Songs like Junkie Logic by Spike Fuck
Based on a tempo of (+/- 10%) and a similar genre
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Ulrika Spacek
Mimi Pretend
116 bpm • B Maj • 05:32 • -7.09db
27% Popularity • 62% Danceability • 79% Energy • 9% Liveness
79% Instrumentalness • 24% Positiveness
27% Popularity • 62% Danceability • 79% Energy • 9% Liveness
79% Instrumentalness • 24% Positiveness
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The Goon Sax
Sweaty Hands
116 bpm • D min • 04:25 • -6.93db
14% Popularity • 73% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 73% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Spike Fuck
Junkie Logic
116 bpm • A Maj • 04:56 • -7.62db
28% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Brian Jonestown Massacre
We Never Had a Chance
116 bpm • F Maj • 06:11 • -7.51db
17% Popularity • 54% Danceability • 60% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
17% Popularity • 54% Danceability • 60% Energy • 8% Liveness
84% Instrumentalness • 30% Positiveness
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Electrelane
Enter Laughing
116 bpm • E Maj • 03:42 • -15.43db
41% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 81% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Dick Diver
Gap Life
116 bpm • C Maj • 03:05 • -6.91db
11% Popularity • 68% Danceability • 53% Energy • 13% Liveness
10% Instrumentalness • 43% Positiveness
11% Popularity • 68% Danceability • 53% Energy • 13% Liveness
10% Instrumentalness • 43% Positiveness
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Jackie Cohen
Bold
116 bpm • F# min • 03:55 • -6db
35% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
35% Popularity • 64% Danceability • 50% Energy • 15% Liveness
3% Instrumentalness • 34% Positiveness
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Habibi
Wrong to the Right People
116 bpm • A Maj • 02:43 • -8.84db
30% Popularity • 59% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 73% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 8% Liveness
2% Instrumentalness • 73% Positiveness
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BODEGA
Charlie
116 bpm • D# min • 02:32 • -6.37db
32% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Twerps
Peculiar
116 bpm • G Maj • 03:15 • -6.74db
11% Popularity • 51% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 59% Positiveness
11% Popularity • 51% Danceability • 53% Energy • 12% Liveness
2% Instrumentalness • 59% Positiveness
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Dick Stusso
I Am Not the Girl You Used to Know
116 bpm • A Maj • 01:49 • -4.85db
30% Popularity • 45% Danceability • 84% Energy • 34% Liveness
96% Instrumentalness • 40% Positiveness
30% Popularity • 45% Danceability • 84% Energy • 34% Liveness
96% Instrumentalness • 40% Positiveness
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Dick Diver
Water Damage
116 bpm • D Maj • 03:54 • -7.3db
19% Popularity • 64% Danceability • 48% Energy • 9% Liveness
21% Instrumentalness • 40% Positiveness
19% Popularity • 64% Danceability • 48% Energy • 9% Liveness
21% Instrumentalness • 40% Positiveness
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Bitch Prefect
Bad Decisions
116 bpm • C Maj • 03:17 • -5.68db
13% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 59% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Alex Cameron
Take Care of Business
115 bpm • F# Maj • 04:07 • -9.35db
28% Popularity • 58% Danceability • 38% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
28% Popularity • 58% Danceability • 38% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
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Shilpa Ray
Heteronormative Horseshit Blues
115 bpm • D# Maj • 04:42 • -5.97db
30% Popularity • 54% Danceability • 65% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
30% Popularity • 54% Danceability • 65% Energy • 13% Liveness
2% Instrumentalness • 16% Positiveness
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Smog
I Feel Like The Mother Of The World
115 bpm • B Maj • 03:09 • -10.27db
39% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
39% Popularity • 53% Danceability • 85% Energy • 9% Liveness
35% Instrumentalness • 51% Positiveness
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Workhorse
Chain
115 bpm • A min • 03:31 • -7.8db
19% Popularity • 45% Danceability • 80% Energy • 12% Liveness
