Songs like Jurassic Park (feat. Daniel Radcliffe) by Andy Hull and Robert McDowell
Based on a tempo of (+/- 10%) and a similar genre
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Jónsi
Gathering Stories
125 bpm • C Maj • 03:56 • -8.47db
28% Popularity • 29% Danceability • 63% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 29% Danceability • 63% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Woodkid
Conquest Of Spaces
125 bpm • C# Maj • 04:29 • -6.65db
43% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Kishi Bashi
Hey Big Star
125 bpm • A# Maj • 03:21 • -8db
34% Popularity • 70% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 70% Danceability • 76% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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A.C. Newman
Hospital Happiness
125 bpm • F Maj • 01:17 • -12.96db
11% Popularity • 51% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 17% Positiveness
11% Popularity • 51% Danceability • 28% Energy • 8% Liveness
67% Instrumentalness • 17% Positiveness
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Karen O
Sailing Home
125 bpm • A# Maj • 01:02 • -10.25db
31% Popularity • 34% Danceability • 52% Energy • 9% Liveness
70% Instrumentalness • 21% Positiveness
31% Popularity • 34% Danceability • 52% Energy • 9% Liveness
70% Instrumentalness • 21% Positiveness
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Ben Folds
Still - Reprise
125 bpm • F Maj • 06:07 • -6.88db
33% Popularity • 33% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 33% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jónsi
Brambles
125 bpm • C Maj • 02:24 • -19.79db
28% Popularity • 42% Danceability • 44% Energy • 39% Liveness
94% Instrumentalness • 8% Positiveness
28% Popularity • 42% Danceability • 44% Energy • 39% Liveness
94% Instrumentalness • 8% Positiveness
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Over the Garden Wall
Into the Unknown
125 bpm • C# Maj • 01:27 • -9.9db
53% Popularity • 45% Danceability • 34% Energy • 9% Liveness
4% Instrumentalness • 23% Positiveness
53% Popularity • 45% Danceability • 34% Energy • 9% Liveness
4% Instrumentalness • 23% Positiveness
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Theodore Shapiro
The Beckoning
125 bpm • F Maj • 01:48 • -27.12db
25% Popularity • 55% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
25% Popularity • 55% Danceability • 8% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
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Andy Hull and Robert McDowell
Jurassic Park
125 bpm • B Maj • 00:54 • -10.77db
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
56% Instrumentalness • 8% Positiveness
24% Popularity • 21% Danceability • 27% Energy • 15% Liveness
56% Instrumentalness • 8% Positiveness
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Karen O
Rumpus Reprise
125 bpm • E Maj • 01:53 • -15.49db
25% Popularity • 56% Danceability • 25% Energy • 11% Liveness
33% Instrumentalness • 36% Positiveness
25% Popularity • 56% Danceability • 25% Energy • 11% Liveness
33% Instrumentalness • 36% Positiveness
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Mark Mothersbaugh
Sparkplug Minuet
125 bpm • C Maj • 03:21 • -13.92db
22% Popularity • 70% Danceability • 34% Energy • 8% Liveness
96% Instrumentalness • 29% Positiveness
22% Popularity • 70% Danceability • 34% Energy • 8% Liveness
96% Instrumentalness • 29% Positiveness
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John Swihart
The Robin
124 bpm • D Maj • 03:22 • -11db
29% Popularity • 68% Danceability • 53% Energy • 14% Liveness
95% Instrumentalness • 67% Positiveness
29% Popularity • 68% Danceability • 53% Energy • 14% Liveness
95% Instrumentalness • 67% Positiveness
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Michael Andrews
Burn It to the Ground
124 bpm • A min • 01:58 • -15.62db
34% Popularity • 25% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 2% Positiveness
34% Popularity • 25% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 2% Positiveness
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Theodore Shapiro
Eyjafjallajökull
124 bpm • F Maj • 03:58 • -18.19db
29% Popularity • 59% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
29% Popularity • 59% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 9% Positiveness
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Ryan Lott
You Will Hardly Know Who I Am or What I ...
