Songs like Just Came Back by Colin James
Based on a tempo of (+/- 10%) and a similar genre
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Foreigner
Hot Blooded
118 bpm • C Maj • 04:28 • -4.83db
63% Popularity • 70% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
63% Popularity • 70% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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54-40
Nice To Luv You
118 bpm • G Maj • 04:22 • -8.17db
28% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 56% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Haywire
Wanna Be the One
118 bpm • A Maj • 04:10 • -6.81db
19% Popularity • 67% Danceability • 90% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
19% Popularity • 67% Danceability • 90% Energy • 10% Liveness
3% Instrumentalness • 80% Positiveness
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Crowbar
Oh What a Feeling
118 bpm • D Maj • 04:19 • -10.34db
30% Popularity • 52% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 74% Positiveness
30% Popularity • 52% Danceability • 52% Energy • 7% Liveness
3% Instrumentalness • 74% Positiveness
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Colin James
Just Came Back
118 bpm • D Maj • 04:59 • -14.82db
35% Popularity • 69% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 69% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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John Cafferty & the Beaver Brown Band
Maryia
118 bpm • A Maj • 03:43 • -6.9db
25% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Don Henley
How Bad Do You Want It?
118 bpm • A# Maj • 03:46 • -9.33db
28% Popularity • 71% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 71% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Barney Bentall & The Legendary Hearts
Crime Against Love
118 bpm • D Maj • 03:33 • -11.01db
18% Popularity • 70% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 70% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Foreigner
Hot Blooded
118 bpm • C Maj • 03:04 • -8.04db
33% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Headpins
Staying All Nite
117 bpm • C Maj • 03:57 • -5db
17% Popularity • 50% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
17% Popularity • 50% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 80% Positiveness
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Chilliwack
Secret Information
119 bpm • C Maj • 03:33 • -8db
19% Popularity • 64% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
19% Popularity • 64% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Colin James
Watch Out
117 bpm • D Maj • 04:39 • -8.91db
20% Popularity • 78% Danceability • 58% Energy • 22% Liveness
1% Instrumentalness • 42% Positiveness
20% Popularity • 78% Danceability • 58% Energy • 22% Liveness
1% Instrumentalness • 42% Positiveness
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Jefferson Starship
Jane
117 bpm • D Maj • 04:09 • -11db
33% Popularity • 56% Danceability • 82% Energy • 28% Liveness
5% Instrumentalness • 83% Positiveness
33% Popularity • 56% Danceability • 82% Energy • 28% Liveness
5% Instrumentalness • 83% Positiveness
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Eddie Money
We Should Be Sleeping
117 bpm • A Maj • 03:55 • -10.69db
30% Popularity • 56% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 56% Danceability • 72% Energy • 54% Liveness
0% Instrumentalness • 67% Positiveness
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Foreigner
Headknocker
117 bpm • E Maj • 02:59 • -5.54db
38% Popularity • 61% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 61% Danceability • 80% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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The Northern Pikes
Things I Do For Money - Edit
117 bpm • E min • 03:57 • -9.54db
29% Popularity • 76% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 18% Positiveness
29% Popularity • 76% Danceability • 61% Energy • 10% Liveness
60% Instrumentalness • 18% Positiveness
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Max Webster
Toronto Tontos
119 bpm • C Maj • 03:43 • -7.03db
17% Popularity • 73% Danceability • 71% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
17% Popularity • 73% Danceability • 71% Energy • 19% Liveness
1% Instrumentalness • 88% Positiveness
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54-40
I Go Blind
119 bpm • C Maj • 02:46 • -11.04db
39% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
39% Popularity • 67% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Honeymoon Suite
New Girl Now
117 bpm • G# Maj • 04:17 • -6.09db
8% Popularity • 38% Danceability • 90% Energy • 92% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 38% Danceability • 90% Energy • 92% Liveness
0% Instrumentalness • 56% Positiveness
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Eddie Money
Walk On Water
119 bpm • D Maj • 04:38 • -10db
42% Popularity • 61% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 61% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Prism
Take Me Away
119 bpm • F min • 03:17 • -11.64db
25% Popularity • 48% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 48% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Def Leppard
Nine Lives
119 bpm • G# Maj • 03:32 • -5db
28% Popularity • 50% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 50% Danceability • 68% Energy • 49% Liveness
