Songs like Just Like Yesterday by Bread
Based on a tempo of (+/- 10%) and a similar genre
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Timothy B. Schmit
Make You Feel My Love
148 bpm • F# Maj • 03:47 • -11.46db
24% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 57% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Player
I Just Wanna Be With You
148 bpm • D min • 04:25 • -11.12db
28% Popularity • 63% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 63% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Bread
Hooked on You
148 bpm • B Maj • 02:21 • -12.08db
47% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Loggins & Messina
Till The Ends Meet
147 bpm • F# min • 03:07 • -8.98db
23% Popularity • 57% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 32% Positiveness
23% Popularity • 57% Danceability • 33% Energy • 11% Liveness
13% Instrumentalness • 32% Positiveness
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Neil Sedaka
Rosemary Blue
147 bpm • F min • 03:41 • -13db
27% Popularity • 34% Danceability • 23% Energy • 13% Liveness
18% Instrumentalness • 16% Positiveness
27% Popularity • 34% Danceability • 23% Energy • 13% Liveness
18% Instrumentalness • 16% Positiveness
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Gilbert O'Sullivan
Happiness Is Me And You
147 bpm • G# Maj • 03:05 • -6db
37% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 46% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Austin Roberts
Something's Wrong With Me
149 bpm • D Maj • 03:29 • -11.96db
19% Popularity • 40% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 40% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Rex Smith
Sooner or Later
149 bpm • A# Maj • 02:55 • -7.33db
17% Popularity • 47% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 47% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Bread
Just Like Yesterday
148 bpm • C Maj • 02:15 • -13.41db
44% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
44% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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Linda Ronstadt
Someone to Lay Down Beside Me
150 bpm • D# min • 04:28 • -19.11db
27% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ambrosia
Holdin' on to Yesterday
146 bpm • F# min • 04:19 • -7db
48% Popularity • 38% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 38% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Pennypenpen
im a one man band
146 bpm • G# Maj • 03:31 • -7.6db
7% Popularity • 73% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 73% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Yusuf / Cat Stevens
Two Fine People
150 bpm • A Maj • 03:35 • -8.64db
35% Popularity • 69% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 69% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Dan Hill
14 Today
146 bpm • A Maj • 04:33 • -10.55db
22% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 44% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Bread
She Was My Lady
148 bpm • G Maj • 02:51 • -11.96db
28% Popularity • 43% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 43% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Mary MacGregor
Just the Way You Are
145 bpm • G Maj • 03:30 • -6db
44% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Neil Sedaka
Should've Never Let You Go
145 bpm • A# Maj • 04:18 • -10.94db
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 30% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Loggins & Messina
A Love Song
144 bpm • E Maj • 03:10 • -13db
41% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 52% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Harry Chapin
I Wanna Learn a Love Song
152 bpm • G Maj • 04:23 • -10.26db
37% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 58% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Dr. Hook
Knowing She's There
153 bpm • F# Maj • 03:28 • -6.41db
26% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 48% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Bread
Games of Magic
147 bpm • B min • 03:10 • -16.79db
41% Popularity • 34% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 34% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Dan Hill
I've Been Alone
143 bpm • G Maj • 02:55 • -12.25db
16% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 45% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Tony Orlando & Dawn
Mornin' Beautiful
152 bpm • C Maj • 03:14 • -11.54db
20% Popularity • 52% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 52% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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City Boy
Speechless
143 bpm • D# Maj • 03:35 • -12.45db
41% Popularity • 38% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 38% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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Styx
First Time
153 bpm • C Maj • 04:23 • -12.54db
39% Popularity • 26% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 26% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Rex Smith
Better Than It's Ever Been
143 bpm • F Maj • 04:05 • -8.18db
13% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 63% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Bread
Fly Away
149 bpm • E min • 03:07 • -9.52db
34% Popularity • 36% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 36% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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The Hollies
Lucy - 2008 Remaster
143 bpm • G Maj • 05:12 • -7.17db
20% Popularity • 47% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 47% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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David Gates
Someday
153 bpm • G Maj • 02:04 • -15.41db
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Dan Hill
Frozen In The Night
153 bpm • G min • 04:35 • -9.26db
39% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 49% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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The 5th Dimension
If I Could Reach You
154 bpm • A# Maj • 03:10 • -15.74db
36% Popularity • 23% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
36% Popularity • 23% Danceability • 22% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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LeBlanc And Carr
Midnight Light - 2013 Japan Remaster
142 bpm • C Maj • 03:34 • -7.71db
12% Popularity • 44% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 44% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Bread
Lost Without Your Love
146 bpm • A# Maj • 02:56 • -11.48db
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Crosby, Stills, Nash & Young
Our House - 2021 Remaster
141 bpm • A Maj • 03:00 • -15db
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 62% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Anne Murray
You're A Part Of Me
141 bpm • C Maj • 03:25 • -10db
46% Popularity • 48% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 48% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Loggins & Messina
Lady Of My Heart
141 bpm • C# min • 01:43 • -14.03db
35% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Starland Vocal Band
War Surplus Baby
141 bpm • A min • 04:21 • -14.41db
10% Popularity • 29% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 29% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bread
He's a Good Lad
145 bpm • G Maj • 03:00 • -13.16db
