Songs like Juan Jose by Papo Vazquez
Based on a tempo of (+/- 10%) and a similar genre
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Wayne Wallace Latin Jazz Quintet
Los Gatos
124 bpm • C Maj • 06:16 • -11.81db
19% Popularity • 76% Danceability • 58% Energy • 7% Liveness
84% Instrumentalness • 96% Positiveness
19% Popularity • 76% Danceability • 58% Energy • 7% Liveness
84% Instrumentalness • 96% Positiveness
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Papo Vazquez
Juan Jose
124 bpm • C Maj • 08:47 • -9.34db
4% Popularity • 74% Danceability • 65% Energy • 9% Liveness
33% Instrumentalness • 84% Positiveness
4% Popularity • 74% Danceability • 65% Energy • 9% Liveness
33% Instrumentalness • 84% Positiveness
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Paoli Mejias
Oye como suena
124 bpm • D Maj • 04:41 • -8db
12% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
12% Popularity • 61% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Carlos Henriquez
Con Alma - Live
124 bpm • E min • 07:10 • -9.36db
23% Popularity • 55% Danceability • 38% Energy • 70% Liveness
55% Instrumentalness • 48% Positiveness
23% Popularity • 55% Danceability • 38% Energy • 70% Liveness
55% Instrumentalness • 48% Positiveness
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Arturo O'Farrill & The Afro Latin Jazz Orchestra
Cuban Blues
124 bpm • C min • 02:51 • -5.94db
12% Popularity • 79% Danceability • 54% Energy • 7% Liveness
53% Instrumentalness • 84% Positiveness
12% Popularity • 79% Danceability • 54% Energy • 7% Liveness
53% Instrumentalness • 84% Positiveness
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Humberto Ramirez
Pasiones
124 bpm • G# Maj • 06:47 • -12db
12% Popularity • 48% Danceability • 68% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
12% Popularity • 48% Danceability • 68% Energy • 9% Liveness
66% Instrumentalness • 77% Positiveness
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Amadito Valdés
Mambo Herd
124 bpm • C# Maj • 01:44 • -7.29db
27% Popularity • 72% Danceability • 78% Energy • 12% Liveness
79% Instrumentalness • 77% Positiveness
27% Popularity • 72% Danceability • 78% Energy • 12% Liveness
79% Instrumentalness • 77% Positiveness
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Manuel Valera
New Cuban Express
124 bpm • E Maj • 07:59 • -10.23db
16% Popularity • 43% Danceability • 66% Energy • 26% Liveness
75% Instrumentalness • 62% Positiveness
16% Popularity • 43% Danceability • 66% Energy • 26% Liveness
75% Instrumentalness • 62% Positiveness
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Papo Vazquez
La Puerta
124 bpm • A Maj • 07:02 • -14.21db
0% Popularity • 53% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 34% Positiveness
0% Popularity • 53% Danceability • 30% Energy • 10% Liveness
64% Instrumentalness • 34% Positiveness
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PR Jazz Jam
Bomba pa Carmen
123 bpm • C# Maj • 05:28 • -8.69db
5% Popularity • 54% Danceability • 80% Energy • 16% Liveness
75% Instrumentalness • 80% Positiveness
5% Popularity • 54% Danceability • 80% Energy • 16% Liveness
75% Instrumentalness • 80% Positiveness
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Chocolate
Chocolate en Guajira
123 bpm • G min • 09:35 • -15.51db
11% Popularity • 60% Danceability • 31% Energy • 32% Liveness
26% Instrumentalness • 42% Positiveness
11% Popularity • 60% Danceability • 31% Energy • 32% Liveness
26% Instrumentalness • 42% Positiveness
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Cuban old music
Rumba de Cajon
123 bpm • F Maj • 03:49 • -12.28db
9% Popularity • 58% Danceability • 46% Energy • 5% Liveness
93% Instrumentalness • 69% Positiveness
9% Popularity • 58% Danceability • 46% Energy • 5% Liveness
