Songs like Just Like That by Bonnie Raitt
Based on a tempo of (+/- 10%) and a similar genre
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Lori McKenna
People Get Old
81 bpm • G# Maj • 03:42 • -11db
44% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
44% Popularity • 62% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Bruce Cockburn
Us All
81 bpm • A Maj • 04:40 • -14.24db
17% Popularity • 48% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
17% Popularity • 48% Danceability • 26% Energy • 9% Liveness
2% Instrumentalness • 12% Positiveness
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Deacon Blue
Cover from the Sky - Acoustic Version
81 bpm • D Maj • 04:27 • -10db
24% Popularity • 51% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 51% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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The Little Willies
Easy As The Rain
81 bpm • D Maj • 03:15 • -14.54db
37% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 58% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Bonnie Raitt
Just Like That
81 bpm • D Maj • 05:05 • -10.03db
50% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Keb' Mo'
Life Is Beautiful
80 bpm • D Maj • 04:16 • -9db
46% Popularity • 65% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 65% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Rodney Crowell
Oh What a Beautiful World
80 bpm • G Maj • 05:07 • -12.72db
36% Popularity • 60% Danceability • 40% Energy • 26% Liveness
10% Instrumentalness • 56% Positiveness
36% Popularity • 60% Danceability • 40% Energy • 26% Liveness
10% Instrumentalness • 56% Positiveness
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Mary Gauthier
Dark Enough to See the Stars
82 bpm • A Maj • 04:02 • -11db
18% Popularity • 37% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 37% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Lindsay Lou
Nothing Else Matters
80 bpm • B Maj • 03:19 • -9.2db
35% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 54% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jaimee Harris
Missing Someone
82 bpm • C# Maj • 03:48 • -8.06db
10% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 67% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Bonnie Raitt
Down The Hall
80 bpm • C Maj • 04:30 • -12.08db
21% Popularity • 49% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 42% Positiveness
21% Popularity • 49% Danceability • 22% Energy • 12% Liveness
2% Instrumentalness • 42% Positiveness
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Keb' Mo'
Lean On Me
82 bpm • A# Maj • 03:53 • -8db
30% Popularity • 84% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 84% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Cheryl Wheeler
Arrow
82 bpm • B Maj • 04:20 • -16.7db
30% Popularity • 48% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 48% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Lori McKenna
Happy Children
80 bpm • D Maj • 04:11 • -5.24db
25% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 58% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Mary Chapin Carpenter
Why Walk When You Can Fly
82 bpm • B Maj • 03:32 • -15.96db
32% Popularity • 57% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 57% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Kris Delmhorst
Wasted Word
83 bpm • G Maj • 03:22 • -9.5db
19% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 63% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Bonnie Raitt
Rainy Day Man - 2008 Remaster
82 bpm • D Maj • 03:41 • -11.41db
28% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 69% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Smither
Killing the Blues
79 bpm • E Maj • 05:49 • -10.71db
32% Popularity • 42% Danceability • 37% Energy • 70% Liveness
1% Instrumentalness • 12% Positiveness
32% Popularity • 42% Danceability • 37% Energy • 70% Liveness
1% Instrumentalness • 12% Positiveness
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Bruce Cockburn
Wondering Where The Lions Are
79 bpm • E Maj • 03:43 • -16.9db
47% Popularity • 69% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 69% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Rhiannon Giddens
Calling Me Home
79 bpm • A Maj • 03:49 • -9.77db
33% Popularity • 32% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 32% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Richard & Linda Thompson
Dimming Of The Day / Dargai - Edit
83 bpm • D# Maj • 03:48 • -21.25db
37% Popularity • 38% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
37% Popularity • 38% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 25% Positiveness
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Ray LaMontagne
It Takes Me Back
83 bpm • G Maj • 03:41 • -9.27db
37% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 50% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Bonnie Raitt
Circle Dance
82 bpm • C# Maj • 04:11 • -18.59db
18% Popularity • 25% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
18% Popularity • 25% Danceability • 12% Energy • 10% Liveness
4% Instrumentalness • 18% Positiveness
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Jaimee Harris
Boomerang Town
83 bpm • B Maj • 07:00 • -9.84db
18% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Secret Sisters
Little Again
83 bpm • C Maj • 04:03 • -8.43db
34% Popularity • 61% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 61% Danceability • 36% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Amy Ray
