Songs like JOY (Not Sure What I'm Going Through) by Joy Anonymous
Based on a tempo of (+/- 10%) and a similar genre
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salute
All About U
130 bpm • C# min • 03:45 • -7.48db
43% Popularity • 78% Danceability • 72% Energy • 26% Liveness
73% Instrumentalness • 29% Positiveness
43% Popularity • 78% Danceability • 72% Energy • 26% Liveness
73% Instrumentalness • 29% Positiveness
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Joy Anonymous
JOY (Not Sure What I'm Going Through)
130 bpm • C# Maj • 03:17 • -12.14db
29% Popularity • 78% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 58% Positiveness
29% Popularity • 78% Danceability • 25% Energy • 11% Liveness
66% Instrumentalness • 58% Positiveness
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Foreign Fields
Rose Colored
130 bpm • A min • 05:03 • -19.38db
26% Popularity • 56% Danceability • 7% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
26% Popularity • 56% Danceability • 7% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
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Alf the Great
RUNNING.
130 bpm • A Maj • 03:15 • -13.8db
39% Popularity • 44% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
39% Popularity • 44% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness
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Victoria Canal
driving your car
130 bpm • G# Maj • 03:00 • -10.67db
22% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
22% Popularity • 58% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Arlo Parks
Ivy - lo fi lounge
130 bpm • C Maj • 05:24 • -13.14db
29% Popularity • 43% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 43% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Emmit Fenn
All This To Live For
130 bpm • G# min • 03:34 • -14.76db
33% Popularity • 29% Danceability • 35% Energy • 33% Liveness
80% Instrumentalness • 4% Positiveness
33% Popularity • 29% Danceability • 35% Energy • 33% Liveness
80% Instrumentalness • 4% Positiveness
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Talos
Coniine
130 bpm • E min • 03:12 • -19.43db
16% Popularity • 41% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 41% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Uma
Overture
130 bpm • G Maj • 01:13 • -10.72db
30% Popularity • 36% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 36% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Blanco White
Who's Gonna Love You Now?
131 bpm • A# Maj • 03:17 • -17.25db
41% Popularity • 39% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
41% Popularity • 39% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 19% Positiveness
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Tamzene
Only An Ocean
130 bpm • G# Maj • 03:43 • -11db
11% Popularity • 45% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 45% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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sarya
i don't know where i'm going but that's ...
129 bpm • D# Maj • 04:42 • -11.96db
28% Popularity • 46% Danceability • 38% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
28% Popularity • 46% Danceability • 38% Energy • 11% Liveness
52% Instrumentalness • 9% Positiveness
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Rona Mac
Smoke
131 bpm • E Maj • 03:38 • -13.54db
31% Popularity • 53% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 53% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Kylie Dailey
Not Blue
131 bpm • A# min • 03:34 • -20.07db
42% Popularity • 58% Danceability • 31% Energy • 11% Liveness
23% Instrumentalness • 29% Positiveness
42% Popularity • 58% Danceability • 31% Energy • 11% Liveness
23% Instrumentalness • 29% Positiveness
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Old Sea Brigade
Stayed Up Late (SCayos & Annie Elise Rem...
131 bpm • C# Maj • 03:00 • -16.64db
41% Popularity • 56% Danceability • 29% Energy • 18% Liveness
59% Instrumentalness • 25% Positiveness
41% Popularity • 56% Danceability • 29% Energy • 18% Liveness
59% Instrumentalness • 25% Positiveness
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Joy Anonymous
JOY (Breathe Into Me)
131 bpm • B min • 05:17 • -5.65db
29% Popularity • 67% Danceability • 88% Energy • 5% Liveness
26% Instrumentalness • 41% Positiveness
29% Popularity • 67% Danceability • 88% Energy • 5% Liveness
26% Instrumentalness • 41% Positiveness
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Model Man
Ross
129 bpm • G Maj • 03:57 • -19.19db
36% Popularity • 53% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 64% Positiveness
36% Popularity • 53% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 64% Positiveness
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Delilah Montagu
Lost Keys (Joy Anonymous Remix)
131 bpm • C# Maj • 03:27 • -9.32db
37% Popularity • 81% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 81% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Dawnfarer
Take Me Back
131 bpm • A min • 02:46 • -20.34db
21% Popularity • 35% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 35% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Me and My Friends
Lover, Come Back to Me
129 bpm • A Maj • 04:53 • -14.82db
37% Popularity • 74% Danceability • 15% Energy • 11% Liveness
28% Instrumentalness • 28% Positiveness
37% Popularity • 74% Danceability • 15% Energy • 11% Liveness
28% Instrumentalness • 28% Positiveness
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thea wang
Tell Me About It
132 bpm • F Maj • 03:19 • -14.36db
27% Popularity • 53% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
27% Popularity • 53% Danceability • 13% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
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Fred again..