98% Instrumentalness • 66% Positiveness
19% Popularity • 45% Danceability • 80% Energy • 12% Liveness
98% Instrumentalness • 66% Positiveness
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Chastity Belt
Drone
117 bpm • A Maj • 04:33 • -7db
38% Popularity • 36% Danceability • 73% Energy • 11% Liveness
33% Instrumentalness • 50% Positiveness
38% Popularity • 36% Danceability • 73% Energy • 11% Liveness
33% Instrumentalness • 50% Positiveness
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Parquet Courts
N Dakota
115 bpm • F Maj • 02:19 • -9.88db
37% Popularity • 66% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
37% Popularity • 66% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 46% Positiveness
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PAINT
Daily Gazette
117 bpm • F Maj • 02:37 • -7.78db
19% Popularity • 64% Danceability • 60% Energy • 9% Liveness
58% Instrumentalness • 86% Positiveness
19% Popularity • 64% Danceability • 60% Energy • 9% Liveness
58% Instrumentalness • 86% Positiveness
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Ulrika Spacek
No. 1 Hum
115 bpm • G# Maj • 04:30 • -12.14db
24% Popularity • 72% Danceability • 60% Energy • 25% Liveness
33% Instrumentalness • 57% Positiveness
24% Popularity • 72% Danceability • 60% Energy • 25% Liveness
33% Instrumentalness • 57% Positiveness
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Blake Scott
Bullfloat Zen
115 bpm • F Maj • 04:08 • -10.86db
20% Popularity • 85% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
20% Popularity • 85% Danceability • 46% Energy • 17% Liveness
1% Instrumentalness • 72% Positiveness
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Lou Barlow
No Matter What
117 bpm • C# Maj • 01:42 • -14.44db
31% Popularity • 70% Danceability • 27% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
31% Popularity • 70% Danceability • 27% Energy • 18% Liveness
62% Instrumentalness • 42% Positiveness
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Eddy Current Suppression Ring
I Can Be a Jerk
117 bpm • A Maj • 02:32 • -6db
19% Popularity • 61% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 61% Danceability • 63% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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The Monochrome Set
Inside Your Heart
117 bpm • F Maj • 02:28 • -12.37db
31% Popularity • 77% Danceability • 54% Energy • 14% Liveness
76% Instrumentalness • 78% Positiveness
31% Popularity • 77% Danceability • 54% Energy • 14% Liveness
76% Instrumentalness • 78% Positiveness
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Bad Bangs
Hearts
118 bpm • B min • 02:34 • -6.44db
16% Popularity • 67% Danceability • 84% Energy • 34% Liveness
35% Instrumentalness • 52% Positiveness
16% Popularity • 67% Danceability • 84% Energy • 34% Liveness
35% Instrumentalness • 52% Positiveness
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Bonny Doon
Saw a Light
118 bpm • D Maj • 05:28 • -12.53db
30% Popularity • 50% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
30% Popularity • 50% Danceability • 29% Energy • 10% Liveness
79% Instrumentalness • 20% Positiveness
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Caitlin Harnett & The Pony Boys
Bad Man
118 bpm • G Maj • 03:20 • -8.99db
16% Popularity • 44% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 44% Positiveness
16% Popularity • 44% Danceability • 57% Energy • 22% Liveness
2% Instrumentalness • 44% Positiveness
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Dead Moon
A Miss of You
114 bpm • C Maj • 02:47 • -8.89db
28% Popularity • 63% Danceability • 44% Energy • 8% Liveness
14% Instrumentalness • 65% Positiveness
28% Popularity • 63% Danceability • 44% Energy • 8% Liveness
14% Instrumentalness • 65% Positiveness
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Half Japanese
Miracles Happen Every Day
114 bpm • C Maj • 02:20 • -15.39db
34% Popularity • 61% Danceability • 36% Energy • 8% Liveness
40% Instrumentalness • 45% Positiveness
34% Popularity • 61% Danceability • 36% Energy • 8% Liveness
40% Instrumentalness • 45% Positiveness
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BODEGA
Treasures Of The Ancient World
118 bpm • F# Maj • 03:07 • -8.63db
22% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 79% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Cate Le Bon
