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Juegos Prohibidos
Songs like
Juegos Prohibidos
by
Miguel Nacel
Based on a tempo of (+/- 10%) and a similar genre
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Ronnie Aldrich and his 2 pianos
A Whiter Shade Of Pale
131 bpm • C Maj • 03:36 • -13db
35% Popularity • 44% Danceability • 28% Energy • 11% Liveness
81% Instrumentalness • 32% Positiveness
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The Gino Marinello Orchestra
I Have a Dream
131 bpm • A# Maj • 02:30 • -16.82db
36% Popularity • 48% Danceability • 27% Energy • 13% Liveness
79% Instrumentalness • 54% Positiveness
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Miguel Nacel
Juegos Prohibidos
131 bpm • C Maj • 02:59 • -7.99db
29% Popularity • 58% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Richard Abel
L'Amour en héritage (Only Love)
132 bpm • G Maj • 04:25 • -12db
30% Popularity • 42% Danceability • 38% Energy • 60% Liveness
94% Instrumentalness • 19% Positiveness
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Sergio Ortiz
Aquellos Ojos Verdes
131 bpm • C Maj • 02:16 • -10db
47% Popularity • 30% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 34% Positiveness
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The Strings Of Paris
Ballade Pour Adeline
130 bpm • C Maj • 02:32 • -13db
48% Popularity • 39% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 26% Positiveness
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Orquesta Romanticos de La Habana
Rumba Blanca
130 bpm • C# Maj • 02:39 • -13.57db
7% Popularity • 67% Danceability • 40% Energy • 11% Liveness
14% Instrumentalness • 96% Positiveness
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John Fox
When Will I See You Again
130 bpm • A Maj • 03:10 • -12db
31% Popularity • 36% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 25% Positiveness
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Miguel Nacel
Historia de Amor
132 bpm • C# min • 03:00 • -7.6db
16% Popularity • 53% Danceability • 45% Energy • 12% Liveness
18% Instrumentalness • 19% Positiveness
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Pierre Charlon
Plaisir D'amour
130 bpm • F Maj • 02:47 • -13.64db
45% Popularity • 66% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 29% Positiveness
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Sergio Ortiz
Sueño Imposible
132 bpm • C Maj • 02:30 • -19db
52% Popularity • 30% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
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Sergio Golwarz
Las Hojas Muertas
133 bpm • E min • 03:08 • -6db
35% Popularity • 27% Danceability • 50% Energy • 12% Liveness
58% Instrumentalness • 32% Positiveness
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Orquesta Romanticos de La Habana
Lamento Borincano
133 bpm • F Maj • 04:00 • -17.9db
15% Popularity • 63% Danceability • 36% Energy • 35% Liveness
80% Instrumentalness • 49% Positiveness
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Ronnie Aldrich
I've Never Been to Me
133 bpm • C Maj • 03:43 • -16.57db
25% Popularity • 52% Danceability • 19% Energy • 18% Liveness
82% Instrumentalness • 22% Positiveness
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Miguel Nacel
Bailar Pegado Es Bailar
132 bpm • C Maj • 03:39 • -19.37db
17% Popularity • 65% Danceability • 20% Energy • 11% Liveness
25% Instrumentalness • 32% Positiveness
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Adrian Perticone
La Última Noche
129 bpm • G Maj • 02:58 • -15db
42% Popularity • 75% Danceability • 49% Energy • 15% Liveness
74% Instrumentalness • 83% Positiveness
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Grandes Violines Románticos
FrenesÃ
129 bpm • G# Maj • 02:04 • -6db
32% Popularity • 62% Danceability • 54% Energy • 17% Liveness
35% Instrumentalness • 82% Positiveness
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Manuel Angel
Bailarina de Cajita Musical
133 bpm • D Maj • 02:41 • -8.59db
30% Popularity • 62% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 85% Positiveness
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Asi Es El Beguine
Exodo
128 bpm • C min • 02:12 • -15.67db
32% Popularity • 54% Danceability • 28% Energy • 27% Liveness
91% Instrumentalness • 80% Positiveness
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Giovanni Vivanco
I Will Always Love You
134 bpm • A Maj • 04:11 • -17db
45% Popularity • 67% Danceability • 24% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Discovey Light Orchestra
Bilits
134 bpm • G Maj • 03:24 • -12db
49% Popularity • 55% Danceability • 33% Energy • 14% Liveness
77% Instrumentalness • 44% Positiveness
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Combo Alfredo
Traum Melodien - Medley - Blue Spanish e...