Mollie (hear your name)
128 bpm • C# Maj • 04:01 • -9db
48% Popularity • 55% Danceability • 61% Energy • 17% Liveness
21% Instrumentalness • 24% Positiveness
48% Popularity • 55% Danceability • 61% Energy • 17% Liveness
21% Instrumentalness • 24% Positiveness
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Cj Pandit
New York Time
132 bpm • A Maj • 04:12 • -12.55db
16% Popularity • 56% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 56% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Quiet Man
Naked in the Cold
132 bpm • E min • 04:13 • -7.15db
9% Popularity • 67% Danceability • 71% Energy • 11% Liveness
64% Instrumentalness • 40% Positiveness
9% Popularity • 67% Danceability • 71% Energy • 11% Liveness
64% Instrumentalness • 40% Positiveness
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Plà si
How Do You Know
132 bpm • G# Maj • 03:02 • -9.79db
34% Popularity • 53% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 31% Positiveness
34% Popularity • 53% Danceability • 27% Energy • 11% Liveness
41% Instrumentalness • 31% Positiveness
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Jack Grace
Slow Burn
132 bpm • D Maj • 03:36 • -16.73db
27% Popularity • 44% Danceability • 18% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
27% Popularity • 44% Danceability • 18% Energy • 11% Liveness
11% Instrumentalness • 22% Positiveness
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Joy Anonymous
JOY (Take To The Light) - niina Remix
132 bpm • C Maj • 03:30 • -6.46db
4% Popularity • 58% Danceability • 93% Energy • 13% Liveness
89% Instrumentalness • 19% Positiveness
4% Popularity • 58% Danceability • 93% Energy • 13% Liveness
89% Instrumentalness • 19% Positiveness
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Foreign Fields
Brand New
128 bpm • C# Maj • 06:00 • -18.87db
21% Popularity • 57% Danceability • 24% Energy • 19% Liveness
23% Instrumentalness • 54% Positiveness
21% Popularity • 57% Danceability • 24% Energy • 19% Liveness
23% Instrumentalness • 54% Positiveness
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Model Man
Esc (Holding Back)
132 bpm • D Maj • 04:24 • -8.16db
29% Popularity • 52% Danceability • 48% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness
29% Popularity • 52% Danceability • 48% Energy • 9% Liveness
4% Instrumentalness • 8% Positiveness
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SOHN
Riverbank
128 bpm • A Maj • 04:15 • -9db
46% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 66% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Matt Corby
For Real
132 bpm • E min • 04:02 • -11.59db
36% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 37% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ella Grace
She Looked Like Me
128 bpm • C# Maj • 03:14 • -11.18db
28% Popularity • 63% Danceability • 24% Energy • 9% Liveness
31% Instrumentalness • 8% Positiveness
28% Popularity • 63% Danceability • 24% Energy • 9% Liveness
31% Instrumentalness • 8% Positiveness
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Joy Anonymous
JOY (Where I Wanna Be)
128 bpm • B Maj • 03:30 • -5.73db
19% Popularity • 66% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 66% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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LAUREL
Scream Drive Faster - Acoustic
128 bpm • C min • 03:35 • -7.37db
22% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Memorial
Honest
133 bpm • D Maj • 03:41 • -10.43db
15% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Kyson
Innocence Arrogance
127 bpm • G# min • 02:55 • -13.4db
25% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Frankfurt
Hamartia
133 bpm • G Maj • 04:40 • -12db
30% Popularity • 58% Danceability • 42% Energy • 8% Liveness
50% Instrumentalness • 35% Positiveness
30% Popularity • 58% Danceability • 42% Energy • 8% Liveness
50% Instrumentalness • 35% Positiveness
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Gilligan Moss
Lee's Last Dance
127 bpm • G# Maj • 03:10 • -10.03db
32% Popularity • 67% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 67% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Benjamin Love
Good Thing
133 bpm • G# min • 03:18 • -15.13db
24% Popularity • 54% Danceability • 47% Energy • 22% Liveness
1% Instrumentalness • 43% Positiveness
24% Popularity • 54% Danceability • 47% Energy • 22% Liveness
1% Instrumentalness • 43% Positiveness
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Matt Corby
Everything's Fine
127 bpm • A# Maj • 04:29 • -9.57db
28% Popularity • 54% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
28% Popularity • 54% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 63% Positiveness
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S. Carey
Desolate
127 bpm • G# Maj • 03:21 • -14.57db
16% Popularity • 56% Danceability • 49% Energy • 11% Liveness
31% Instrumentalness • 30% Positiveness
16% Popularity • 56% Danceability • 49% Energy • 11% Liveness
31% Instrumentalness • 30% Positiveness
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Uma