Perfume Days
114 bpm • C Maj • 04:03 • -7.04db
16% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Automatic
Electrocution
114 bpm • A# min • 02:30 • -6.58db
40% Popularity • 72% Danceability • 72% Energy • 14% Liveness
19% Instrumentalness • 20% Positiveness
40% Popularity • 72% Danceability • 72% Energy • 14% Liveness
19% Instrumentalness • 20% Positiveness
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Ultimate Painting
Central Park Blues
118 bpm • G# min • 04:14 • -6.85db
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
50% Instrumentalness • 60% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 9% Liveness
50% Instrumentalness • 60% Positiveness
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Bnny
Take That Back
118 bpm • E min • 02:05 • -9.49db
42% Popularity • 59% Danceability • 78% Energy • 21% Liveness
68% Instrumentalness • 78% Positiveness
42% Popularity • 59% Danceability • 78% Energy • 21% Liveness
68% Instrumentalness • 78% Positiveness
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A. Savage
Eyeballs
114 bpm • D Maj • 02:54 • -9.49db
36% Popularity • 73% Danceability • 77% Energy • 35% Liveness
2% Instrumentalness • 96% Positiveness
36% Popularity • 73% Danceability • 77% Energy • 35% Liveness
2% Instrumentalness • 96% Positiveness
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Purple Pilgrims
I'm Not Saying
118 bpm • A Maj • 04:34 • -9.21db
2% Popularity • 46% Danceability • 71% Energy • 34% Liveness
87% Instrumentalness • 60% Positiveness
2% Popularity • 46% Danceability • 71% Energy • 34% Liveness
87% Instrumentalness • 60% Positiveness
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White Magic
Apocalypse
118 bpm • A min • 03:26 • -9.77db
10% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Peter Bibby
Goodbye Johnny
114 bpm • G Maj • 04:06 • -6.28db
20% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 49% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Jon McKiel
Deeper Shade
114 bpm • F# Maj • 03:41 • -11.07db
20% Popularity • 67% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 85% Positiveness
20% Popularity • 67% Danceability • 64% Energy • 14% Liveness
47% Instrumentalness • 85% Positiveness
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CCFX
Venetian Screens
114 bpm • F min • 04:29 • -6db
32% Popularity • 58% Danceability • 71% Energy • 41% Liveness
67% Instrumentalness • 19% Positiveness
32% Popularity • 58% Danceability • 71% Energy • 41% Liveness
67% Instrumentalness • 19% Positiveness
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Crystal Stilts
Nature Noir
114 bpm • A# Maj • 02:48 • -7.53db
30% Popularity • 60% Danceability • 76% Energy • 18% Liveness
95% Instrumentalness • 71% Positiveness
30% Popularity • 60% Danceability • 76% Energy • 18% Liveness
95% Instrumentalness • 71% Positiveness
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The Uplifting Bell Ends
Listen
118 bpm • G Maj • 03:59 • -6.64db
12% Popularity • 55% Danceability • 75% Energy • 38% Liveness
13% Instrumentalness • 57% Positiveness
12% Popularity • 55% Danceability • 75% Energy • 38% Liveness
13% Instrumentalness • 57% Positiveness
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Twerps
Who Are You
114 bpm • G Maj • 05:11 • -5.92db
18% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 58% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Feelies
When Company Comes
114 bpm • G Maj • 02:16 • -11db
22% Popularity • 43% Danceability • 48% Energy • 23% Liveness
98% Instrumentalness • 50% Positiveness
22% Popularity • 43% Danceability • 48% Energy • 23% Liveness
98% Instrumentalness • 50% Positiveness
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The Ocean Party
Mine
118 bpm • C Maj • 03:33 • -7.09db
16% Popularity • 51% Danceability • 65% Energy • 35% Liveness
6% Instrumentalness • 48% Positiveness
16% Popularity • 51% Danceability • 65% Energy • 35% Liveness
6% Instrumentalness • 48% Positiveness
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Cory Hanson
Paper Fog
113 bpm • C Maj • 04:29 • -11.22db
27% Popularity • 53% Danceability • 42% Energy • 7% Liveness
75% Instrumentalness • 32% Positiveness
27% Popularity • 53% Danceability • 42% Energy • 7% Liveness
75% Instrumentalness • 32% Positiveness
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Emma Russack
POB
114 bpm • A min • 02:50 • -12db
