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Joyous
Songs like
Joyous
by
Shabaka and the Ancestors
Based on a tempo of (+/- 10%) and a similar genre
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Shabaka and the Ancestors
Finally, The Man Cried
144 bpm • D Maj • 05:46 • -9db
11% Popularity • 44% Danceability • 58% Energy • 32% Liveness
83% Instrumentalness • 39% Positiveness
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Village of the Sun
Village of the Sun
144 bpm • D# min • 06:54 • -12.67db
20% Popularity • 31% Danceability • 40% Energy • 8% Liveness
61% Instrumentalness • 24% Positiveness
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Vijay Iyer Trio
Hood
144 bpm • B min • 06:10 • -22.84db
12% Popularity • 50% Danceability • 30% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Maisha
There Is a Place
143 bpm • A# min • 04:37 • -15.09db
15% Popularity • 18% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Yussef Kamaal
Strings of Light
145 bpm • G min • 08:28 • -8.92db
40% Popularity • 36% Danceability • 79% Energy • 35% Liveness
79% Instrumentalness • 46% Positiveness
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Portico Quartet
The Kon Tiki Expedition
143 bpm • C min • 04:30 • -14.18db
22% Popularity • 36% Danceability • 32% Energy • 8% Liveness
95% Instrumentalness • 47% Positiveness
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Shabaka and the Ancestors
Joyous
144 bpm • C Maj • 06:38 • -10.07db
27% Popularity • 40% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 29% Positiveness
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Binker and Moses
The Departure
143 bpm • C# Maj • 07:23 • -15.02db
10% Popularity • 35% Danceability • 56% Energy • 33% Liveness
86% Instrumentalness • 54% Positiveness
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Yusef Lateef
Nubian Lady - 1972
145 bpm • B min • 06:38 • -15db
27% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
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Matthew Halsall
The Land Of
143 bpm • F# Maj • 05:07 • -11.54db
16% Popularity • 51% Danceability • 71% Energy • 9% Liveness
91% Instrumentalness • 69% Positiveness
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Esbjörn Svensson Trio
Did They Ever Tell Cousteau?
145 bpm • E Maj • 06:05 • -15.05db
20% Popularity • 46% Danceability • 51% Energy • 9% Liveness
87% Instrumentalness • 53% Positiveness
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Mammal Hands
Tiny Crumb
143 bpm • C Maj • 07:46 • -9.88db
19% Popularity • 37% Danceability • 54% Energy • 18% Liveness
86% Instrumentalness • 31% Positiveness
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Erik Truffaz
Fat City
143 bpm • F# min • 06:12 • -7.92db
8% Popularity • 46% Danceability • 75% Energy • 8% Liveness
84% Instrumentalness • 44% Positiveness
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Ashley Henry
Bunny
145 bpm • A Maj • 05:46 • -8.97db
11% Popularity • 33% Danceability • 72% Energy • 14% Liveness
31% Instrumentalness • 23% Positiveness
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Makaya McCraven
The Fifth Monk
142 bpm • E min • 08:01 • -14.64db
9% Popularity • 75% Danceability • 37% Energy • 18% Liveness
73% Instrumentalness • 72% Positiveness
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Nubya Garcia
When We Are
142 bpm • C# Maj • 06:39 • -10.43db
22% Popularity • 51% Danceability • 70% Energy • 12% Liveness
82% Instrumentalness • 18% Positiveness
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Lloyd Miller
Spiritual Jazz
146 bpm • A min • 07:32 • -14.19db
15% Popularity • 41% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Fazer
Babel
142 bpm • G# Maj • 04:36 • -16.04db
14% Popularity • 72% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 21% Positiveness
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Maisha
Osiris
146 bpm • B min • 11:49 • -11.24db
15% Popularity • 39% Danceability • 73% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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Theon Cross
Activate
146 bpm • C Maj • 04:46 • -9.25db
22% Popularity • 53% Danceability • 71% Energy • 8% Liveness
89% Instrumentalness • 83% Positiveness
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Robert Glasper
Maiden Voyage / Everything In Its Right ...
