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Joy Somewhere
Songs like
Joy Somewhere
by
Tess Henley
Based on a tempo of (+/- 10%) and a similar genre
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Linda Diaz
Green Tea Ice Cream
84 bpm • A# Maj • 03:51 • -6.62db
32% Popularity • 57% Danceability • 50% Energy • 9% Liveness
1% Instrumentalness • 30% Positiveness
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Hajk
Get It Right
84 bpm • D Maj • 03:59 • -12db
35% Popularity • 75% Danceability • 30% Energy • 8% Liveness
1% Instrumentalness • 46% Positiveness
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Tess Henley
Joy Somewhere
84 bpm • G Maj • 04:07 • -7.43db
2% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Day
If You Were the Rain
84 bpm • A Maj • 03:40 • -8.41db
50% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Honey Butter
Let Me Believe
84 bpm • F# Maj • 03:58 • -9.14db
19% Popularity • 60% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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The Dip
Adeline
84 bpm • E Maj • 03:32 • -8db
50% Popularity • 53% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Maya Delilah
Need A Word With Cupid
85 bpm • C# Maj • 03:11 • -9db
36% Popularity • 71% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Honeybutter
Songbird
83 bpm • D# min • 03:11 • -8.99db
16% Popularity • 66% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Isaac Waddington
Other Way
85 bpm • A Maj • 03:03 • -9db
32% Popularity • 72% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tanika Charles
Tell Me Something
85 bpm • C Maj • 03:04 • -5.62db
30% Popularity • 81% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Das Sound Kollektiv
Nothing Can Tear Us Apart
85 bpm • G Maj • 03:55 • -9.13db
32% Popularity • 69% Danceability • 53% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Mathilda Homer
I Hate That I Love You So Little
85 bpm • C Maj • 02:58 • -10.46db
27% Popularity • 76% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Avangelia
Wildflower
83 bpm • D Maj • 04:04 • -9.46db
13% Popularity • 50% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jaime Woods
Talk to Me
83 bpm • C# Maj • 04:34 • -11.75db
22% Popularity • 80% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Parker Louis
Vibe
85 bpm • F Maj • 04:21 • -11.92db
34% Popularity • 66% Danceability • 42% Energy • 18% Liveness
23% Instrumentalness • 41% Positiveness
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CLAY
Orange
85 bpm • C Maj • 03:32 • -6.56db
43% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Begonia
It's Too Quiet
86 bpm • D# Maj • 03:38 • -8.89db
16% Popularity • 69% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Lake Street Dive
Rich Girl
86 bpm • F# min • 03:37 • -7db
59% Popularity • 68% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Eloise
Subside
82 bpm • G# Maj • 03:08 • -6db
56% Popularity • 73% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Jacob Sigman
Play With Fire
82 bpm • A Maj • 03:21 • -7.15db
11% Popularity • 71% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Parker Louis
No Love, Lately
86 bpm • E min • 04:18 • -12.78db
20% Popularity • 70% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Dan DeCristofaro
Give Me Your Love
82 bpm • F Maj • 03:08 • -5db
36% Popularity • 69% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Walker
Peace Of Mind
86 bpm • D Maj • 04:38 • -14db
24% Popularity • 57% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Jamie Cullum
Ex Factor / Nice For What
86 bpm • F min • 04:56 • -11db
36% Popularity • 56% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Ella Frank
Kettle
82 bpm • C# Maj • 04:24 • -10db
29% Popularity • 65% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Madelyn Grant
Can't Get Out
87 bpm • D min • 04:19 • -10.2db
9% Popularity • 55% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Rozzi
fflow
86 bpm • D Maj • 03:35 • -9.87db
19% Popularity • 56% Danceability • 30% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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PJ Morton
KID AGAIN
87 bpm • F# Maj • 02:32 • -7.53db
38% Popularity • 67% Danceability • 56% Energy • 47% Liveness
0% Instrumentalness • 61% Positiveness
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MICHELLE
SUNRISE
87 bpm • G Maj • 02:56 • -5.95db
51% Popularity • 82% Danceability • 44% Energy • 30% Liveness
2% Instrumentalness • 68% Positiveness
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Landry
Riverside
81 bpm • G# Maj • 04:11 • -8.69db
35% Popularity • 75% Danceability • 52% Energy • 10% Liveness
2% Instrumentalness • 80% Positiveness