93% Instrumentalness • 69% Positiveness
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Guillermo Klein
El Tiempo
123 bpm • A Maj • 02:53 • -21.69db
18% Popularity • 49% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
18% Popularity • 49% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Caribbean Jazz Project
Birds Of A Feather
125 bpm • B min • 05:04 • -6.99db
12% Popularity • 47% Danceability • 91% Energy • 7% Liveness
83% Instrumentalness • 79% Positiveness
12% Popularity • 47% Danceability • 91% Energy • 7% Liveness
83% Instrumentalness • 79% Positiveness
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Papo Vazquez
I Thought About You
124 bpm • F Maj • 09:37 • -19.47db
0% Popularity • 48% Danceability • 11% Energy • 26% Liveness
93% Instrumentalness • 12% Positiveness
0% Popularity • 48% Danceability • 11% Energy • 26% Liveness
93% Instrumentalness • 12% Positiveness
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Giovanni Hidalgo
La Celula
123 bpm • C Maj • 03:07 • -8.86db
25% Popularity • 42% Danceability • 89% Energy • 12% Liveness
89% Instrumentalness • 91% Positiveness
25% Popularity • 42% Danceability • 89% Energy • 12% Liveness
89% Instrumentalness • 91% Positiveness
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Noro Morales
Maria Cervantes
123 bpm • A min • 02:58 • -9.78db
28% Popularity • 64% Danceability • 60% Energy • 18% Liveness
96% Instrumentalness • 94% Positiveness
28% Popularity • 64% Danceability • 60% Energy • 18% Liveness
96% Instrumentalness • 94% Positiveness
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Alain Pérez
Camino del Oso
125 bpm • A# min • 07:49 • -10.26db
11% Popularity • 68% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 64% Positiveness
11% Popularity • 68% Danceability • 67% Energy • 8% Liveness
91% Instrumentalness • 64% Positiveness
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Pulpo
Porque Te Empeñas
123 bpm • F min • 07:02 • -6db
9% Popularity • 65% Danceability • 67% Energy • 10% Liveness
88% Instrumentalness • 78% Positiveness
9% Popularity • 65% Danceability • 67% Energy • 10% Liveness
88% Instrumentalness • 78% Positiveness
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The Jazz Defenders
Costa Del Lol
125 bpm • G min • 04:36 • -8.82db
8% Popularity • 47% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
8% Popularity • 47% Danceability • 63% Energy • 10% Liveness
84% Instrumentalness • 42% Positiveness
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Papo Vazquez
Broke Blues
125 bpm • C Maj • 05:50 • -10.05db
0% Popularity • 54% Danceability • 51% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
0% Popularity • 54% Danceability • 51% Energy • 10% Liveness
58% Instrumentalness • 21% Positiveness
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Julio Barreto Cuban Quartet
Coming Home Baby
123 bpm • F Maj • 05:25 • -7.17db
12% Popularity • 72% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 79% Positiveness
12% Popularity • 72% Danceability • 90% Energy • 9% Liveness
81% Instrumentalness • 79% Positiveness
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Juan De Marcos
Yaimara´s Groove
125 bpm • F min • 07:49 • -10.59db
8% Popularity • 57% Danceability • 54% Energy • 98% Liveness
89% Instrumentalness • 64% Positiveness
8% Popularity • 57% Danceability • 54% Energy • 98% Liveness
89% Instrumentalness • 64% Positiveness
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Mario Bauzá
Deja Que Diga La Gente
123 bpm • D min • 04:12 • -2db
13% Popularity • 49% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 49% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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¡Cubanismo!