Crocodile
127 bpm • F min • 03:41 • -9.15db
36% Popularity • 90% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
36% Popularity • 90% Danceability • 26% Energy • 11% Liveness
4% Instrumentalness • 33% Positiveness
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Blanco White
Lesson All Along
126 bpm • G Maj • 04:12 • -12.96db
35% Popularity • 57% Danceability • 21% Energy • 14% Liveness
34% Instrumentalness • 28% Positiveness
35% Popularity • 57% Danceability • 21% Energy • 14% Liveness
34% Instrumentalness • 28% Positiveness
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Fred again..
Berwyn (all that i got is you)
127 bpm • F# Maj • 03:40 • -14db
53% Popularity • 44% Danceability • 41% Energy • 45% Liveness
65% Instrumentalness • 9% Positiveness
53% Popularity • 44% Danceability • 41% Energy • 45% Liveness
65% Instrumentalness • 9% Positiveness
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Victoria Canal
own me
134 bpm • A# Maj • 03:56 • -15.19db
25% Popularity • 29% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Senna-Marie
Lover's Song
134 bpm • A Maj • 04:44 • -8.75db
27% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Delilah Montagu
Delilah (pull me out of this) (Acoustic)
134 bpm • A# Maj • 03:18 • -16.12db
42% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Joy Anonymous
JOY (Overcome) - Brothers Counsell Remix
126 bpm • G Maj • 03:50 • -9.83db
7% Popularity • 81% Danceability • 51% Energy • 16% Liveness
15% Instrumentalness • 51% Positiveness
7% Popularity • 81% Danceability • 51% Energy • 16% Liveness
15% Instrumentalness • 51% Positiveness
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Mindchatter
Referees Don't Fall in Love
134 bpm • G min • 02:28 • -12db
42% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cleopold
Seasons
126 bpm • A Maj • 03:25 • -11.92db
36% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 61% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Vaarwell
IDK
126 bpm • D Maj • 02:43 • -9.33db
44% Popularity • 83% Danceability • 54% Energy • 18% Liveness
76% Instrumentalness • 24% Positiveness
44% Popularity • 83% Danceability • 54% Energy • 18% Liveness
76% Instrumentalness • 24% Positiveness
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Art School Girlfriend
Softer Side
126 bpm • C Maj • 04:00 • -12.4db
26% Popularity • 54% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 54% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 17% Positiveness
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Cooza
I Can See New Zealand From Here
135 bpm • F Maj • 02:03 • -16.03db
35% Popularity • 58% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 58% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Joy Anonymous
Joy (Champions)
126 bpm • C# Maj • 03:38 • -6.45db
40% Popularity • 77% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 77% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Saint Jude
Late Summer
135 bpm • G min • 03:22 • -11.61db
12% Popularity • 31% Danceability • 40% Energy • 18% Liveness
46% Instrumentalness • 14% Positiveness
12% Popularity • 31% Danceability • 40% Energy • 18% Liveness
46% Instrumentalness • 14% Positiveness
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Julia Wallace
Warm Light
135 bpm • F# Maj • 02:57 • -14.13db
22% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 66% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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solace
Stay High
135 bpm • A Maj • 01:53 • -13.61db
22% Popularity • 77% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
22% Popularity • 77% Danceability • 30% Energy • 11% Liveness
7% Instrumentalness • 40% Positiveness
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Léa Sen
I Like Dis
125 bpm • C# Maj • 03:19 • -14.5db
7% Popularity • 52% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
7% Popularity • 52% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 32% Positiveness
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S. Carey
Paralyzed
135 bpm • A# Maj • 03:02 • -11.82db
21% Popularity • 56% Danceability • 43% Energy • 12% Liveness
35% Instrumentalness • 20% Positiveness
21% Popularity • 56% Danceability • 43% Energy • 12% Liveness
35% Instrumentalness • 20% Positiveness
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Joy Anonymous
JOY (Overcome)
126 bpm • G min • 03:36 • -4.64db
41% Popularity • 62% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 62% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 52% Positiveness
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Everyone You Know
Just for the Times
125 bpm • F# min • 03:25 • -3.65db
44% Popularity • 62% Danceability • 82% Energy • 30% Liveness
3% Instrumentalness • 21% Positiveness
44% Popularity • 62% Danceability • 82% Energy • 30% Liveness
3% Instrumentalness • 21% Positiveness
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Model Man
Don't Cry
125 bpm • A# min • 03:31 • -10.07db
31% Popularity • 75% Danceability • 50% Energy • 11% Liveness
