Songs like Just Imagine (Josh Mobley Remix) by Brandon Combs
Based on a tempo of (+/- 10%) and a similar genre
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Frank Ifield
Confessin' (That I Love You)
120 bpm • A Maj • 02:03 • -9.62db
22% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Brandon Combs
Just Imagine (Josh Mobley Remix)
120 bpm • A# Maj • 03:52 • -3.87db
0% Popularity • 63% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 63% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Stephane Huguenin
Quando sei vicino a te
120 bpm • C Maj • 01:51 • -11.31db
43% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 65% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Laurent Lombard
My Heart
120 bpm • F# Maj • 01:48 • -5db
25% Popularity • 64% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 64% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Pierre Terrasse
Special Moment
120 bpm • G# Maj • 03:30 • -6.74db
15% Popularity • 44% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 44% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Daniel Farrant
Don't Give Up On Love
120 bpm • B Maj • 03:25 • -7db
28% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 67% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Ifield
I'm Confessin'
120 bpm • A Maj • 02:05 • -12.79db
30% Popularity • 58% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 58% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The Velvets
Tonight Could Be the Night
120 bpm • E Maj • 02:07 • -6db
33% Popularity • 41% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 41% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Monro
Honey On The Vine
120 bpm • C min • 02:15 • -12.33db
15% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 66% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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CHRISTIAN PADOVAN
If You Want to Be My Lover
120 bpm • C Maj • 01:51 • -10db
32% Popularity • 64% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 64% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Wynona Carr
Should I Ever Love Again?
120 bpm • G Maj • 02:37 • -11db
29% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Chubby Checker
Slow Twistin'
120 bpm • G# Maj • 02:44 • -7db
31% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 80% Danceability • 69% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Lloyd Price
I'm Gonna Get Married
120 bpm • G Maj • 02:20 • -12.75db
38% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 55% Danceability • 39% Energy • 64% Liveness
0% Instrumentalness • 65% Positiveness
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Della Reese
And Now
120 bpm • D# Maj • 02:39 • -8.03db
7% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 40% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Johnnie Allan
I Don't Know Why I Love You but I Do
119 bpm • A# Maj • 02:58 • -10.48db
11% Popularity • 67% Danceability • 48% Energy • 8% Liveness
30% Instrumentalness • 89% Positiveness
11% Popularity • 67% Danceability • 48% Energy • 8% Liveness
30% Instrumentalness • 89% Positiveness
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Paul Ansell
Walking Back to Babys Arms
121 bpm • C Maj • 02:39 • -9.56db
14% Popularity • 59% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 59% Danceability • 57% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Louis Armstrong
Dummy Song
119 bpm • A# Maj • 03:32 • -17.78db
18% Popularity • 52% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 52% Danceability • 37% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Georgia Gibbs
I Will Follow You
119 bpm • G# Maj • 02:24 • -7db
8% Popularity • 60% Danceability • 55% Energy • 84% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 60% Danceability • 55% Energy • 84% Liveness
0% Instrumentalness • 80% Positiveness
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Laurent Lombard
Sweet Darling
121 bpm • D# Maj • 01:52 • -3.35db
22% Popularity • 77% Danceability • 69% Energy • 12% Liveness
93% Instrumentalness • 86% Positiveness
22% Popularity • 77% Danceability • 69% Energy • 12% Liveness
93% Instrumentalness • 86% Positiveness
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Della Reese
And That Reminds Me
120 bpm • D min • 02:30 • -12.23db
25% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 39% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mel Tormé
Happy Together
121 bpm • B min • 02:32 • -8.99db
39% Popularity • 62% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 62% Danceability • 41% Energy • 44% Liveness
0% Instrumentalness • 79% Positiveness
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Dee Clark
Raindrops
121 bpm • G# Maj • 02:52 • -6.63db
18% Popularity • 34% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 34% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Chubby Checker
Twenty Miles
121 bpm • A Maj • 02:11 • -7.37db
17% Popularity • 80% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
17% Popularity • 80% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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The Four Preps