Muscadine
83 bpm • E min • 05:13 • -11.77db
12% Popularity • 58% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 10% Positiveness
12% Popularity • 58% Danceability • 33% Energy • 11% Liveness
24% Instrumentalness • 10% Positiveness
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Hannah White
Car Crash
78 bpm • A# Maj • 05:01 • -12.43db
11% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 46% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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John Hiatt
I’m In Asheville
78 bpm • A Maj • 03:26 • -12.95db
30% Popularity • 41% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
30% Popularity • 41% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Chris Smither
What They Say
83 bpm • D Maj • 02:46 • -6.42db
43% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Kieran Kane
Please Help Me, I'm Falling
84 bpm • D Maj • 03:34 • -17.41db
15% Popularity • 60% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 60% Danceability • 7% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Bonnie Raitt
So Close
84 bpm • G# Maj • 03:19 • -10.23db
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mary Chapin Carpenter
I Was A Bird
84 bpm • C Maj • 03:26 • -9.81db
29% Popularity • 56% Danceability • 48% Energy • 13% Liveness
7% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 48% Energy • 13% Liveness
7% Instrumentalness • 40% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:11 • -12.56db
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
55% Popularity • 66% Danceability • 24% Energy • 21% Liveness
0% Instrumentalness • 22% Positiveness
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Mipso
Born at the Right Time
78 bpm • E Maj • 03:44 • -11.97db
33% Popularity • 45% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 45% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Dar Williams
Time, Be My Friend
78 bpm • A Maj • 04:06 • -6.56db
15% Popularity • 52% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 52% Danceability • 59% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Bruce Cockburn
To Keep the World We Know
78 bpm • G Maj • 03:30 • -8.36db
18% Popularity • 55% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 55% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Bonnie Raitt
Silver Lining
84 bpm • B Maj • 06:17 • -10.53db
20% Popularity • 61% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
20% Popularity • 61% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Amy Speace
The Sea & the Shore
78 bpm • A Maj • 04:14 • -12.04db
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 48% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Ray LaMontagne
I Was Born To Love You
78 bpm • A Maj • 04:25 • -11.08db
61% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 65% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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The Milk Carton Kids
Running on Sweet Smile
78 bpm • D# Maj • 03:21 • -11.33db
25% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 46% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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John Lee Hooker
I’m In The Mood
78 bpm • A# min • 04:31 • -15.2db
42% Popularity • 69% Danceability • 31% Energy • 31% Liveness
5% Instrumentalness • 61% Positiveness
42% Popularity • 69% Danceability • 31% Energy • 31% Liveness
5% Instrumentalness • 61% Positiveness
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Dar Williams
Iowa
85 bpm • A# Maj • 04:47 • -11.87db
23% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 53% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Bonnie Raitt
I Gave My Love a Candle - 2008 Remaster
84 bpm • D Maj • 04:20 • -9.98db
16% Popularity • 50% Danceability • 38% Energy • 12% Liveness
8% Instrumentalness • 28% Positiveness
16% Popularity • 50% Danceability • 38% Energy • 12% Liveness
8% Instrumentalness • 28% Positiveness
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Jewel
Half Life
85 bpm • E Maj • 03:56 • -5.76db
17% Popularity • 52% Danceability • 58% Energy • 9% Liveness
7% Instrumentalness • 35% Positiveness
17% Popularity • 52% Danceability • 58% Energy • 9% Liveness
7% Instrumentalness • 35% Positiveness
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Van Morrison
Crazy Love - 2013 Remaster
77 bpm • A Maj • 02:35 • -19db
70% Popularity • 57% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 57% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Simon
American Tune
85 bpm • C Maj • 03:45 • -16.04db
48% Popularity • 38% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 38% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Danny O'Keefe
Good Time Charlie's Got the Blues
85 bpm • G Maj • 03:00 • -13db
44% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
44% Popularity • 55% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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Buddy Miller
Wide River to Cross
85 bpm • D Maj • 03:03 • -11.81db
22% Popularity • 58% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 58% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Bonnie Raitt
Thank You - 2008 Remaster
78 bpm • F Maj • 02:50 • -15.59db
56% Popularity • 67% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
56% Popularity • 67% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Keb' Mo'
The Medicine Man [Old Crow Medicine Show...