Tumbao de coqueta
126 bpm • C Maj • 04:46 • -9.33db
13% Popularity • 68% Danceability • 76% Energy • 5% Liveness
66% Instrumentalness • 83% Positiveness
13% Popularity • 68% Danceability • 76% Energy • 5% Liveness
66% Instrumentalness • 83% Positiveness
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Spanish Harlem Orchestra
Rumba Urbana
122 bpm • G Maj • 06:35 • -10db
16% Popularity • 54% Danceability • 67% Energy • 4% Liveness
81% Instrumentalness • 75% Positiveness
16% Popularity • 54% Danceability • 67% Energy • 4% Liveness
81% Instrumentalness • 75% Positiveness
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Papo Vazquez
Vianda Con Bacalao
123 bpm • D Maj • 05:55 • -14.94db
0% Popularity • 47% Danceability • 56% Energy • 22% Liveness
88% Instrumentalness • 64% Positiveness
0% Popularity • 47% Danceability • 56% Energy • 22% Liveness
88% Instrumentalness • 64% Positiveness
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Bebo & Cachao
Estoy matizando
126 bpm • D Maj • 02:56 • -6.61db
31% Popularity • 81% Danceability • 66% Energy • 10% Liveness
62% Instrumentalness • 84% Positiveness
31% Popularity • 81% Danceability • 66% Energy • 10% Liveness
62% Instrumentalness • 84% Positiveness
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Jerry Gonzalez
Earthdance
126 bpm • F Maj • 07:55 • -21.25db
10% Popularity • 46% Danceability • 26% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
10% Popularity • 46% Danceability • 26% Energy • 10% Liveness
79% Instrumentalness • 54% Positiveness
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Mario Bauzá
Azulito
122 bpm • D# Maj • 04:17 • -7.14db
11% Popularity • 61% Danceability • 86% Energy • 31% Liveness
82% Instrumentalness • 94% Positiveness
11% Popularity • 61% Danceability • 86% Energy • 31% Liveness
82% Instrumentalness • 94% Positiveness
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Machito Orchestra
El Aji Caribe
122 bpm • C Maj • 02:00 • -7.74db
30% Popularity • 72% Danceability • 77% Energy • 31% Liveness
47% Instrumentalness • 90% Positiveness
30% Popularity • 72% Danceability • 77% Energy • 31% Liveness
47% Instrumentalness • 90% Positiveness
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Avishai Cohen
Thunder Drum
122 bpm • D Maj • 02:24 • -14.64db
15% Popularity • 63% Danceability • 46% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
15% Popularity • 63% Danceability • 46% Energy • 10% Liveness
85% Instrumentalness • 56% Positiveness
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Papo Vazquez
No Te Rindas
126 bpm • A# min • 04:24 • -10.25db
1% Popularity • 68% Danceability • 62% Energy • 12% Liveness
15% Instrumentalness • 42% Positiveness
1% Popularity • 68% Danceability • 62% Energy • 12% Liveness
15% Instrumentalness • 42% Positiveness
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Edmar Castañeda
Canción Con Todos
126 bpm • D min • 05:07 • -10.65db
20% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Carlos Henriquez
Guarachi Guaro - Live
122 bpm • F Maj • 09:28 • -9.7db
25% Popularity • 70% Danceability • 47% Energy • 74% Liveness
35% Instrumentalness • 55% Positiveness
25% Popularity • 70% Danceability • 47% Energy • 74% Liveness
35% Instrumentalness • 55% Positiveness
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Mario Bauzá
Mambo - Part Of Tanga Suite
126 bpm • F Maj • 04:03 • -8.72db
15% Popularity • 52% Danceability • 71% Energy • 9% Liveness
59% Instrumentalness • 78% Positiveness
15% Popularity • 52% Danceability • 71% Energy • 9% Liveness
59% Instrumentalness • 78% Positiveness
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Wendell Rivera
My Old Flame
122 bpm • C Maj • 07:16 • -9.36db
12% Popularity • 75% Danceability • 62% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
12% Popularity • 75% Danceability • 62% Energy • 27% Liveness
62% Instrumentalness • 67% Positiveness
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Jerry Gonzalez
Equipoise
126 bpm • G min • 06:54 • -7.78db
9% Popularity • 68% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
9% Popularity • 68% Danceability • 48% Energy • 9% Liveness
81% Instrumentalness • 62% Positiveness
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Dafnis Prieto Sextet
Amanecer Contigo
126 bpm • G Maj • 06:21 • -9.43db
21% Popularity • 53% Danceability • 70% Energy • 12% Liveness
42% Instrumentalness • 67% Positiveness
21% Popularity • 53% Danceability • 70% Energy • 12% Liveness
42% Instrumentalness • 67% Positiveness
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Guillermo Klein
