Songs like Just My Imagination by Mark Maxwell
Based on a tempo of (+/- 10%) and a similar genre
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Alfonzo Blackwell
Next To You
89 bpm • G min • 03:29 • -6.03db
27% Popularity • 62% Danceability • 78% Energy • 24% Liveness
15% Instrumentalness • 58% Positiveness
27% Popularity • 62% Danceability • 78% Energy • 24% Liveness
15% Instrumentalness • 58% Positiveness
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Catie Waters
Sunsets
89 bpm • F# min • 05:23 • -10.19db
8% Popularity • 69% Danceability • 55% Energy • 17% Liveness
2% Instrumentalness • 60% Positiveness
8% Popularity • 69% Danceability • 55% Energy • 17% Liveness
2% Instrumentalness • 60% Positiveness
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Fourplay
Chant
89 bpm • F# min • 06:24 • -11.05db
33% Popularity • 71% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
33% Popularity • 71% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 46% Positiveness
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Mark Maxwell
Just My Imagination
89 bpm • D Maj • 04:59 • -9.2db
30% Popularity • 71% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
30% Popularity • 71% Danceability • 47% Energy • 11% Liveness
92% Instrumentalness • 56% Positiveness
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Dan Siegel
Getting Close
89 bpm • C# Maj • 04:06 • -11db
31% Popularity • 67% Danceability • 58% Energy • 8% Liveness
80% Instrumentalness • 72% Positiveness
31% Popularity • 67% Danceability • 58% Energy • 8% Liveness
80% Instrumentalness • 72% Positiveness
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Nite Flyte
Dawn
90 bpm • G# min • 05:47 • -12db
16% Popularity • 63% Danceability • 62% Energy • 19% Liveness
88% Instrumentalness • 74% Positiveness
16% Popularity • 63% Danceability • 62% Energy • 19% Liveness
88% Instrumentalness • 74% Positiveness
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Jessy J
Una Mas
90 bpm • D min • 03:37 • -7.75db
50% Popularity • 56% Danceability • 67% Energy • 12% Liveness
59% Instrumentalness • 48% Positiveness
50% Popularity • 56% Danceability • 67% Energy • 12% Liveness
59% Instrumentalness • 48% Positiveness
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Joe McBride
Lower Greenville
90 bpm • C Maj • 04:38 • -9db
23% Popularity • 68% Danceability • 63% Energy • 7% Liveness
66% Instrumentalness • 86% Positiveness
23% Popularity • 68% Danceability • 63% Energy • 7% Liveness
66% Instrumentalness • 86% Positiveness
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Groove Frequencies
Kinetic
90 bpm • G min • 04:01 • -10.73db
7% Popularity • 74% Danceability • 54% Energy • 31% Liveness
17% Instrumentalness • 89% Positiveness
7% Popularity • 74% Danceability • 54% Energy • 31% Liveness
17% Instrumentalness • 89% Positiveness
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Mark Maxwell
Groovin' (on a Sunday Afternoon)
89 bpm • A# Maj • 04:19 • -7.94db
20% Popularity • 51% Danceability • 60% Energy • 13% Liveness
7% Instrumentalness • 71% Positiveness
20% Popularity • 51% Danceability • 60% Energy • 13% Liveness
7% Instrumentalness • 71% Positiveness
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Rick Braun/Richard Elliot
Holdin' Back the Years
90 bpm • C Maj • 04:43 • -14.88db
23% Popularity • 74% Danceability • 30% Energy • 8% Liveness
81% Instrumentalness • 54% Positiveness
23% Popularity • 74% Danceability • 30% Energy • 8% Liveness
81% Instrumentalness • 54% Positiveness
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Eric Marienthal
Emotion
90 bpm • C Maj • 03:42 • -10.05db
31% Popularity • 66% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 18% Positiveness
31% Popularity • 66% Danceability • 41% Energy • 11% Liveness
13% Instrumentalness • 18% Positiveness
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Paul Taylor
Avenue
90 bpm • E min • 03:58 • -9.15db
44% Popularity • 75% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 75% Danceability • 51% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Candy Dulfer
For The Love Of You
90 bpm • D Maj • 04:30 • -7.79db
34% Popularity • 70% Danceability • 51% Energy • 7% Liveness
60% Instrumentalness • 36% Positiveness
