Songs like Just As Well by Jackie Greene
Based on a tempo of (+/- 10%) and a similar genre
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Jonah Smith
When We Say Goodnight
100 bpm • C Maj • 05:48 • -9.51db
16% Popularity • 74% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 59% Positiveness
16% Popularity • 74% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 59% Positiveness
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Big Head Todd and The Monsters
Beautiful
100 bpm • G min • 03:55 • -7.5db
30% Popularity • 70% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 70% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Jackie Greene
Travelin' Song
100 bpm • C# min • 03:59 • -10.58db
14% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dawes
Time Spent in Los Angeles
100 bpm • G# Maj • 04:35 • -19db
36% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Throwback
Two Steps Closer
100 bpm • G# Maj • 03:31 • -8.71db
8% Popularity • 71% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
8% Popularity • 71% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 54% Positiveness
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The Avett Brothers
Victims Of Life
100 bpm • A# Maj • 02:59 • -4.16db
33% Popularity • 73% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 73% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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Meg Hutchinson
Seeing Stars
101 bpm • F# Maj • 02:59 • -10.37db
27% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 65% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Susan Tedeschi
Tired Of My Tears
99 bpm • C# Maj • 02:42 • -6.2db
32% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jackie Greene
Just As Well
100 bpm • D Maj • 04:56 • -11db
11% Popularity • 74% Danceability • 39% Energy • 23% Liveness
1% Instrumentalness • 88% Positiveness
11% Popularity • 74% Danceability • 39% Energy • 23% Liveness
1% Instrumentalness • 88% Positiveness
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Jonatha Brooke
Steady Pull
101 bpm • G min • 04:28 • -7.2db
14% Popularity • 68% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 68% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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Jackopierce
Say That You Love Me
101 bpm • E Maj • 04:43 • -10.73db
11% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Kathleen Edwards
Mint
99 bpm • G Maj • 04:51 • -7.14db
12% Popularity • 53% Danceability • 63% Energy • 31% Liveness
2% Instrumentalness • 70% Positiveness
12% Popularity • 53% Danceability • 63% Energy • 31% Liveness
2% Instrumentalness • 70% Positiveness
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Marc Broussard
Going Home
102 bpm • A Maj • 03:42 • -9.56db
9% Popularity • 55% Danceability • 62% Energy • 8% Liveness
24% Instrumentalness • 36% Positiveness
9% Popularity • 55% Danceability • 62% Energy • 8% Liveness
24% Instrumentalness • 36% Positiveness
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Poi Dog Pondering
Catacombs
98 bpm • G Maj • 04:55 • -10.18db
18% Popularity • 56% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 56% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Natalie Merchant
Just Can't Last
98 bpm • C Maj • 04:28 • -6.47db
28% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 64% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Tedeschi Trucks Band
Idle Wind
102 bpm • A Maj • 05:09 • -9.17db
26% Popularity • 50% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 50% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Big Head Todd and The Monsters
Beast Of Burden
102 bpm • C# min • 03:42 • -8db
38% Popularity • 84% Danceability • 52% Energy • 36% Liveness
1% Instrumentalness • 76% Positiveness
38% Popularity • 84% Danceability • 52% Energy • 36% Liveness
1% Instrumentalness • 76% Positiveness
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Charlie Mars
Listen to the Darkside
98 bpm • B Maj • 03:31 • -9db
38% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bruce Hornsby
Gonna Be Some Changes Made - New Album V...
102 bpm • G Maj • 05:17 • -6.5db
29% Popularity • 65% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
29% Popularity • 65% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
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William Bell
People Want To Go Home
98 bpm • F Maj • 02:58 • -9.05db
18% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
18% Popularity • 79% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Jackie Greene
Everything To Me
102 bpm • C min • 06:03 • -5db
11% Popularity • 55% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 55% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Tedeschi Trucks Band
Calling Out To You
102 bpm • F# Maj • 03:46 • -13.91db
39% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 60% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Eric Lindell
Let Me Know
97 bpm • D Maj • 04:56 • -7.12db
31% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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John Eddie
If You're Here When I Get Back
98 bpm • D Maj • 04:00 • -9db
17% Popularity • 67% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
17% Popularity • 67% Danceability • 66% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
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Patty Griffin
No Bad News
97 bpm • C# Maj • 04:02 • -4.15db
18% Popularity • 49% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
18% Popularity • 49% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 43% Positiveness
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Assembly of Dust
Second Song
103 bpm • C# Maj • 04:11 • -9db
29% Popularity • 79% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
29% Popularity • 79% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
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The Iguanas
Pelican Bay
97 bpm • C Maj • 04:29 • -7.56db
7% Popularity • 76% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
7% Popularity • 76% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Tedeschi Trucks Band
Let Me Get By
98 bpm • A Maj • 04:25 • -8.13db
37% Popularity • 57% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
37% Popularity • 57% Danceability • 71% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Bruce Hornsby & The Noisemakers
In The Low Country
97 bpm • C Maj • 04:11 • -6.91db
13% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Jackie Greene
Light Up Your Window
97 bpm • G Maj • 03:45 • -7.38db
14% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Ben Sollee
A Change Is Gonna Come
97 bpm • A Maj • 03:37 • -10.25db
28% Popularity • 74% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 74% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Nathaniel Rateliff & The Night Sweats
I’d Be Waiting
97 bpm • E Maj • 03:40 • -12.71db
38% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 64% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Avett Brothers
True Sadness
97 bpm • A Maj • 04:35 • -3.79db
39% Popularity • 52% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 52% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Lindell
If Love Can't Find A Way