29% Popularity • 36% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 36% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Electric Light Orchestra
Midnight Blue
141 bpm • F Maj • 04:17 • -13.12db
52% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 56% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Hollies
Give Me Time - 2008 Remaster
141 bpm • G Maj • 03:11 • -8.94db
11% Popularity • 40% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 40% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
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David Pomeranz
The Old Songs
141 bpm • B Maj • 04:10 • -8db
57% Popularity • 52% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 52% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Leif Garrett
I Was Looking For Someone To Love
141 bpm • D Maj • 02:59 • -16.29db
40% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Paul Davis
I Go Crazy
141 bpm • E min • 03:53 • -8.66db
55% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 53% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Bread
Down on My Knees
145 bpm • E Maj • 02:44 • -9.33db
33% Popularity • 62% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 62% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Albert Hammond
The Road To Understanding
156 bpm • C Maj • 04:24 • -10.7db
13% Popularity • 36% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 36% Danceability • 54% Energy • 29% Liveness
0% Instrumentalness • 59% Positiveness
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The Hollies
Don't Let Me Down - 2008 Remaster
141 bpm • G Maj • 04:21 • -8.66db
44% Popularity • 50% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 50% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
42% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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John Springer
I'll Have Love This Time
140 bpm • F Maj • 03:52 • -19.7db
6% Popularity • 43% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
6% Popularity • 43% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Barbra Streisand
My Heart Belongs to Me
139 bpm • C min • 03:21 • -15.72db
44% Popularity • 27% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 27% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Bread
Baby I'm-a Want You
144 bpm • G# Maj • 02:30 • -16.53db
68% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
68% Popularity • 61% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Anne Murray
Help Me Make It Through The Night
139 bpm • G Maj • 03:54 • -9db
43% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Dan Hill
Why Do We Always Hurt the Ones We Love
139 bpm • D Maj • 03:52 • -11db
42% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 52% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Johnson
Doors
139 bpm • C# Maj • 03:12 • -17db
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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John Springer
You Know Me
157 bpm • F min • 07:10 • -14.22db
1% Popularity • 37% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 37% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Badfinger
Name Of The Game - Remastered 2010
138 bpm • A Maj • 05:21 • -9db
37% Popularity • 32% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
37% Popularity • 32% Danceability • 57% Energy • 14% Liveness
1% Instrumentalness • 29% Positiveness
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Bread
Been Too Long on the Road
144 bpm • A min • 04:52 • -11.16db
31% Popularity • 43% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 43% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Anne Murray
Highly Prized Possession
139 bpm • D Maj • 03:40 • -10.01db
26% Popularity • 52% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 52% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Player
It's For You
139 bpm • B Maj • 04:37 • -9.71db
31% Popularity • 54% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 54% Danceability • 46% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Dan Hill
Sometimes Love Is Not Enough
139 bpm • A# Maj • 04:00 • -9.17db
33% Popularity • 40% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 40% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Mary MacGregor
Don't Let Me Be Lonely Tonight
138 bpm • A# Maj • 03:23 • -5db
37% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 34% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
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Jackson Browne
You Love the Thunder - Remastered
138 bpm • E Maj • 03:54 • -6.99db
42% Popularity • 50% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 50% Danceability • 83% Energy • 68% Liveness
0% Instrumentalness • 49% Positiveness
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Bread
I Say Again
141 bpm • E min • 02:52 • -17.7db
32% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 42% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Anne Murray
A Love Song
138 bpm • G Maj • 02:49 • -10.98db
48% Popularity • 51% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
48% Popularity • 51% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
65% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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SPLASH ALCA
DUSTY
138 bpm • D Maj • 03:41 • -9db
7% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 41% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Mary MacGregor
For a While
138 bpm • C Maj • 02:54 • -9.23db
46% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Frankie Valli
My Eyes Adored You
138 bpm • B min • 03:32 • -10.44db
62% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 46% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Bread
Live in Your Love
156 bpm • D# Maj • 02:46 • -12.31db
33% Popularity • 28% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 28% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Ambrosia
Heart to Heart
137 bpm • G Maj • 02:47 • -8.98db
21% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Gilbert O'Sullivan
What Could Be Nicer
160 bpm • F# Maj • 03:05 • -6.52db
28% Popularity • 39% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 39% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Joey Scarbury
That Little Bit of Us
136 bpm • E Maj • 03:41 • -15.19db
10% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 51% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Don Henley
Talking to the Moon
136 bpm • A# Maj • 04:40 • -9.86db
31% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 50% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Paul Davis
I Don't Want to Be Just Another Love
136 bpm • C Maj • 03:14 • -7.75db
13% Popularity • 82% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 82% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
62% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Edward Bear
Close Your Eyes
161 bpm • F min • 02:58 • -15.04db
27% Popularity • 30% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 30% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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David Soul
Topanga
135 bpm • D Maj • 04:08 • -15db
9% Popularity • 39% Danceability • 26% Energy • 22% Liveness
2% Instrumentalness • 28% Positiveness
9% Popularity • 39% Danceability • 26% Energy • 22% Liveness
2% Instrumentalness • 28% Positiveness
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Michael Johnson
You're Not Easy To Forget - Remastered 2...