128 bpm • A# Maj • 03:16 • -9.21db
29% Popularity • 69% Danceability • 34% Energy • 16% Liveness
1% Instrumentalness • 65% Positiveness
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Grandes Violines Románticos
Aquellos Ojos
129 bpm • D# Maj • 02:39 • -6db
33% Popularity • 71% Danceability • 61% Energy • 7% Liveness
90% Instrumentalness • 91% Positiveness
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Adrian Perticone
Dormir Contigo
134 bpm • B min • 04:23 • -18db
25% Popularity • 65% Danceability • 20% Energy • 13% Liveness
64% Instrumentalness • 9% Positiveness
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Birmingham Light Orchestra
There's a Kind of Hush
128 bpm • D Maj • 03:08 • -12.1db
39% Popularity • 66% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 67% Positiveness
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Rubén Ochoa
Un DÃa Domingo
134 bpm • F# Maj • 04:32 • -12db
13% Popularity • 51% Danceability • 45% Energy • 15% Liveness
80% Instrumentalness • 15% Positiveness
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Franco Legrand & His Magic Piano
Cajita Musical
128 bpm • C# Maj • 03:17 • -10db
36% Popularity • 53% Danceability • 59% Energy • 10% Liveness
85% Instrumentalness • 58% Positiveness
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Manuel Olivera Almada
Piel Canela
127 bpm • E Maj • 02:42 • -11db
47% Popularity • 71% Danceability • 54% Energy • 9% Liveness
90% Instrumentalness • 90% Positiveness
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Manuel Angel y Su Arpa Maravillosa
La Leyenda del Beso
135 bpm • E Maj • 03:35 • -12db
24% Popularity • 49% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 52% Positiveness
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Johnny Pearson Y Su Orquesta
Ata una cinta amarilla al viejo roble
135 bpm • C Maj • 03:30 • -15db
40% Popularity • 56% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 57% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
C'est Si Bon
136 bpm • G Maj • 03:08 • -11.37db
32% Popularity • 72% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 64% Positiveness
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Zantalino and his Orchestra
Tender Love
136 bpm • D# Maj • 02:55 • -13db
28% Popularity • 23% Danceability • 27% Energy • 12% Liveness
76% Instrumentalness • 17% Positiveness
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Luis Siu Riveron
Tigi-Tigi - Instrumental
136 bpm • C Maj • 03:09 • -10.22db
34% Popularity • 70% Danceability • 60% Energy • 16% Liveness
90% Instrumentalness • 86% Positiveness
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Jean Claude Borelly
Pretty Woman
136 bpm • F min • 02:49 • -5.08db
28% Popularity • 51% Danceability • 74% Energy • 14% Liveness
93% Instrumentalness • 65% Positiveness
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Rubén Ochoa
Mona Lisa
136 bpm • D# Maj • 02:42 • -10.27db
22% Popularity • 29% Danceability • 23% Energy • 20% Liveness
84% Instrumentalness • 12% Positiveness
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Ronnie Aldrich
Always on My Mind
137 bpm • D Maj • 04:04 • -13db
20% Popularity • 31% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 23% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Como Antes
136 bpm • C Maj • 03:04 • -13.32db
29% Popularity • 63% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Asi Es El Beguine
Nunca En Domingo
126 bpm • D# Maj • 02:36 • -14db
31% Popularity • 56% Danceability • 41% Energy • 7% Liveness
31% Instrumentalness • 85% Positiveness
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Orquesta Casino De La Habana
La Paloma
126 bpm • C Maj • 03:03 • -19.78db
44% Popularity • 66% Danceability • 23% Energy • 14% Liveness
48% Instrumentalness • 88% Positiveness
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Tony Mottola y Su Orquesta
Dominiqui
126 bpm • G# Maj • 02:17 • -11.17db
38% Popularity • 65% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 56% Positiveness
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The Strings Of Paris
Couleur Trendesse
137 bpm • D# Maj • 03:14 • -12.45db
44% Popularity • 28% Danceability • 33% Energy • 24% Liveness
95% Instrumentalness • 12% Positiveness
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Pierre Charlon
Balada Para Adelina
137 bpm • C Maj • 02:40 • -9.41db
54% Popularity • 36% Danceability • 40% Energy • 13% Liveness
37% Instrumentalness • 39% Positiveness
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EDDY GUIRAO
Piel Canela
125 bpm • G Maj • 03:00 • -9db
45% Popularity • 76% Danceability • 66% Energy • 9% Liveness
