% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
57% Popularity • 25% Danceability • 22% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Hugh Jackman
The Confrontation
86 bpm • A# Maj • 01:54 • -11.05db
41% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
41% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Emma Watson
How Does A Moment Last Forever (Montmart...
95 bpm • A# Maj • 01:55 • -18.66db
54% Popularity • 22% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 22% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 7% Positiveness
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Zachary Levi
Everything I Ever Thought I Knew
85 bpm • G Maj • 02:24 • -8db
35% Popularity • 34% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 34% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Amy Adams
Love Power (Reprise)
86 bpm • G Maj • 01:49 • -20.48db
26% Popularity • 36% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
26% Popularity • 36% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 26% Positiveness
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Beth Fowler
Beauty and the Beast
85 bpm • A Maj • 03:34 • -22db
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Irwin Kostal
Prelude / The Sound Of Music - Medley
95 bpm • F Maj • 02:46 • -16db
46% Popularity • 24% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 24% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 15% Positiveness
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Suzanne Pleshette
My Lullaby
95 bpm • A# Maj • 02:54 • -11db
43% Popularity • 49% Danceability • 41% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 49% Danceability • 41% Energy • 58% Liveness
0% Instrumentalness • 33% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Mandy Moore
If I Could Take This Moment Back
85 bpm • C Maj • 02:11 • -8db
35% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Liz Callaway
Make Someone Happy / Something Wonderful
85 bpm • F Maj • 04:24 • -12.24db
7% Popularity • 26% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
7% Popularity • 26% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Lin-Manuel Miranda
The Story of Tonight
95 bpm • E Maj • 01:31 • -10.58db
65% Popularity • 49% Danceability • 24% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
65% Popularity • 49% Danceability • 24% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
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Colin O'Donoghue
Revenge Is Gonna Be Mine
85 bpm • A Maj • 02:34 • -5.82db
43% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 63% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 78% Positiveness
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Jonatha Brooke
The Second Star To The Right
85 bpm • C Maj • 01:56 • -18db
36% Popularity • 26% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
36% Popularity • 26% Danceability • 7% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Angela Lansbury
Human Again
95 bpm • C min • 04:54 • -12.15db
34% Popularity • 41% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 41% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Christina Aguilera
Reflection - Pop Version
96 bpm • G# Maj • 03:36 • -19db
51% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 50% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Liz Callaway
Moon River
85 bpm • A# Maj • 03:03 • -9.12db
29% Popularity • 24% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 24% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Joel A. Martin
Cold Enough to Snow
96 bpm • C Maj • 03:44 • -14.28db
0% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Amy Adams
True Love's Kiss
96 bpm • C Maj • 03:12 • -9.49db
48% Popularity • 24% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 24% Danceability • 35% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Platt
For Forever
96 bpm • F Maj • 05:01 • -7.67db
57% Popularity • 37% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 37% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Jodi Benson
Down to the Sea
96 bpm • F Maj • 03:32 • -11db
46% Popularity • 39% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 39% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Emily Blunt
The Royal Doulton Music Hall
97 bpm • A Maj • 03:01 • -12.01db
39% Popularity • 56% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 56% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Auli'i Cravalho
How Far I'll Go
84 bpm • E Maj • 02:43 • -10.97db
69% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
69% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Phil Collins
Trashin' The Camp
97 bpm • F# Maj • 02:17 • -9db
48% Popularity • 74% Danceability • 64% Energy • 51% Liveness
1% Instrumentalness • 56% Positiveness
48% Popularity • 74% Danceability • 64% Energy • 51% Liveness
1% Instrumentalness • 56% Positiveness
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Chris Pine
Agony
97 bpm • D# Maj • 02:32 • -14db
51% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Carmen Twillie
Circle of Life
83 bpm • A# Maj • 03:57 • -8db
55% Popularity • 32% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 32% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Evan Rachel Wood
All Is Found
83 bpm • F Maj • 02:05 • -12.32db
67% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
67% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Hushabye Mounta...
97 bpm • C min • 02:46 • -23.45db
32% Popularity • 24% Danceability • 7% Energy • 13% Liveness
11% Instrumentalness • 14% Positiveness
32% Popularity • 24% Danceability • 7% Energy • 13% Liveness
11% Instrumentalness • 14% Positiveness
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Auli'i Cravalho
How Far I'll Go - Reprise
83 bpm • E Maj • 01:27 • -8.37db
63% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
63% Popularity • 43% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Liz Callaway
Journey to the Past
83 bpm • D# Maj • 03:02 • -6db
29% Popularity • 38% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 38% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Jodi Benson
In Harmony
83 bpm • D Maj • 01:59 • -7db
36% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 58% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Ainsley, Ric Stoneback, Tom Alan Robbins, Lenny Wolpe, Sandy Duncan, David Zippel, Lex de Azevedo, Larry Bastian
Practice, Practice, Practice
83 bpm • C Maj • 02:23 • -18db
29% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 42% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Douglas Sills
Into the Fire
83 bpm • D Maj • 03:50 • -11db
26% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Elijah Kelley
Without Love
98 bpm • A# Maj • 03:39 • -5db
53% Popularity • 58% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 58% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Jenifer Lewis
Dig a Little Deeper
98 bpm • C Maj • 02:47 • -4.25db
56% Popularity • 72% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
56% Popularity • 72% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Beau Dermott
Colours Of The Wind
83 bpm • C Maj • 03:55 • -10db
26% Popularity • 33% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Judy Kuhn
Like Other Girls
82 bpm • G Maj • 02:25 • -8.42db
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Robin Williams
Friend Like Me
98 bpm • C Maj • 02:26 • -13.58db
38% Popularity • 64% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 64% Danceability • 48% Energy • 69% Liveness
0% Instrumentalness • 67% Positiveness
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Loren Allred
Never Enough (Reprise)
82 bpm • A Maj • 01:20 • -19.38db
62% Popularity • 38% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
62% Popularity • 38% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Tsidii Le Loka
Circle of Life with Nants' Ingonyama
82 bpm • D Maj • 04:29 • -11db
48% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Liz Callaway
You Don't Own Me
98 bpm • D Maj • 02:42 • -5.91db
14% Popularity • 49% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 49% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Jonathan Groff
Get This Right - Outtake
99 bpm • B min • 03:46 • -7.17db
51% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Ben Moore
Where Has Summer Gone?
99 bpm • F# Maj • 03:15 • -17.45db
1% Popularity • 39% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 39% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