126 bpm • E min • 02:53 • -18.05db
10% Popularity • 52% Danceability • 16% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
10% Popularity • 52% Danceability • 16% Energy • 9% Liveness
81% Instrumentalness • 6% Positiveness
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Dan Stevens
Rainbow Connection
126 bpm • D# min • 01:28 • -17.26db
16% Popularity • 56% Danceability • 30% Energy • 26% Liveness
5% Instrumentalness • 27% Positiveness
16% Popularity • 56% Danceability • 30% Energy • 26% Liveness
5% Instrumentalness • 27% Positiveness
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Jónsi
We Bought A Zoo
124 bpm • C Maj • 04:20 • -11.76db
43% Popularity • 36% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 36% Danceability • 38% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Trent Reznor and Atticus Ross
In Motion
124 bpm • G Maj • 04:56 • -12.24db
48% Popularity • 62% Danceability • 64% Energy • 12% Liveness
91% Instrumentalness • 36% Positiveness
48% Popularity • 62% Danceability • 64% Energy • 12% Liveness
91% Instrumentalness • 36% Positiveness
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John Larroquette
Grand Old Ivy
124 bpm • G Maj • 03:30 • -6.82db
16% Popularity • 66% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 66% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Theodore Shapiro
Into The Harbor
124 bpm • C Maj • 02:23 • -18.67db
25% Popularity • 42% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
25% Popularity • 42% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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DeVotchKa
All the Sand in all the Sea
126 bpm • F Maj • 04:50 • -5.95db
36% Popularity • 47% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
36% Popularity • 47% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Hull and Robert McDowell
River Rocket
126 bpm • B Maj • 01:57 • -15.8db
29% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Arcade Fire
Milk & Honey #2
127 bpm • G Maj • 03:19 • -21.21db
36% Popularity • 23% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
36% Popularity • 23% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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A.C. Newman
Prophets
127 bpm • E min • 02:58 • -6db
33% Popularity • 40% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 40% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Joel P West
Wiffle Ball
123 bpm • A min • 03:11 • -16.64db
16% Popularity • 65% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 65% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Chance the Rapper
Dear Theodosia - Reprise
127 bpm • A Maj • 03:39 • -12.15db
38% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Michael Andrews
Voicemail From Emily
123 bpm • C Maj • 04:38 • -21.05db
10% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 33% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Moniker
Ricky Runs
127 bpm • A Maj • 01:45 • -12.52db
14% Popularity • 69% Danceability • 41% Energy • 9% Liveness
82% Instrumentalness • 39% Positiveness
14% Popularity • 69% Danceability • 41% Energy • 9% Liveness
82% Instrumentalness • 39% Positiveness
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Karen O
Heads Up
127 bpm • A Maj • 02:55 • -7.68db
24% Popularity • 58% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 58% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 83% Positiveness
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Nick Urata
Ruby Sparks (w/ Dialogue)
128 bpm • C Maj • 02:05 • -15.57db
8% Popularity • 49% Danceability • 44% Energy • 36% Liveness
28% Instrumentalness • 62% Positiveness
8% Popularity • 49% Danceability • 44% Energy • 36% Liveness
28% Instrumentalness • 62% Positiveness
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Daniel Radcliffe
The Company Way
128 bpm • G# min • 02:52 • -12db
28% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
28% Popularity • 80% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Over the Garden Wall
Pottsfield C.M.
128 bpm • A Maj • 01:31 • -7.02db
36% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 42% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Andrews
Liquid Spear Waltz
123 bpm • C min • 01:33 • -19.3db
43% Popularity • 43% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
43% Popularity • 43% Danceability • 8% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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John Ottman
The Future - Main Titles
122 bpm • D Maj • 02:44 • -17db
32% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 17% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Karen O
Capsize
128 bpm • A# Maj • 02:38 • -8.65db
27% Popularity • 63% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 63% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Atli Örvarsson
Nadine's Theme
122 bpm • F Maj • 03:43 • -14.5db
16% Popularity • 50% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
16% Popularity • 50% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Mary Faber
Been A Long Day
128 bpm • D# Maj • 03:15 • -11.89db
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 61% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Francis Conroy
Barney Makes 3, Pts. 1 & 2
128 bpm • A Maj • 01:21 • -8.34db
17% Popularity • 83% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 83% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Steven Price
The World's End
122 bpm • F min • 03:17 • -12.11db
10% Popularity • 26% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
10% Popularity • 26% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Dario Marianelli
Monkey's Story
122 bpm • B min • 02:57 • -23db
28% Popularity • 32% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
28% Popularity • 32% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 11% Positiveness
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Chilling Tales for Dark Nights
Fear of Hue
122 bpm • C# Maj • 02:32 • -18.85db
4% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 60% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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David Schwartz
You Here With Me
128 bpm • D Maj • 01:28 • -10.15db
15% Popularity • 52% Danceability • 40% Energy • 8% Liveness
13% Instrumentalness • 78% Positiveness
15% Popularity • 52% Danceability • 40% Energy • 8% Liveness
13% Instrumentalness • 78% Positiveness
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Ryan Lott
You Have to Get Lost Before You Find You...