20% Instrumentalness • 71% Positiveness
31% Popularity • 75% Danceability • 50% Energy • 11% Liveness
20% Instrumentalness • 71% Positiveness
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Ted Jasper
Love 4 Nothing
125 bpm • F min • 02:57 • -13.88db
30% Popularity • 65% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 65% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Danika
Coolshit Bullshit
125 bpm • E Maj • 04:00 • -13.44db
35% Popularity • 74% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 74% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Olivia Dean
What Am I Gonna Do On Sundays?
136 bpm • A# Maj • 03:29 • -9db
50% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 53% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Joy Anonymous
JOY (You Got To Learn)
126 bpm • F# min • 03:19 • -6.34db
24% Popularity • 46% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 46% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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The Blessed Madonna
Carry Me Higher - Demo
136 bpm • F# min • 03:31 • -11.06db
22% Popularity • 69% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 69% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Moody
I Don't Wanna Go
136 bpm • E Maj • 03:03 • -18.39db
34% Popularity • 50% Danceability • 18% Energy • 10% Liveness
14% Instrumentalness • 15% Positiveness
34% Popularity • 50% Danceability • 18% Energy • 10% Liveness
14% Instrumentalness • 15% Positiveness
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Tutara Peak
If
136 bpm • B Maj • 04:47 • -9.01db
30% Popularity • 54% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 54% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 44% Positiveness
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Fhin
Off Your Hand
136 bpm • A# Maj • 01:51 • -17.12db
50% Popularity • 33% Danceability • 16% Energy • 18% Liveness
46% Instrumentalness • 12% Positiveness
50% Popularity • 33% Danceability • 16% Energy • 18% Liveness
46% Instrumentalness • 12% Positiveness
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pinkpirate
Undone
136 bpm • E min • 03:29 • -10.36db
17% Popularity • 76% Danceability • 43% Energy • 7% Liveness
7% Instrumentalness • 34% Positiveness
17% Popularity • 76% Danceability • 43% Energy • 7% Liveness
7% Instrumentalness • 34% Positiveness
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Joy Anonymous
JOY (You're In Or Out)
125 bpm • F Maj • 02:39 • -7.87db
30% Popularity • 76% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 57% Positiveness
30% Popularity • 76% Danceability • 58% Energy • 13% Liveness
73% Instrumentalness • 57% Positiveness
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Maria Kelly
eight hours
136 bpm • C Maj • 02:47 • -15.9db
33% Popularity • 76% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 76% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Nick Leng
My Mind is a Mess in the Morning
124 bpm • C# Maj • 04:20 • -11db
31% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
31% Popularity • 53% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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King Henry
June
136 bpm • D Maj • 03:31 • -7db
29% Popularity • 85% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
29% Popularity • 85% Danceability • 38% Energy • 11% Liveness
19% Instrumentalness • 35% Positiveness
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Dustin Tebbutt
Cedar On The Fire
136 bpm • E Maj • 04:40 • -12db
35% Popularity • 72% Danceability • 43% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
35% Popularity • 72% Danceability • 43% Energy • 9% Liveness
82% Instrumentalness • 17% Positiveness
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Chartreuse
Satellites
124 bpm • C# Maj • 04:00 • -14.64db
38% Popularity • 44% Danceability • 30% Energy • 13% Liveness
66% Instrumentalness • 11% Positiveness
38% Popularity • 44% Danceability • 30% Energy • 13% Liveness
66% Instrumentalness • 11% Positiveness
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TSHA
Galdem (Intro)
124 bpm • A# Maj • 01:48 • -15.12db
45% Popularity • 60% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
45% Popularity • 60% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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Memorial
Dialtone
124 bpm • A# Maj • 03:18 • -15.43db
11% Popularity • 61% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 61% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Oscar Key Sung
Shibari Moon
137 bpm • D Maj • 03:36 • -13.48db
24% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 58% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Harris
You Were Right
124 bpm • G Maj • 03:04 • -13.63db
43% Popularity • 62% Danceability • 27% Energy • 9% Liveness
12% Instrumentalness • 21% Positiveness
43% Popularity • 62% Danceability • 27% Energy • 9% Liveness
12% Instrumentalness • 21% Positiveness
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Fred again..