90% Instrumentalness • 97% Positiveness
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Asi Es El Beguine
Beguine The Beguine
125 bpm • D min • 03:35 • -13db
33% Popularity • 55% Danceability • 52% Energy • 31% Liveness
92% Instrumentalness • 71% Positiveness
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Eddie Fernandez Quintet
Quien Sera
125 bpm • E min • 02:24 • -11db
28% Popularity • 76% Danceability • 64% Energy • 9% Liveness
92% Instrumentalness • 94% Positiveness
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Golden Strings Orchestra
Aria En Re
124 bpm • D Maj • 03:13 • -16.92db
42% Popularity • 18% Danceability • 30% Energy • 14% Liveness
94% Instrumentalness • 11% Positiveness
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Paco Nula
The Power of Love
138 bpm • A Maj • 05:22 • -13db
34% Popularity • 71% Danceability • 44% Energy • 12% Liveness
53% Instrumentalness • 50% Positiveness
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Pierre Charlon
A Como Amor
138 bpm • A# min • 03:13 • -12.66db
46% Popularity • 41% Danceability • 34% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
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Manuel Olivera Almada
Ojos Espanoles
124 bpm • D Maj • 02:40 • -10db
49% Popularity • 64% Danceability • 54% Energy • 10% Liveness
88% Instrumentalness • 82% Positiveness
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Luis Siu Riveron
Siboney - Instrumental
124 bpm • C Maj • 02:17 • -13db
42% Popularity • 62% Danceability • 38% Energy • 7% Liveness
78% Instrumentalness • 78% Positiveness
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Orquesta Romanticos de La Habana
Cubanacan
124 bpm • D# Maj • 02:59 • -15.81db
7% Popularity • 56% Danceability • 35% Energy • 8% Liveness
67% Instrumentalness • 68% Positiveness
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Jorge Espinoza Y Su Violin
Que Sera
124 bpm • C Maj • 03:45 • -12.22db
36% Popularity • 46% Danceability • 33% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Francis Pourcel Orchestra
El Solitario
124 bpm • D min • 04:23 • -14.11db
25% Popularity • 32% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 12% Positiveness
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Orquesta Raiz Latina
Alfonsina Y El Mar
139 bpm • G min • 04:28 • -8db
22% Popularity • 60% Danceability • 52% Energy • 19% Liveness
65% Instrumentalness • 46% Positiveness
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Johnny Pearson Y Su Orquesta
Concierto de Aranjuez
139 bpm • B min • 04:40 • -11db
31% Popularity • 28% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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MelodÃas Mágicas
C'est Si Bon
139 bpm • A# Maj • 02:53 • -14.14db
44% Popularity • 65% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Ronnie Aldrich
California Dreamin'
123 bpm • A min • 02:40 • -13db
33% Popularity • 57% Danceability • 32% Energy • 12% Liveness
57% Instrumentalness • 30% Positiveness
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François Gilbert
La Felicidad
123 bpm • F min • 02:06 • -10.14db
32% Popularity • 58% Danceability • 30% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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Jorge Zapata
El Gato en la Oscuridad & Cama y Mesa
123 bpm • G min • 04:22 • -8.68db
24% Popularity • 58% Danceability • 55% Energy • 11% Liveness
36% Instrumentalness • 55% Positiveness
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Franco Legrand & His Magic Piano
"A" Como en Amor
139 bpm • A# min • 03:09 • -8db
35% Popularity • 51% Danceability • 45% Energy • 13% Liveness
97% Instrumentalness • 11% Positiveness
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Juan Torres Y Su Organo Melodico
Picolissima Serenata
123 bpm • C Maj • 02:28 • -12.85db
47% Popularity • 65% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 65% Positiveness
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Asi Es El Beguine
Torna A Sorrento
123 bpm • D Maj • 02:13 • -10db
36% Popularity • 56% Danceability • 55% Energy • 15% Liveness
85% Instrumentalness • 90% Positiveness
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Giovanni Vivanco
Contigo en la Distancia
140 bpm • G Maj • 03:40 • -18.2db
45% Popularity • 70% Danceability • 23% Energy • 27% Liveness
89% Instrumentalness • 13% Positiveness
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Miguel Nacel
A Mi Manera
140 bpm • C Maj • 03:05 • -7.58db
16% Popularity • 52% Danceability • 52% Energy • 12% Liveness
29% Instrumentalness • 19% Positiveness
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Adrian Perticone
