Songs like Just Drive by Erin Kinsey
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Troy Cartwright
Hung Up On You
115 bpm • A# Maj • 03:21 • -3.96db
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 65% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Erin Kinsey
Just Drive - Radio Edit
115 bpm • F# Maj • 02:29 • -4.87db
22% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 65% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
73% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
73% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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CHASE WRIGHT
Hangin' On
115 bpm • G Maj • 02:50 • -6db
32% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 66% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Alana Springsteen
Trying Not To
115 bpm • D# Maj • 03:24 • -5db
37% Popularity • 61% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 61% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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James Barker Band
Over All Over Again
115 bpm • G# Maj • 03:21 • -3.34db
35% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 58% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Kylie Morgan
Independent With You
115 bpm • F# Maj • 02:42 • -3db
45% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
45% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Erin Kinsey
Just Drive
115 bpm • F# Maj • 02:27 • -4db
54% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 71% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Tenille Arts
Girl to Girl
116 bpm • D Maj • 03:12 • -3.37db
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
38% Popularity • 67% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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CHASE WRIGHT
Missing You
116 bpm • F# Maj • 02:48 • -4db
48% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Alana Springsteen
Trust Issues
115 bpm • A# Maj • 02:45 • -6db
35% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 74% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Dustin Lynch
Party Mode
114 bpm • A# min • 03:31 • -2.75db
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 62% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Kelsea Ballerini
homecoming queen?
114 bpm • A Maj • 02:47 • -5db
55% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
55% Popularity • 46% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Erin Kinsey
Boys In Boots
116 bpm • F# Maj • 02:54 • -4.84db
43% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
43% Popularity • 67% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Julia Cole
Thank God We Broke Up
114 bpm • G min • 02:37 • -4.24db
37% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 67% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Restless Road
Sundown Somewhere
114 bpm • B Maj • 02:42 • -4.13db
52% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 61% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Mitchell Tenpenny
To Us It Did
114 bpm • C Maj • 02:45 • -4.76db
49% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 69% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 46% Positiveness
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Walker Hayes
U Gurl
114 bpm • D Maj • 02:32 • -5.07db
54% Popularity • 79% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 79% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 71% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
62% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
62% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Kelsey Lamb
When I Remember You
116 bpm • B Maj • 03:15 • -5db
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 62% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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RaeLynn
Keep Up
114 bpm • F# Maj • 03:04 • -3db
49% Popularity • 66% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 66% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Restless Road
Took One Look at Her Momma
117 bpm • G# Maj • 03:12 • -3.41db
34% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 60% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Mitchell Tenpenny
Happy and I Hate It
114 bpm • C Maj • 02:34 • -4.9db
50% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 65% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Erin Kinsey
Stayed A Summer
113 bpm • E Maj • 02:56 • -4.73db
47% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 63% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Carter Faith
Greener Pasture
113 bpm • C Maj • 03:09 • -7db
52% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
52% Popularity • 63% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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BRELAND
Cross Country
118 bpm • D Maj • 03:24 • -6.53db
29% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 68% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Kelsea Ballerini
Mountain With A View
118 bpm • A# Maj • 02:57 • -7.15db
57% Popularity • 44% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 44% Danceability • 43% Energy • 42% Liveness
0% Instrumentalness • 45% Positiveness
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Ella Langley
If You Have To
118 bpm • F Maj • 03:19 • -6db
51% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 71% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Madeline Merlo
Slide
118 bpm • D Maj • 03:34 • -3.24db
37% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 65% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Erin Kinsey
stayed a summer (fall version) 8.19.22
113 bpm • E Maj • 03:02 • -7.41db
31% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 67% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Conner Smith
Summer On Your Lips
118 bpm • F Maj • 03:30 • -4.31db
45% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
45% Popularity • 53% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Spencer Crandall
Red Flags
112 bpm • G min • 02:34 • -2.99db
38% Popularity • 70% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 70% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Lauren Duski
I Would For You
112 bpm • G# Maj • 03:01 • -8db
42% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 55% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Kylie Morgan
Cuss A Little
112 bpm • A# Maj • 02:48 • -7.5db
42% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 71% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Chris Young
Think of You
112 bpm • B Maj • 03:38 • -3.59db
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kelsea Ballerini
THE LITTLE THINGS
119 bpm • F min • 02:57 • -5db
50% Popularity • 70% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 70% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Morgan Wallen
Dangerous
119 bpm • G Maj • 02:27 • -4.83db
71% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
71% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Austin Burke
Ain't Gonna Break My Heart
111 bpm • B Maj • 02:40 • -7db
35% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
35% Popularity • 60% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Erin Kinsey
Better On Me
120 bpm • C Maj • 02:29 • -4.05db
36% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 72% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Elle King
Drunk (And I Don't Wanna Go Home)
120 bpm • F Maj • 04:04 • -5db
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
62% Popularity • 61% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Kelsea Ballerini
HEARTFIRST
120 bpm • C Maj • 03:07 • -5db
55% Popularity • 66% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 66% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Ryan Hurd
To a T
120 bpm • B Maj • 02:58 • -6db
51% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 69% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Wallen
Heartless - Wallen Album Mix
111 bpm • B Maj • 02:49 • -4.42db
63% Popularity • 61% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