77 bpm • C Maj • 03:37 • -7db
39% Popularity • 79% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 79% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Chip Taylor
One More Dream to Go
85 bpm • E Maj • 03:10 • -15.37db
13% Popularity • 65% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 65% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Little Willies
No Place To Fall
85 bpm • G Maj • 04:00 • -16db
34% Popularity • 57% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 57% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Carole King
(You Make Me Feel Like) A Natural Woman
85 bpm • A Maj • 03:49 • -13db
56% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 62% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Delbert McClinton
Down into Mexico
86 bpm • F# Maj • 04:35 • -8.66db
40% Popularity • 52% Danceability • 76% Energy • 6% Liveness
23% Instrumentalness • 48% Positiveness
40% Popularity • 52% Danceability • 76% Energy • 6% Liveness
23% Instrumentalness • 48% Positiveness
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Bonnie Raitt
I Don't Want Anything To Change
77 bpm • A Maj • 04:26 • -9.46db
15% Popularity • 55% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 55% Danceability • 36% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Lowell George
Love Has No Pride - Live
77 bpm • A Maj • 04:18 • -15.48db
8% Popularity • 41% Danceability • 24% Energy • 69% Liveness
4% Instrumentalness • 24% Positiveness
8% Popularity • 41% Danceability • 24% Energy • 69% Liveness
4% Instrumentalness • 24% Positiveness
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Van Morrison
These Are the Days
77 bpm • G Maj • 05:19 • -10.48db
54% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
54% Popularity • 56% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Amy Speace
Nothing Good Can Come from This
86 bpm • A Maj • 03:11 • -12.49db
41% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Rhiannon Giddens
Build A House
76 bpm • C# Maj • 04:43 • -9db
21% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 50% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Amy Ray
North Star
86 bpm • G Maj • 03:12 • -9.8db
16% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 74% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Bonnie Raitt
Love Has No Pride - 2008 Remaster
77 bpm • A Maj • 03:48 • -18db
43% Popularity • 45% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 45% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Townes Van Zandt
If I Needed You
76 bpm • B Maj • 03:44 • -17db
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
52% Popularity • 62% Danceability • 32% Energy • 8% Liveness
3% Instrumentalness • 68% Positiveness
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Mary Gauthier
Mercy Now
76 bpm • A Maj • 05:50 • -11.14db
50% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
50% Popularity • 58% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Buffalo Nichols
Lost & Lonesome
87 bpm • C# Maj • 03:42 • -11.43db
35% Popularity • 36% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 36% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Secret Sisters
He's Fine
87 bpm • A# Maj • 03:43 • -8.94db
51% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 56% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lori McKenna
Uphill
76 bpm • G Maj • 03:01 • -8.92db
32% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 52% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Bonnie Raitt
Come To Me
87 bpm • G Maj • 04:20 • -11db
39% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
39% Popularity • 72% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Aoife O'Donovan
Phoenix
87 bpm • G Maj • 03:30 • -13.44db
44% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Joan Osborne
Make You Feel My Love
75 bpm • F# Maj • 04:01 • -13db
28% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 62% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Madison Cunningham
In My Life
87 bpm • G# Maj • 02:56 • -12.39db
51% Popularity • 61% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 61% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Eilen Jewell
Miles to Go
75 bpm • D Maj • 03:16 • -10.31db
43% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
43% Popularity • 66% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Carole King
Home Again - Live From Central Park, New...
