Songs like Just Let It Go by Aaron and Andrew
Based on a tempo of (+/- 10%) and a similar genre
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Bootstraps
Road Noise
132 bpm • E Maj • 01:35 • -9.47db
15% Popularity • 18% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 22% Positiveness
15% Popularity • 18% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 22% Positiveness
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Aaron and Andrew
Just Let It Go
132 bpm • C Maj • 03:55 • -7.19db
0% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
0% Popularity • 51% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Amy Stroup
Hold onto Hope Love
131 bpm • C# Maj • 04:57 • -10db
26% Popularity • 48% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
26% Popularity • 48% Danceability • 45% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Jules Larson
Let's Stay Young
131 bpm • D Maj • 03:21 • -6.03db
11% Popularity • 55% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 55% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The August Empire
There's a Rumor
131 bpm • G Maj • 03:47 • -10.26db
20% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 52% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Scars On 45
Fading Bright Eyes Dark
133 bpm • C Maj • 05:15 • -9.5db
15% Popularity • 38% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 38% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Kari Kimmel
Nothing Left to Lose
134 bpm • D Maj • 03:38 • -15.68db
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Andy Shauf
You Remind Me
133 bpm • G Maj • 03:24 • -12.74db
20% Popularity • 60% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 60% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Brighten
Forever in Love
134 bpm • D Maj • 05:15 • -12.37db
12% Popularity • 57% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 57% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Lindsey Ray
Picture Perfect
134 bpm • A Maj • 02:34 • -7.26db
10% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 53% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The Rocketboys
On the Other Side
130 bpm • G Maj • 03:06 • -9.59db
16% Popularity • 35% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
16% Popularity • 35% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Bootstraps
I Wanna Dance With Somebody
134 bpm • C Maj • 04:39 • -10.45db
34% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
34% Popularity • 29% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jill Andrews
Rust or Gold
134 bpm • C# Maj • 04:33 • -13.82db
26% Popularity • 46% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 46% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Andrew Belle
All Those Pretty Lights (Alternate Unive...
134 bpm • F Maj • 05:52 • -9.27db
20% Popularity • 66% Danceability • 71% Energy • 20% Liveness
75% Instrumentalness • 48% Positiveness
20% Popularity • 66% Danceability • 71% Energy • 20% Liveness
75% Instrumentalness • 48% Positiveness
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Duncan Sheik
Half-Life - Radio Edit
134 bpm • F Maj • 03:31 • -6.62db
11% Popularity • 50% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 50% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Aaron and Andrew
A Love Song
134 bpm • D# Maj • 03:35 • -8.22db
0% Popularity • 68% Danceability • 80% Energy • 5% Liveness
56% Instrumentalness • 64% Positiveness
0% Popularity • 68% Danceability • 80% Energy • 5% Liveness
56% Instrumentalness • 64% Positiveness
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Patrick James
Brighter Lights
130 bpm • C Maj • 03:35 • -12.17db
10% Popularity • 57% Danceability • 28% Energy • 8% Liveness
78% Instrumentalness • 7% Positiveness
10% Popularity • 57% Danceability • 28% Energy • 8% Liveness
78% Instrumentalness • 7% Positiveness
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Dave Thomas Junior
Run Forever
134 bpm • D# Maj • 04:41 • -7.38db
10% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 57% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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A Great Big World
Oasis
134 bpm • F Maj • 03:23 • -5db
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Logen
St. Christopher (On My Way)
130 bpm • G Maj • 03:16 • -8db
29% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jason Reeves
Photographs & Memories (acoustic)
130 bpm • G Maj • 05:15 • -13.93db
19% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Aaron and Andrew
Hand To Hold
130 bpm • B Maj • 03:50 • -7.12db
1% Popularity • 52% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
1% Popularity • 52% Danceability • 65% Energy • 12% Liveness
2% Instrumentalness • 10% Positiveness
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Tim Halperin
All You Got
130 bpm • G Maj • 03:27 • -5.38db
9% Popularity • 37% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 37% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Erin McCarley
Re-Arrange Again
130 bpm • A Maj • 04:04 • -7db
18% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 55% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Teddy Geiger
Ordinary Man
134 bpm • D Maj • 04:21 • -8.21db
9% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Madison Gold
Dream I Hold To
129 bpm • A# Maj • 03:45 • -12db
8% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 51% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Bootstraps
Wild Moan
135 bpm • G# Maj • 03:28 • -7.17db
12% Popularity • 48% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
12% Popularity • 48% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Aaron and Andrew
All Over Again
130 bpm • D Maj • 04:20 • -4.63db
0% Popularity • 47% Danceability • 85% Energy • 38% Liveness
1% Instrumentalness • 45% Positiveness
0% Popularity • 47% Danceability • 85% Energy • 38% Liveness
1% Instrumentalness • 45% Positiveness
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Tim Halperin
The Last Song
130 bpm • A# Maj • 04:17 • -6.06db
10% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Cam Nacson
Maybe, Maybe.