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Olivia Dean
Baby Come Home
81 bpm • F# min • 03:08 • -10db
47% Popularity • 55% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jackson Lundy
Loverboy
87 bpm • A Maj • 02:50 • -8db
41% Popularity • 72% Danceability • 41% Energy • 9% Liveness
2% Instrumentalness • 29% Positiveness
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Thirdstory
Over (When We Said Goodbye)
81 bpm • C Maj • 03:30 • -9db
36% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lady Wray
Come On In
81 bpm • F min • 03:38 • -6db
48% Popularity • 61% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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May Erlewine
Anyway
87 bpm • C Maj • 03:24 • -7.23db
31% Popularity • 66% Danceability • 57% Energy • 9% Liveness
8% Instrumentalness • 39% Positiveness
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Tess Henley
FYI
81 bpm • F Maj • 03:15 • -7.69db
3% Popularity • 43% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Honey Butter
Getaway
87 bpm • F Maj • 04:02 • -9.47db
20% Popularity • 69% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Stephen Day
Sour Inside
81 bpm • G Maj • 03:42 • -6.64db
38% Popularity • 47% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Joey Dosik
Stories
88 bpm • C# Maj • 02:15 • -9.71db
31% Popularity • 70% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Erez Zobary
Up All Night
88 bpm • B Maj • 04:03 • -10.99db
8% Popularity • 65% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Jordan Mackampa
Over & Out
88 bpm • D Maj • 03:05 • -6.78db
43% Popularity • 68% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Rozzi
I Can't Go To The Party
80 bpm • F# Maj • 03:44 • -6.64db
19% Popularity • 60% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Elli Ingram
Rocket
88 bpm • D Maj • 03:45 • -6.73db
38% Popularity • 69% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Theo Katzman
Lily of Casablanca
88 bpm • C Maj • 04:13 • -10.17db
30% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Lohai
Baby I Know You Will
80 bpm • E Maj • 04:11 • -8.67db
23% Popularity • 67% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 58% Positiveness
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Sophie Faith
You Are The Best Thing
80 bpm • A# Maj • 03:42 • -9db
51% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Shadowboxers
Last Summer - Extended
80 bpm • D# Maj • 04:44 • -7.81db
14% Popularity • 36% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Madelyn Grant
Purpose
89 bpm • F Maj • 03:28 • -11.51db
29% Popularity • 71% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Elli Ingram
Strange How Good Things Change
80 bpm • C Maj • 03:21 • -8.99db
36% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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CLAY
a million pieces
89 bpm • B Maj • 02:47 • -5db
33% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Whitney
Rain
79 bpm • E min • 03:48 • -11.34db
40% Popularity • 63% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Reliably Bad
Someday
79 bpm • F# min • 03:58 • -11.08db
11% Popularity • 62% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Victory
Open Your Eyes ii
89 bpm • C# Maj • 04:20 • -8.03db
16% Popularity • 43% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Her Songs
Holding My Own
89 bpm • G# min • 03:24 • -6.26db
19% Popularity • 67% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Nicole Bus
Look Up To The Sky
79 bpm • D min • 03:52 • -7.28db
36% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Conor Albert
Sunflower
89 bpm • B Maj • 02:45 • -4db
31% Popularity • 58% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Esperanza Spalding
Thang (hips)
79 bpm • C Maj • 04:35 • -10db
31% Popularity • 45% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Joey Dosik
Inside Voice
79 bpm • C# min • 03:33 • -8.55db
25% Popularity • 32% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Victory
Open Your Eyes
89 bpm • C# Maj • 04:20 • -7.76db
26% Popularity • 47% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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M'Lynn
T.F.I.L
79 bpm • C Maj • 03:31 • -7.99db
15% Popularity • 75% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Rozzi
Hymn For Tomorrow
90 bpm • C Maj • 02:40 • -12.2db
18% Popularity • 72% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Ruti
My Sunrise
90 bpm • D min • 03:09 • -6db
43% Popularity • 51% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Honeybutter
Bite the Bit
90 bpm • C# Maj • 04:04 • -9db
35% Popularity • 61% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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NONEWFRIENDS.