19% Popularity • 79% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
19% Popularity • 79% Danceability • 59% Energy • 12% Liveness
8% Instrumentalness • 80% Positiveness
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Floodlights
Backyard
119 bpm • C Maj • 03:46 • -6.58db
24% Popularity • 41% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 41% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 19% Positiveness
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Juan Wauters
Woke Up Feeling Like Sleeping
119 bpm • F# min • 01:42 • -4.82db
34% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 70% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Dick Diver
Calendar Days
119 bpm • C Maj • 02:55 • -5.62db
22% Popularity • 43% Danceability • 70% Energy • 13% Liveness
50% Instrumentalness • 41% Positiveness
22% Popularity • 43% Danceability • 70% Energy • 13% Liveness
50% Instrumentalness • 41% Positiveness
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John Andrews & The Yawns
Drivers
119 bpm • E min • 04:00 • -6.12db
27% Popularity • 55% Danceability • 55% Energy • 58% Liveness
94% Instrumentalness • 44% Positiveness
27% Popularity • 55% Danceability • 55% Energy • 58% Liveness
94% Instrumentalness • 44% Positiveness
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Fat White Family
When I Leave
119 bpm • D min • 05:35 • -6.97db
24% Popularity • 66% Danceability • 57% Energy • 18% Liveness
85% Instrumentalness • 31% Positiveness
24% Popularity • 66% Danceability • 57% Energy • 18% Liveness
85% Instrumentalness • 31% Positiveness
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Death Valley Girls
The Universe
113 bpm • D Maj • 04:33 • -4.52db
26% Popularity • 34% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 38% Positiveness
26% Popularity • 34% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 38% Positiveness
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Bnny
Time Walk
119 bpm • D Maj • 01:33 • -9.05db
50% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
50% Popularity • 62% Danceability • 52% Energy • 8% Liveness
78% Instrumentalness • 92% Positiveness
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Workhorse
No Photographs
113 bpm • D Maj • 04:11 • -6.95db
10% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 55% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Leah Senior
Graves
113 bpm • G min • 03:37 • -7.48db
14% Popularity • 61% Danceability • 67% Energy • 15% Liveness
10% Instrumentalness • 50% Positiveness
14% Popularity • 61% Danceability • 67% Energy • 15% Liveness
10% Instrumentalness • 50% Positiveness
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Damaged Bug
Eggs at Night
119 bpm • B min • 02:58 • -6.41db
28% Popularity • 70% Danceability • 90% Energy • 75% Liveness
81% Instrumentalness • 76% Positiveness
28% Popularity • 70% Danceability • 90% Energy • 75% Liveness
81% Instrumentalness • 76% Positiveness
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The Cleaners From Venus
The Mercury Girl
113 bpm • C# min • 04:22 • -9.05db
36% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 58% Danceability • 76% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Purling Hiss
Follow You Around
112 bpm • D Maj • 03:45 • -6.21db
20% Popularity • 44% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 44% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Dry Cleaning
Phone Scam
112 bpm • B min • 03:05 • -5.46db
28% Popularity • 64% Danceability • 76% Energy • 38% Liveness
5% Instrumentalness • 77% Positiveness
28% Popularity • 64% Danceability • 76% Energy • 38% Liveness
5% Instrumentalness • 77% Positiveness
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CC Dust
Mutiny
112 bpm • E Maj • 03:33 • -6.99db
17% Popularity • 59% Danceability • 88% Energy • 39% Liveness
2% Instrumentalness • 35% Positiveness
17% Popularity • 59% Danceability • 88% Energy • 39% Liveness
2% Instrumentalness • 35% Positiveness
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Caitlin Harnett & The Pony Boys
5am
113 bpm • C Maj • 02:52 • -6db
18% Popularity • 42% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 42% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Insecure Men
A Rainy Night in Soho
120 bpm • C Maj • 04:04 • -10.06db
5% Popularity • 73% Danceability • 39% Energy • 11% Liveness
24% Instrumentalness • 53% Positiveness