63% Popularity • 61% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Dylan Marlowe
When I Look Back
120 bpm • B Maj • 02:59 • -5db
49% Popularity • 57% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 57% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Parmalee
Only You
110 bpm • B Maj • 03:05 • -3.83db
46% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 64% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Avery Anna
la di da
110 bpm • B Maj • 02:58 • -4db
37% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 68% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Restless Road
Bar Friends
110 bpm • D Maj • 03:06 • -4.5db
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 54% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Erin Kinsey
Reason For Leaving
110 bpm • C# min • 03:15 • -4db
32% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
32% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Jordan Davis
Need To Not
110 bpm • G Maj • 03:02 • -5.69db
51% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 67% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
66% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Carrie Underwood
Crazy Angels
121 bpm • F# min • 02:36 • -5db
44% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Russell Dickerson
Home Sweet
121 bpm • B Maj • 03:25 • -5.65db
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Noah Thompson
One Day Tonight
109 bpm • C# Maj • 02:45 • -7.61db
57% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
58% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
58% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Drew Green
She Got That
122 bpm • C Maj • 02:37 • -5.48db
48% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Kelsea Ballerini
Blindsided (Yeah, Sure, Okay)
122 bpm • C Maj • 02:47 • -5.62db
58% Popularity • 68% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 68% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Spencer Crandall
Didn't Do
122 bpm • B Maj • 03:17 • -2.35db
45% Popularity • 65% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 65% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Robyn Ottolini
Say It
108 bpm • D Maj • 03:05 • -5.46db
31% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 56% Danceability • 73% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Grant Gilbert
She Goes Home (Dirty Breakup Song)
108 bpm • A Maj • 03:19 • -4.31db
35% Popularity • 60% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 60% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan Scott
Amen To That
108 bpm • F# Maj • 02:52 • -5db
55% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Ingrid Andress
Waste of Lime
108 bpm • A Maj • 03:08 • -5.35db
41% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 64% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Kassi Ashton
Drive You Out Of My Mind
123 bpm • C# min • 03:32 • -2.5db
58% Popularity • 66% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
58% Popularity • 66% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
47% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Spencer Crandall
K[no]w Better
107 bpm • D# min • 02:47 • -3.32db
36% Popularity • 60% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
36% Popularity • 60% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Lily Rose
Villain
107 bpm • C Maj • 02:56 • -7.95db
51% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 63% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Alexandra Kay
Skip This Part
107 bpm • D# Maj • 03:19 • -5.16db
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
46% Popularity • 70% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ryan Griffin
Salt, Lime & Tequila
107 bpm • G# Maj • 02:55 • -6db
48% Popularity • 74% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 74% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
60% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Robyn Ottolini
Tell You Everything
124 bpm • C# Maj • 02:55 • -6.83db
40% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 60% Danceability • 81% Energy • 50% Liveness
0% Instrumentalness • 42% Positiveness
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Alana Springsteen
Me Myself and Why
106 bpm • E Maj • 03:34 • -5.25db
47% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
47% Popularity • 54% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Josh Ross
First Taste of Gone
106 bpm • C Maj • 02:52 • -7db
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 65% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Josh Melton
I Get That With You
106 bpm • A Maj • 03:09 • -7db
40% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 62% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Avery Anna
what made you think?
124 bpm • F Maj • 03:41 • -5.65db
42% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tyler Hubbard
5 Foot 9
106 bpm • F Maj • 03:09 • -6db
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 60% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Sophia Scott
Drink Too Much Wine
125 bpm • F Maj • 03:51 • -3.89db
42% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 56% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
76% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
76% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Tenille Arts
Missing You
126 bpm • G# Maj • 02:57 • -5.8db
34% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 57% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Taylor Edwards
Hard Feelings
105 bpm • G Maj • 03:37 • -5.24db
29% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 63% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Kylie Morgan
Break Things
105 bpm • G# Maj • 02:52 • -5db
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
41% Popularity • 64% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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George Birge
"Beer Beer, Truck Truck"
105 bpm • B Maj • 02:26 • -5.09db
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 62% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Morgan Wallen
Neon Eyes
126 bpm • B min • 03:46 • -5.26db
65% Popularity • 58% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
65% Popularity • 58% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Ashley Cooke
Gettin' Somewhere
126 bpm • E Maj • 03:16 • -6.63db
34% Popularity • 64% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 64% Danceability • 79% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Tenille Arts
Somebody Like That
105 bpm • F# Maj • 03:18 • -5.38db
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
63% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kyle Clark
Hope It's Hot Out
126 bpm • G# Maj • 02:47 • -6db
57% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Kylie Morgan
Shoulda
105 bpm • C# Maj • 02:46 • -1.94db
39% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Chase McDaniel
Project
126 bpm • C# min • 02:59 • -5db
63% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
63% Popularity • 72% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Kelsea Ballerini
hole in the bottle
104 bpm • E Maj • 02:35 • -3.64db
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 48% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Russell Dickerson
She Likes It
127 bpm • E Maj • 02:43 • -12db
60% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
60% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Scotty McCreery
You Time
104 bpm • A Maj • 03:12 • -6db
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
50% Popularity • 55% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Davis
Ruin My Weekend
104 bpm • E Maj • 02:41 • -4.25db
54% Popularity • 66% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
54% Popularity • 66% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Dan + Shay
Glad You Exist
104 bpm • B Maj • 02:24 • -8.04db
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Lauren Weintraub
Makeup Is Expensive
128 bpm • F Maj • 03:18 • -5db
21% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 66% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