34% Popularity • 70% Danceability • 51% Energy • 7% Liveness
60% Instrumentalness • 36% Positiveness
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Carol Albert
Magic Mirror
90 bpm • A Maj • 04:40 • -10.8db
16% Popularity • 70% Danceability • 50% Energy • 10% Liveness
73% Instrumentalness • 76% Positiveness
16% Popularity • 70% Danceability • 50% Energy • 10% Liveness
73% Instrumentalness • 76% Positiveness
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Mark Maxwell
Body and Soul
90 bpm • C# Maj • 04:59 • -11.47db
5% Popularity • 40% Danceability • 51% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
5% Popularity • 40% Danceability • 51% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
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Jazz Holdouts
Piermont Nights
90 bpm • D# min • 04:09 • -9.44db
39% Popularity • 66% Danceability • 69% Energy • 26% Liveness
85% Instrumentalness • 49% Positiveness
39% Popularity • 66% Danceability • 69% Energy • 26% Liveness
85% Instrumentalness • 49% Positiveness
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Michael Broening
Shine a Light
90 bpm • B min • 06:46 • -11.23db
6% Popularity • 60% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
6% Popularity • 60% Danceability • 58% Energy • 10% Liveness
90% Instrumentalness • 52% Positiveness
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Bob Mamet
Greenstreet
88 bpm • E min • 03:58 • -12.12db
46% Popularity • 69% Danceability • 49% Energy • 5% Liveness
82% Instrumentalness • 78% Positiveness
46% Popularity • 69% Danceability • 49% Energy • 5% Liveness
82% Instrumentalness • 78% Positiveness
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Candy Dulfer
For The Love Of You
90 bpm • B min • 05:01 • -8.31db
37% Popularity • 71% Danceability • 43% Energy • 6% Liveness
40% Instrumentalness • 34% Positiveness
37% Popularity • 71% Danceability • 43% Energy • 6% Liveness
40% Instrumentalness • 34% Positiveness
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Quintin Gerard W.
Broken Promises
88 bpm • G min • 04:21 • -8.2db
12% Popularity • 66% Danceability • 68% Energy • 38% Liveness
88% Instrumentalness • 63% Positiveness
12% Popularity • 66% Danceability • 68% Energy • 38% Liveness
88% Instrumentalness • 63% Positiveness
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Mark Maxwell
For the Love of You
90 bpm • D Maj • 05:33 • -12.52db
2% Popularity • 58% Danceability • 46% Energy • 22% Liveness
88% Instrumentalness • 47% Positiveness
2% Popularity • 58% Danceability • 46% Energy • 22% Liveness
88% Instrumentalness • 47% Positiveness
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Isaiah Katumwa
Smile On
90 bpm • C Maj • 03:56 • -7.94db
9% Popularity • 57% Danceability • 82% Energy • 15% Liveness
64% Instrumentalness • 62% Positiveness
9% Popularity • 57% Danceability • 82% Energy • 15% Liveness
64% Instrumentalness • 62% Positiveness
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Vincent Ingala
Personal Touch
90 bpm • G# Maj • 03:44 • -10db
47% Popularity • 65% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 76% Positiveness
47% Popularity • 65% Danceability • 80% Energy • 8% Liveness
87% Instrumentalness • 76% Positiveness
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Ben Tankard
Rainy Sunday
88 bpm • C# Maj • 03:41 • -8.53db
44% Popularity • 64% Danceability • 73% Energy • 22% Liveness
25% Instrumentalness • 78% Positiveness
44% Popularity • 64% Danceability • 73% Energy • 22% Liveness
25% Instrumentalness • 78% Positiveness
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Earl Klugh
Sunset Island
90 bpm • A Maj • 04:26 • -9.2db
36% Popularity • 69% Danceability • 52% Energy • 12% Liveness
70% Instrumentalness • 76% Positiveness
36% Popularity • 69% Danceability • 52% Energy • 12% Liveness
70% Instrumentalness • 76% Positiveness
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3rd Force
In The Full Moon Light
90 bpm • A# min • 04:43 • -11.06db
27% Popularity • 68% Danceability • 67% Energy • 3% Liveness
90% Instrumentalness • 85% Positiveness
27% Popularity • 68% Danceability • 67% Energy • 3% Liveness
90% Instrumentalness • 85% Positiveness
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Mark Maxwell
