Songs like Just In Time by Peggy Lee
Based on a tempo of (+/- 10%) and a similar genre
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Renee Olstead
Taking a Chance on Love
111 bpm • G# Maj • 03:30 • -10db
47% Popularity • 66% Danceability • 31% Energy • 36% Liveness
1% Instrumentalness • 24% Positiveness
47% Popularity • 66% Danceability • 31% Energy • 36% Liveness
1% Instrumentalness • 24% Positiveness
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Nancy Wilson
Oh! Look At Me Now
111 bpm • F min • 02:22 • -15.42db
40% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 70% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Peggy Lee
Just In Time
111 bpm • A min • 02:52 • -12.01db
19% Popularity • 70% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 70% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Tyrell
Come Rain or Come Shine
111 bpm • G min • 04:42 • -14.25db
28% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 50% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sidney Bechet
All Of Me
111 bpm • A min • 04:08 • -9db
42% Popularity • 53% Danceability • 43% Energy • 24% Liveness
90% Instrumentalness • 64% Positiveness
42% Popularity • 53% Danceability • 43% Energy • 24% Liveness
90% Instrumentalness • 64% Positiveness
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Fats Waller
When Somebody Thinks You're Wonderful - ...
111 bpm • A# Maj • 03:37 • -12db
33% Popularity • 70% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
33% Popularity • 70% Danceability • 25% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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Madeleine Peyroux
(Getting Some) Fun out of Life
111 bpm • E min • 03:12 • -9.62db
58% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 73% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Benny Goodman
I See A Million People
111 bpm • G min • 02:41 • -12.56db
11% Popularity • 68% Danceability • 13% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
11% Popularity • 68% Danceability • 13% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Peggy Lee
On The Street Where You Live - Remastere...
112 bpm • C Maj • 02:13 • -13.22db
18% Popularity • 68% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 68% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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NYC Jazz Quartett
As Time Goes By
112 bpm • F# Maj • 03:37 • -9db
44% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Mildred Bailey
Please Be Kind
110 bpm • F# Maj • 02:33 • -7.86db
23% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
23% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
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John Pizzarelli
You Make Me Feel So Young
112 bpm • G Maj • 03:59 • -19.51db
9% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Nina Simone
The Look of Love
112 bpm • G min • 02:22 • -13.44db
53% Popularity • 63% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 63% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Tyrell
On the Sunny Side of the Street
110 bpm • C Maj • 02:53 • -8.86db
40% Popularity • 69% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 69% Danceability • 38% Energy • 29% Liveness
0% Instrumentalness • 47% Positiveness
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Sidney Bechet
Stormy Weather
112 bpm • G# Maj • 02:39 • -11db
31% Popularity • 68% Danceability • 35% Energy • 7% Liveness
68% Instrumentalness • 94% Positiveness
31% Popularity • 68% Danceability • 35% Energy • 7% Liveness
68% Instrumentalness • 94% Positiveness
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Peggy Lee
The Man I Love
112 bpm • A# min • 03:45 • -13.53db
21% Popularity • 26% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 26% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Mildred Bailey
Give Me Liberty or Give Me Love
110 bpm • A# Maj • 03:00 • -11.28db
21% Popularity • 67% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 67% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Durante
Try a Little Tenderness
110 bpm • C# Maj • 02:52 • -14.79db
25% Popularity • 38% Danceability • 24% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 38% Danceability • 24% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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Fats Waller
My Very Good Friend the Milkman - Remast...
110 bpm • F Maj • 03:30 • -13.78db
27% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
27% Popularity • 70% Danceability • 29% Energy • 18% Liveness
57% Instrumentalness • 55% Positiveness
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Lorez Alexandria
Talk About Cozy
113 bpm • F Maj • 02:01 • -9db
37% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 63% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dorothy Dandridge
The Touch Of Your Lips
109 bpm • G Maj • 03:01 • -15.56db
29% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
29% Popularity • 64% Danceability • 25% Energy • 5% Liveness
4% Instrumentalness • 38% Positiveness
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The Ink Spots
I'm Beginning To See The Light
113 bpm • F Maj • 02:42 • -12db
52% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
52% Popularity • 79% Danceability • 16% Energy • 44% Liveness
0% Instrumentalness • 46% Positiveness
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Abbey Lincoln
Softly, As In A Morning Sunrise - Remast...