0% Instrumentalness • 55% Positiveness
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Alannah Myles
Kick Start My Heart
117 bpm • D Maj • 03:42 • -10.76db
27% Popularity • 58% Danceability • 88% Energy • 31% Liveness
5% Instrumentalness • 91% Positiveness
27% Popularity • 58% Danceability • 88% Energy • 31% Liveness
5% Instrumentalness • 91% Positiveness
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Doug and the Slugs
Day by Day
120 bpm • D Maj • 03:28 • -12.24db
44% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Chilliwack
Don't Stop
116 bpm • G Maj • 04:03 • -20.02db
25% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
25% Popularity • 77% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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The Fabulous Thunderbirds
Tuff Enuff
116 bpm • F# min • 03:22 • -11.48db
46% Popularity • 58% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 58% Danceability • 66% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
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Trooper
Thin White Line
120 bpm • C Maj • 04:02 • -10.4db
37% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Harlequin
Superstitious Feeling
120 bpm • B Maj • 03:47 • -6.05db
29% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 62% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Barney Bentall & The Legendary Hearts
Life Could Be Worse
116 bpm • C Maj • 04:24 • -9.11db
21% Popularity • 68% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 68% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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ZZ Top
Gun Love - 2003 Remaster
120 bpm • G Maj • 03:39 • -8.96db
29% Popularity • 76% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 76% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Streetheart
Action
116 bpm • C# Maj • 04:50 • -12.36db
16% Popularity • 55% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 42% Positiveness
16% Popularity • 55% Danceability • 80% Energy • 5% Liveness
1% Instrumentalness • 42% Positiveness
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Colin James
Just One Love
120 bpm • D Maj • 03:37 • -11.15db
6% Popularity • 60% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 29% Positiveness
6% Popularity • 60% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 29% Positiveness
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Shaw / Blades
Time of the Season
116 bpm • E min • 03:51 • -6.32db
16% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
16% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Chilliwack
Arms of Mary
120 bpm • G Maj • 03:04 • -5.23db
24% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 55% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Toronto
Start Tellin' The Truth
120 bpm • F Maj • 04:26 • -6.24db
27% Popularity • 59% Danceability • 59% Energy • 24% Liveness
27% Instrumentalness • 84% Positiveness
27% Popularity • 59% Danceability • 59% Energy • 24% Liveness
27% Instrumentalness • 84% Positiveness
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ZZ Top
Viva Las Vegas
120 bpm • G# Maj • 04:02 • -11db
24% Popularity • 60% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 60% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Streetheart
Action
116 bpm • C# Maj • 04:47 • -6.18db
32% Popularity • 57% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
32% Popularity • 57% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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The Chieftains
Cúnla/The Friar's Breeches
120 bpm • G Maj • 03:38 • -12.27db
4% Popularity • 47% Danceability • 49% Energy • 16% Liveness
48% Instrumentalness • 67% Positiveness
4% Popularity • 47% Danceability • 49% Energy • 16% Liveness
48% Instrumentalness • 67% Positiveness
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Colin James
If You Lean On Me
120 bpm • E Maj • 04:50 • -13.21db
10% Popularity • 74% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 74% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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The Northern Pikes
Girl With A Problem
120 bpm • D Maj • 03:59 • -11.36db
31% Popularity • 57% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 57% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Honeymoon Suite
Bad Attitude
116 bpm • E Maj • 05:31 • -13.43db
33% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Headpins
Double Trouble
121 bpm • A min • 04:34 • -5.66db
13% Popularity • 57% Danceability • 97% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
13% Popularity • 57% Danceability • 97% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Johnny Van Zant
Hearts Are Gonna Roll
115 bpm • A Maj • 05:18 • -9.43db
12% Popularity • 63% Danceability • 88% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
12% Popularity • 63% Danceability • 88% Energy • 8% Liveness
1% Instrumentalness • 88% Positiveness
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Glass Tiger
My Song
115 bpm • F Maj • 03:25 • -14.11db
30% Popularity • 55% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 55% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Colin James
Walkin' Blues
120 bpm • D min • 03:26 • -8db
17% Popularity • 64% Danceability • 81% Energy • 30% Liveness
1% Instrumentalness • 93% Positiveness