Ain't No Woman (Like the One I've Got)
88 bpm • C min • 06:17 • -12.59db
22% Popularity • 61% Danceability • 39% Energy • 16% Liveness
80% Instrumentalness • 33% Positiveness
22% Popularity • 61% Danceability • 39% Energy • 16% Liveness
80% Instrumentalness • 33% Positiveness
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Bobby Lyle
Living In The Flow - Radio Edit
88 bpm • D min • 04:34 • -11.64db
15% Popularity • 66% Danceability • 61% Energy • 27% Liveness
68% Instrumentalness • 78% Positiveness
15% Popularity • 66% Danceability • 61% Energy • 27% Liveness
68% Instrumentalness • 78% Positiveness
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Marcus Johnson
88 Ways to Love
88 bpm • F min • 05:00 • -10db
26% Popularity • 60% Danceability • 58% Energy • 9% Liveness
76% Instrumentalness • 76% Positiveness
26% Popularity • 60% Danceability • 58% Energy • 9% Liveness
76% Instrumentalness • 76% Positiveness
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Threestyle
A Little Longer
88 bpm • D# Maj • 04:11 • -10.09db
24% Popularity • 66% Danceability • 48% Energy • 13% Liveness
78% Instrumentalness • 32% Positiveness
24% Popularity • 66% Danceability • 48% Energy • 13% Liveness
78% Instrumentalness • 32% Positiveness
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Michael Franks
Now Love Has No End - featuring Valerie ...
88 bpm • G min • 06:10 • -9.79db
30% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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3rd Force
You Gotta Be Real
90 bpm • F# Maj • 05:54 • -11db
32% Popularity • 66% Danceability • 66% Energy • 8% Liveness
82% Instrumentalness • 41% Positiveness
32% Popularity • 66% Danceability • 66% Energy • 8% Liveness
82% Instrumentalness • 41% Positiveness
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Mark Maxwell
Sweetness
90 bpm • A# min • 04:58 • -11.93db
31% Popularity • 75% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
31% Popularity • 75% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 82% Positiveness
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Dave Grusin
In The Middle Of The Night
91 bpm • F Maj • 05:52 • -14.95db
18% Popularity • 73% Danceability • 42% Energy • 7% Liveness
76% Instrumentalness • 35% Positiveness
18% Popularity • 73% Danceability • 42% Energy • 7% Liveness
76% Instrumentalness • 35% Positiveness
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Najee
Day By Day
87 bpm • F Maj • 05:04 • -12db
43% Popularity • 56% Danceability • 40% Energy • 15% Liveness
5% Instrumentalness • 41% Positiveness
43% Popularity • 56% Danceability • 40% Energy • 15% Liveness
5% Instrumentalness • 41% Positiveness
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Johnny James Dr J
Foolish Heart
91 bpm • C Maj • 03:37 • -6.9db
21% Popularity • 60% Danceability • 60% Energy • 14% Liveness
65% Instrumentalness • 60% Positiveness
21% Popularity • 60% Danceability • 60% Energy • 14% Liveness
65% Instrumentalness • 60% Positiveness
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Cindy Bradley
Lost and Found
91 bpm • C# Maj • 04:22 • -12db
41% Popularity • 71% Danceability • 56% Energy • 34% Liveness
92% Instrumentalness • 66% Positiveness
41% Popularity • 71% Danceability • 56% Energy • 34% Liveness
92% Instrumentalness • 66% Positiveness
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3rd Force
Here Comes The Night
88 bpm • F# Maj • 04:59 • -11.21db
36% Popularity • 65% Danceability • 53% Energy • 18% Liveness
72% Instrumentalness • 61% Positiveness
36% Popularity • 65% Danceability • 53% Energy • 18% Liveness
72% Instrumentalness • 61% Positiveness
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Mark Maxwell
You Are My Lady
88 bpm • G# Maj • 05:12 • -11.5db
25% Popularity • 44% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 42% Positiveness
25% Popularity • 44% Danceability • 50% Energy • 14% Liveness
80% Instrumentalness • 42% Positiveness
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Ronny Jordan
At Last
91 bpm • C Maj • 04:43 • -7db
35% Popularity • 73% Danceability • 65% Energy • 12% Liveness
76% Instrumentalness • 70% Positiveness
35% Popularity • 73% Danceability • 65% Energy • 12% Liveness