Melodia De Arrabal
126 bpm • E min • 05:31 • -15.73db
20% Popularity • 50% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
20% Popularity • 50% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 55% Positiveness
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Papo Vazquez
Girl Talk
126 bpm • D# Maj • 05:23 • -15.14db
0% Popularity • 61% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 75% Positiveness
0% Popularity • 61% Danceability • 42% Energy • 9% Liveness
25% Instrumentalness • 75% Positiveness
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Edmar Castañeda
Agua Fresca
122 bpm • D min • 04:23 • -8.85db
23% Popularity • 47% Danceability • 58% Energy • 16% Liveness
65% Instrumentalness • 73% Positiveness
23% Popularity • 47% Danceability • 58% Energy • 16% Liveness
65% Instrumentalness • 73% Positiveness
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The Latin Jazz Quintet
Mambo Ricci
121 bpm • C min • 06:55 • -12.29db
22% Popularity • 50% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 71% Positiveness
22% Popularity • 50% Danceability • 49% Energy • 8% Liveness
2% Instrumentalness • 71% Positiveness
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Tino Di Geraldo
Movidon en Miranda
127 bpm • C Maj • 05:05 • -17.47db
19% Popularity • 45% Danceability • 31% Energy • 9% Liveness
76% Instrumentalness • 32% Positiveness
19% Popularity • 45% Danceability • 31% Energy • 9% Liveness
76% Instrumentalness • 32% Positiveness
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Francisco Aguabella
Felukin
121 bpm • F# Maj • 03:34 • -7.52db
25% Popularity • 52% Danceability • 70% Energy • 12% Liveness
72% Instrumentalness • 93% Positiveness
25% Popularity • 52% Danceability • 70% Energy • 12% Liveness
72% Instrumentalness • 93% Positiveness
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Gabriel Alegria Afro-Peruvian Sextet
Puerto Pimentel
121 bpm • D min • 06:41 • -13.78db
8% Popularity • 62% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
8% Popularity • 62% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 31% Positiveness
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Papo Vazquez
Mr. Babu
127 bpm • A min • 05:10 • -6.41db
1% Popularity • 64% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
1% Popularity • 64% Danceability • 72% Energy • 11% Liveness
2% Instrumentalness • 78% Positiveness
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Charlie Sepulveda
El Gringo
121 bpm • F min • 04:23 • -11.11db
17% Popularity • 54% Danceability • 52% Energy • 4% Liveness
62% Instrumentalness • 79% Positiveness
17% Popularity • 54% Danceability • 52% Energy • 4% Liveness
62% Instrumentalness • 79% Positiveness
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Machito Orchestra
Torero
128 bpm • G Maj • 03:04 • -7.01db
26% Popularity • 61% Danceability • 67% Energy • 12% Liveness
61% Instrumentalness • 75% Positiveness
26% Popularity • 61% Danceability • 67% Energy • 12% Liveness
61% Instrumentalness • 75% Positiveness
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Patato
Yo Tengo Ritmo
128 bpm • G min • 03:08 • -10.52db
14% Popularity • 57% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
14% Popularity • 57% Danceability • 64% Energy • 7% Liveness
88% Instrumentalness • 88% Positiveness
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¡Cubanismo!
Aprovecha
128 bpm • G Maj • 04:50 • -7.18db
20% Popularity • 76% Danceability • 73% Energy • 6% Liveness
77% Instrumentalness • 95% Positiveness
20% Popularity • 76% Danceability • 73% Energy • 6% Liveness
77% Instrumentalness • 95% Positiveness
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Juan Pablo Torres
Moonlight Serenade
128 bpm • D min • 07:36 • -8db
15% Popularity • 79% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 88% Positiveness
15% Popularity • 79% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 88% Positiveness
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Antonio Arnedo
La Chiva
120 bpm • C Maj • 06:53 • -15.91db
9% Popularity • 55% Danceability • 30% Energy • 10% Liveness
80% Instrumentalness • 51% Positiveness
9% Popularity • 55% Danceability • 30% Energy • 10% Liveness
80% Instrumentalness • 51% Positiveness
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Roxana Amed
El Regreso
120 bpm • C# Maj • 05:45 • -8.84db
16% Popularity • 41% Danceability • 57% Energy • 10% Liveness
29% Instrumentalness • 20% Positiveness
16% Popularity • 41% Danceability • 57% Energy • 10% Liveness
29% Instrumentalness • 20% Positiveness