17% Popularity • 64% Danceability • 81% Energy • 30% Liveness
1% Instrumentalness • 93% Positiveness
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The Fabulous Thunderbirds
Wrap It Up
121 bpm • G# Maj • 02:42 • -12.73db
43% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Lighthouse
Sunny Days
115 bpm • G Maj • 04:16 • -8.03db
36% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 60% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Chilliwack
Arms Of Mary
121 bpm • G Maj • 03:02 • -16.74db
14% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 52% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Eddie Money
Shakin' (Re-Recorded)
115 bpm • A# min • 03:07 • -5.94db
11% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 69% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Nick Gilder
Roxy Roller
115 bpm • A Maj • 02:49 • -4.23db
36% Popularity • 48% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 48% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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54-40
Love You All
121 bpm • E Maj • 04:28 • -5.88db
26% Popularity • 60% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 60% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Martin Briley
Salt In My Tears
121 bpm • A Maj • 03:30 • -5.55db
30% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 58% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Doug and the Slugs
(I Don't Want to) Walk Away
115 bpm • D Maj • 04:32 • -5.76db
15% Popularity • 53% Danceability • 87% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 53% Danceability • 87% Energy • 69% Liveness
0% Instrumentalness • 71% Positiveness
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Johnny Van Zant
Party in the Parking Lot
121 bpm • A Maj • 05:08 • -9.32db
28% Popularity • 61% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 61% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 94% Positiveness
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Barney Bentall & The Legendary Hearts
Something to Live For
121 bpm • F Maj • 04:35 • -15.29db
34% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 48% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Gowan
All the Lovers in the World
122 bpm • E min • 04:16 • -9.77db
13% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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54-40
Since When
121 bpm • C Maj • 04:14 • -5.61db
30% Popularity • 73% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 73% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Colin James
Stones In My Passway/Just Came Back - Li...
114 bpm • G Maj • 06:27 • -2.39db
7% Popularity • 37% Danceability • 89% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 37% Danceability • 89% Energy • 90% Liveness
0% Instrumentalness • 39% Positiveness
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Martin Briley
The Salt In My Tears
121 bpm • A Maj • 03:28 • -5.24db
24% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 60% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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The Tragically Hip
Blow At High Dough
122 bpm • E Maj • 04:37 • -11.55db
51% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
51% Popularity • 69% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Dan Baird
I Love You Period
114 bpm • A Maj • 04:24 • -8.95db
29% Popularity • 54% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 54% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 94% Positiveness
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Doug and the Slugs
Who Knows How
122 bpm • A# Maj • 03:50 • -9.65db
30% Popularity • 72% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 72% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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John Parr
Naughty, Naughty (Re-Recorded)
114 bpm • A Maj • 05:02 • -6db
21% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 69% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Harlequin
(It's) No Mystery
122 bpm • C Maj • 03:28 • -10.49db
16% Popularity • 62% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 62% Danceability • 76% Energy • 26% Liveness
0% Instrumentalness • 75% Positiveness
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The Kings
This Beat Goes On/Switchin' to Glide
122 bpm • A Maj • 06:17 • -5.22db
23% Popularity • 63% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 63% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Prism
Good to Be Back
122 bpm • A Maj • 03:09 • -10.11db
16% Popularity • 57% Danceability • 74% Energy • 22% Liveness
10% Instrumentalness • 64% Positiveness
16% Popularity • 57% Danceability • 74% Energy • 22% Liveness
10% Instrumentalness • 64% Positiveness
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Toronto
When Can I See You Again
114 bpm • D Maj • 03:45 • -5.24db
14% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Honeymoon Suite
Burning in Love
122 bpm • D min • 04:31 • -11.78db
44% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 54% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 62% Positiveness
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The Jitters
Last Of The Red Hot Fools
122 bpm • E Maj • 03:12 • -7.43db
23% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Chilliwack
Whatcha Gonna Do?