De Quererte Asi
140 bpm • C Maj • 03:50 • -14.1db
26% Popularity • 57% Danceability • 26% Energy • 11% Liveness
76% Instrumentalness • 8% Positiveness
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Discovey Light Orchestra
A Mi Manera
140 bpm • F Maj • 02:56 • -13db
51% Popularity • 40% Danceability • 38% Energy • 15% Liveness
97% Instrumentalness • 23% Positiveness
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Juan Del Rio
Bésame Mucho
122 bpm • G min • 02:11 • -10.71db
35% Popularity • 78% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Johnny Pearson Y Su Orquesta
La manana ha roto
140 bpm • C Maj • 03:10 • -12db
29% Popularity • 43% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Orquesta Instrumental Latinoamericana
El bueno, el malo y el feo
122 bpm • F min • 03:31 • -16.9db
25% Popularity • 61% Danceability • 44% Energy • 17% Liveness
92% Instrumentalness • 64% Positiveness
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Jean Claude Borelly
Le temps des fleurs
122 bpm • A min • 02:53 • -7.86db
27% Popularity • 30% Danceability • 53% Energy • 30% Liveness
94% Instrumentalness • 47% Positiveness
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Miguel Nacel
Balada Para Adelina
122 bpm • C Maj • 03:05 • -8.4db
17% Popularity • 54% Danceability • 43% Energy • 13% Liveness
47% Instrumentalness • 19% Positiveness
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Saxo
Emmanuelle
122 bpm • C min • 02:59 • -18db
36% Popularity • 34% Danceability • 17% Energy • 10% Liveness
97% Instrumentalness • 34% Positiveness
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Arpa Romántica
Candilejas
121 bpm • E Maj • 02:35 • -9db
34% Popularity • 34% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Volare
121 bpm • C Maj • 03:04 • -12.12db
41% Popularity • 34% Danceability • 41% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Henry Salomon y su Orquesta
Emmanuelle - De "Emmanuelle"
121 bpm • C min • 03:02 • -14db
52% Popularity • 48% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Tango Orchester Alfred Hause
Florentinische Nächte
121 bpm • D Maj • 02:59 • -10.96db
31% Popularity • 38% Danceability • 44% Energy • 40% Liveness
67% Instrumentalness • 24% Positiveness
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Miguel Nacel
Flauta de Pan
141 bpm • E Maj • 02:57 • -7.37db
16% Popularity • 42% Danceability • 43% Energy • 10% Liveness
34% Instrumentalness • 12% Positiveness
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Orquestra Românticos de Cuba
Besame Mucho / Dos Almas
121 bpm • D min • 03:26 • -5.86db
43% Popularity • 53% Danceability • 60% Energy • 9% Liveness
91% Instrumentalness • 64% Positiveness
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Manuel Olivera Almada
Nosotros
120 bpm • D Maj • 02:26 • -10.09db
49% Popularity • 61% Danceability • 57% Energy • 17% Liveness
84% Instrumentalness • 60% Positiveness
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Ralph Garcia
Burbujas de Amor
120 bpm • C Maj • 03:21 • -8.62db
30% Popularity • 79% Danceability • 48% Energy • 12% Liveness
83% Instrumentalness • 76% Positiveness
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Grandes Violines Románticos
Siboney
120 bpm • D min • 04:19 • -4.95db
22% Popularity • 60% Danceability • 55% Energy • 19% Liveness
96% Instrumentalness • 78% Positiveness
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Luis Siu Riveron
Begin the Beguine - Instrumental
120 bpm • C Maj • 04:06 • -13db
29% Popularity • 66% Danceability • 39% Energy • 9% Liveness
89% Instrumentalness • 73% Positiveness
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Francis Dupont
Little serenade
120 bpm • A# Maj • 03:12 • -14db
30% Popularity • 62% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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Aldo Livorno Y Su Acordeón Napolitano
Picolissima Serenata
120 bpm • A Maj • 03:15 • -14.69db
27% Popularity • 74% Danceability • 39% Energy • 15% Liveness
1% Instrumentalness • 95% Positiveness
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Manuel Olivera Almada
Cuando Vuelva A Tu Lado
120 bpm • F Maj • 01:59 • -11db
57% Popularity • 64% Danceability • 45% Energy • 14% Liveness
97% Instrumentalness • 76% Positiveness
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Carlos Velasco
El Barrilito
120 bpm • G# Maj • 03:21 • -6.65db
40% Popularity • 58% Danceability • 51% Energy • 9% Liveness
37% Instrumentalness • 68% Positiveness
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Henry Salomon y su Orquesta
Un Hombre y una Mujer - De " Un Hombre y...