76% Instrumentalness • 70% Positiveness
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Eric Darius
Let It Flow
87 bpm • E min • 04:49 • -8.66db
45% Popularity • 78% Danceability • 56% Energy • 10% Liveness
15% Instrumentalness • 79% Positiveness
45% Popularity • 78% Danceability • 56% Energy • 10% Liveness
15% Instrumentalness • 79% Positiveness
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Roberto Vally
On the Down Low
91 bpm • A# min • 04:14 • -7.14db
8% Popularity • 65% Danceability • 73% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
8% Popularity • 65% Danceability • 73% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
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Regina Carter
Hide & Seek (Bahjee Bahjee)
91 bpm • G Maj • 05:06 • -9.97db
8% Popularity • 70% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 70% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Jeff Lorber
By My Side
87 bpm • A min • 05:08 • -12.94db
31% Popularity • 61% Danceability • 44% Energy • 35% Liveness
89% Instrumentalness • 46% Positiveness
31% Popularity • 61% Danceability • 44% Energy • 35% Liveness
89% Instrumentalness • 46% Positiveness
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Carol Albert
Paradigm Shift
87 bpm • D# min • 03:42 • -6.91db
21% Popularity • 71% Danceability • 72% Energy • 6% Liveness
51% Instrumentalness • 79% Positiveness
21% Popularity • 71% Danceability • 72% Energy • 6% Liveness
51% Instrumentalness • 79% Positiveness
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Ken Navarro
When We Dance
91 bpm • G min • 04:24 • -9db
44% Popularity • 34% Danceability • 62% Energy • 9% Liveness
93% Instrumentalness • 73% Positiveness
44% Popularity • 34% Danceability • 62% Energy • 9% Liveness
93% Instrumentalness • 73% Positiveness
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Mark Maxwell
Sexual Healing
91 bpm • G# Maj • 05:31 • -13.5db
27% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 60% Positiveness
27% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 60% Positiveness
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Warren Hill
Take-Out Dreams
86 bpm • C Maj • 05:25 • -9.82db
36% Popularity • 57% Danceability • 63% Energy • 36% Liveness
4% Instrumentalness • 48% Positiveness
36% Popularity • 57% Danceability • 63% Energy • 36% Liveness
4% Instrumentalness • 48% Positiveness
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Rick Braun/Richard Elliot
The Stranger
92 bpm • A# min • 05:55 • -7.25db
8% Popularity • 61% Danceability • 69% Energy • 6% Liveness
75% Instrumentalness • 73% Positiveness
8% Popularity • 61% Danceability • 69% Energy • 6% Liveness
75% Instrumentalness • 73% Positiveness
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Everette Harp
When I Think Of You
92 bpm • C min • 06:08 • -10.69db
24% Popularity • 67% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
24% Popularity • 67% Danceability • 59% Energy • 11% Liveness
3% Instrumentalness • 69% Positiveness
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Thom Rotella
Virtual Insanity
92 bpm • C# Maj • 03:35 • -5.39db
14% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Ronny Jordan
Nite And Day
92 bpm • A Maj • 04:10 • -9db
33% Popularity • 80% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
33% Popularity • 80% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 43% Positiveness
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Mark Maxwell
Mercy, Mercy, Mercy
86 bpm • D# Maj • 05:19 • -11.33db
2% Popularity • 53% Danceability • 51% Energy • 16% Liveness
61% Instrumentalness • 34% Positiveness
2% Popularity • 53% Danceability • 51% Energy • 16% Liveness
61% Instrumentalness • 34% Positiveness
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Warren Hill
Tell Me All Your Secrets
92 bpm • F min • 06:02 • -7db
34% Popularity • 67% Danceability • 66% Energy • 4% Liveness
51% Instrumentalness • 54% Positiveness
34% Popularity • 67% Danceability • 66% Energy • 4% Liveness
51% Instrumentalness • 54% Positiveness
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Jeff Kashiwa
Slow Turn
92 bpm • C Maj • 05:13 • -8.39db
8% Popularity • 66% Danceability • 57% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