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Manuel Valera
Chamber Timba
120 bpm • A# min • 04:16 • -12.23db
20% Popularity • 68% Danceability • 68% Energy • 20% Liveness
73% Instrumentalness • 88% Positiveness
20% Popularity • 68% Danceability • 68% Energy • 20% Liveness
73% Instrumentalness • 88% Positiveness
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Lex Eazy & The Mambo Club
Latin Racer
120 bpm • F Maj • 03:30 • -12.88db
18% Popularity • 70% Danceability • 50% Energy • 10% Liveness
81% Instrumentalness • 81% Positiveness
18% Popularity • 70% Danceability • 50% Energy • 10% Liveness
81% Instrumentalness • 81% Positiveness
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Mambo All Stars
Accidental Mambo
128 bpm • C Maj • 01:22 • -9.27db
13% Popularity • 65% Danceability • 60% Energy • 9% Liveness
84% Instrumentalness • 86% Positiveness
13% Popularity • 65% Danceability • 60% Energy • 9% Liveness
84% Instrumentalness • 86% Positiveness
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Charlie Palmieri
Mambo Show
120 bpm • F Maj • 05:54 • -9.37db
13% Popularity • 44% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
13% Popularity • 44% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 69% Positiveness
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Negroni's Trio
Brazilian Love Affair
128 bpm • A# Maj • 04:27 • -7.85db
23% Popularity • 61% Danceability • 71% Energy • 10% Liveness
82% Instrumentalness • 51% Positiveness
23% Popularity • 61% Danceability • 71% Energy • 10% Liveness
82% Instrumentalness • 51% Positiveness
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Caribbean Jazz Project
See You In A Minute
128 bpm • C Maj • 04:52 • -5.88db
10% Popularity • 64% Danceability • 93% Energy • 20% Liveness
88% Instrumentalness • 94% Positiveness
10% Popularity • 64% Danceability • 93% Energy • 20% Liveness
88% Instrumentalness • 94% Positiveness
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Scott Martin
Con Seis (White)
120 bpm • G# Maj • 03:59 • -10.69db
13% Popularity • 84% Danceability • 49% Energy • 18% Liveness
90% Instrumentalness • 84% Positiveness
13% Popularity • 84% Danceability • 49% Energy • 18% Liveness
90% Instrumentalness • 84% Positiveness
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PR Jazz Jam
Asora
120 bpm • C# Maj • 06:23 • -10.26db
4% Popularity • 68% Danceability • 78% Energy • 4% Liveness
88% Instrumentalness • 76% Positiveness
4% Popularity • 68% Danceability • 78% Energy • 4% Liveness
88% Instrumentalness • 76% Positiveness
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Patato
Luz
120 bpm • B min • 06:51 • -10.8db
13% Popularity • 56% Danceability • 65% Energy • 8% Liveness
81% Instrumentalness • 81% Positiveness
13% Popularity • 56% Danceability • 65% Energy • 8% Liveness
81% Instrumentalness • 81% Positiveness
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Iván Melon Lewis
Vereda Tropical
128 bpm • F min • 05:28 • -11db
13% Popularity • 60% Danceability • 41% Energy • 39% Liveness
67% Instrumentalness • 78% Positiveness
13% Popularity • 60% Danceability • 41% Energy • 39% Liveness
67% Instrumentalness • 78% Positiveness
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The SWR Big Band
It Is What It Is
120 bpm • F min • 05:28 • -7.17db
10% Popularity • 58% Danceability • 73% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
10% Popularity • 58% Danceability • 73% Energy • 9% Liveness
82% Instrumentalness • 84% Positiveness
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Caribbean Jazz Project
A Night In Tunisia
128 bpm • G min • 05:06 • -8db
12% Popularity • 46% Danceability • 76% Energy • 9% Liveness
87% Instrumentalness • 76% Positiveness
12% Popularity • 46% Danceability • 76% Energy • 9% Liveness
87% Instrumentalness • 76% Positiveness
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Scott Martin
San Juan (Martin)
120 bpm • G# Maj • 04:17 • -6.58db
10% Popularity • 72% Danceability • 86% Energy • 6% Liveness
74% Instrumentalness • 92% Positiveness
10% Popularity • 72% Danceability • 86% Energy • 6% Liveness
74% Instrumentalness • 92% Positiveness
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Alain Pérez
La Canchanchara
129 bpm • C Maj • 05:10 • -9.75db
7% Popularity • 49% Danceability • 64% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
7% Popularity • 49% Danceability • 64% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
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Ray Mantilla
Dat Dere
129 bpm • C min • 05:21 • -12.24db
7% Popularity • 69% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 62% Positiveness
7% Popularity • 69% Danceability • 45% Energy • 11% Liveness
85% Instrumentalness • 62% Positiveness
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Antonio Adolfo
Encontros E Despedidas
120 bpm • G min • 05:28 • -12db
21% Popularity • 47% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
21% Popularity • 47% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 33% Positiveness
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Bobby Hutcherson
(Se Acabo) La Malanga
119 bpm • D min • 04:17 • -8.98db
14% Popularity • 70% Danceability • 65% Energy • 8% Liveness
76% Instrumentalness • 82% Positiveness
14% Popularity • 70% Danceability • 65% Energy • 8% Liveness
76% Instrumentalness • 82% Positiveness
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Chano Pozo
Cu-Ba
129 bpm • F Maj • 02:35 • -16.53db
9% Popularity • 63% Danceability • 57% Energy • 11% Liveness
69% Instrumentalness • 85% Positiveness
9% Popularity • 63% Danceability • 57% Energy • 11% Liveness
69% Instrumentalness • 85% Positiveness
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Patato
Guajira
129 bpm • F min • 05:20 • -8db
15% Popularity • 54% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 73% Positiveness
15% Popularity • 54% Danceability • 68% Energy • 12% Liveness
64% Instrumentalness • 73% Positiveness
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Caravana Cubana
Chucho Carabali
119 bpm • A# min • 06:25 • -20.4db
8% Popularity • 52% Danceability • 38% Energy • 18% Liveness
29% Instrumentalness • 69% Positiveness
8% Popularity • 52% Danceability • 38% Energy • 18% Liveness
29% Instrumentalness • 69% Positiveness
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Rumbantela
Great Times
119 bpm • G# Maj • 04:57 • -6.94db
4% Popularity • 66% Danceability • 86% Energy • 4% Liveness
91% Instrumentalness • 87% Positiveness
4% Popularity • 66% Danceability • 86% Energy • 4% Liveness
91% Instrumentalness • 87% Positiveness
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Papo Vazquez
Mundo Bizarro
129 bpm • G# Maj • 07:50 • -11.48db
1% Popularity • 78% Danceability • 65% Energy • 8% Liveness
84% Instrumentalness • 82% Positiveness
1% Popularity • 78% Danceability • 65% Energy • 8% Liveness
84% Instrumentalness • 82% Positiveness
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Ralph Peterson
Blue Hughes
119 bpm • A# min • 05:54 • -14.62db
20% Popularity • 51% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 84% Positiveness
20% Popularity • 51% Danceability • 55% Energy • 9% Liveness
91% Instrumentalness • 84% Positiveness
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Kenny Dorham
Basheer's Dream - Rudy Van Gelder Editio...
119 bpm • G min • 05:03 • -6db
19% Popularity • 51% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
19% Popularity • 51% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Palmieri
Start The World I want to Get On
129 bpm • F Maj • 07:52 • -9db
7% Popularity • 51% Danceability • 82% Energy • 10% Liveness
85% Instrumentalness • 86% Positiveness
7% Popularity • 51% Danceability • 82% Energy • 10% Liveness
85% Instrumentalness • 86% Positiveness
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Nestor Torres
Memphis Underground
119 bpm • F Maj • 06:51 • -7.66db
13% Popularity • 80% Danceability • 70% Energy • 75% Liveness
26% Instrumentalness • 67% Positiveness
13% Popularity • 80% Danceability • 70% Energy • 75% Liveness
26% Instrumentalness • 67% Positiveness
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Tito Puente & His Latin Ensemble
Linda Chicana
130 bpm • A# min • 04:59 • -17.02db
8% Popularity • 63% Danceability • 33% Energy • 76% Liveness
50% Instrumentalness • 86% Positiveness
8% Popularity • 63% Danceability • 33% Energy • 76% Liveness
50% Instrumentalness • 86% Positiveness
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Papo Vazquez
Var. 8
129 bpm • G Maj • 04:56 • -15.03db
0% Popularity • 40% Danceability • 43% Energy • 9% Liveness
69% Instrumentalness • 43% Positiveness
0% Popularity • 40% Danceability • 43% Energy • 9% Liveness
69% Instrumentalness • 43% Positiveness
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Cal Tjader's Modern Mambo Quintet
Midnight Sun
119 bpm • C Maj • 03:57 • -14.1db
14% Popularity • 78% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
14% Popularity • 78% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 86% Positiveness
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Joe Torres