143 bpm • F# min • 03:11 • -15db
44% Popularity • 47% Danceability • 26% Energy • 9% Liveness
41% Instrumentalness • 37% Positiveness
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Luis Siu Riveron
Asi Bailaba Cuba - Instrumental
120 bpm • A min • 05:33 • -14db
32% Popularity • 67% Danceability • 34% Energy • 18% Liveness
93% Instrumentalness • 76% Positiveness
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Discovey Light Orchestra
Concierto de Aranjuez
120 bpm • B min • 03:38 • -12db
51% Popularity • 26% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Aldo Livorno Y Su Acordeón Napolitano
Arrivederchi Roma
120 bpm • C Maj • 02:38 • -9.23db
30% Popularity • 56% Danceability • 50% Energy • 21% Liveness
1% Instrumentalness • 50% Positiveness
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Stars Magical Orchestra
DejarÃa Todo
143 bpm • G# Maj • 04:30 • -14db
34% Popularity • 53% Danceability • 59% Energy • 12% Liveness
87% Instrumentalness • 42% Positiveness
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Zantalino and his Orchestra
Moonlight Serenade
120 bpm • F# Maj • 03:25 • -10.91db
28% Popularity • 56% Danceability • 30% Energy • 13% Liveness
66% Instrumentalness • 22% Positiveness
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Miguel Nacel
Nunca En Domingo
120 bpm • C Maj • 02:10 • -21.17db
29% Popularity • 71% Danceability • 23% Energy • 18% Liveness
64% Instrumentalness • 74% Positiveness
► Preview
Luis Siu Riveron
Besame Mucho - Instrumental
120 bpm • D min • 03:20 • -13db
39% Popularity • 63% Danceability • 38% Energy • 11% Liveness
90% Instrumentalness • 71% Positiveness
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Jorge Espinoza Y Su Violin
Rosas Rojas Para Una Dama Triste
120 bpm • G Maj • 03:01 • -10db
44% Popularity • 45% Danceability • 49% Energy • 8% Liveness
83% Instrumentalness • 48% Positiveness
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The Gino Marinello Orchestra
Words
119 bpm • C Maj • 03:12 • -11.51db
28% Popularity • 57% Danceability • 37% Energy • 14% Liveness
51% Instrumentalness • 48% Positiveness
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Jean Claude Borelly
Hello Dolly
144 bpm • A# Maj • 02:55 • -8db
18% Popularity • 54% Danceability • 73% Energy • 32% Liveness
51% Instrumentalness • 51% Positiveness
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Adrian Perticone
Algo Contigo
144 bpm • G min • 03:50 • -13db
31% Popularity • 58% Danceability • 34% Energy • 10% Liveness
67% Instrumentalness • 8% Positiveness
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Miguel Nacel
El Sueno Imposible
144 bpm • C Maj • 03:26 • -8db
37% Popularity • 46% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Orquesta Raiz Latina
Recuerdos De Ipacaray
119 bpm • C Maj • 02:35 • -9.81db
30% Popularity • 77% Danceability • 48% Energy • 11% Liveness
87% Instrumentalness • 86% Positiveness
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Juegos Prohibidos