8% Popularity • 66% Danceability • 57% Energy • 7% Liveness
77% Instrumentalness • 50% Positiveness
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Vincent Ingala
Ridin' The Wave
92 bpm • G min • 03:45 • -7.14db
22% Popularity • 69% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
22% Popularity • 69% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Club 1600
Stay
92 bpm • B Maj • 04:43 • -8db
47% Popularity • 71% Danceability • 56% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
47% Popularity • 71% Danceability • 56% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
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Jessy J
You're Makin' Me High
92 bpm • C# Maj • 06:23 • -9db
30% Popularity • 86% Danceability • 42% Energy • 21% Liveness
51% Instrumentalness • 66% Positiveness
30% Popularity • 86% Danceability • 42% Energy • 21% Liveness
51% Instrumentalness • 66% Positiveness
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Oli Silk
Tokyo
92 bpm • D Maj • 05:35 • -8db
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
26% Popularity • 65% Danceability • 79% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Fourplay
Still The One
92 bpm • C# min • 05:42 • -13.55db
35% Popularity • 75% Danceability • 44% Energy • 16% Liveness
24% Instrumentalness • 81% Positiveness
35% Popularity • 75% Danceability • 44% Energy • 16% Liveness
24% Instrumentalness • 81% Positiveness
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Philippe Saisse
Masques
92 bpm • E min • 04:59 • -14db
24% Popularity • 56% Danceability • 59% Energy • 9% Liveness
85% Instrumentalness • 55% Positiveness
24% Popularity • 56% Danceability • 59% Energy • 9% Liveness
85% Instrumentalness • 55% Positiveness
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David Sanborn
Spooky
92 bpm • C min • 03:58 • -10.3db
28% Popularity • 79% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 86% Positiveness
28% Popularity • 79% Danceability • 48% Energy • 10% Liveness
80% Instrumentalness • 86% Positiveness
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Grover Washington, Jr.
Soulful Strut - The Top Down Version
92 bpm • G# Maj • 03:20 • -9.49db
29% Popularity • 68% Danceability • 58% Energy • 4% Liveness
51% Instrumentalness • 88% Positiveness
29% Popularity • 68% Danceability • 58% Energy • 4% Liveness
51% Instrumentalness • 88% Positiveness
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Mark Maxwell
Windmills Of Your Mind
86 bpm • F min • 06:12 • -13.08db
25% Popularity • 66% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 64% Positiveness
25% Popularity • 66% Danceability • 36% Energy • 8% Liveness
90% Instrumentalness • 64% Positiveness
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Chris "Big Dog" Davis
Ain't No Mountain High Enough
92 bpm • G# Maj • 04:23 • -6.21db
8% Popularity • 69% Danceability • 74% Energy • 30% Liveness
58% Instrumentalness • 65% Positiveness
8% Popularity • 69% Danceability • 74% Energy • 30% Liveness
58% Instrumentalness • 65% Positiveness
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Phil Casagrande
Walk On By
86 bpm • F Maj • 03:21 • -12.47db
42% Popularity • 58% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
42% Popularity • 58% Danceability • 47% Energy • 12% Liveness
86% Instrumentalness • 56% Positiveness
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Shilts
Say Something
86 bpm • D# Maj • 04:08 • -6db
35% Popularity • 73% Danceability • 65% Energy • 32% Liveness
25% Instrumentalness • 69% Positiveness
35% Popularity • 73% Danceability • 65% Energy • 32% Liveness
25% Instrumentalness • 69% Positiveness
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Mark Johnson
Devotion
86 bpm • C Maj • 04:29 • -11.6db
14% Popularity • 60% Danceability • 35% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
14% Popularity • 60% Danceability • 35% Energy • 13% Liveness
90% Instrumentalness • 26% Positiveness
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Everette Harp
Mercy Mercy Me (The Ecology)
92 bpm • F# min • 02:59 • -7db
30% Popularity • 58% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 58% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Mark Maxwell
Where Is The Love?