109 bpm • F# min • 02:42 • -18.96db
23% Popularity • 47% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
23% Popularity • 47% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Mose Allison
I Hadn't Anyone Till You
109 bpm • F min • 02:30 • -17.15db
41% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
41% Popularity • 62% Danceability • 11% Energy • 10% Liveness
21% Instrumentalness • 61% Positiveness
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June Christy
How High The Moon - Remastered
113 bpm • F min • 02:33 • -8db
36% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 55% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Peggy Lee
Unforgettable
109 bpm • C min • 02:28 • -15.83db
7% Popularity • 26% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 26% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
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Mildred Bailey
You Leave Me Breathless
109 bpm • D Maj • 02:50 • -14.62db
22% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 68% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 27% Positiveness
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Buddy Greco
This Could Be the Start of Something
113 bpm • G# Maj • 02:40 • -10.54db
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 68% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Peter Cincotti
Ain't Misbehavin'
113 bpm • D min • 03:43 • -10.35db
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Lionel Hampton
On the Sunny Side of the Street
109 bpm • C Maj • 03:16 • -9db
27% Popularity • 71% Danceability • 33% Energy • 8% Liveness
58% Instrumentalness • 59% Positiveness
27% Popularity • 71% Danceability • 33% Energy • 8% Liveness
58% Instrumentalness • 59% Positiveness
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Jane Monheit
Tonight You Belong To Me
113 bpm • G Maj • 02:26 • -14.93db
31% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 69% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Lou Rawls
Scotch & Soda
109 bpm • G min • 02:58 • -9db
38% Popularity • 66% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 66% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
28% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
28% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Dean Martin
You Was
109 bpm • F# Maj • 02:49 • -15.74db
23% Popularity • 64% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 64% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Fats Waller
It's A Sin To Tell A Lie
114 bpm • C Maj • 02:53 • -15.57db
29% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
29% Popularity • 82% Danceability • 30% Energy • 26% Liveness
15% Instrumentalness • 79% Positiveness
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Artie Shaw
Where Or When
108 bpm • D min • 03:17 • -8.57db
35% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
35% Popularity • 49% Danceability • 27% Energy • 25% Liveness
1% Instrumentalness • 33% Positiveness
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Eliane Elias
Save Your Love For Me
114 bpm • G# Maj • 04:00 • -14db
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
48% Popularity • 51% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Catherine Russell
You Turned The Tables On Me
114 bpm • A min • 03:40 • -10db
54% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Morgana King
The Look of Love
108 bpm • D min • 02:48 • -14.53db
22% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Carroll Gibbons
These Foolish Things
108 bpm • D Maj • 03:08 • -22.85db
45% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
45% Popularity • 61% Danceability • 9% Energy • 11% Liveness
80% Instrumentalness • 59% Positiveness
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Glenn Miller Orchestra
Blue Moon
114 bpm • C# Maj • 02:54 • -11.88db
24% Popularity • 48% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 48% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Tyrell
Isn't It Romantic?