135 bpm • E Maj • 03:47 • -9db
21% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 31% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Joshua Hyslop
Nowhere Left To Go
135 bpm • D Maj • 03:38 • -13.27db
20% Popularity • 69% Danceability • 34% Energy • 29% Liveness
2% Instrumentalness • 27% Positiveness
20% Popularity • 69% Danceability • 34% Energy • 29% Liveness
2% Instrumentalness • 27% Positiveness
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The Rescues
Break Me out 2.0
135 bpm • C# Maj • 03:53 • -5.27db
10% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 58% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Nathan Angelo
Follow Your Heart
135 bpm • E Maj • 03:55 • -9db
13% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 43% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Aaron and Andrew
You're All I Have Left
135 bpm • A Maj • 04:06 • -7.15db
0% Popularity • 52% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 52% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Us The Duo
Heartbreak
136 bpm • E Maj • 04:56 • -15db
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 56% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Bootstraps
OH CA
136 bpm • A Maj • 04:10 • -4.92db
15% Popularity • 36% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 36% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Kyler England
Battle Cry
136 bpm • C# Maj • 03:57 • -7.54db
19% Popularity • 58% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
19% Popularity • 58% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Elenowen
Honey Come Home
136 bpm • B Maj • 04:06 • -8.95db
18% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 48% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Tim Halperin
I Wanna Fall in Love
136 bpm • G Maj • 03:35 • -5.3db
19% Popularity • 53% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 53% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
26% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Joy Williams
We Are
136 bpm • G# Maj • 03:34 • -3.69db
15% Popularity • 56% Danceability • 85% Energy • 4% Liveness
5% Instrumentalness • 52% Positiveness
15% Popularity • 56% Danceability • 85% Energy • 4% Liveness
5% Instrumentalness • 52% Positiveness
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Jamie Scott
My Hurricane
136 bpm • C Maj • 04:12 • -6.29db
17% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Aaron and Andrew
Just Keep Running
128 bpm • B Maj • 03:51 • -5.41db
0% Popularity • 53% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 53% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Stars of Track and Field
End Of All Time
136 bpm • C Maj • 03:35 • -7db
34% Popularity • 43% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 43% Danceability • 67% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Chris Sligh
Willow Tree
128 bpm • D Maj • 04:33 • -6.49db
8% Popularity • 54% Danceability • 80% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
8% Popularity • 54% Danceability • 80% Energy • 9% Liveness
13% Instrumentalness • 11% Positiveness
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Aaron Krause
All My Heart
128 bpm • D Maj • 04:12 • -7.23db
13% Popularity • 58% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 58% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Jon Bryant
Once in a While
136 bpm • A Maj • 03:19 • -14.17db
8% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 45% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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MY RED + BLUE
Feel Like Falling
128 bpm • B Maj • 03:51 • -6.02db
9% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 52% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Fauntella Crow
Lost Here
128 bpm • C Maj • 04:49 • -11.9db
17% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 30% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Aaron and Andrew
Don't Give up on Me
137 bpm • A Maj • 04:15 • -9.35db
0% Popularity • 44% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 44% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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The Rival
Run Run
137 bpm • F# min • 04:10 • -4.95db
17% Popularity • 45% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 45% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Alpha Rev
When You Gonna Run
137 bpm • C Maj • 04:20 • -9.19db
10% Popularity • 52% Danceability • 62% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
10% Popularity • 52% Danceability • 62% Energy • 9% Liveness
78% Instrumentalness • 7% Positiveness
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Andrew Belle
Replace Me
137 bpm • G# Maj • 04:18 • -6.52db
25% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Dean Fields
Next in Line
137 bpm • A Maj • 02:53 • -14.37db
9% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Scars On 45
Insecurity
127 bpm • C min • 05:16 • -8.63db
9% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Aaron and Andrew
Calling Me Home
127 bpm • G Maj • 03:42 • -10.22db
0% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 70% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Playjerise
Settle With Me
127 bpm • D# Maj • 02:33 • -8.75db
10% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 64% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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A Great Big World
When the Morning Comes
127 bpm • B Maj • 03:45 • -7.82db
20% Popularity • 62% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 62% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Evan Roman
Washington
138 bpm • A# Maj • 03:06 • -8.59db
17% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 67% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Benton Paul
Don't Go
138 bpm • G Maj • 03:14 • -14db
9% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
9% Popularity • 43% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Gabrielle Aplin
Mountains
138 bpm • F# Maj • 02:33 • -10.42db
24% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 37% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Aaron and Andrew
I Found You
127 bpm • F# Maj • 04:16 • -7.22db
5% Popularity • 54% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 54% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Dinner and a Suit
It's Not Over
138 bpm • C Maj • 03:55 • -7.96db
9% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Jason Walker
Midnight Starlight