141 bpm • F min • 08:43 • -17.41db
33% Popularity • 42% Danceability • 37% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Shabaka and the Ancestors
Nguni
147 bpm • A min • 09:29 • -10.01db
10% Popularity • 31% Danceability • 52% Energy • 15% Liveness
75% Instrumentalness • 29% Positiveness
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Makaya McCraven
Next Step
147 bpm • F min • 04:54 • -8.75db
10% Popularity • 64% Danceability • 54% Energy • 10% Liveness
46% Instrumentalness • 68% Positiveness
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Les Prospection
Lido
141 bpm • G# Maj • 03:44 • -11.48db
23% Popularity • 32% Danceability • 38% Energy • 13% Liveness
75% Instrumentalness • 15% Positiveness
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Maisha
Eaglehurst / The Palace
141 bpm • F min • 07:59 • -10.51db
14% Popularity • 46% Danceability • 66% Energy • 12% Liveness
87% Instrumentalness • 76% Positiveness
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Nubya Garcia
Pace
147 bpm • G# Maj • 07:52 • -10.14db
25% Popularity • 37% Danceability • 63% Energy • 12% Liveness
44% Instrumentalness • 36% Positiveness
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Ashley Henry
Déjà Vu
147 bpm • F# Maj • 06:54 • -15.9db
13% Popularity • 39% Danceability • 42% Energy • 9% Liveness
92% Instrumentalness • 45% Positiveness
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Yazz Ahmed
Lahan al-Mansour
148 bpm • F# Maj • 09:57 • -15.28db
17% Popularity • 24% Danceability • 28% Energy • 7% Liveness
92% Instrumentalness • 14% Positiveness
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Christian Scott aTunde Adjuah
Ashes of Our Forever
140 bpm • G Maj • 04:07 • -7.46db
19% Popularity • 51% Danceability • 71% Energy • 27% Liveness
80% Instrumentalness • 54% Positiveness
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Yussef Kamaal
Mansur's Message
140 bpm • F min • 02:06 • -23.8db
34% Popularity • 40% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Maisha
Azure
141 bpm • F min • 09:49 • -15.65db
19% Popularity • 36% Danceability • 24% Energy • 8% Liveness
76% Instrumentalness • 23% Positiveness
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Emma-Jean Thackray
Red Bush
140 bpm • A# min • 04:12 • -14.87db
18% Popularity • 63% Danceability • 40% Energy • 16% Liveness
84% Instrumentalness • 23% Positiveness
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Tony Allen
Politely
139 bpm • A# min • 06:40 • -10db
34% Popularity • 50% Danceability • 46% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
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Jeff Parker Trio
Mainz
149 bpm • F# Maj • 06:32 • -14.8db
8% Popularity • 65% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 68% Positiveness
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Nubya Garcia
Source
139 bpm • F min • 08:51 • -9.25db
15% Popularity • 47% Danceability • 69% Energy • 26% Liveness
80% Instrumentalness • 45% Positiveness
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Sons Of Kemet
My Queen Is Harriet Tubman
139 bpm • B min • 05:38 • -7.71db
31% Popularity • 64% Danceability • 76% Energy • 19% Liveness
88% Instrumentalness • 60% Positiveness
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Ruby Rushton
Two for Joy
139 bpm • G# min • 04:17 • -13db
16% Popularity • 46% Danceability • 38% Energy • 7% Liveness
5% Instrumentalness • 24% Positiveness
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Emma-Jean Thackray
Rain Dance / Wisdom
148 bpm • G# Maj • 07:51 • -8.55db
11% Popularity • 34% Danceability • 77% Energy • 13% Liveness
87% Instrumentalness • 38% Positiveness
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Theon Cross
Candace of Meroe
139 bpm • G Maj • 05:47 • -13.17db
14% Popularity • 64% Danceability • 63% Energy • 20% Liveness
90% Instrumentalness • 82% Positiveness
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Yazz Ahmed
Misophonia
139 bpm • F Maj • 01:13 • -17.4db
28% Popularity • 48% Danceability • 10% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Ash Walker