92 bpm • G# Maj • 05:01 • -10.29db
30% Popularity • 65% Danceability • 62% Energy • 12% Liveness
92% Instrumentalness • 65% Positiveness
30% Popularity • 65% Danceability • 62% Energy • 12% Liveness
92% Instrumentalness • 65% Positiveness
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Kenny G
Eastside Jam
93 bpm • A# Maj • 05:09 • -12.86db
30% Popularity • 57% Danceability • 33% Energy • 14% Liveness
59% Instrumentalness • 52% Positiveness
30% Popularity • 57% Danceability • 33% Energy • 14% Liveness
59% Instrumentalness • 52% Positiveness
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Warren Hill
Do You Feel What I'm Feeling?
93 bpm • A# min • 05:14 • -7.46db
38% Popularity • 68% Danceability • 57% Energy • 4% Liveness
40% Instrumentalness • 52% Positiveness
38% Popularity • 68% Danceability • 57% Energy • 4% Liveness
40% Instrumentalness • 52% Positiveness
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Bob Mamet
News from the Blues
85 bpm • E min • 04:01 • -12db
32% Popularity • 56% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
32% Popularity • 56% Danceability • 58% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
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Quintin Gerard W.
On A Roll
93 bpm • G min • 04:11 • -9.68db
11% Popularity • 67% Danceability • 57% Energy • 6% Liveness
27% Instrumentalness • 52% Positiveness
11% Popularity • 67% Danceability • 57% Energy • 6% Liveness
27% Instrumentalness • 52% Positiveness
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Everette Harp
I Miss You With Me
93 bpm • E min • 04:51 • -13.35db
10% Popularity • 64% Danceability • 42% Energy • 33% Liveness
67% Instrumentalness • 44% Positiveness
10% Popularity • 64% Danceability • 42% Energy • 33% Liveness
67% Instrumentalness • 44% Positiveness
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Phil Casagrande
Under the Moonlight
93 bpm • A# Maj • 03:03 • -9.57db
30% Popularity • 82% Danceability • 39% Energy • 8% Liveness
40% Instrumentalness • 77% Positiveness
30% Popularity • 82% Danceability • 39% Energy • 8% Liveness
40% Instrumentalness • 77% Positiveness
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Rohan Reid
Laughter In The Rain
93 bpm • F Maj • 03:20 • -11.49db
30% Popularity • 63% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
30% Popularity • 63% Danceability • 48% Energy • 13% Liveness
4% Instrumentalness • 55% Positiveness
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Jazmin Ghent
Amends
93 bpm • C# Maj • 03:24 • -6.31db
44% Popularity • 73% Danceability • 59% Energy • 10% Liveness
54% Instrumentalness • 34% Positiveness
44% Popularity • 73% Danceability • 59% Energy • 10% Liveness
54% Instrumentalness • 34% Positiveness
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Paul Taylor
Pleasure Seeker
93 bpm • B min • 04:29 • -5.67db
46% Popularity • 66% Danceability • 74% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
46% Popularity • 66% Danceability • 74% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Rick Braun/Richard Elliot
All Around the World
85 bpm • D Maj • 05:01 • -12.27db
11% Popularity • 66% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
11% Popularity • 66% Danceability • 38% Energy • 10% Liveness
88% Instrumentalness • 44% Positiveness
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Ronny Jordan
Island Paradise
85 bpm • F min • 05:36 • -7.89db
13% Popularity • 69% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 69% Positiveness
13% Popularity • 69% Danceability • 62% Energy • 11% Liveness
28% Instrumentalness • 69% Positiveness
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Fourplay
Once In The A.M.
