Songs like Jump in the Line by Harry Belafonte
Based on a tempo of (+/- 10%) and a similar genre
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Dion
The Wanderer
114 bpm • G Maj • 02:48 • -10db
66% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
66% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Harry Belafonte
Jump in the Line
114 bpm • F Maj • 03:48 • -9db
11% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
11% Popularity • 62% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Fats Domino
I'm Walkin'
115 bpm • A Maj • 02:06 • -8.11db
50% Popularity • 65% Danceability • 89% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
50% Popularity • 65% Danceability • 89% Energy • 8% Liveness
6% Instrumentalness • 97% Positiveness
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Solomon Burke
Cry to Me
115 bpm • E Maj • 02:34 • -9.85db
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
71% Popularity • 73% Danceability • 62% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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Benny Goodman
Sing, Sing, Sing
113 bpm • D min • 08:40 • -9.19db
50% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
50% Popularity • 63% Danceability • 74% Energy • 14% Liveness
89% Instrumentalness • 26% Positiveness
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Roy Orbison
You Got It
115 bpm • A Maj • 03:30 • -10.73db
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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The Beatles
Ob-La-Di, Ob-La-Da - Remastered 2009
113 bpm • A# Maj • 03:08 • -8.33db
72% Popularity • 82% Danceability • 73% Energy • 25% Liveness
6% Instrumentalness • 98% Positiveness
72% Popularity • 82% Danceability • 73% Energy • 25% Liveness
6% Instrumentalness • 98% Positiveness
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Aretha Franklin
Respect
115 bpm • C Maj • 02:27 • -5.23db
77% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
77% Popularity • 80% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Harry Belafonte
Land of the Sea and Sun
113 bpm • G Maj • 02:58 • -19.37db
28% Popularity • 69% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 69% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Buddy Holly
That'll Be The Day
115 bpm • D Maj • 02:30 • -7.77db
61% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 54% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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The Beach Boys
Kokomo
116 bpm • C Maj • 03:37 • -10.05db
73% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
73% Popularity • 68% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Allan Sherman
Camp Granada (Hello Muddah, Hello Fadduh...
116 bpm • A Maj • 02:54 • -12.89db
35% Popularity • 62% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 62% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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The Mamas & The Papas
California Dreamin' - Single Version
112 bpm • C# min • 02:42 • -9.79db
81% Popularity • 55% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
81% Popularity • 55% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Steam
Na Na Hey Hey Kiss Him Goodbye
116 bpm • G Maj • 04:09 • -9.56db
46% Popularity • 67% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 67% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Harry Belafonte
Jamaica Farewell
115 bpm • D# Maj • 02:48 • -13.12db
17% Popularity • 56% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 56% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
67% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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The Platters
Twilight Time - Single Version
116 bpm • A Maj • 02:48 • -12.56db
59% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
59% Popularity • 46% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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When Colors Come Together Children's Choir
When Colors Come Together (Island in the...
112 bpm • C Maj • 03:18 • -6.84db
23% Popularity • 70% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 70% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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The Beach Boys
God Only Knows - Remastered 1996
116 bpm • A Maj • 02:54 • -9.34db
65% Popularity • 44% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
65% Popularity • 44% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Neil Sedaka
Breaking Up Is Hard to Do
116 bpm • G# min • 02:19 • -5.47db
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Harry Belafonte
Jump in the Line (Shake, Senora)
115 bpm • F Maj • 03:39 • -7.95db
40% Popularity • 55% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 55% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Boots Randolph
Yakety Sax - Theme from The Benny Hill S...
116 bpm • G Maj • 02:01 • -9.6db
37% Popularity • 66% Danceability • 97% Energy • 4% Liveness
89% Instrumentalness • 88% Positiveness
37% Popularity • 66% Danceability • 97% Energy • 4% Liveness
89% Instrumentalness • 88% Positiveness
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Gloria Gaynor
I Will Survive - Original 7" Version
116 bpm • A min • 03:18 • -15.14db
71% Popularity • 78% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
71% Popularity • 78% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Otis Redding
Stand by Me
112 bpm • A# Maj • 02:52 • -11.25db
67% Popularity • 88% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
67% Popularity • 88% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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The Beach Boys
California Girls - Remix/Remastered 2001
117 bpm • B Maj • 02:40 • -6.07db
59% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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The Zombies
Time Of The Season
117 bpm • E min • 03:34 • -10.75db
61% Popularity • 54% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
61% Popularity • 54% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Harry Belafonte
Jump in the Line
116 bpm • F Maj • 03:41 • -7.78db
65% Popularity • 59% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
65% Popularity • 59% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Limeliters
Take My True Love by the Hand
117 bpm • F# Maj • 03:00 • -11.02db
43% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 62% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Chubby Checker
The Charleston
111 bpm • D# Maj • 02:19 • -6db
32% Popularity • 57% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 57% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 95% Positiveness
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Marvin Gaye
I Heard It Through The Grapevine
117 bpm • D# min • 03:14 • -10.85db
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
73% Popularity • 71% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Miriam Makeba
Show Me the Way, My Brother - Iph'indlel...
117 bpm • A Maj • 03:11 • -7.19db
7% Popularity • 55% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 55% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Barry McGuire
Eve Of Destruction
117 bpm • D Maj • 03:35 • -17.39db
57% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
57% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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The Lovin' Spoonful
Daydream
111 bpm • C# Maj • 02:19 • -11.37db
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
64% Popularity • 82% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Paul Simon
Diamonds on the Soles of Her Shoes
111 bpm • F Maj • 05:49 • -9.72db
61% Popularity • 79% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 79% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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The Beatles
Yellow Submarine
111 bpm • C# Maj • 02:39 • -7.06db
61% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
61% Popularity • 62% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 65% Positiveness
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Sonny & Cher
I Got You Babe
111 bpm • F# Maj • 03:10 • -6.02db
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
66% Popularity • 63% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Frankie Valli & The Four Seasons
Sherry
118 bpm • C Maj • 02:32 • -8.07db
61% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 70% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Roy Orbison
Blue Bayou
118 bpm • F Maj • 02:29 • -12.22db
53% Popularity • 53% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 53% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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The Lovin' Spoonful
Summer in the City - Remastered
110 bpm • A# Maj • 02:40 • -9.76db
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
65% Popularity • 42% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Roger Miller
King Of The Road
118 bpm • B Maj • 02:27 • -13.7db
64% Popularity • 67% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
64% Popularity • 67% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Stevie Wonder
For Once In My Life
110 bpm • F# Maj • 02:49 • -11.9db
77% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
77% Popularity • 52% Danceability • 52% Energy • 52% Liveness
0% Instrumentalness • 85% Positiveness
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Miriam Makeba
Hurry, Mama, Hurry! - Khawuleza
118 bpm • B min • 03:28 • -7.48db
7% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Frankie Valli & The Four Seasons
Walk Like a Man
118 bpm • D# Maj • 02:17 • -10.36db
58% Popularity • 68% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 68% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Paul Anka
Put Your Head On My Shoulder - Remastere...
110 bpm • G Maj • 02:38 • -10db
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 58% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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The 5th Dimension
Aquarius/Let The Sunshine In (The Flesh ...
118 bpm • G Maj • 04:49 • -6.1db
59% Popularity • 29% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 29% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Aretha Franklin
Think
110 bpm • F# Maj • 02:19 • -10.82db
67% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 69% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Petula Clark
Downtown
118 bpm • E Maj • 03:04 • -9.87db
53% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 48% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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The Mamas & The Papas
Monday, Monday - Single Version
110 bpm • C# Maj • 03:28 • -9.5db
64% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
64% Popularity • 49% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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The Temptations
Ain't Too Proud To Beg
118 bpm • C Maj • 02:36 • -6.86db
67% Popularity • 76% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
67% Popularity • 76% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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The 5th Dimension
Let The Sunshine In (Reprise) - Remaster...
118 bpm • B min • 01:27 • -6db
59% Popularity • 46% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 46% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Harry Belafonte
Star-O
119 bpm • C# Maj • 02:04 • -21db
33% Popularity • 76% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
33% Popularity • 76% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
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Frankie Valli
Grease - 2007 Remaster
109 bpm • B Maj • 03:27 • -8.45db
67% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
67% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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B.J. Thomas
Raindrops Keep Fallin' On My Head
109 bpm • F Maj • 03:00 • -9.66db
65% Popularity • 60% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
65% Popularity • 60% Danceability • 48% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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The Platters
My Prayer
109 bpm • A# Maj • 02:47 • -8.39db
55% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 36% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Wild Cherry
Play That Funky Music
109 bpm • A Maj • 05:00 • -12.07db
72% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 81% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Ben E. King
Stand By Me
119 bpm • A Maj • 02:55 • -12.33db
78% Popularity • 63% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
78% Popularity • 63% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Fats Domino
When The Saints Go Marching In
109 bpm • D# Maj • 02:25 • -4.77db
35% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 67% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Stevie Wonder
Signed, Sealed, Delivered (I'm Yours)
109 bpm • F Maj • 02:41 • -11.33db
78% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
78% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Lena Horne
It Ain't Necessarily So
119 bpm • C# Maj • 03:06 • -10.15db
7% Popularity • 52% Danceability • 37% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 52% Danceability • 37% Energy • 66% Liveness
0% Instrumentalness • 63% Positiveness
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Harry Belafonte
Jump Down, Spin Around
109 bpm • F# Maj • 01:59 • -11.88db
30% Popularity • 89% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 89% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Rusted Root
Send Me On My Way
119 bpm • C Maj • 04:23 • -8.8db
72% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
72% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Lesley Gore
Sunshine, Lollipops And Rainbows
120 bpm • G Maj • 01:36 • -8.74db
60% Popularity • 68% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 68% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Jones
She's A Lady
120 bpm • D Maj • 02:54 • -9.1db
66% Popularity • 51% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 51% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Four Tops
Reach Out I'll Be There
120 bpm • D# min • 02:58 • -8.91db
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Lena Horne
There's a Boat That's Leavin' Soon for N...
109 bpm • C Maj • 02:39 • -8.92db
8% Popularity • 47% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 47% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Harry Belafonte
Banana Boat (Day-O) - Live
109 bpm • G min • 03:48 • -12.43db
20% Popularity • 62% Danceability • 18% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 62% Danceability • 18% Energy • 95% Liveness
0% Instrumentalness • 39% Positiveness
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Paul Simon
Mother and Child Reunion
120 bpm • A Maj • 03:07 • -8db
58% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
58% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Monty Python
Always Look On The Bright Side Of Life
120 bpm • D Maj • 03:35 • -12.36db
56% Popularity • 67% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 67% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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Creedence Clearwater Revival
Down On The Corner
108 bpm • C Maj • 02:46 • -9.29db
76% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
76% Popularity • 86% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Nancy Sinatra
Sugar Town
108 bpm • G Maj • 02:26 • -11.79db
54% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Carole King
I Feel the Earth Move
120 bpm • G min • 02:58 • -8.78db
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 71% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Roy Orbison
In Dreams
108 bpm • C Maj • 02:49 • -9.99db
58% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 50% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Dorough
Three Is A Magic Number
108 bpm • E Maj • 03:16 • -14db
37% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Archie Bleyer & His Orchestra
Hernando's Hideaway
120 bpm • C min • 02:32 • -12.61db
29% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Turtles
Happy Together
120 bpm • F# min • 02:56 • -9.64db
77% Popularity • 58% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
77% Popularity • 58% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Allan Sherman
Hello Mother Hello Father
120 bpm • A Maj • 02:42 • -13.19db
35% Popularity • 59% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 59% Danceability • 34% Energy • 64% Liveness
0% Instrumentalness • 73% Positiveness
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Dusty Springfield
Wishin' And Hopin' - Stereo Version
108 bpm • B Maj • 02:53 • -11.43db
49% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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John Barry Orchestra
Under The Mango Tree
120 bpm • D# Maj • 02:42 • -18db
8% Popularity • 74% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 74% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Patsy Cline
Crazy - Single Version
108 bpm • A# Maj • 02:44 • -24.39db
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
69% Popularity • 47% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Creedence Clearwater Revival
Proud Mary
121 bpm • D Maj • 03:07 • -7.56db
78% Popularity • 70% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
78% Popularity • 70% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Harry Belafonte
Waltzing Matilda
121 bpm • C Maj • 03:12 • -8.72db
24% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Redbone
Come and Get Your Love - Single Version
107 bpm • B min • 03:25 • -7.62db
80% Popularity • 73% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
80% Popularity • 73% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Mel Tormé
Happy Together
121 bpm • B min • 02:32 • -8.99db
39% Popularity • 62% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 62% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
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Adriano Celentano
Prisencolinensinainciusol
107 bpm • G# Maj • 03:49 • -17.48db
49% Popularity • 86% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 86% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Beach Boys
Don't Worry Baby - Remastered 2001
121 bpm • E Maj • 02:49 • -9.82db
66% Popularity • 49% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
66% Popularity • 49% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 85% Positiveness
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Hues Corporation
Rock the Boat
107 bpm • D# Maj • 03:22 • -9.72db
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
65% Popularity • 60% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Monty Python
Always Look On The Bright Side Of Life -...
121 bpm • G Maj • 03:01 • -17.45db
44% Popularity • 74% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 74% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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The Blues Brothers
Peter Gunn Theme
121 bpm • F# min • 03:50 • -7.99db
50% Popularity • 81% Danceability • 62% Energy • 3% Liveness
66% Instrumentalness • 87% Positiveness
50% Popularity • 81% Danceability • 62% Energy • 3% Liveness
66% Instrumentalness • 87% Positiveness
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Fred Astaire
Puttin' on the Ritz
107 bpm • F# Maj • 02:37 • -14.62db
45% Popularity • 82% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 79% Positiveness
45% Popularity • 82% Danceability • 44% Energy • 14% Liveness
10% Instrumentalness • 79% Positiveness
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ABBA
Take A Chance On Me
107 bpm • B Maj • 04:03 • -8.12db
78% Popularity • 68% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
78% Popularity • 68% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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The Marvelettes
Please Mr. Postman - Single Version / Mo...
122 bpm • D Maj • 02:28 • -5.26db
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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Stevie Wonder
Sir Duke
107 bpm • F# Maj • 03:52 • -9.77db
72% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 59% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Harry Nilsson
The Puppy Song
122 bpm • G Maj • 02:41 • -16.89db
38% Popularity • 76% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 76% Danceability • 23% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Henry Mancini
Baby Elephant Walk
122 bpm • A# Maj • 02:41 • -10.66db
44% Popularity • 77% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 77% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Sam & Dave
Hold On, I'm Comin'
107 bpm • F# Maj • 02:35 • -14.03db
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
73% Popularity • 80% Danceability • 34% Energy • 10% Liveness
4% Instrumentalness • 91% Positiveness
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Simon & Garfunkel
The Sound of Silence - Acoustic Version
107 bpm • F# Maj • 03:05 • -13.55db
74% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
74% Popularity • 52% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