138 bpm • G# Maj • 04:14 • -6.35db
23% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Zach Berkman
Try
138 bpm • A Maj • 03:28 • -8.59db
18% Popularity • 44% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 44% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Joy Williams
If You Wanna Go
138 bpm • C# Maj • 03:58 • -8.1db
23% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 50% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Us The Duo
Don't Lay Your Head
138 bpm • A Maj • 03:23 • -5.85db
19% Popularity • 60% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 60% Danceability • 76% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Aaron and Andrew
Heart
138 bpm • E Maj • 03:39 • -7.19db
0% Popularity • 48% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 48% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Mariah McManus
Unarmed
138 bpm • C Maj • 04:30 • -18.24db
21% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 35% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Nicole Serrano
What I Really Wanna Say
138 bpm • G# Maj • 03:40 • -10db
20% Popularity • 56% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
20% Popularity • 56% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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French Wives
Younger
126 bpm • C Maj • 05:25 • -3.77db
20% Popularity • 46% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 46% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Tegan and Sara
Don't Find Another Love
126 bpm • G# Maj • 03:17 • -7.28db
30% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 66% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Lewis Watson
hello hello
126 bpm • D# Maj • 04:10 • -10.72db
22% Popularity • 40% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 40% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Jess Penner
The Lucky One
126 bpm • C Maj • 04:06 • -9.69db
9% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Mariah McManus
Say It Again
126 bpm • G# Maj • 03:49 • -7.04db
10% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 64% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Nathan Roberts
Forever With You
126 bpm • F# Maj • 02:55 • -10.56db
18% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Aaron and Andrew
Collapse
126 bpm • C Maj • 03:15 • -10.89db
0% Popularity • 50% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 50% Danceability • 70% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Gabe Dixon
One Thing
125 bpm • G Maj • 04:02 • -10.14db
11% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 49% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Emily Hearn
Long Summer
139 bpm • A Maj • 03:21 • -9.08db
8% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Echosmith
Come with Me
125 bpm • C Maj • 04:12 • -6.16db
28% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 62% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Keen
Focus
125 bpm • F Maj • 04:28 • -12.16db
12% Popularity • 65% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 65% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Cider Sky
Where to Now
140 bpm • C# Maj • 03:12 • -9db
18% Popularity • 43% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 43% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Aaron and Andrew
Oh the Things We Can Do
125 bpm • G Maj • 02:32 • -6.9db
0% Popularity • 49% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 49% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Us The Duo
I Will Wait For You
125 bpm • C Maj • 03:44 • -11.79db
35% Popularity • 57% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 57% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Jason Reeves
Back With Me
140 bpm • D# Maj • 03:20 • -16.51db
22% Popularity • 43% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 43% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Andrew Ripp
Just Enough
140 bpm • F Maj • 03:11 • -10.47db
15% Popularity • 48% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
15% Popularity • 48% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Tyson Motsenbocker
Fallen
140 bpm • G Maj • 03:33 • -4.51db
10% Popularity • 38% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 38% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Blake Stratton
I'm Gonna Be (500 Miles)
140 bpm • A# Maj • 04:54 • -12.93db
12% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
12% Popularity • 46% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Sinclair
This Too Shall Pass
140 bpm • E Maj • 03:49 • -9db
25% Popularity • 69% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 69% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Evan McHugh
Serenade the Moon
140 bpm • D Maj • 03:34 • -10.12db
14% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bruno Merz
Home Soon
140 bpm • D Maj • 03:54 • -12.18db
14% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
14% Popularity • 56% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Joy Williams
Fine Line
140 bpm • G Maj • 03:49 • -6.17db
9% Popularity • 75% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 75% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Right the Stars
Give It All
140 bpm • B Maj • 03:44 • -6db
17% Popularity • 43% Danceability • 70% Energy • 10% Liveness
23% Instrumentalness • 23% Positiveness
17% Popularity • 43% Danceability • 70% Energy • 10% Liveness
23% Instrumentalness • 23% Positiveness
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Carter Hulsey
Black and Blue
140 bpm • E Maj • 03:43 • -9.24db
12% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 54% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Joe Mendick & Kyle Selig
Sailing Again
140 bpm • F Maj • 02:21 • -10.5db
14% Popularity • 45% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 11% Positiveness
14% Popularity • 45% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 11% Positiveness
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High Dive Heart
Vintage
124 bpm • C# Maj • 03:54 • -6.91db
24% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 42% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Andy Brown
Ashes
140 bpm • A# Maj • 03:41 • -12.57db
19% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 45% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Nick Santino
I Just Wanted You to Know
124 bpm • C# Maj • 03:44 • -8.71db
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 57% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