122 bpm • B min • 04:15 • -6.77db
39% Popularity • 71% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 71% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Eddie Money
Shakin'
114 bpm • A Maj • 03:07 • -10.24db
56% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
56% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Prism
Young And Restless
122 bpm • D Maj • 03:30 • -6.67db
33% Popularity • 65% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 65% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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REO Speedwagon
Back on the Road Again
123 bpm • C Maj • 05:34 • -13.6db
14% Popularity • 50% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 50% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Honeymoon Suite
Feel It Again
122 bpm • A# Maj • 04:37 • -13.16db
43% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 60% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Toronto
Girls Night Out
122 bpm • A Maj • 02:47 • -6.03db
23% Popularity • 71% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 71% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Burton Cummings
Take One Away
123 bpm • C Maj • 03:27 • -7.76db
24% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 62% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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John Parr
Naughty Naughty
113 bpm • A Maj • 04:21 • -4.07db
30% Popularity • 58% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 64% Positiveness
30% Popularity • 58% Danceability • 94% Energy • 97% Liveness
0% Instrumentalness • 64% Positiveness
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Colin James with Ron & Hazel
Daddy Frank
113 bpm • F# min • 03:22 • -10.12db
0% Popularity • 85% Danceability • 76% Energy • 88% Liveness
0% Instrumentalness • 90% Positiveness
0% Popularity • 85% Danceability • 76% Energy • 88% Liveness
0% Instrumentalness • 90% Positiveness
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REO Speedwagon
Back on the Road Again
123 bpm • C Maj • 05:39 • -12.16db
39% Popularity • 49% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 49% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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54-40
She-La
113 bpm • D Maj • 04:08 • -9.51db
34% Popularity • 45% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 45% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Toronto
Get It On Credit
123 bpm • G Maj • 03:19 • -6.23db
11% Popularity • 50% Danceability • 84% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
11% Popularity • 50% Danceability • 84% Energy • 11% Liveness
3% Instrumentalness • 44% Positiveness
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Colin James
National Steel
123 bpm • F Maj • 04:54 • -9.9db
17% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Red Rider
Napoleon Sheds His Skin
113 bpm • E min • 05:53 • -13.09db
20% Popularity • 66% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 66% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Haywire
Standin' in Line
123 bpm • B min • 03:53 • -5.36db
29% Popularity • 59% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 59% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Platinum Blonde
Standing in the Dark - Remastered
123 bpm • C# min • 03:20 • -3.59db
37% Popularity • 77% Danceability • 80% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
37% Popularity • 77% Danceability • 80% Energy • 8% Liveness
2% Instrumentalness • 81% Positiveness
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54-40
Ocean Pearl
113 bpm • D Maj • 03:27 • -7db
43% Popularity • 66% Danceability • 81% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
43% Popularity • 66% Danceability • 81% Energy • 3% Liveness
1% Instrumentalness • 90% Positiveness
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Toronto
Enough Is Enough
113 bpm • C Maj • 04:10 • -7.22db
19% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 76% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Prism
Flyin'
113 bpm • D Maj • 04:33 • -10.97db
23% Popularity • 54% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Kenny Wayne Shepherd
Was
123 bpm • A# Maj • 04:00 • -7.37db
27% Popularity • 53% Danceability • 96% Energy • 52% Liveness
55% Instrumentalness • 47% Positiveness
27% Popularity • 53% Danceability • 96% Energy • 52% Liveness
55% Instrumentalness • 47% Positiveness
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Jeff Healey
White Room
113 bpm • C Maj • 05:34 • -6.37db
27% Popularity • 42% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 42% Danceability • 86% Energy • 72% Liveness
0% Instrumentalness • 38% Positiveness
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Foghat
Slow Ride - Single Version
113 bpm • D Maj • 03:56 • -12db
38% Popularity • 50% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 50% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Paul Rodgers
Rock And Roll Fantasy
113 bpm • A Maj • 03:34 • -8.05db
31% Popularity • 55% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 55% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 69% Positiveness
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Barney Bentall & The Legendary Hearts
Fresh (Jelly Roll)
123 bpm • B Maj • 04:06 • -13.8db
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Doug and the Slugs
Tomcat Prowl
123 bpm • A# min • 03:48 • -8.58db
33% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 57% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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The Four Horsemen
Nobody Said It Was Easy
113 bpm • G Maj • 04:13 • -9.79db
30% Popularity • 48% Danceability • 58% Energy • 92% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 48% Danceability • 58% Energy • 92% Liveness
0% Instrumentalness • 53% Positiveness
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Bernard Allison
My Way or the Highway
124 bpm • F min • 03:58 • -12.86db
3% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
3% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Glenn Frey
Smuggler's Blues
124 bpm • F Maj • 04:19 • -13db
30% Popularity • 67% Danceability • 50% Energy • 22% Liveness
1% Instrumentalness • 89% Positiveness
30% Popularity • 67% Danceability • 50% Energy • 22% Liveness
1% Instrumentalness • 89% Positiveness
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ZZ Top
Give It Up
124 bpm • A# Maj • 03:29 • -9.88db
40% Popularity • 66% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
40% Popularity • 66% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