Come with Us
150 bpm • A Maj • 03:12 • -11.6db
17% Popularity • 58% Danceability • 63% Energy • 12% Liveness
45% Instrumentalness • 64% Positiveness
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Jeff Parker
Jrifted
150 bpm • F min • 07:45 • -9.02db
10% Popularity • 52% Danceability • 52% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Ruby Rushton
Triceratops / The Caller
150 bpm • A# min • 05:15 • -9db
25% Popularity • 42% Danceability • 62% Energy • 10% Liveness
46% Instrumentalness • 52% Positiveness
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Kamaal Williams
New Heights (Visions of Aisha Malik)
150 bpm • G# Maj • 03:59 • -10.58db
35% Popularity • 75% Danceability • 61% Energy • 22% Liveness
74% Instrumentalness • 80% Positiveness
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Makaya McCraven
Holy Lands
150 bpm • E min • 05:14 • -12.92db
19% Popularity • 39% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 61% Positiveness
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Erik Truffaz
Kudu
151 bpm • G# Maj • 05:17 • -10.58db
19% Popularity • 33% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Ambrose Akinmusire
Vartha
137 bpm • B min • 07:46 • -9db
20% Popularity • 34% Danceability • 50% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Sons Of Kemet
Inner Babylon - 10th Anniversary Remaste...
151 bpm • B min • 05:22 • -8.73db
23% Popularity • 40% Danceability • 76% Energy • 27% Liveness
77% Instrumentalness • 82% Positiveness
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Antoine Berjeaut
Triple A
138 bpm • A# min • 02:41 • -7db
12% Popularity • 44% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
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Nubya Garcia
Once
137 bpm • C# Maj • 05:29 • -13db
20% Popularity • 50% Danceability • 50% Energy • 8% Liveness
90% Instrumentalness • 53% Positiveness
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Get The Blessing
Sunwise
137 bpm • F min • 03:13 • -12db
32% Popularity • 62% Danceability • 33% Energy • 10% Liveness
95% Instrumentalness • 72% Positiveness
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Ill Considered
Incantation
151 bpm • A min • 05:37 • -15.56db
22% Popularity • 43% Danceability • 33% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Wildflower
Light in the Sorrow
137 bpm • G min • 05:20 • -13.46db
11% Popularity • 34% Danceability • 33% Energy • 11% Liveness
28% Instrumentalness • 34% Positiveness
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Matthew Halsall
Cherry Blossom
152 bpm • B min • 07:20 • -14db
39% Popularity • 35% Danceability • 25% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Jack DeJohnette
In Movement
152 bpm • C# Maj • 09:21 • -14.58db
14% Popularity • 38% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Idris Muhammad
Moon Hymn
151 bpm • G min • 04:17 • -10db
25% Popularity • 33% Danceability • 41% Energy • 8% Liveness
74% Instrumentalness • 23% Positiveness
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Henri Texier
Mr Donald Cerise
136 bpm • G Maj • 04:05 • -23db
16% Popularity • 69% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Nubya Garcia
Source (Maxwell Owin remix)
136 bpm • C min • 04:51 • -11.15db
11% Popularity • 69% Danceability • 56% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Erik Truffaz
Arroyo
136 bpm • G min • 06:27 • -11db
14% Popularity • 40% Danceability • 48% Energy • 9% Liveness
91% Instrumentalness • 63% Positiveness
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Kamaal Williams
Pigalle
136 bpm • C Maj • 06:14 • -10.61db
24% Popularity • 48% Danceability • 52% Energy • 9% Liveness
73% Instrumentalness • 55% Positiveness
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Matthew Halsall
Falling Water
136 bpm • A# min • 09:25 • -13.54db
24% Popularity • 43% Danceability • 26% Energy • 11% Liveness
74% Instrumentalness • 29% Positiveness
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Yazz Ahmed
Bloom
153 bpm • A min • 05:07 • -12.65db
28% Popularity • 43% Danceability • 59% Energy • 8% Liveness