The Hook
90 bpm • B Maj • 06:06 • -6.3db
26% Popularity • 46% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Haley Reinhart
Deep Water
79 bpm • F min • 03:29 • -7.01db
34% Popularity • 64% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Lake Street Dive
How Good It Feels
78 bpm • C Maj • 02:14 • -8db
51% Popularity • 61% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Schwey
Elasto
90 bpm • F# min • 03:42 • -6.65db
33% Popularity • 79% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Esperanza Spalding
You Have to Dance (feet)
90 bpm • F# Maj • 03:27 • -11.19db
35% Popularity • 75% Danceability • 47% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Hope Tala
Jealous
90 bpm • G# Maj • 03:36 • -8db
35% Popularity • 78% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jon Batiste
SING
90 bpm • G# Maj • 03:11 • -6.64db
41% Popularity • 61% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Raveena
No Better
90 bpm • D Maj • 04:02 • -10.48db
41% Popularity • 79% Danceability • 45% Energy • 15% Liveness
48% Instrumentalness • 39% Positiveness
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Monica Martin
Cruel - Peter CottonTale Remix
90 bpm • A# Maj • 02:52 • -3.78db
26% Popularity • 72% Danceability • 59% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Bren Joy
Upper East Side
90 bpm • B Maj • 04:56 • -5.95db
28% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Shadowboxers
More Than a Woman
90 bpm • G Maj • 03:44 • -8db
33% Popularity • 74% Danceability • 51% Energy • 8% Liveness
6% Instrumentalness • 52% Positiveness
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Mathilda Homer
Ready When You Are
90 bpm • G# Maj • 02:58 • -8db
34% Popularity • 79% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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be steadwell
Greens
78 bpm • B min • 04:16 • -9db
29% Popularity • 59% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Charlotte Day Wilson
Here You Come Again - Recorded at HOB St...
78 bpm • F Maj • 03:09 • -9.42db
36% Popularity • 42% Danceability • 22% Energy • 29% Liveness
0% Instrumentalness • 14% Positiveness
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Tess Henley
Same Girl
78 bpm • D Maj • 03:02 • -6db
34% Popularity • 59% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Toby Sebastian
Sitting On The Water
90 bpm • D# min • 04:14 • -9.98db
21% Popularity • 69% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Lindsey Lomis
Simple Love
78 bpm • F Maj • 03:55 • -9db
39% Popularity • 70% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 64% Positiveness
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Honey Butter
Pages
90 bpm • G Maj • 03:57 • -9db
25% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Juice
Workin' on Lovin'
78 bpm • A Maj • 03:54 • -4.51db
48% Popularity • 48% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 85% Positiveness
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Reliably Bad
You and I
91 bpm • F min • 03:14 • -8.77db
16% Popularity • 65% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Melt
Brown Eyes
78 bpm • G min • 03:55 • -8db
27% Popularity • 66% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Eric Hutchinson
The Best Part
91 bpm • D Maj • 04:53 • -6.95db
30% Popularity • 72% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Victory
Don’t You Ever
78 bpm • F# Maj • 05:01 • -9db
15% Popularity • 40% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Honey Butter
Just Begun
91 bpm • G# Maj • 04:08 • -5.98db
23% Popularity • 67% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Couch
Conjunction Junction
91 bpm • D Maj • 04:36 • -4.24db
29% Popularity • 75% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Sam Wills
Talk In The Morning - Acoustic
91 bpm • F# min • 03:24 • -12.64db
37% Popularity • 74% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Laura Jean Anderson
Love You Most
91 bpm • C Maj • 03:07 • -8db
16% Popularity • 68% Danceability • 47% Energy • 32% Liveness
2% Instrumentalness • 53% Positiveness
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Lady Wray
Storms
77 bpm • F min • 03:11 • -8db
30% Popularity • 60% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Brasstracks
Three Steps
77 bpm • G Maj • 03:17 • -8db
25% Popularity • 66% Danceability • 44% Energy • 61% Liveness
2% Instrumentalness • 27% Positiveness
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Joanna Teters
Recall
77 bpm • A min • 04:34 • -8.77db
32% Popularity • 60% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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vbnd
Slowly Starting to Take Form
77 bpm • D min • 03:22 • -14.3db
33% Popularity • 86% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Joey Dosik
Past the Point
77 bpm • B min • 03:42 • -9.41db
16% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Joy Oladokun
if you got a problem
77 bpm • B Maj • 03:06 • -6.84db
49% Popularity • 66% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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NONEWFRIENDS.
Closer
92 bpm • A min • 04:16 • -5.56db
13% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Honey Butter
Missing Piece
92 bpm • A Maj • 03:49 • -7.84db
39% Popularity • 61% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Sammy Rae & The Friends
Living Room Floor
92 bpm • G Maj • 03:42 • -11.83db
43% Popularity • 42% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Dana McCoy
Night After Night
92 bpm • E min • 03:13 • -5db
26% Popularity • 70% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Joy Somewhere