5% Popularity • 73% Danceability • 39% Energy • 11% Liveness
24% Instrumentalness • 53% Positiveness
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Alex Cameron
Before Too Long
120 bpm • D Maj • 03:03 • -9db
14% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Slingers
This Time
120 bpm • C Maj • 05:16 • -7.04db
21% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Tommy Allen
Ghosts in the Walls
120 bpm • C Maj • 03:18 • -9.12db
17% Popularity • 63% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 63% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Cola
Blank Curtain
120 bpm • A Maj • 03:49 • -9.4db
29% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
29% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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EXEK
Lobbyist
120 bpm • A min • 05:04 • -7.12db
16% Popularity • 67% Danceability • 69% Energy • 22% Liveness
74% Instrumentalness • 67% Positiveness
16% Popularity • 67% Danceability • 69% Energy • 22% Liveness
74% Instrumentalness • 67% Positiveness
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Insecure Men
Teenage Toy
120 bpm • C Maj • 04:17 • -7.89db
18% Popularity • 58% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 58% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Spike Fuck
Tomorrow We Get Healthy
120 bpm • C Maj • 05:03 • -10.69db
32% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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ShitKid
Yooouuu
120 bpm • C# min • 02:17 • -7db
37% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 84% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Grapetooth
Mile After Mile
120 bpm • D Maj • 03:48 • -7.82db
20% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 68% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Cola
Blank Curtain
120 bpm • A Maj • 04:31 • -9db
33% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
33% Popularity • 65% Danceability • 69% Energy • 19% Liveness
92% Instrumentalness • 33% Positiveness
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BODEGA
Bodega Birth
120 bpm • F# Maj • 01:50 • -4.37db
40% Popularity • 79% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
40% Popularity • 79% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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Deeper
Willing
112 bpm • A Maj • 04:04 • -8.11db
31% Popularity • 71% Danceability • 79% Energy • 50% Liveness
4% Instrumentalness • 87% Positiveness
31% Popularity • 71% Danceability • 79% Energy • 50% Liveness
4% Instrumentalness • 87% Positiveness
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Spacemen 3
Ode To Street Hassle
112 bpm • F# Maj • 04:45 • -11.2db
31% Popularity • 48% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
31% Popularity • 48% Danceability • 42% Energy • 11% Liveness
93% Instrumentalness • 58% Positiveness
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Sneaks
This Is
120 bpm • F# min • 01:34 • -14.77db
36% Popularity • 93% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 82% Positiveness
36% Popularity • 93% Danceability • 30% Energy • 9% Liveness
85% Instrumentalness • 82% Positiveness
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Yuzo Iwata
Gigolo
112 bpm • D Maj • 06:40 • -6.19db
20% Popularity • 45% Danceability • 82% Energy • 11% Liveness
85% Instrumentalness • 72% Positiveness
20% Popularity • 45% Danceability • 82% Energy • 11% Liveness
85% Instrumentalness • 72% Positiveness
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Dick Diver
Year in Pictures
120 bpm • D Maj • 04:09 • -9.69db
10% Popularity • 74% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
10% Popularity • 74% Danceability • 39% Energy • 25% Liveness
1% Instrumentalness • 67% Positiveness
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Warehouse
Super Low
120 bpm • F# min • 03:35 • -4.89db
32% Popularity • 69% Danceability • 84% Energy • 22% Liveness
22% Instrumentalness • 65% Positiveness
32% Popularity • 69% Danceability • 84% Energy • 22% Liveness
22% Instrumentalness • 65% Positiveness
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Tomorrows Tulips
Master Presence
120 bpm • D Maj • 01:34 • -10.61db
22% Popularity • 65% Danceability • 49% Energy • 19% Liveness
80% Instrumentalness • 46% Positiveness
22% Popularity • 65% Danceability • 49% Energy • 19% Liveness
80% Instrumentalness • 46% Positiveness