122 bpm • C Maj • 03:36 • -19.95db
9% Popularity • 29% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Moniker
Ancient Stones
122 bpm • G min • 01:10 • -19.81db
14% Popularity • 47% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
14% Popularity • 47% Danceability • 13% Energy • 8% Liveness
92% Instrumentalness • 8% Positiveness
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Nathan Johnson
The Perfect Con
122 bpm • C# Maj • 06:43 • -13.22db
12% Popularity • 38% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 38% Danceability • 21% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Andy Hull and Robert McDowell
The Big Raccoon
129 bpm • B min • 02:12 • -12.06db
19% Popularity • 16% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 18% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Right Away, Great Captain!
Barely Bit Me
129 bpm • E min • 03:00 • -13.31db
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Brian H. Kim
The Bro Chant
129 bpm • F min • 01:39 • -21.56db
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
24% Popularity • 19% Danceability • 6% Energy • 10% Liveness
77% Instrumentalness • 19% Positiveness
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Brocker Way
Reckless
129 bpm • C min • 05:00 • -18.27db
9% Popularity • 61% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
9% Popularity • 61% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 20% Positiveness
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Francis and the Lights
Breaking and Entering
130 bpm • C# Maj • 01:10 • -24.02db
13% Popularity • 36% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 36% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Moniker
Trifecta
130 bpm • E Maj • 02:52 • -7.86db
14% Popularity • 76% Danceability • 83% Energy • 39% Liveness
2% Instrumentalness • 85% Positiveness
14% Popularity • 76% Danceability • 83% Energy • 39% Liveness
2% Instrumentalness • 85% Positiveness
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Andy Hull and Robert McDowell
When I Think About Mom
121 bpm • B Maj • 02:59 • -19.75db
20% Popularity • 19% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 19% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Joel P West
Let's Walk Then
120 bpm • D Maj • 01:51 • -13.71db
13% Popularity • 48% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
13% Popularity • 48% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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The Antlers
Shiva
130 bpm • D Maj • 03:45 • -13db
32% Popularity • 60% Danceability • 39% Energy • 8% Liveness
16% Instrumentalness • 21% Positiveness
32% Popularity • 60% Danceability • 39% Energy • 8% Liveness
16% Instrumentalness • 21% Positiveness
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Nathan Johnson
A Day in the Life
130 bpm • G# Maj • 01:10 • -13.44db
29% Popularity • 59% Danceability • 39% Energy • 49% Liveness
47% Instrumentalness • 24% Positiveness
29% Popularity • 59% Danceability • 39% Energy • 49% Liveness
47% Instrumentalness • 24% Positiveness
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Daniel Radcliffe
Franklin Shepard, Inc.
130 bpm • C# Maj • 05:21 • -11.76db
40% Popularity • 60% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 60% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Hildur Guðnadóttir
Escape from the Train
130 bpm • C Maj • 02:31 • -14.85db
33% Popularity • 66% Danceability • 37% Energy • 5% Liveness
75% Instrumentalness • 9% Positiveness
33% Popularity • 66% Danceability • 37% Energy • 5% Liveness
75% Instrumentalness • 9% Positiveness
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Andy Hull and Robert McDowell
Talk to Her
130 bpm • B Maj • 01:02 • -11.92db
22% Popularity • 67% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 9% Positiveness
22% Popularity • 67% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 9% Positiveness
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Theodore Shapiro
Skateboard Delivery
120 bpm • A# min • 00:59 • -27.96db
45% Popularity • 58% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
45% Popularity • 58% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Sean Callery
Jessica Jones Main Title
130 bpm • D Maj • 01:09 • -7.34db
35% Popularity • 59% Danceability • 59% Energy • 22% Liveness
76% Instrumentalness • 28% Positiveness
35% Popularity • 59% Danceability • 59% Energy • 22% Liveness
76% Instrumentalness • 28% Positiveness
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Lorne Balfe
Nobel Prize
120 bpm • G# Maj • 01:30 • -15.05db
20% Popularity • 73% Danceability • 45% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
20% Popularity • 73% Danceability • 45% Energy • 10% Liveness
90% Instrumentalness • 73% Positiveness
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Dan Deacon
Snookered
120 bpm • F Maj • 08:04 • -3.46db
5% Popularity • 55% Danceability • 96% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
5% Popularity • 55% Danceability • 96% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
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Karen O