94% Instrumentalness • 71% Positiveness
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Makaya McCraven
Wise Man, Wiser Woman
135 bpm • A Maj • 03:13 • -21.03db
20% Popularity • 70% Danceability • 26% Energy • 12% Liveness
85% Instrumentalness • 32% Positiveness
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Nubya Garcia
Red Sun
136 bpm • C# Maj • 08:17 • -14.59db
15% Popularity • 39% Danceability • 41% Energy • 9% Liveness
81% Instrumentalness • 9% Positiveness
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The Expansions
Miles Away
135 bpm • A min • 08:34 • -15db
9% Popularity • 42% Danceability • 26% Energy • 11% Liveness
77% Instrumentalness • 10% Positiveness
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Chelsea Carmichael
All We Know
153 bpm • G min • 07:25 • -8db
22% Popularity • 47% Danceability • 55% Energy • 32% Liveness
87% Instrumentalness • 65% Positiveness
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Yussef Kamaal
Remembrance
135 bpm • G# min • 09:00 • -10.1db
36% Popularity • 50% Danceability • 70% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Moses Boyd
Drum Dance
135 bpm • F min • 05:14 • -11.72db
14% Popularity • 67% Danceability • 86% Energy • 12% Liveness
86% Instrumentalness • 93% Positiveness
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Ashley Henry
Battle
135 bpm • C# Maj • 04:34 • -11db
12% Popularity • 34% Danceability • 83% Energy • 8% Liveness
80% Instrumentalness • 42% Positiveness
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Kamaal Williams
Salaam
135 bpm • G# min • 08:33 • -11db
28% Popularity • 69% Danceability • 47% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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Joe Armon-Jones
Mollison Dub
135 bpm • C# Maj • 10:15 • -12db
24% Popularity • 50% Danceability • 56% Energy • 16% Liveness
91% Instrumentalness • 57% Positiveness
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Ill Considered
Tangled
135 bpm • B min • 06:03 • -10.41db
15% Popularity • 46% Danceability • 69% Energy • 11% Liveness
74% Instrumentalness • 36% Positiveness
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Rudresh Mahanthappa
The General
134 bpm • D Maj • 08:25 • -11.36db
8% Popularity • 49% Danceability • 51% Energy • 5% Liveness
84% Instrumentalness • 53% Positiveness
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Makaya McCraven
Mantra
154 bpm • C min • 03:48 • -11.34db
23% Popularity • 41% Danceability • 44% Energy • 68% Liveness
48% Instrumentalness • 80% Positiveness
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Christian Scott aTunde Adjuah
Videotape
134 bpm • A Maj • 04:39 • -7.9db
24% Popularity • 32% Danceability • 64% Energy • 7% Liveness
58% Instrumentalness • 26% Positiveness
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Kamaal Williams
LDN Shuffle
134 bpm • E Maj • 05:30 • -9.64db
18% Popularity • 39% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 63% Positiveness
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Moses Boyd
Rye Lane Shuffle
134 bpm • C min • 04:26 • -7.2db
27% Popularity • 42% Danceability • 92% Energy • 9% Liveness
86% Instrumentalness • 92% Positiveness
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Ill Considered
Building Bridges
155 bpm • A min • 05:36 • -11.28db
20% Popularity • 45% Danceability • 58% Energy • 11% Liveness
79% Instrumentalness • 35% Positiveness
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Mulatu Astatke
Mulatu
156 bpm • C# Maj • 05:01 • -15.14db
33% Popularity • 46% Danceability • 41% Energy • 13% Liveness
18% Instrumentalness • 72% Positiveness
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Sons Of Kemet
My Queen Is Nanny Of The Maroons
156 bpm • C# Maj • 06:41 • -16.85db
35% Popularity • 55% Danceability • 39% Energy • 9% Liveness
88% Instrumentalness • 70% Positiveness
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Binker Golding
Strange Beautiful Remembered
155 bpm • D# Maj • 07:56 • -10.84db
15% Popularity • 50% Danceability • 48% Energy • 6% Liveness
83% Instrumentalness • 53% Positiveness