135 bpm • C Maj • 03:31 • -6.23db
18% Popularity • 68% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 68% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Peter Frampton
Nassau/Baby I Love Your Way - Medley
135 bpm • G Maj • 05:50 • -10db
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 53% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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B.J. Thomas
The Eyes Of A New York Woman
135 bpm • A Maj • 03:03 • -8.01db
28% Popularity • 40% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 40% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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Bread
Daughter
162 bpm • C Maj • 03:23 • -12.31db
27% Popularity • 58% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
27% Popularity • 58% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Gilbert O'Sullivan
Why Oh Why Oh Why
163 bpm • G# Maj • 03:48 • -6.68db
31% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Poco
Spellbound
134 bpm • C# Maj • 05:16 • -18.61db
28% Popularity • 64% Danceability • 19% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 64% Danceability • 19% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Boz Scaggs
What Do You Want the Girl to Do (2023 Re...
134 bpm • G# Maj • 03:52 • -11.54db
35% Popularity • 59% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 59% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Johnson
Bluer Than Blue
134 bpm • G Maj • 03:05 • -15.21db
48% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
48% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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B.J. Thomas
I Just Can't Help Believing
134 bpm • F Maj • 02:57 • -9db
39% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 55% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Sherman
Jennifer
134 bpm • D# Maj • 02:37 • -11db
25% Popularity • 22% Danceability • 33% Energy • 16% Liveness
26% Instrumentalness • 19% Positiveness
25% Popularity • 22% Danceability • 33% Energy • 16% Liveness
26% Instrumentalness • 19% Positiveness
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Bread
She's the Only One
135 bpm • D Maj • 02:57 • -10.9db
34% Popularity • 50% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 50% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Jim Croce
I’ll Have to Say I Love You in a Song
134 bpm • A Maj • 02:34 • -14.98db
69% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
69% Popularity • 54% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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Anne Murray
Broken Hearted Me
134 bpm • C# Maj • 03:56 • -11.77db
52% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
52% Popularity • 43% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Bertie Higgins
Candledancer
134 bpm • C Maj • 03:48 • -11.73db
16% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Rupert Holmes
The Long Way Home
134 bpm • B min • 03:28 • -11.07db
13% Popularity • 54% Danceability • 58% Energy • 12% Liveness
6% Instrumentalness • 62% Positiveness
13% Popularity • 54% Danceability • 58% Energy • 12% Liveness
6% Instrumentalness • 62% Positiveness
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Michael Johnson
Blame It On The Rain - Remastered 2002
133 bpm • A# Maj • 03:35 • -7.41db
35% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 41% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 30% Positiveness
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Bread
She's the Only One
135 bpm • D Maj • 03:01 • -10.13db
28% Popularity • 51% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 51% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Boz Scaggs
It's Over (2023 Remaster)
133 bpm • C Maj • 02:52 • -10.78db
45% Popularity • 58% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 58% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Anne Murray
I Just Fall In Love Again
133 bpm • C Maj • 02:51 • -9db
62% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
62% Popularity • 44% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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The Doobie Brothers
Echoes of Love
132 bpm • A Maj • 02:58 • -10.77db
35% Popularity • 61% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 61% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Angelo Adams
DAT AINT 100
132 bpm • A Maj • 03:39 • -8.63db
7% Popularity • 75% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 75% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