114 bpm • D Maj • 03:32 • -9.94db
28% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Mildred Bailey
Blues In My Heart
114 bpm • C# Maj • 03:09 • -11db
24% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Irene Kral
Comes Love
114 bpm • C Maj • 02:33 • -12db
43% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
43% Popularity • 56% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Morgana King
Walk on By
108 bpm • D# Maj • 02:36 • -13.11db
16% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 68% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Dorothy Dandridge
When Your Lover Has Gone
115 bpm • B min • 03:02 • -18.04db
18% Popularity • 49% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 49% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Johnny Hodges & His Orchestra
Ruint
108 bpm • F# Maj • 02:34 • -15.94db
26% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 62% Danceability • 12% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Benny Goodman Trio
But Not For Me
115 bpm • F min • 02:25 • -14db
39% Popularity • 73% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 56% Positiveness
39% Popularity • 73% Danceability • 24% Energy • 12% Liveness
8% Instrumentalness • 56% Positiveness
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Johnny Mathis
Over the Rainbow
115 bpm • D# Maj • 04:52 • -12.55db
45% Popularity • 24% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 24% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Irene Kral
It Isn't So Good
108 bpm • G# Maj • 02:30 • -6.92db
21% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 64% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 55% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
22% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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James P. Johnson
If I Could Be With You
106 bpm • C# Maj • 02:46 • -19db
44% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
44% Popularity • 80% Danceability • 13% Energy • 19% Liveness
79% Instrumentalness • 63% Positiveness
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Peggy Lee
I Don't Know Enough About You
106 bpm • F min • 02:56 • -12.42db
21% Popularity • 66% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 66% Danceability • 24% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Rosemary Clooney
You Make Me Feel so Young
116 bpm • F Maj • 02:52 • -9.3db
43% Popularity • 64% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 64% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Dorothy Dandridge
Body & Soul
116 bpm • D Maj • 03:40 • -15.74db
16% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 52% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Irene Kral
When I Look In Your Eyes
106 bpm • D min • 03:38 • -23.47db
33% Popularity • 47% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
33% Popularity • 47% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 18% Positiveness
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Renee Olstead
On a Slow Boat to China
116 bpm • F min • 03:15 • -11db
28% Popularity • 80% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 80% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Ella Fitzgerald and Her Famous Orchestra
When My Sugar Walks Down The Street
116 bpm • G min • 02:43 • -9.81db
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 82% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Carmen McRae
Blue Moon
116 bpm • C Maj • 02:33 • -10.52db
39% Popularity • 66% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 66% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Rosemary Clooney
Get Me To The Church On Time - Remastere...
106 bpm • D Maj • 02:11 • -10.51db
31% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 65% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
19% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Artie Shaw
Moonglow
106 bpm • A# Maj • 03:33 • -18.84db
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
49% Popularity • 53% Danceability • 11% Energy • 28% Liveness
44% Instrumentalness • 39% Positiveness
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Johnny Hodges
Back Beat
117 bpm • F# Maj • 07:27 • -17.45db
43% Popularity • 85% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
43% Popularity • 85% Danceability • 20% Energy • 20% Liveness
1% Instrumentalness • 44% Positiveness
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Mildred Bailey
It's A Woman's Perogative
117 bpm • C Maj • 03:02 • -10.51db
17% Popularity • 67% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 67% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Peggy Lee
Ridin' High
117 bpm • F min • 02:10 • -5.93db
43% Popularity • 73% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
43% Popularity • 73% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Ben Webster
Time After Time
105 bpm • A# min • 04:34 • -16.9db
42% Popularity • 55% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
42% Popularity • 55% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 41% Positiveness
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Lester Young
Love Me Or Leave Me
105 bpm • C min • 06:50 • -13.06db
35% Popularity • 54% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 54% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Barbara Lea
I'm Coming Virginia
117 bpm • D# Maj • 03:22 • -12.03db
14% Popularity • 69% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 69% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Catherine Russell
Alone Together
117 bpm • G Maj • 04:10 • -10db
41% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Mel Tormé
Don't Get Around Much Anymore
117 bpm • E min • 02:30 • -13.34db
