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Judgement
Songs like
Judgement
by
Patrick Doyle
Based on a tempo of (+/- 10%) and a similar genre
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Jacob Shea
Great Dusky Swifts
172 bpm • E min • 04:22 • -16.19db
20% Popularity • 9% Danceability • 28% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Guy Farley
The Grand Bakery
172 bpm • A min • 03:15 • -16db
34% Popularity • 20% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 19% Positiveness
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Patrick Doyle
Judgement
172 bpm • D min • 02:29 • -20.87db
23% Popularity • 12% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Mark Isham
Resourceful Pup
173 bpm • C min • 04:08 • -19.23db
12% Popularity • 29% Danceability • 12% Energy • 13% Liveness
81% Instrumentalness • 13% Positiveness
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Junkie XL
We Are Not Things
171 bpm • E Maj • 01:37 • -12.44db
21% Popularity • 11% Danceability • 29% Energy • 14% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Britell
Hymn - Mvmt 1: Prelude
174 bpm • G# Maj • 03:53 • -16.54db
38% Popularity • 8% Danceability • 13% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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Michal Pavlíček
Merlin Buries Lancelot
174 bpm • G min • 03:09 • -30.94db
35% Popularity • 8% Danceability • 2% Energy • 5% Liveness
89% Instrumentalness • 4% Positiveness
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Pinar Toprak
Let's Bring Him Home
174 bpm • A# min • 01:39 • -17db
23% Popularity • 13% Danceability • 43% Energy • 9% Liveness
79% Instrumentalness • 5% Positiveness
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Kevin Kiner
Ahsoka Leaves
176 bpm • G Maj • 02:22 • -16db
46% Popularity • 8% Danceability • 19% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Boating For Beginners
168 bpm • C Maj • 01:34 • -19.2db
27% Popularity • 35% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Junkie XL
Return to Croft Manor
170 bpm • C Maj • 08:13 • -19.85db
14% Popularity • 9% Danceability • 17% Energy • 15% Liveness
91% Instrumentalness • 3% Positiveness
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Bear McCreary
Black Flags
177 bpm • D min • 03:29 • -20.56db
29% Popularity • 8% Danceability • 8% Energy • 13% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Lane
The Bond of Sacrifice
168 bpm • F min • 02:17 • -20.63db
45% Popularity • 9% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 3% Positiveness
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Pinar Toprak
Learning the Truth
167 bpm • G Maj • 03:16 • -27db
34% Popularity • 9% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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John Ottman
What Beach?
180 bpm • F Maj • 01:51 • -33.49db
15% Popularity • 7% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Samuel Sim
Expansion Project
166 bpm • C# Maj • 01:45 • -17.17db
26% Popularity • 17% Danceability • 17% Energy • 15% Liveness
86% Instrumentalness • 6% Positiveness
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Stephen Warbeck
The Pepper Story
163 bpm • D# Maj • 01:10 • -24.54db
50% Popularity • 10% Danceability • 6% Energy • 36% Liveness
96% Instrumentalness • 4% Positiveness
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Paolo Buonvino
Decadence
162 bpm • A# Maj • 03:15 • -10.13db
26% Popularity • 27% Danceability • 49% Energy • 11% Liveness
76% Instrumentalness • 12% Positiveness
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Mark Isham
Crossing the Sound
162 bpm • D min • 02:33 • -13.59db
16% Popularity • 31% Danceability • 32% Energy • 11% Liveness
14% Instrumentalness • 22% Positiveness
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Tom Howe
Olive Kisses Elizabeth
160 bpm • D min • 02:17 • -19db
18% Popularity • 34% Danceability • 22% Energy • 16% Liveness
88% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Build a Bomb
160 bpm • C# Maj • 05:06 • -23.18db
26% Popularity • 20% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Chris Tilton
A New Day In The Old Town
160 bpm • C min • 01:44 • -22.27db
32% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
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Christian Henson
The Journey to Moonacre
160 bpm • A# min • 01:51 • -16.99db
39% Popularity • 36% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 22% Positiveness
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Nicholas Hooper
The Room of Requirements
156 bpm • C Maj • 06:07 • -20.92db
43% Popularity • 35% Danceability • 13% Energy • 8% Liveness
43% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
First Day At School
156 bpm • D min • 01:12 • -24db
53% Popularity • 32% Danceability • 15% Energy • 19% Liveness
64% Instrumentalness • 30% Positiveness
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Roque Baños
End Credits - Alternate Version; Bonus T...
191 bpm • D Maj • 01:17 • -9.61db
24% Popularity • 18% Danceability • 75% Energy • 14% Liveness
96% Instrumentalness • 24% Positiveness
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Torin Borrowdale
Keyhouse
191 bpm • G# min • 01:02 • -19.46db
32% Popularity • 7% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Joseph Trapanese
Strike Now
154 bpm • G# Maj • 06:12 • -17.56db
23% Popularity • 12% Danceability • 34% Energy • 12% Liveness
79% Instrumentalness • 4% Positiveness
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Samuel Sim
Most Ardently in Love
153 bpm • G min • 01:24 • -17.51db
32% Popularity • 28% Danceability • 19% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
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Christian Henson
Milk and Cookies
152 bpm • G min • 01:18 • -26.73db
44% Popularity • 23% Danceability • 5% Energy • 12% Liveness
30% Instrumentalness • 8% Positiveness
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Dario Marianelli
History Is Listening
150 bpm • D Maj • 02:34 • -24.49db
17% Popularity • 50% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 46% Positiveness
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Nicholas Britell
Antiphon
150 bpm • C min • 02:16 • -18.8db
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Mychael Danna
More
150 bpm • F Maj • 01:37 • -22db
39% Popularity • 61% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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John Powell
Mutual Thoughts
149 bpm • A Maj • 01:01 • -29.21db
10% Popularity • 32% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
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Christian Henson
Running from Moonacre / Loveday
150 bpm • G Maj • 01:40 • -22db
33% Popularity • 25% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Judgement