La Bruja Negra - Remastered
118 bpm • G# min • 03:40 • -11.47db
15% Popularity • 64% Danceability • 68% Energy • 8% Liveness
84% Instrumentalness • 87% Positiveness
15% Popularity • 64% Danceability • 68% Energy • 8% Liveness
84% Instrumentalness • 87% Positiveness
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Rayko León
Meloneras
130 bpm • G min • 06:03 • -13.39db
16% Popularity • 77% Danceability • 36% Energy • 8% Liveness
84% Instrumentalness • 85% Positiveness
16% Popularity • 77% Danceability • 36% Energy • 8% Liveness
84% Instrumentalness • 85% Positiveness
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Scott Martin
Ojo de Rojo (Martin)
130 bpm • A min • 07:31 • -8.87db
10% Popularity • 71% Danceability • 68% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
10% Popularity • 71% Danceability • 68% Energy • 9% Liveness
90% Instrumentalness • 86% Positiveness
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Tito Puente & His Latin Ensemble
On Broadway
130 bpm • F Maj • 08:05 • -13.82db
8% Popularity • 62% Danceability • 52% Energy • 15% Liveness
78% Instrumentalness • 95% Positiveness
8% Popularity • 62% Danceability • 52% Energy • 15% Liveness
78% Instrumentalness • 95% Positiveness
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Mario Bauzá
Paz Profundo
118 bpm • F Maj • 03:35 • -9.8db
11% Popularity • 68% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 80% Positiveness
11% Popularity • 68% Danceability • 64% Energy • 11% Liveness
89% Instrumentalness • 80% Positiveness
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Papo Vazquez
Fiesta Cika
119 bpm • G Maj • 07:01 • -13.07db
0% Popularity • 59% Danceability • 75% Energy • 4% Liveness
94% Instrumentalness • 90% Positiveness
0% Popularity • 59% Danceability • 75% Energy • 4% Liveness
94% Instrumentalness • 90% Positiveness
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Los Gatos
Tu Crees Que?
130 bpm • G# Maj • 03:51 • -7.92db
19% Popularity • 47% Danceability • 90% Energy • 68% Liveness
72% Instrumentalness • 97% Positiveness
19% Popularity • 47% Danceability • 90% Energy • 68% Liveness
72% Instrumentalness • 97% Positiveness
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Charlie Palmieri & His Orchestra
Tema De MarÃa Cervantes
118 bpm • D# min • 05:10 • -8db
23% Popularity • 63% Danceability • 79% Energy • 8% Liveness
84% Instrumentalness • 89% Positiveness
23% Popularity • 63% Danceability • 79% Energy • 8% Liveness
84% Instrumentalness • 89% Positiveness
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Patato
MacorÃs
130 bpm • G min • 04:00 • -6.6db
9% Popularity • 49% Danceability • 87% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
9% Popularity • 49% Danceability • 87% Energy • 4% Liveness
86% Instrumentalness • 73% Positiveness
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Roberto Fonseca
No soy de esos
118 bpm • G min • 04:32 • -15.62db
29% Popularity • 70% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 70% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Oscar Hernandez
The Art of Latin Jazz
118 bpm • D Maj • 04:19 • -7db
9% Popularity • 55% Danceability • 68% Energy • 5% Liveness
80% Instrumentalness • 42% Positiveness
9% Popularity • 55% Danceability • 68% Energy • 5% Liveness
80% Instrumentalness • 42% Positiveness
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Mario Bauzá
Imitations
130 bpm • F min • 04:48 • -1.85db
19% Popularity • 60% Danceability • 94% Energy • 23% Liveness
24% Instrumentalness • 94% Positiveness
19% Popularity • 60% Danceability • 94% Energy • 23% Liveness
24% Instrumentalness • 94% Positiveness
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Gato Barbieri
Viva Emiliano Zapata
131 bpm • C Maj • 06:08 • -9.54db
13% Popularity • 39% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
13% Popularity • 39% Danceability • 86% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
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Gérard Naulet
Guajirando
118 bpm • G Maj • 04:46 • -9.9db
12% Popularity • 68% Danceability • 47% Energy • 23% Liveness
70% Instrumentalness • 33% Positiveness
12% Popularity • 68% Danceability • 47% Energy • 23% Liveness
70% Instrumentalness • 33% Positiveness
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Tito Rodriguez & His Orchestra
Descarga Cachao
118 bpm • G Maj • 05:05 • -10db
20% Popularity • 46% Danceability • 83% Energy • 10% Liveness
36% Instrumentalness • 86% Positiveness
20% Popularity • 46% Danceability • 83% Energy • 10% Liveness
36% Instrumentalness • 86% Positiveness