Songs like Just One More Chorus by Jamie Steele / Siobhan Miller / Kathy Stewart / Sally Barker / Patsy Seddon
Based on a tempo of (+/- 10%) and a similar genre
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Eric Bogle
Leaving In The Morning
119 bpm • E min • 02:42 • -15.61db
17% Popularity • 42% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 42% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Jamie Steele / Siobhan Miller / Kathy Stewart / Sally Barker / Patsy Seddon
Just One More Chorus
119 bpm • C Maj • 04:12 • -8.28db
0% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 68% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Archie Fisher
Helen of Kirkconnell Lea
119 bpm • A# Maj • 03:32 • -23db
8% Popularity • 40% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
8% Popularity • 40% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 35% Positiveness
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Bloom
Five Little Speckled Frogs
118 bpm • G Maj • 01:26 • -17.72db
10% Popularity • 68% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 68% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Solas
Sraid an Chloig
120 bpm • E Maj • 03:37 • -11.35db
7% Popularity • 54% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 54% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Alaw
Y G'lomen
120 bpm • G min • 03:38 • -11.81db
9% Popularity • 43% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Planxty
Roger O'Hehir - Remastered 2020
120 bpm • C Maj • 05:35 • -7.54db
8% Popularity • 65% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 65% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Rum Ragged
The Dewy Dells of Yarrow
120 bpm • E Maj • 03:56 • -9.72db
21% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 50% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Aoife Scott
What You Do with What You've Got
120 bpm • D Maj • 02:47 • -9db
10% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 58% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Windborne
Pie in the Sky
120 bpm • D Maj • 04:25 • -10.02db
8% Popularity • 74% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 74% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Ben Bailey
November Dream
120 bpm • A min • 03:45 • -8.13db
11% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Traditional
Morning Nightcap (Arr. Lúnasa for Ensem...
118 bpm • G Maj • 04:32 • -13.92db
23% Popularity • 48% Danceability • 39% Energy • 14% Liveness
50% Instrumentalness • 16% Positiveness
23% Popularity • 48% Danceability • 39% Energy • 14% Liveness
50% Instrumentalness • 16% Positiveness
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The McCalmans
The Highland Road
118 bpm • A# min • 02:08 • -11.51db
13% Popularity • 69% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 69% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Malinky
The Bonnie Lass Of Fyvie
118 bpm • D Maj • 05:07 • -9db
25% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 59% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Hò-rò
Òran an Amadain Bhòidhich
120 bpm • D Maj • 03:48 • -16.03db
12% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 41% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Cara
The King and the Fair Maid
120 bpm • A Maj • 04:16 • -8.25db
8% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 56% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Archie Fisher
The Presence
120 bpm • A# Maj • 02:14 • -25.11db
9% Popularity • 46% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 46% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Barrule
The King of the Sea
120 bpm • A min • 03:38 • -7.41db
19% Popularity • 36% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 36% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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gearoid mccarthy
The Auld Triangle
118 bpm • A# Maj • 03:14 • -23.15db
20% Popularity • 57% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 57% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jez Lowe & The Bad Pennies
These Coal Town Days
117 bpm • G Maj • 03:02 • -16db
13% Popularity • 56% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 56% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Gothard Sisters
A Girl You Don't Meet Every Day
117 bpm • C Maj • 03:32 • -11.67db
13% Popularity • 46% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 46% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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DÃ imh
Oran an Tombaca
117 bpm • C min • 03:24 • -8.82db
14% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 51% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Kathryn Tickell
Between the Piers - Instrumental
121 bpm • F Maj • 03:26 • -8.42db
7% Popularity • 17% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 17% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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The Teacups
The Weary Cutters
117 bpm • D# Maj • 04:34 • -11.87db
9% Popularity • 62% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
9% Popularity • 62% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Boys Of The Lough
Farewell And Remember Me
117 bpm • B Maj • 02:56 • -15db
12% Popularity • 36% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 36% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 40% Positiveness
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Eleanor Shanley
Her Mantle so Green
117 bpm • C# Maj • 04:34 • -10db
28% Popularity • 62% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 62% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Malinky
When Margaret Was Eleven
121 bpm • E Maj • 05:09 • -11.24db
8% Popularity • 54% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 54% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ted Egan
And the Band Played Waltzing Matilda
117 bpm • C Maj • 07:11 • -12.09db
9% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Karan Casey
The Creggan White Hare
122 bpm • D Maj • 04:17 • -9db
12% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 50% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Maddy Prior
Mother and Child - 1994 Remaster
117 bpm • E min • 01:55 • -20.22db
17% Popularity • 64% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 64% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Robyn Stapleton
Comin’ Through the Rye
116 bpm • E Maj • 02:40 • -7db
18% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 48% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Gráda
Cooler at the Edge