85 bpm • C Maj • 06:31 • -14.6db
22% Popularity • 73% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 30% Positiveness
22% Popularity • 73% Danceability • 35% Energy • 10% Liveness
78% Instrumentalness • 30% Positiveness
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Special EFX
Bella
85 bpm • E Maj • 05:00 • -10.5db
15% Popularity • 44% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 44% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 42% Positiveness
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Sekou Bunch
Take Five / In Three
85 bpm • C# Maj • 05:07 • -10.82db
2% Popularity • 54% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
2% Popularity • 54% Danceability • 57% Energy • 11% Liveness
80% Instrumentalness • 58% Positiveness
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Kombo
This Is The Good One
85 bpm • E min • 04:39 • -9.96db
7% Popularity • 54% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 65% Positiveness
7% Popularity • 54% Danceability • 59% Energy • 9% Liveness
84% Instrumentalness • 65% Positiveness
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Dan Siegel
After All
85 bpm • D min • 04:44 • -12.88db
27% Popularity • 49% Danceability • 40% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
27% Popularity • 49% Danceability • 40% Energy • 8% Liveness
3% Instrumentalness • 30% Positiveness
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George Jinda
Just My Imagination
93 bpm • G Maj • 04:51 • -10.97db
27% Popularity • 74% Danceability • 66% Energy • 6% Liveness
62% Instrumentalness • 75% Positiveness
27% Popularity • 74% Danceability • 66% Energy • 6% Liveness
62% Instrumentalness • 75% Positiveness
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Jessy J
Despacito
94 bpm • D Maj • 03:36 • -10.93db
16% Popularity • 48% Danceability • 62% Energy • 23% Liveness
34% Instrumentalness • 58% Positiveness
16% Popularity • 48% Danceability • 62% Energy • 23% Liveness
34% Instrumentalness • 58% Positiveness
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Mark Maxwell
Poinciana
94 bpm • G min • 05:41 • -13.44db
3% Popularity • 63% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
3% Popularity • 63% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 54% Positiveness
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Eric Darius
Back At Cha
94 bpm • F min • 05:32 • -4.7db
27% Popularity • 73% Danceability • 72% Energy • 9% Liveness
83% Instrumentalness • 74% Positiveness
27% Popularity • 73% Danceability • 72% Energy • 9% Liveness
83% Instrumentalness • 74% Positiveness
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Paul Taylor
Allure
94 bpm • E min • 04:53 • -5.54db
14% Popularity • 64% Danceability • 88% Energy • 7% Liveness
84% Instrumentalness • 58% Positiveness
14% Popularity • 64% Danceability • 88% Energy • 7% Liveness
84% Instrumentalness • 58% Positiveness
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Carol Albert
Fire & Water
94 bpm • E min • 04:10 • -8.26db
41% Popularity • 58% Danceability • 73% Energy • 32% Liveness
63% Instrumentalness • 71% Positiveness
41% Popularity • 58% Danceability • 73% Energy • 32% Liveness
63% Instrumentalness • 71% Positiveness
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Andréa Lisa
Vortex
94 bpm • F# min • 03:37 • -6.7db
21% Popularity • 71% Danceability • 59% Energy • 7% Liveness
49% Instrumentalness • 57% Positiveness
21% Popularity • 71% Danceability • 59% Energy • 7% Liveness
49% Instrumentalness • 57% Positiveness
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Eric Marienthal
Easy Street
94 bpm • A# min • 05:17 • -9db
38% Popularity • 75% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 71% Positiveness
38% Popularity • 75% Danceability • 62% Energy • 10% Liveness
72% Instrumentalness • 71% Positiveness
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Mark Maxwell
This Masquerade
84 bpm • F min • 06:26 • -10.41db
21% Popularity • 59% Danceability • 57% Energy • 9% Liveness
18% Instrumentalness • 79% Positiveness
21% Popularity • 59% Danceability • 57% Energy • 9% Liveness
18% Instrumentalness • 79% Positiveness
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George Howard
Baby Come To Me
84 bpm • G# Maj • 06:34 • -8.92db
29% Popularity • 45% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 68% Positiveness
29% Popularity • 45% Danceability • 55% Energy • 6% Liveness
8% Instrumentalness • 68% Positiveness
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Ryan Montano
Future Smooth
84 bpm • G min • 04:26 • -12.21db
15% Popularity • 49% Danceability • 39% Energy • 9% Liveness
98% Instrumentalness • 18% Positiveness
15% Popularity • 49% Danceability • 39% Energy • 9% Liveness
98% Instrumentalness • 18% Positiveness