26 Miles (Santa Catalina)
119 bpm • C# Maj • 02:33 • -14.87db
25% Popularity • 65% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 65% Danceability • 30% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Clarence "Frogman" Henry
Your Picture
119 bpm • D# Maj • 02:48 • -0.67db
14% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Robin Luke
Susie Darlin'
121 bpm • A Maj • 02:34 • -8db
27% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 69% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Roy Orbison
Only the Lonely (Know the Way I Feel)
121 bpm • F Maj • 02:30 • -7.1db
28% Popularity • 46% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 75% Positiveness
28% Popularity • 46% Danceability • 53% Energy • 30% Liveness
1% Instrumentalness • 75% Positiveness
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Maurice Williams & The Zodiacs
Come Along
122 bpm • A# Maj • 01:42 • -8.23db
19% Popularity • 54% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 54% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Stéphane Huguenin
I Need Somebody to Love
122 bpm • G min • 02:08 • -8.82db
21% Popularity • 85% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 85% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Frank Fafara
Only in My Dreams
118 bpm • G# Maj • 02:05 • -6.21db
13% Popularity • 42% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 42% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 94% Positiveness
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Elton John
The Heart Of Every Girl
122 bpm • G# Maj • 03:38 • -7db
23% Popularity • 72% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 72% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Paul & Paula
Come Softly to Me
117 bpm • B Maj • 01:54 • -13.26db
35% Popularity • 65% Danceability • 25% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
35% Popularity • 65% Danceability • 25% Energy • 21% Liveness
1% Instrumentalness • 68% Positiveness
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Barei
Get up and Go
123 bpm • D Maj • 03:03 • -12db
8% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 59% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bob Kelly
One Little Kiss Will Do It
123 bpm • G min • 02:31 • -7.84db
10% Popularity • 72% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 67% Positiveness
10% Popularity • 72% Danceability • 36% Energy • 11% Liveness
73% Instrumentalness • 67% Positiveness
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Stéphane Huguenin
Selfish Love
122 bpm • E min • 02:13 • -5.88db
22% Popularity • 80% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 80% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Brandon Combs
Sweet Dreaming of You
123 bpm • G Maj • 02:31 • -7.88db
17% Popularity • 59% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 59% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Frank Ifield
Say It Isn't So
117 bpm • A Maj • 02:42 • -9.4db
7% Popularity • 55% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 55% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Blackwells
You Took Advantage of Me
117 bpm • F Maj • 02:03 • -5.66db
18% Popularity • 52% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 52% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Michel Gaucher
Twist And Love
117 bpm • C Maj • 02:18 • -11.27db
13% Popularity • 70% Danceability • 36% Energy • 12% Liveness
30% Instrumentalness • 71% Positiveness
13% Popularity • 70% Danceability • 36% Energy • 12% Liveness
30% Instrumentalness • 71% Positiveness
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The Five Keys
Close Your Eyes
117 bpm • F Maj • 02:19 • -11.55db
12% Popularity • 36% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 36% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Rod Lauren
If I Had a Girl
124 bpm • D Maj • 02:09 • -9.48db
16% Popularity • 38% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 38% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Teddy Randazzo
The Way of a Clown (Alternate Take)
116 bpm • G# Maj • 02:38 • -6.38db
19% Popularity • 50% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 50% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Betty Everett
It's in the Kiss (The Shoop Shoop Song)
124 bpm • B min • 02:09 • -8.08db
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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FitnessGlo
The Way You Make Me Feel
124 bpm • F Maj • 02:21 • -3db
20% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 68% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Peggy March
I Will Follow Him
124 bpm • A# Maj • 03:08 • -4.64db
24% Popularity • 73% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 73% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Bruce Channel
Baby, It's You
116 bpm • G Maj • 02:16 • -7.36db
17% Popularity • 70% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 70% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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CHRISTIAN PADOVAN
Kiss Me My Darling
116 bpm • F# Maj • 02:05 • -5.37db