Lydia (please make it better)
137 bpm • C# Maj • 03:07 • -9.52db
49% Popularity • 37% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 17% Positiveness
49% Popularity • 37% Danceability • 53% Energy • 63% Liveness
0% Instrumentalness • 17% Positiveness
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Genevieve Stokes
Surface Tension
123 bpm • A min • 03:26 • -9.17db
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Ella McMurray
Motorway
123 bpm • C Maj • 03:03 • -15.64db
8% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Panama
Fade Into Black (Acoustic Version)
123 bpm • G min • 04:01 • -12.57db
34% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 52% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Joy Anonymous
JOY (Easy To Improve)
123 bpm • B min • 03:26 • -6.75db
35% Popularity • 82% Danceability • 54% Energy • 15% Liveness
30% Instrumentalness • 66% Positiveness
35% Popularity • 82% Danceability • 54% Energy • 15% Liveness
30% Instrumentalness • 66% Positiveness
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George David
Gin & Tonics
138 bpm • D# min • 02:31 • -13.56db
27% Popularity • 46% Danceability • 28% Energy • 27% Liveness
9% Instrumentalness • 40% Positiveness
27% Popularity • 46% Danceability • 28% Energy • 27% Liveness
9% Instrumentalness • 40% Positiveness
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Tom Young
Lost in Blue
138 bpm • B Maj • 02:40 • -13.34db
28% Popularity • 56% Danceability • 36% Energy • 6% Liveness
5% Instrumentalness • 22% Positiveness
28% Popularity • 56% Danceability • 36% Energy • 6% Liveness
5% Instrumentalness • 22% Positiveness
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Gayngs
Appeayl 2 U part 1
138 bpm • C# min • 03:56 • -10.73db
31% Popularity • 52% Danceability • 55% Energy • 19% Liveness
20% Instrumentalness • 23% Positiveness
31% Popularity • 52% Danceability • 55% Energy • 19% Liveness
20% Instrumentalness • 23% Positiveness
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George FitzGerald
The Last Transmission
138 bpm • C# Maj • 03:47 • -8.37db
45% Popularity • 29% Danceability • 57% Energy • 8% Liveness
47% Instrumentalness • 6% Positiveness
45% Popularity • 29% Danceability • 57% Energy • 8% Liveness
47% Instrumentalness • 6% Positiveness
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Fred again..
Roze (Euston Station)
122 bpm • C Maj • 03:36 • -16.2db
43% Popularity • 62% Danceability • 32% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
43% Popularity • 62% Danceability • 32% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
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Sami Simon
Bombs
122 bpm • F# Maj • 04:26 • -14db
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
32% Popularity • 66% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 14% Positiveness
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Jaguar Sun
Autumn Fire
122 bpm • D# min • 04:49 • -9.08db
26% Popularity • 59% Danceability • 65% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
26% Popularity • 59% Danceability • 65% Energy • 14% Liveness
3% Instrumentalness • 36% Positiveness
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Joy Anonymous
JOY (Don't It Make You Feel)
122 bpm • C min • 03:22 • -6db
24% Popularity • 81% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 81% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Monica Martin
Go Easy, Kid
122 bpm • D# Maj • 04:27 • -13.14db
40% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 39% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Thunder Jackson
Lucky
122 bpm • D Maj • 01:51 • -14.65db
32% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 33% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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The Dawdler
Lava Lamps
139 bpm • G Maj • 02:53 • -14.45db
35% Popularity • 46% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
35% Popularity • 46% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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Blanco White
Sail On By
121 bpm • B min • 03:23 • -17.25db
38% Popularity • 28% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
38% Popularity • 28% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 16% Positiveness