75 bpm • A Maj • 02:43 • -18.5db
18% Popularity • 50% Danceability • 21% Energy • 89% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 50% Danceability • 21% Energy • 89% Liveness
0% Instrumentalness • 53% Positiveness
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Bonnie Raitt
All At Once
87 bpm • F Maj • 05:03 • -18.98db
28% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 24% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Gordon Lightfoot
Me and Bobby McGee
87 bpm • E Maj • 03:46 • -16.51db
45% Popularity • 69% Danceability • 22% Energy • 5% Liveness
5% Instrumentalness • 48% Positiveness
45% Popularity • 69% Danceability • 22% Energy • 5% Liveness
5% Instrumentalness • 48% Positiveness
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Carsie Blanton
Fishin' with You
75 bpm • G Maj • 02:16 • -8db
39% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 47% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Alison Prestwood
Beautiful Man
88 bpm • B Maj • 04:34 • -13.62db
27% Popularity • 66% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
27% Popularity • 66% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Gregg Allman
These Days
75 bpm • E Maj • 03:57 • -10db
39% Popularity • 59% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
39% Popularity • 59% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Ruthie Foster
Feels Like Freedom
88 bpm • A# Maj • 03:50 • -4.78db
21% Popularity • 40% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 40% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Bonnie Raitt
One Part Be My Lover
88 bpm • C Maj • 05:06 • -19.49db
28% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 26% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Little Willies
Roll On
74 bpm • C# Maj • 03:06 • -12db
53% Popularity • 59% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
53% Popularity • 59% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 62% Positiveness
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Carsie Blanton
Fishin With You (Acoustic)
74 bpm • A Maj • 02:17 • -10.94db
23% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 68% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Hurray For The Riff Raff
LIFE ON EARTH - with Preservation Hall J...
89 bpm • A Maj • 06:20 • -13db
14% Popularity • 25% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
14% Popularity • 25% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Van Morrison
Warm Love
89 bpm • D Maj • 03:23 • -8.62db
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
57% Popularity • 74% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 58% Positiveness
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Bruce Cockburn
The Whole Night Sky
74 bpm • C Maj • 03:54 • -11.9db
28% Popularity • 52% Danceability • 35% Energy • 17% Liveness
1% Instrumentalness • 31% Positiveness
28% Popularity • 52% Danceability • 35% Energy • 17% Liveness
1% Instrumentalness • 31% Positiveness
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Bonnie Raitt
Here Comes Love
88 bpm • C Maj • 04:15 • -7.09db
21% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Joan Shelley
The Fading
89 bpm • A Maj • 03:09 • -10db
40% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 37% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Gillian Welch
I Just Came Home To Count The Memories
74 bpm • B Maj • 04:06 • -12.41db
20% Popularity • 42% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 42% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Carole King
Way Over Yonder
89 bpm • F min • 04:43 • -12db
46% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 49% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Peter One
Sweet Rainbow
89 bpm • D min • 04:06 • -13.12db
37% Popularity • 65% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
37% Popularity • 65% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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The Secret Sisters
Hold You Dear
73 bpm • G Maj • 03:51 • -12.99db
43% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Buddy Guy
Feels Like Rain
73 bpm • C Maj • 04:35 • -13.45db
55% Popularity • 57% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
55% Popularity • 57% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Mary Chapin Carpenter
Farther Along and Further In
73 bpm • F Maj • 04:57 • -12.58db
20% Popularity • 60% Danceability • 43% Energy • 12% Liveness
12% Instrumentalness • 59% Positiveness
20% Popularity • 60% Danceability • 43% Energy • 12% Liveness
12% Instrumentalness • 59% Positiveness
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Dar Williams
Magical Thinking
90 bpm • F# min • 04:08 • -11.05db
14% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 52% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Keb' Mo'
Good To Be (Home Again)
90 bpm • A Maj • 03:30 • -8db
32% Popularity • 80% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
32% Popularity • 80% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 66% Positiveness
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Tim Easton
Voice on the Radio
90 bpm • G Maj • 02:44 • -11.01db
14% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 71% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Rodney Crowell
Lucky
91 bpm • G Maj • 04:24 • -7.85db
20% Popularity • 72% Danceability • 67% Energy • 24% Liveness
8% Instrumentalness • 79% Positiveness
20% Popularity • 72% Danceability • 67% Energy • 24% Liveness
8% Instrumentalness • 79% Positiveness
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Mary Gauthier
Till I See You Again
72 bpm • G Maj • 03:44 • -12.48db
17% Popularity • 49% Danceability • 39% Energy • 10% Liveness
16% Instrumentalness • 49% Positiveness
17% Popularity • 49% Danceability • 39% Energy • 10% Liveness
16% Instrumentalness • 49% Positiveness
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Eilen Jewell
Half-Broke Horse
91 bpm • B Maj • 03:26 • -10.02db
39% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