26% Popularity • 78% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 78% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 98% Positiveness
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Clarence "Frogman" Henry
I Don't Know Why I Love You
116 bpm • A# Maj • 02:18 • -7.83db
14% Popularity • 60% Danceability • 61% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 60% Danceability • 61% Energy • 86% Liveness
0% Instrumentalness • 78% Positiveness
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Barbara George
I Know (You Don't Love Me No More)
124 bpm • F Maj • 02:25 • -10.15db
31% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 86% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Greg Twombley Quartet
On the Sunny Side of the Street
116 bpm • C Maj • 04:50 • -10.67db
0% Popularity • 64% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 64% Danceability • 39% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Anders Lewén
Colours out of Grey
116 bpm • D Maj • 02:36 • -8.46db
14% Popularity • 74% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 74% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 89% Positiveness
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The Corsairs
Smoky Places
124 bpm • D# Maj • 03:03 • -14.18db
16% Popularity • 64% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 64% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Max Bygraves
Meet Me on the Corner
124 bpm • A min • 02:28 • -10.2db
19% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 70% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Gerry & The Pacemakers
I'll Be There
116 bpm • G Maj • 03:11 • -8.49db
26% Popularity • 55% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Jule Garrish
Before I Met You
115 bpm • D Maj • 02:12 • -8.98db
4% Popularity • 44% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 44% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Marion Ryan
Love Me Forever
116 bpm • G Maj • 02:55 • -9.03db
37% Popularity • 48% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 48% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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Dodie Stevens
Too Young
115 bpm • F Maj • 02:02 • -10.1db
18% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Jay Glover
Baby I Want You (vox)
125 bpm • F Maj • 02:50 • -5.76db
20% Popularity • 79% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
20% Popularity • 79% Danceability • 62% Energy • 3% Liveness
0% Instrumentalness • 98% Positiveness
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Gene McDaniels
It's a Lonely Town
115 bpm • C# Maj • 02:40 • -10.81db
14% Popularity • 69% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 69% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Andy Powell
Couldn't Care Less
125 bpm • C Maj • 02:51 • -7.45db
10% Popularity • 70% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 70% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Laurent Lombard
Come On Ladies
125 bpm • F Maj • 01:16 • -4.93db
25% Popularity • 64% Danceability • 70% Energy • 8% Liveness
85% Instrumentalness • 84% Positiveness
25% Popularity • 64% Danceability • 70% Energy • 8% Liveness
85% Instrumentalness • 84% Positiveness
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Deana Martin
Sway
125 bpm • A min • 03:10 • -7.41db
20% Popularity • 73% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 73% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Brandon Combs
Tears
115 bpm • D Maj • 02:27 • -6.37db
10% Popularity • 70% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 70% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Alana Da Fonseca
He’s A Rebel
115 bpm • C# Maj • 02:53 • -6.24db
28% Popularity • 82% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 82% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Daniel Farrant
Bright Shiny Day
115 bpm • C Maj • 03:07 • -6.25db
9% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Terry Stafford
I'll Touch a Star
126 bpm • D# Maj • 02:25 • -11db
22% Popularity • 67% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
22% Popularity • 67% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 86% Positiveness
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Edd Henry
Your Replacement Is Here
126 bpm • F min • 02:51 • -4.24db
20% Popularity • 56% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 56% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Earl Grant
Stand by Me
126 bpm • A# Maj • 03:07 • -12.66db
13% Popularity • 71% Danceability • 28% Energy • 7% Liveness
73% Instrumentalness • 89% Positiveness
13% Popularity • 71% Danceability • 28% Energy • 7% Liveness
73% Instrumentalness • 89% Positiveness
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Esther Phillips
Release Me
114 bpm • C# Maj • 03:19 • -12.46db
49% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
49% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
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Annette Funicello
Aloha Oe
126 bpm • C Maj • 01:26 • -10.65db
8% Popularity • 35% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 35% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Carl Dobkins, Jr.