122 bpm • C Maj • 04:47 • -9.25db
17% Popularity • 64% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 64% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Malinky
The Fairy King's Courtship
121 bpm • D Maj • 03:38 • -11.74db
9% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 61% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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The Teacups
Dogger Bank
122 bpm • G Maj • 02:29 • -6db
20% Popularity • 91% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 91% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Robin Jeffrey
Click Go the Shears
116 bpm • C Maj • 02:02 • -12.6db
10% Popularity • 83% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 83% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Matthews' Southern Comfort
Find the Cost of Freedom
122 bpm • G Maj • 01:28 • -12.51db
10% Popularity • 33% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 33% Danceability • 24% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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FullSet
The Bonnie House of Airlie
116 bpm • A Maj • 04:32 • -5.78db
8% Popularity • 69% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 69% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Bernadette Morris
Tá mo Chleamhnas Déanta
116 bpm • A# Maj • 02:51 • -9.21db
16% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Malinky
Sleepytoon
116 bpm • C Maj • 03:14 • -8.41db
8% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 73% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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The Fisherman’s Friends
England
116 bpm • E Maj • 04:17 • -10.55db
21% Popularity • 74% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 74% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Craobh Rua
The Road to Clady
116 bpm • E min • 03:16 • -5.98db
15% Popularity • 54% Danceability • 51% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
15% Popularity • 54% Danceability • 51% Energy • 25% Liveness
1% Instrumentalness • 66% Positiveness
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CaitrÃona Canavan
My Mother Told Me
116 bpm • C Maj • 01:17 • -4.76db
9% Popularity • 68% Danceability • 47% Energy • 39% Liveness
3% Instrumentalness • 92% Positiveness
9% Popularity • 68% Danceability • 47% Energy • 39% Liveness
3% Instrumentalness • 92% Positiveness
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Jackie Oates
Brigg Fair
115 bpm • B min • 03:19 • -12.63db
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
27% Popularity • 40% Danceability • 12% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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William Alpenfels
Say Goodbye
122 bpm • C Maj • 03:31 • -16.82db
20% Popularity • 57% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 54% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 54% Positiveness
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The Bothy Band
The Heathery Hills of Yarrow
115 bpm • E Maj • 05:08 • -11.87db
8% Popularity • 40% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 40% Danceability • 23% Energy • 69% Liveness
0% Instrumentalness • 13% Positiveness
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The Teacups
Poaching Song
115 bpm • C# Maj • 02:20 • -9.12db
12% Popularity • 79% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 79% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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The McCalmans
Willie's Gane Tae Melville Castle
115 bpm • G# Maj • 02:13 • -10.23db
15% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 77% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Ross Kennedy
Bay Of Storms
115 bpm • D# Maj • 04:04 • -12.66db
25% Popularity • 53% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 53% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Jackie Oates
Caroline and Her Young Sailor Bold
123 bpm • B Maj • 04:00 • -9.55db
10% Popularity • 38% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 38% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Fiona Hunter
Jock Hawk's Adventures in Glasgow
123 bpm • B Maj • 04:10 • -9.11db
11% Popularity • 79% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 79% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Knokynhayr
Columbina & Harlequin
123 bpm • D Maj • 03:11 • -20.18db
7% Popularity • 52% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
7% Popularity • 52% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Skara Brae
An CailÃn Rua
123 bpm • F Maj • 02:41 • -16db
26% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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I AM REKAB
Days Gone
115 bpm • D Maj • 03:11 • -9.91db
17% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 60% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Salt House
Lord Ullin's Daughter
123 bpm • A# min • 04:01 • -11.76db
17% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
17% Popularity • 56% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Kieran Davenport
Let the People Sing
115 bpm • G# Maj • 03:47 • -14.48db
12% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 43% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Runa
Indiana
115 bpm • G min • 05:09 • -10.2db
11% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 69% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Rutter
Lord Maxwell’s Last Goodnight
115 bpm • A Maj • 03:36 • -8.39db
8% Popularity • 46% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 46% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Arcady
John O'Dreams
115 bpm • E Maj • 03:42 • -18.22db
28% Popularity • 54% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 54% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Tim Hart & Maddy Prior
Adieu Sweet Lovely Nancy
123 bpm • G# Maj • 02:36 • -11.46db
10% Popularity • 64% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 64% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Ruskavellas
The Shearers
115 bpm • F Maj • 02:40 • -14.53db
14% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 64% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Battlefield Band
Blue Bonnets Over The Border / Khazi
123 bpm • A# Maj • 03:52 • -8.87db
10% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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The Jeremiahs
The Wild Barrow Road
115 bpm • C Maj • 03:47 • -6.22db
9% Popularity • 44% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 52% Positiveness
9% Popularity • 44% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 52% Positiveness