All Is Love
120 bpm • C Maj • 02:49 • -10db
37% Popularity • 69% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 69% Danceability • 55% Energy • 69% Liveness
0% Instrumentalness • 28% Positiveness
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Murray Gold
A Good Man? - Twelve's Theme
120 bpm • A min • 07:33 • -11db
36% Popularity • 38% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
36% Popularity • 38% Danceability • 57% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Theodore Shapiro
Walter Time
120 bpm • B min • 00:59 • -24.47db
42% Popularity • 83% Danceability • 11% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
42% Popularity • 83% Danceability • 11% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Kyle Dixon & Michael Stein
Walkin in Hawkins
120 bpm • G min • 02:36 • -12.12db
38% Popularity • 56% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
38% Popularity • 56% Danceability • 31% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Bryce Dessner
Jupiter
120 bpm • F Maj • 07:10 • -13.66db
30% Popularity • 58% Danceability • 53% Energy • 15% Liveness
23% Instrumentalness • 13% Positiveness
30% Popularity • 58% Danceability • 53% Energy • 15% Liveness
23% Instrumentalness • 13% Positiveness
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Luke Whittaker
The Gatehouse (Theme)
120 bpm • A Maj • 02:04 • -21.8db
13% Popularity • 61% Danceability • 10% Energy • 7% Liveness
75% Instrumentalness • 49% Positiveness
13% Popularity • 61% Danceability • 10% Energy • 7% Liveness
75% Instrumentalness • 49% Positiveness
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Tammy Blanchard
Finch Is In Love
130 bpm • C min • 00:58 • -15.26db
15% Popularity • 49% Danceability • 15% Energy • 43% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 49% Danceability • 15% Energy • 43% Liveness
0% Instrumentalness • 19% Positiveness
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Murray Gold
The Long Song
120 bpm • A Maj • 03:38 • -12db
44% Popularity • 40% Danceability • 54% Energy • 19% Liveness
94% Instrumentalness • 16% Positiveness
44% Popularity • 40% Danceability • 54% Energy • 19% Liveness
94% Instrumentalness • 16% Positiveness
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![This Must Be the Place (Naive Melody) [by Talking Heads] cover art](https://i.scdn.co/image/ab67616d00001e027f8ea36129927ebd640a1d63)
Kishi Bashi
This Must Be the Place (Naive Melody) [b...
120 bpm • E min • 03:26 • -9db
49% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 73% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Mark Mothersbaugh
The Revolution Has Begun
120 bpm • D min • 01:47 • -8.08db
26% Popularity • 55% Danceability • 61% Energy • 9% Liveness
80% Instrumentalness • 59% Positiveness
26% Popularity • 55% Danceability • 61% Energy • 9% Liveness
80% Instrumentalness • 59% Positiveness
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Francis and the Lights
Lovely Hardware
120 bpm • D# Maj • 01:11 • -22.77db
25% Popularity • 67% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 79% Positiveness
25% Popularity • 67% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 79% Positiveness
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Michael Brook
Pouter
120 bpm • C# min • 02:10 • -22.13db
17% Popularity • 41% Danceability • 19% Energy • 17% Liveness
50% Instrumentalness • 17% Positiveness
17% Popularity • 41% Danceability • 19% Energy • 17% Liveness
50% Instrumentalness • 17% Positiveness
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Over the Garden Wall
Can't You See I'm Lonely - Bonus Track
120 bpm • F Maj • 01:19 • -9db
38% Popularity • 52% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
38% Popularity • 52% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Tom Tykwer
Meeting Schumer
120 bpm • C Maj • 01:12 • -22.08db
31% Popularity • 60% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 60% Danceability • 17% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Richmond
30 Rock / The Bitenuker - Medley
120 bpm • D min • 03:26 • -9.77db
9% Popularity • 47% Danceability • 40% Energy • 16% Liveness
9% Instrumentalness • 29% Positiveness
9% Popularity • 47% Danceability • 40% Energy • 16% Liveness
9% Instrumentalness • 29% Positiveness
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Mark Mothersbaugh
Previously on Jump Street
120 bpm • C# min • 01:54 • -11.55db
10% Popularity • 40% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
10% Popularity • 40% Danceability • 56% Energy • 13% Liveness
88% Instrumentalness • 15% Positiveness
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Michael Abels
Sikiliza Kwa Wahenga - Main Title
120 bpm • B min • 01:19 • -14.71db
28% Popularity • 50% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
28% Popularity • 50% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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David Torn
at the mall
120 bpm • C Maj • 02:22 • -15.66db
25% Popularity • 46% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 23% Positiveness
25% Popularity • 46% Danceability • 28% Energy • 7% Liveness
95% Instrumentalness • 23% Positiveness
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Colin Farrell
Chim Chim Cher-ee (East Wind)
120 bpm • G min • 01:04 • -26.69db
29% Popularity • 57% Danceability • 12% Energy • 14% Liveness
29% Instrumentalness • 25% Positiveness
29% Popularity • 57% Danceability • 12% Energy • 14% Liveness
29% Instrumentalness • 25% Positiveness
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John Murphy
Kanada's Death Pt.2 (Adagio in D Minor)
120 bpm • G Maj • 02:58 • -10db
41% Popularity • 33% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
41% Popularity • 33% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Max Richter
And Know The Place for The First Time
120 bpm • C min • 02:55 • -18db
29% Popularity • 19% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
29% Popularity • 19% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Mark Mothersbaugh
What Heroes Do
120 bpm • G min • 01:37 • -10db
35% Popularity • 52% Danceability • 72% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
35% Popularity • 52% Danceability • 72% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Nathan Johnson
Meeting Penelope
119 bpm • A min • 01:17 • -10.99db
12% Popularity • 60% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 51% Positiveness
12% Popularity • 60% Danceability • 29% Energy • 11% Liveness
46% Instrumentalness • 51% Positiveness
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Michael Andrews
Carpathian Ridge
131 bpm • F Maj • 01:34 • -19db
37% Popularity • 21% Danceability • 6% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
37% Popularity • 21% Danceability • 6% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
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Richard Wells
A Wonderful Thing
119 bpm • F# min • 02:22 • -13db
22% Popularity • 18% Danceability • 25% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 25% Energy • 15% Liveness
97% Instrumentalness • 4% Positiveness
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![Flowers (feat. Ryan Elder & Mark Mallman) [From Rick and Morty: Season 5] cover art](https://i.scdn.co/image/ab67616d00001e0229f2d1fc40ae50f43c577ab8)
Rick and Morty
Flowers [From Rick and Morty: Season 5]
131 bpm • C Maj • 02:00 • -13.33db
38% Popularity • 27% Danceability • 33% Energy • 55% Liveness
90% Instrumentalness • 22% Positiveness
38% Popularity • 27% Danceability • 33% Energy • 55% Liveness
90% Instrumentalness • 22% Positiveness
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Karen O
Animal
119 bpm • E min • 04:10 • -8.25db
22% Popularity • 52% Danceability • 74% Energy • 37% Liveness
67% Instrumentalness • 57% Positiveness
22% Popularity • 52% Danceability • 74% Energy • 37% Liveness
67% Instrumentalness • 57% Positiveness
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Jon Brion
Spotless Mind
119 bpm • C Maj • 01:11 • -24.87db
39% Popularity • 87% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 87% Positiveness
39% Popularity • 87% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 87% Positiveness
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Woodkid
The Golden Age
132 bpm • D Maj • 03:44 • -6.75db
47% Popularity • 55% Danceability • 75% Energy • 14% Liveness
14% Instrumentalness • 23% Positiveness
47% Popularity • 55% Danceability • 75% Energy • 14% Liveness
14% Instrumentalness • 23% Positiveness
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Michael Andrews
Waltz in the 4th Dimension
131 bpm • F Maj • 02:46 • -19.42db
30% Popularity • 26% Danceability • 14% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 7% Liveness
93% Instrumentalness • 9% Positiveness
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John Paesano
Raindrops
118 bpm • D Maj • 03:04 • -34.81db
27% Popularity • 18% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
27% Popularity • 18% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 6% Positiveness
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Theodore Shapiro
Long Walk Home
118 bpm • C# min • 01:56 • -16.16db
13% Popularity • 74% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
13% Popularity • 74% Danceability • 20% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Ryan Lott
I Had to Imagine My Way Into Her Map
132 bpm • C Maj • 02:07 • -19.13db
10% Popularity • 40% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
10% Popularity • 40% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 9% Positiveness
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Dark Rooms
I Get Overwhelmed
118 bpm • C Maj • 04:48 • -9.61db
37% Popularity • 32% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 32% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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José González
#9 Dream
118 bpm • C Maj • 05:37 • -11.28db
43% Popularity • 62% Danceability • 55% Energy • 12% Liveness
31% Instrumentalness • 64% Positiveness
43% Popularity • 62% Danceability • 55% Energy • 12% Liveness
31% Instrumentalness • 64% Positiveness