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Gregor
Wish You Saw
112 bpm • A Maj • 02:22 • -10.14db
10% Popularity • 76% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
10% Popularity • 76% Danceability • 53% Energy • 8% Liveness
5% Instrumentalness • 75% Positiveness
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A. Savage
Phantom Limbo
111 bpm • C Maj • 03:53 • -7db
32% Popularity • 54% Danceability • 55% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
32% Popularity • 54% Danceability • 55% Energy • 14% Liveness
18% Instrumentalness • 68% Positiveness
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Lower Plenty
Bondi's Dead
112 bpm • B min • 02:56 • -8.17db
8% Popularity • 66% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 66% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Lewsberg
Cold Light of Day
111 bpm • A Maj • 04:38 • -8db
32% Popularity • 61% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
32% Popularity • 61% Danceability • 65% Energy • 12% Liveness
82% Instrumentalness • 81% Positiveness
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Dick Diver
Head Back
121 bpm • C Maj • 05:36 • -9.33db
15% Popularity • 60% Danceability • 52% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
15% Popularity • 60% Danceability • 52% Energy • 21% Liveness
1% Instrumentalness • 78% Positiveness
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Caitlin Harnett & The Pony Boys
All My Friends Are Dancers
121 bpm • A Maj • 04:26 • -5.2db
18% Popularity • 37% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 51% Positiveness
18% Popularity • 37% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 51% Positiveness
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Willie J Healey
Subterraneans
121 bpm • G Maj • 05:51 • -9.78db
30% Popularity • 52% Danceability • 33% Energy • 10% Liveness
23% Instrumentalness • 55% Positiveness
30% Popularity • 52% Danceability • 33% Energy • 10% Liveness
23% Instrumentalness • 55% Positiveness
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Scott & Charlene's Wedding
Boundary Line
111 bpm • G Maj • 03:54 • -7.45db
17% Popularity • 61% Danceability • 68% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
17% Popularity • 61% Danceability • 68% Energy • 36% Liveness
1% Instrumentalness • 90% Positiveness
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Boomgates
Hold Me Now
122 bpm • G Maj • 03:26 • -5.42db
9% Popularity • 50% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 87% Positiveness
9% Popularity • 50% Danceability • 76% Energy • 8% Liveness
6% Instrumentalness • 87% Positiveness
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Habibi
Sunsets
121 bpm • F Maj • 03:05 • -12.51db
30% Popularity • 66% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
30% Popularity • 66% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 51% Positiveness
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Sonny & The Sunsets
Secret Plot
110 bpm • C Maj • 03:12 • -6.36db
29% Popularity • 65% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 65% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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The Hecks
Flash
110 bpm • D Maj • 04:49 • -6.26db
10% Popularity • 44% Danceability • 72% Energy • 5% Liveness
31% Instrumentalness • 71% Positiveness
10% Popularity • 44% Danceability • 72% Energy • 5% Liveness
31% Instrumentalness • 71% Positiveness
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Tomorrows Tulips
Anywhere
110 bpm • A Maj • 01:21 • -12.92db
22% Popularity • 81% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 33% Positiveness
22% Popularity • 81% Danceability • 30% Energy • 10% Liveness
41% Instrumentalness • 33% Positiveness
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Spike Fuck
Body By Crystal
122 bpm • D Maj • 05:03 • -8.93db
28% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 69% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Peter Bibby
Bat & Ball
122 bpm • E Maj • 04:24 • -6db
11% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Sic Alps
Cement Surfboard
110 bpm • B min • 02:55 • -1.56db
23% Popularity • 56% Danceability • 86% Energy • 26% Liveness
27% Instrumentalness • 66% Positiveness
23% Popularity • 56% Danceability • 86% Energy • 26% Liveness
27% Instrumentalness • 66% Positiveness