97 bpm • A Maj • 03:09 • -4.07db
32% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Zach Gill
Beautiful Reason
103 bpm • C Maj • 04:21 • -7.2db
10% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 62% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Kweller
Full Circle
97 bpm • G Maj • 03:09 • -7db
1% Popularity • 65% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 65% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Marc Cohn
Already Home
97 bpm • G# min • 04:43 • -7.62db
16% Popularity • 71% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 71% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Joe Henry
Lead Me On
96 bpm • D Maj • 04:30 • -10.63db
21% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Tift Merritt
Good Hearted Man
96 bpm • C Maj • 03:39 • -6.39db
29% Popularity • 56% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
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Eric Lindell
All Alone
97 bpm • B Maj • 04:28 • -4.73db
31% Popularity • 51% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
31% Popularity • 51% Danceability • 51% Energy • 14% Liveness
17% Instrumentalness • 60% Positiveness
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Ben Taylor
Nothing I Can Do - Acoustic
96 bpm • F# Maj • 03:25 • -16.51db
23% Popularity • 62% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 62% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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Steve Martin
Love Has Come For You
104 bpm • C Maj • 03:08 • -10db
33% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Nicki Bluhm
Stick with Me
104 bpm • E Maj • 03:09 • -6.39db
10% Popularity • 61% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 61% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Patty Griffin
Stay on the Ride
104 bpm • F# Maj • 05:17 • -5.79db
16% Popularity • 71% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 71% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jackie Greene
Don't Let The Devil Take Your Mind
104 bpm • G min • 04:32 • -4.52db
12% Popularity • 61% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 61% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Hence Phillips
Anna Lee
96 bpm • E min • 04:54 • -8.75db
2% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 62% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Ben Taylor
One Man Day
96 bpm • C# min • 05:12 • -10.65db
9% Popularity • 58% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 58% Danceability • 40% Energy • 54% Liveness
0% Instrumentalness • 16% Positiveness
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Railroad Earth
Hard Livin'
96 bpm • C Maj • 04:55 • -4db
39% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Sean Hayes
Powerful Stuff
96 bpm • F# min • 03:35 • -9db
33% Popularity • 88% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 88% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Watkins Family Hour
Feeling Good Again
105 bpm • F Maj • 03:22 • -10.58db
16% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jackie Greene
Closer To You
96 bpm • F# Maj • 03:57 • -7.83db
11% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 67% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Nicki Bluhm and the Gramblers
Ravenous
105 bpm • A min • 04:32 • -5db
11% Popularity • 52% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 52% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Hard Working Americans
Down to the Well
105 bpm • D Maj • 04:16 • -11db
29% Popularity • 65% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
29% Popularity • 65% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Railroad Earth
Mighty River
96 bpm • D Maj • 05:28 • -4.59db
41% Popularity • 56% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
41% Popularity • 56% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Jill Barber
Hard Line
105 bpm • A Maj • 03:44 • -6.24db
19% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 71% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Steve Martin
So Familiar
105 bpm • F Maj • 02:44 • -11db
26% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bruce Cockburn
Different When It Comes To You
95 bpm • A Maj • 02:57 • -8.9db
24% Popularity • 66% Danceability • 55% Energy • 17% Liveness
28% Instrumentalness • 36% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 17% Liveness
28% Instrumentalness • 36% Positiveness
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Dan Wilson
Free Life
95 bpm • E Maj • 04:54 • -6.77db
23% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 60% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jackie Greene
Uphill Mountain
106 bpm • F Maj • 04:04 • -4db
17% Popularity • 62% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 62% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Rhiannon Giddens
Black Is the Color
106 bpm • A# min • 03:45 • -8.84db
19% Popularity • 66% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 66% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Colin Hay
There's Water Over You
106 bpm • G Maj • 03:52 • -7.62db
16% Popularity • 84% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 84% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Yarn
Carolina Heart
106 bpm • F Maj • 03:37 • -11.27db
36% Popularity • 53% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
36% Popularity • 53% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Max Gomez
Ball and Chain
106 bpm • A Maj • 03:06 • -8.4db
12% Popularity • 74% Danceability • 56% Energy • 10% Liveness
39% Instrumentalness • 93% Positiveness
12% Popularity • 74% Danceability • 56% Energy • 10% Liveness
39% Instrumentalness • 93% Positiveness
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Joe Firstman
Can't Stop Loving You
106 bpm • B min • 03:55 • -3.83db
8% Popularity • 56% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 56% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Milton
In the City
94 bpm • A# Maj • 04:39 • -5.67db
8% Popularity • 69% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 69% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Nicki Bluhm
I'm Your Woman
106 bpm • A Maj • 03:14 • -5.58db
8% Popularity • 73% Danceability • 53% Energy • 10% Liveness
37% Instrumentalness • 79% Positiveness
8% Popularity • 73% Danceability • 53% Energy • 10% Liveness
37% Instrumentalness • 79% Positiveness
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Richie Havens
The Times They Are A-Changin'
106 bpm • D Maj • 04:55 • -15.05db
16% Popularity • 60% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 60% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Matt the Electrician
Milo
106 bpm • E min • 03:19 • -11.45db
9% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 84% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Peter Wolf
Fun For Awhile
106 bpm • C Maj • 03:35 • -14.04db
12% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Montbleau
Chariot (I Know)
94 bpm • E Maj • 04:55 • -8.31db
21% Popularity • 61% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 61% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 53% Positiveness
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Griffin House
The Guy That Says Goodbye to You Is Out ...