32% Popularity • 55% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 55% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Peggy Lee
Whee Baby
117 bpm • C Maj • 02:27 • -14.29db
15% Popularity • 66% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 66% Danceability • 14% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Rudy Vallee and His Connecticut Yankees
P.s. - I Love You
105 bpm • G min • 03:30 • -24.49db
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
36% Popularity • 42% Danceability • 6% Energy • 14% Liveness
3% Instrumentalness • 33% Positiveness
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Morgana King
You Don't Know What Love Is
117 bpm • F# Maj • 03:09 • -6.49db
8% Popularity • 45% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
8% Popularity • 45% Danceability • 26% Energy • 16% Liveness
1% Instrumentalness • 39% Positiveness
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Lorez Alexandria
But Beautiful
105 bpm • C Maj • 04:15 • -17db
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 51% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Lee Wiley
Manhattan
105 bpm • C# Maj • 03:25 • -14db
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 54% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Jeri Southern
Let's Fly Away
117 bpm • D Maj • 02:31 • -8.46db
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 57% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Jimmy Durante
Once to Every Heart
105 bpm • F# Maj • 02:55 • -11.31db
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Rod Stewart
Night And Day
118 bpm • G Maj • 03:08 • -8.01db
44% Popularity • 51% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 51% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Morgana King
Down In The Depths
105 bpm • G Maj • 03:10 • -15db
26% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 36% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Buddy Greco
Gee, Baby, Ain't I Good To You
105 bpm • D# Maj • 03:20 • -13.52db
26% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
26% Popularity • 62% Danceability • 24% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Perry Como
Catch a Falling Star
118 bpm • C# Maj • 02:29 • -17.7db
47% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 70% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jeri Southern
No Moon At All
117 bpm • E min • 02:35 • -17.43db
38% Popularity • 58% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 58% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Fats Waller
I'm Crazy 'Bout My Baby
118 bpm • D# Maj • 02:16 • -15.93db
26% Popularity • 80% Danceability • 35% Energy • 31% Liveness
64% Instrumentalness • 84% Positiveness
26% Popularity • 80% Danceability • 35% Energy • 31% Liveness
64% Instrumentalness • 84% Positiveness
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Nina Simone
My Baby Just Cares for Me (2013 - Remast...
119 bpm • E min • 03:35 • -15.13db
70% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
70% Popularity • 75% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lorez Alexandria
The Best Is Yet To Come
118 bpm • F Maj • 02:44 • -15db
37% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 77% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Chick Webb
You'll have to swing it
119 bpm • A# Maj • 02:55 • -7.04db
16% Popularity • 70% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 70% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Benny Goodman
How Deep Is the Ocean?
103 bpm • G min • 03:03 • -14.09db
15% Popularity • 64% Danceability • 14% Energy • 9% Liveness
6% Instrumentalness • 25% Positiveness
15% Popularity • 64% Danceability • 14% Energy • 9% Liveness
6% Instrumentalness • 25% Positiveness
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Joe Williams
Every Day I Have the Blues (Every Day I ...
119 bpm • F min • 04:43 • -9.03db
17% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 67% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Jane Monheit
A Time For Love
119 bpm • C# min • 04:59 • -12db
44% Popularity • 25% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 25% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Carmen McRae
I Only Have Eyes For You
119 bpm • F Maj • 03:48 • -19db
35% Popularity • 67% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 67% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Toots Thielemans
Cocktails for Two
103 bpm • C Maj • 02:13 • -13db
21% Popularity • 60% Danceability • 28% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
21% Popularity • 60% Danceability • 28% Energy • 23% Liveness
90% Instrumentalness • 54% Positiveness
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Mose Allison
Don't Get Around Much Anymore
119 bpm • G Maj • 02:46 • -13.89db
37% Popularity • 74% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
37% Popularity • 74% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 62% Positiveness
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Ray Charles
Come Rain or Come Shine
120 bpm • D# Maj • 03:42 • -12.83db
54% Popularity • 36% Danceability • 22% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 36% Danceability • 22% Energy • 53% Liveness
0% Instrumentalness • 28% Positiveness
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Morgana King
It's Only A Paper Moon
103 bpm • D# Maj • 02:42 • -12db
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Catherine Russell
As Long As I Live
120 bpm • G# Maj • 03:33 • -11.63db
40% Popularity • 82% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
40% Popularity • 82% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Mel Torme & the Mel-Tones
You're a Heavenly Thing
120 bpm • F Maj • 02:35 • -17db
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 77% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness