Songs like Just Like Me by Ben Kessler
Based on a tempo of (+/- 10%) and a similar genre
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Sam MacPherson
Homesick
79 bpm • E Maj • 03:03 • -7.25db
25% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 62% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Max Drazen
Five Three
79 bpm • D# Maj • 02:36 • -4.65db
27% Popularity • 35% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 35% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Kessler
Just Like Me
79 bpm • C# Maj • 02:50 • -7.72db
27% Popularity • 42% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 42% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 38% Positiveness
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Valley
7 Stories
79 bpm • F Maj • 04:00 • -12.06db
21% Popularity • 29% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 29% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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Tommy Lefroy
Trashfire
78 bpm • C Maj • 02:51 • -6.93db
43% Popularity • 51% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
43% Popularity • 51% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Ruel
LIE
79 bpm • C min • 02:54 • -8.41db
31% Popularity • 48% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 48% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Ber
Bad For Me
80 bpm • D# Maj • 02:38 • -11.45db
24% Popularity • 59% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 59% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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young friend
little pieces
80 bpm • C Maj • 02:37 • -9.63db
24% Popularity • 56% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 56% Danceability • 58% Energy • 67% Liveness
0% Instrumentalness • 68% Positiveness
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Ben Kessler
Known Like This
79 bpm • D Maj • 03:23 • -10db
22% Popularity • 35% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 35% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Abe Parker
Imposter Syndrome
80 bpm • D# Maj • 03:13 • -5.98db
31% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Bazzi
Don’t Leave Me Now
78 bpm • C Maj • 02:56 • -6db
34% Popularity • 60% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 60% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 30% Positiveness
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Abby Cates
April Fools
78 bpm • G# Maj • 03:55 • -7db
28% Popularity • 54% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 54% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Cody Lovaas
Strangle You
78 bpm • A Maj • 03:00 • -6.93db
20% Popularity • 68% Danceability • 43% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 68% Danceability • 43% Energy • 64% Liveness
0% Instrumentalness • 35% Positiveness
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Emily James
that was then
78 bpm • C# Maj • 02:54 • -8.96db
46% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 66% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Devin Kennedy
Sundress
80 bpm • D Maj • 02:43 • -9.07db
34% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
34% Popularity • 68% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sabrina Sterling
If You'll Have Me
80 bpm • C Maj • 02:50 • -13.2db
34% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jonah Kagen
georgia
80 bpm • G# Maj • 03:30 • -11db
40% Popularity • 33% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 33% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Ruel
END SCENE
80 bpm • C Maj • 04:50 • -8.75db
43% Popularity • 39% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
43% Popularity • 39% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Thomas Porter
Headache
80 bpm • C Maj • 02:36 • -6.1db
25% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
25% Popularity • 76% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Forrest Nolan
miss misery
78 bpm • G# Maj • 02:59 • -5.45db
35% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 61% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Ben Ellis
not this time
81 bpm • E min • 02:38 • -10.3db
29% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 66% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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The Wldlfe
Lemonade (Growing Pains)
81 bpm • C Maj • 02:56 • -7.65db
29% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Valley
ain't my girl
81 bpm • C min • 03:46 • -8db
29% Popularity • 69% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 69% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Nox Holloway
Audrey
77 bpm • E min • 03:38 • -7.89db
27% Popularity • 58% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 58% Danceability • 62% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Devon Gabriella
remind me
77 bpm • G min • 02:17 • -12.55db
41% Popularity • 67% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 67% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 23% Positiveness
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carobae
eat ur heart out
77 bpm • E Maj • 02:45 • -8.54db
21% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 59% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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August Royals
Angel Arms
81 bpm • G Maj • 03:39 • -8.73db
25% Popularity • 50% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 50% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Greyson Chance
Watchtowers
81 bpm • C# Maj • 01:10 • -10.28db
25% Popularity • 38% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 38% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Alfie Jukes
Starfish
82 bpm • A# Maj • 02:42 • -11.91db
37% Popularity • 38% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 38% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Cassidi
fall for you anyway
82 bpm • F# Maj • 02:58 • -7.3db
26% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 54% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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nodisco.
Break My Fall
82 bpm • C# Maj • 03:28 • -4.35db
26% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
26% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Ant Saunders
Camaro
82 bpm • D Maj • 02:46 • -5.02db
31% Popularity • 59% Danceability • 69% Energy • 82% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 59% Danceability • 69% Energy • 82% Liveness
0% Instrumentalness • 75% Positiveness
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August Royals
Love You 'Til I Die
82 bpm • E Maj • 02:16 • -5.96db
28% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 62% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Christian French
karma
82 bpm • C# Maj • 02:48 • -4db
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Mills
Hands On Me
82 bpm • C# Maj • 02:37 • -7.09db
16% Popularity • 64% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 64% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Forrest Nolan
Pickup Lines
82 bpm • A Maj • 02:59 • -6.18db
27% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 57% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Cody Lovaas
Flowers on the Freeway
76 bpm • C Maj • 02:46 • -6db
46% Popularity • 76% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
46% Popularity • 76% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Zach Hood
number one fan
82 bpm • D# Maj • 02:57 • -7.87db
29% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 52% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ghostryder
Dior Jeans
76 bpm • C# Maj • 02:36 • -8.06db
8% Popularity • 56% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 56% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Lily Williams
Let Me Be The One
76 bpm • B min • 03:37 • -5.94db
21% Popularity • 60% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 60% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Clinton Kane
COLD
82 bpm • G Maj • 02:49 • -7.08db
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 67% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Forrest Nolan
waste your time
76 bpm • D Maj • 03:04 • -12.6db
24% Popularity • 78% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 78% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Bahari
All Around Me
76 bpm • A# min • 03:25 • -9.78db
31% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Annika Bennett
Scared of Getting What I Want
83 bpm • B Maj • 02:46 • -6db
27% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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THAT BAND HONEY
Tattoo
82 bpm • B min • 02:44 • -10db
28% Popularity • 64% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 64% Danceability • 49% Energy • 43% Liveness
0% Instrumentalness • 50% Positiveness
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Tadhg Daly
Still Not Made It
83 bpm • D Maj • 03:14 • -6.66db
31% Popularity • 68% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 68% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Lockett
Not Okay
83 bpm • C min • 02:42 • -5.98db
25% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Rence
TREBUCHET
83 bpm • F# Maj • 02:35 • -6.03db
28% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 51% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Cody Lovaas
How Love Goes
83 bpm • C min • 02:50 • -6.85db
28% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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DWLLRS
It's Only Up From Here
75 bpm • A Maj • 03:42 • -5.68db
21% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 61% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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New Friends
Coming Back For You
75 bpm • E Maj • 03:20 • -4.97db
21% Popularity • 53% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 53% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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OSTON
20 Nothing
74 bpm • D Maj • 04:04 • -8.89db
15% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 58% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Gomey
Days That End in Y
84 bpm • D Maj • 02:22 • -10.94db
26% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 40% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Suriel Hess
Wasted
84 bpm • F Maj • 03:05 • -13.32db
34% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Francis Karel
Seeing Other People
74 bpm • C# Maj • 03:30 • -10.03db
39% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
39% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Avery Lynch
Feed The Fire
84 bpm • D Maj • 03:16 • -11db
35% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Miki Ratsula
suffocate
85 bpm • C# min • 03:04 • -7db
30% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 60% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 26% Positiveness
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Steinza
Temporary Tattoos
73 bpm • C# min • 02:02 • -16.44db
30% Popularity • 72% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 72% Danceability • 33% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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DWLLRS
End Of It All
86 bpm • A Maj • 02:39 • -6.11db
27% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Ben Kessler
Lying
86 bpm • F# Maj • 03:05 • -8.39db
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 58% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ruel
JAPANESE WHISKEY
73 bpm • A# Maj • 03:28 • -9db
31% Popularity • 37% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 37% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 11% Positiveness
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Grace Enger
The Neighborhood
86 bpm • E Maj • 03:13 • -9.2db
47% Popularity • 66% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
47% Popularity • 66% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Charlie Pittman
Harry and Sally
86 bpm • E Maj • 02:54 • -14.77db
32% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 34% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Haley Joelle
Haunt You
86 bpm • C# Maj • 02:46 • -6db
44% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 56% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Christian French
butterfly fields
72 bpm • A# Maj • 03:28 • -7.5db
39% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
39% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Ben Kessler
Just Wanna Be Your Friend
72 bpm • G# min • 02:27 • -9.26db
29% Popularity • 44% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 44% Danceability • 43% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
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Cody Lovaas
Rocket
87 bpm • A# Maj • 02:48 • -8.07db
24% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 36% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Landon Conrath
Already Dead
87 bpm • B Maj • 02:39 • -6.25db
36% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 64% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Daniel Seavey
Can We Pretend That We’re Good? - Pian...
87 bpm • C Maj • 02:49 • -10.02db
27% Popularity • 66% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 66% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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carobae
Colorado - Acoustic
88 bpm • G Maj • 01:57 • -10.67db
27% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 57% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Blake Rose
In Your Arms
88 bpm • D Maj • 03:30 • -8db
28% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 34% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Ben Kessler
Even When You're Home
72 bpm • C# min • 03:31 • -8db
28% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Valley
The Problem Song - Spotify Singles
88 bpm • B Maj • 02:58 • -8.71db
19% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Clubhouse
Home Videos
89 bpm • A# Maj • 02:35 • -6.37db
27% Popularity • 73% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 73% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Alfie Jukes
Amsterdam
71 bpm • A# Maj • 02:48 • -5.53db
37% Popularity • 34% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 34% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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ST LUNA
vitamin d
70 bpm • G Maj • 02:44 • -6db
15% Popularity • 69% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
15% Popularity • 69% Danceability • 46% Energy • 51% Liveness
0% Instrumentalness • 55% Positiveness
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Charlie Oriain
Homesick
89 bpm • C# Maj • 02:53 • -13.84db
18% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
18% Popularity • 42% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Sam MacPherson
Play Dumb
89 bpm • C Maj • 02:53 • -8.22db
39% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Maya Manuela
Way It Was
89 bpm • F Maj • 02:45 • -9db
29% Popularity • 63% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 63% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Lanzon
Rollercoaster
90 bpm • D# Maj • 02:36 • -6.82db
16% Popularity • 61% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 61% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Yana
Don't Want Your Love
90 bpm • A# min • 03:27 • -11.88db
24% Popularity • 35% Danceability • 41% Energy • 10% Liveness
22% Instrumentalness • 23% Positiveness
24% Popularity • 35% Danceability • 41% Energy • 10% Liveness
22% Instrumentalness • 23% Positiveness
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Jonah Kagen
CHEMICALS!
90 bpm • G# Maj • 02:10 • -10db
38% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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bluffs.
Bleachers
90 bpm • A Maj • 04:02 • -13.03db
23% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Hastings
Blame The Brakes
90 bpm • F# Maj • 03:26 • -4.04db
34% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 59% Danceability • 86% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Quinn Lewis
Holes In My T-Shirt
90 bpm • D Maj • 03:08 • -7.97db
12% Popularity • 66% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 66% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Stephen Dawes
Losing You
90 bpm • E Maj • 02:53 • -14db
38% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 48% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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we're ok!
only us
91 bpm • A Maj • 02:54 • -10.11db
28% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 71% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Sophie Holohan
Fault Line
90 bpm • E Maj • 03:07 • -7.33db
42% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 63% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Kessler
Violet
91 bpm • D Maj • 03:14 • -17.76db
17% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 63% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Peter Fenn
Body Bag (w/ Ethan Tasch)
92 bpm • D# Maj • 02:21 • -8.7db
28% Popularity • 73% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 73% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Claire Rosinkranz
123
92 bpm • B Maj • 02:17 • -4.72db
46% Popularity • 78% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 78% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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The Wldlfe
Nothing But Time
92 bpm • A Maj • 03:34 • -5.64db
27% Popularity • 66% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 66% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Ruel
GO ON WITHOUT ME
92 bpm • B Maj • 02:42 • -6.29db
45% Popularity • 75% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 75% Danceability • 55% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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KAIRO
Anymore Anyway
92 bpm • D Maj • 02:42 • -9.61db
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Clubhouse
you were never mine
92 bpm • C Maj • 02:27 • -8.14db
20% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Annika Bennett
Sober Up
93 bpm • G Maj • 03:14 • -7.19db
32% Popularity • 58% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 58% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Anthony Russo
Optimist
93 bpm • E Maj • 02:28 • -8.48db
22% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
22% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