94 bpm • E min • 03:16 • -11.45db
41% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Forest Sun
Red Umbrella
94 bpm • G Maj • 04:40 • -6.6db
19% Popularity • 68% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 68% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Stray Birds
Third Day in a Row
107 bpm • E Maj • 04:36 • -6db
10% Popularity • 68% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 68% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Tedeschi Trucks Band
Anyhow
93 bpm • A Maj • 06:35 • -9.29db
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
48% Popularity • 45% Danceability • 68% Energy • 10% Liveness
38% Instrumentalness • 52% Positiveness
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Jackie Greene
I Don’t Live In A Dream
93 bpm • F min • 03:48 • -7.04db
20% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 73% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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JJ Grey & Mofro
Every Minute
107 bpm • C Maj • 04:41 • -7.11db
45% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
45% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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Griffin House
The Guy That Says Goodbye to You Is out ...
94 bpm • C Maj • 03:19 • -12.2db
23% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Gov't Mule
Tonight's the Night
107 bpm • D Maj • 05:25 • -10.12db
6% Popularity • 58% Danceability • 38% Energy • 70% Liveness
1% Instrumentalness • 30% Positiveness
6% Popularity • 58% Danceability • 38% Energy • 70% Liveness
1% Instrumentalness • 30% Positiveness
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Robert Bradley
After Your Love
107 bpm • A Maj • 04:19 • -12.21db
9% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 59% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Glen Phillips
Everything But You
93 bpm • F# Maj • 03:28 • -6db
17% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Jackie Greene
Talkin' Midtown Women
108 bpm • A# Maj • 04:25 • -6.01db
2% Popularity • 33% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 33% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Nicki Bluhm and the Gramblers
Till I'm Blue
108 bpm • A Maj • 03:45 • -5.82db
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Big Head Todd and The Monsters
Happiness Is
108 bpm • B min • 04:11 • -6.56db
7% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 74% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Paul Simon
Rewrite
92 bpm • F Maj • 03:49 • -7.24db
33% Popularity • 74% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 74% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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The Iguanas
The First Kiss Is Free
92 bpm • G Maj • 06:45 • -15.54db
9% Popularity • 58% Danceability • 41% Energy • 12% Liveness
25% Instrumentalness • 36% Positiveness
9% Popularity • 58% Danceability • 41% Energy • 12% Liveness
25% Instrumentalness • 36% Positiveness
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John Mellencamp
Longest Days
108 bpm • C# Maj • 03:10 • -13db
38% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 71% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jackie Greene
Seven Jealous Sisters
93 bpm • E min • 04:12 • -5db
10% Popularity • 43% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 43% Danceability • 83% Energy • 3% Liveness
0% Instrumentalness • 58% Positiveness
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Colin Hay
Where The Sky Is Blue
92 bpm • A Maj • 04:05 • -9.32db
7% Popularity • 61% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 61% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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John Taylor
Break My Bones
109 bpm • C# Maj • 02:58 • -12.57db
12% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 58% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Charlie Mars
The Money
92 bpm • C Maj • 02:41 • -10db
34% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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The Push Stars
Outside Of A Dream
92 bpm • B min • 03:54 • -7.35db
8% Popularity • 40% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 40% Danceability • 67% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Taylor
Always
92 bpm • G min • 03:47 • -9.13db
11% Popularity • 72% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 72% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Sonia Dada
Amazing Jane
92 bpm • F Maj • 07:32 • -8.01db
8% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
8% Popularity • 61% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Over the Rhine
Meet Me At The Edge Of The World
109 bpm • A Maj • 03:48 • -11.56db
15% Popularity • 61% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 61% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Dawes
Don't Send Me Away
109 bpm • A Maj • 04:54 • -7.57db
24% Popularity • 87% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 87% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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David Wilcox
Missing You
109 bpm • A Maj • 03:29 • -11.55db
12% Popularity • 43% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 43% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Petty
Square One
109 bpm • F# Maj • 03:24 • -11db
45% Popularity • 77% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 77% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Lone Bellow
You Don't Love Me Like You Used To
109 bpm • B Maj • 03:15 • -8.55db
21% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