My Heart Is an Open Book
126 bpm • E Maj • 02:10 • -13db
26% Popularity • 86% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 86% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Johnny Mathis
The Twelfth Of Never
126 bpm • E Maj • 03:12 • -19.24db
8% Popularity • 33% Danceability • 29% Energy • 96% Liveness
1% Instrumentalness • 19% Positiveness
8% Popularity • 33% Danceability • 29% Energy • 96% Liveness
1% Instrumentalness • 19% Positiveness
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Petula Clark
With All My Heart
126 bpm • G Maj • 02:41 • -13.85db
18% Popularity • 40% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 40% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 57% Positiveness
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CHRISTIAN PADOVAN
Come Back In My Life
114 bpm • A Maj • 02:26 • -9.17db
31% Popularity • 47% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 47% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Raul Malo
It Only Hurts Me When I Cry
114 bpm • C# Maj • 02:46 • -7.9db
33% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 69% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Armando Sciascia Orchestra
Sexy World - O.S.T. from the Film Sexy
114 bpm • G Maj • 02:56 • -10.45db
20% Popularity • 50% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 50% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Lloyd Price
Just Because
114 bpm • D# Maj • 02:46 • -9.29db
32% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Hal David
Slippin' & Slidin'
127 bpm • A# Maj • 02:11 • -9db
7% Popularity • 62% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 62% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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The Impalas
Sorry - I Ran All the Way Home
127 bpm • D# Maj • 02:30 • -11.21db
9% Popularity • 49% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
9% Popularity • 49% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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CHRISTIAN PADOVAN
The Other Day
114 bpm • A Maj • 02:37 • -9.63db
21% Popularity • 64% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 64% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Johnny Nash
Don't Take Away Your Love
114 bpm • G Maj • 02:49 • -9.65db
8% Popularity • 53% Danceability • 51% Energy • 20% Liveness
1% Instrumentalness • 64% Positiveness
8% Popularity • 53% Danceability • 51% Energy • 20% Liveness
1% Instrumentalness • 64% Positiveness
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Four Tops
I Can't Help Myself (Sugar Pie, Honey Bu...
127 bpm • C Maj • 03:19 • -9.55db
8% Popularity • 72% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 72% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Joni James
Little Things Mean a Lot
113 bpm • B Maj • 02:32 • -7.47db
29% Popularity • 28% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 28% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Hal David
The Way to Your Heart
127 bpm • C Maj • 03:03 • -11db
21% Popularity • 49% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
21% Popularity • 49% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Clarence "Frogman" Henry
Just My Baby and Me
113 bpm • A# Maj • 02:39 • 1.59db
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 68% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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CHRISTIAN PADOVAN
How Could I Tell You
127 bpm • C Maj • 03:06 • -8db
30% Popularity • 61% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 61% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Shirley Bassey
Kiss Me Honey Honey (Kiss Me)
127 bpm • G Maj • 01:58 • -6.26db
13% Popularity • 59% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 59% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Noel McKoy
Brighter Day
128 bpm • A Maj • 03:41 • -6.3db
17% Popularity • 48% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 48% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Roy Orbison
Oh, Pretty Woman
128 bpm • A Maj • 03:07 • -6.71db
31% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 59% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Montez
Hey Baby
128 bpm • F Maj • 02:33 • -8.66db
14% Popularity • 83% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 83% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Petula Clark
Chariot (I Will Follow Him)
113 bpm • G# Maj • 02:31 • -6.69db
7% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
7% Popularity • 55% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Chubby Checker
"Love Is Strange" Calypso
128 bpm • C Maj • 02:48 • -4.32db
15% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
15% Popularity • 74% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Phil Phillips
Sea of Love (Alternate Take)
128 bpm • G Maj • 02:23 • -10db
20% Popularity • 46% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 46% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Eydie Gormé
Pretty Blue Eyes
128 bpm • F Maj • 01:47 • -17.33db
41% Popularity • 51% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 51% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 90% Positiveness
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Stéphane Huguenin
I Can't Stop Loving You
128 bpm • F# min • 03:45 • -7db
11% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 79% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Steve Lawrence
Pretty Blue Eyes
128 bpm • F Maj • 01:52 • -13.89db
21% Popularity • 52% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 52% Danceability • 42% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
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Brandon Combs
Sweet Sweet Dreamin of You (SGX Remix)
128 bpm • F Maj • 03:45 • -3.12db
0% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 49% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Pierre Terrasse
So Lonely
112 bpm • A Maj • 03:03 • -7.4db
8% Popularity • 40% Danceability • 37% Energy • 8% Liveness
12% Instrumentalness • 26% Positiveness
8% Popularity • 40% Danceability • 37% Energy • 8% Liveness
12% Instrumentalness • 26% Positiveness