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Yussef Kamaal
Yo Chavez
133 bpm • C Maj • 03:59 • -17db
31% Popularity • 36% Danceability • 27% Energy • 13% Liveness
76% Instrumentalness • 4% Positiveness
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Nérija
Pinkham V
132 bpm • C Maj • 05:25 • -8db
13% Popularity • 48% Danceability • 57% Energy • 11% Liveness
75% Instrumentalness • 40% Positiveness
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Ill Considered
Interlude
156 bpm • A# min • 00:53 • -12.77db
29% Popularity • 46% Danceability • 89% Energy • 7% Liveness
87% Instrumentalness • 54% Positiveness
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The Comet Is Coming
Timewave Zero
157 bpm • D Maj • 05:20 • -5.53db
25% Popularity • 34% Danceability • 93% Energy • 48% Liveness
81% Instrumentalness • 40% Positiveness
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Portico Quartet
Too Many Cooks
132 bpm • C min • 05:33 • -13.67db
26% Popularity • 48% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 72% Positiveness
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Greg Foat
Anticipation
132 bpm • B min • 05:00 • -10.23db
16% Popularity • 32% Danceability • 47% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
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Web Web
Kings of Forbidden Lands
157 bpm • C min • 05:23 • -7.49db
25% Popularity • 41% Danceability • 73% Energy • 9% Liveness
28% Instrumentalness • 90% Positiveness
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Theon Cross
Letting Go
157 bpm • F min • 07:11 • -14.62db
10% Popularity • 57% Danceability • 34% Energy • 5% Liveness
56% Instrumentalness • 54% Positiveness
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Takuya Kuroda
Mala
132 bpm • F min • 05:59 • -11.4db
28% Popularity • 54% Danceability • 62% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Vels Trio
40 Point
158 bpm • F# min • 03:35 • -12.68db
19% Popularity • 58% Danceability • 45% Energy • 9% Liveness
87% Instrumentalness • 75% Positiveness
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Mulatu Astatke
Mulatu - Stereo Master
158 bpm • C# Maj • 05:03 • -13.38db
32% Popularity • 46% Danceability • 43% Energy • 18% Liveness
28% Instrumentalness • 76% Positiveness
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Makaya McCraven
Inner Flight
131 bpm • E min • 03:02 • -14.83db
35% Popularity • 43% Danceability • 67% Energy • 11% Liveness
87% Instrumentalness • 59% Positiveness
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Shabaka and the Ancestors
Good Morning Good Morning
159 bpm • C Maj • 05:23 • -9.46db
4% Popularity • 35% Danceability • 46% Energy • 11% Liveness
70% Instrumentalness • 18% Positiveness
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1000 Kings
The Drop
159 bpm • A# Maj • 05:55 • -11.43db
21% Popularity • 34% Danceability • 48% Energy • 22% Liveness
87% Instrumentalness • 49% Positiveness
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Portico Quartet
Paper Scissors Stone
130 bpm • D min • 05:27 • -11db
28% Popularity • 39% Danceability • 65% Energy • 10% Liveness
98% Instrumentalness • 31% Positiveness
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Fazer
Akom
130 bpm • G# min • 04:12 • -12.51db
20% Popularity • 63% Danceability • 58% Energy • 6% Liveness
87% Instrumentalness • 86% Positiveness
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Mulatu Astatke
Esketa Dance
130 bpm • A# min • 04:09 • -6.53db
32% Popularity • 70% Danceability • 61% Energy • 11% Liveness
91% Instrumentalness • 56% Positiveness
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Aaron Parks
Nemesis
130 bpm • F# Maj • 06:14 • -10.81db
30% Popularity • 51% Danceability • 61% Energy • 14% Liveness
94% Instrumentalness • 20% Positiveness
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Erik Truffaz
The Dawn
130 bpm • G Maj • 05:44 • -12.99db
15% Popularity • 53% Danceability • 75% Energy • 12% Liveness
92% Instrumentalness • 13% Positiveness
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Joyous