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Eric Bogle
The Sound of Singing
114 bpm • E min • 02:32 • -17.92db
17% Popularity • 64% Danceability • 17% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 64% Danceability • 17% Energy • 51% Liveness
0% Instrumentalness • 41% Positiveness
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Lush Fresh Handmade Sound
The Smuggler
114 bpm • F Maj • 08:55 • -14.4db
8% Popularity • 29% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
8% Popularity • 29% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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Bella Hardy
The Derbyshire Miller
114 bpm • A Maj • 02:30 • -8db
19% Popularity • 80% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
19% Popularity • 80% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 75% Positiveness
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Jackie Oates
Lavenders Blue/Mazurka
114 bpm • G Maj • 03:15 • -9.68db
23% Popularity • 66% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 66% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Jack Warnock
The Faughan Side
114 bpm • E Maj • 03:42 • -12db
9% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ninebarrow
Cast to the Waves
114 bpm • D Maj • 04:45 • -14.41db
8% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 48% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Caladh Nua
Song - Banks of the Lee
114 bpm • D Maj • 04:14 • -12.94db
24% Popularity • 61% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 61% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Billy Ross
I Hae a Wife O My Ain
114 bpm • C min • 01:37 • -10.52db
9% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 63% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Ruth Notman
Waters of Tyne
124 bpm • A min • 03:09 • -11.68db
13% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 33% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The McCalmans
Johnnie Cope
114 bpm • B min • 02:15 • -10db
31% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Tannahill Weavers
Capernaum
114 bpm • A# min • 02:33 • -12db
15% Popularity • 42% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 42% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Bob Fox
Going to the Mine
125 bpm • E Maj • 03:31 • -23db
13% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
13% Popularity • 49% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Caladh Nua
The Doll in Cash's Window
113 bpm • C Maj • 02:43 • -5.1db
23% Popularity • 63% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 63% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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HONEYDEW
Cardboard Wine
125 bpm • C# Maj • 03:38 • -16.37db
18% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Breabach
Kilbowie Cottage
113 bpm • A# Maj • 04:33 • -8db
15% Popularity • 29% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 29% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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The McCalmans
Fare Ye Weel Ye Mormond Braes
113 bpm • D# Maj • 02:10 • -10.18db
10% Popularity • 63% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 63% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Martin Simpson
Fair Annie
125 bpm • D# Maj • 04:04 • -10.49db
12% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 46% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Kilkenny Band
Pastures of Plenty
113 bpm • C min • 02:47 • -6.5db
12% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 70% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Tim Hart & Maddy Prior
Farewell Nancy
125 bpm • G# min • 02:04 • -14.52db
11% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 54% Danceability • 11% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Annmarie O'Riordan
The Flower That Shattered the Stone
113 bpm • C Maj • 02:45 • -9.34db
14% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Diane Taraz
O Say, Bonny Lass
113 bpm • C Maj • 02:12 • -15.1db
8% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Marcel Victor
Rocky Mountain
113 bpm • G Maj • 04:03 • -21.84db
19% Popularity • 41% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 41% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Magpie Lane
The Beverly Maid and the Tinker
113 bpm • F Maj • 02:17 • -11db
18% Popularity • 76% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 76% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Virginia Company
Rosin the Beau
113 bpm • G Maj • 02:54 • -12.66db
11% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 58% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Arcady
The Rambling Irishman
112 bpm • F# Maj • 03:33 • -13.41db
21% Popularity • 64% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 64% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Seamus Begley &Tim Edey
Follow the Heron Home
126 bpm • B Maj • 03:19 • -14.05db
13% Popularity • 45% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 45% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Kathleen MacInnes
Gur Milis Mòrag
126 bpm • G Maj • 03:26 • -14.81db
18% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 34% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Renaissance
Blessing In Disguise
112 bpm • F Maj • 03:42 • -18.13db
8% Popularity • 40% Danceability • 7% Energy • 94% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 40% Danceability • 7% Energy • 94% Liveness
0% Instrumentalness • 20% Positiveness
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Magpie Lane
As I Walked Through the Meadows
112 bpm • F Maj • 02:14 • -13db
10% Popularity • 70% Danceability • 3% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 70% Danceability • 3% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Battlefield Band
The Last Trip Home / The Luckenbooth
112 bpm • D Maj • 04:59 • -14db
17% Popularity • 40% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
17% Popularity • 40% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Gráda
Tread Softly
112 bpm • E Maj • 03:57 • -13.42db
15% Popularity • 55% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 55% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Martin Simpson
Cherry Tree Carol
126 bpm • D Maj • 04:33 • -11.51db
19% Popularity • 49% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 49% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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The McCalmans
Lochs of the Tay
127 bpm • C# Maj • 03:46 • -16.08db
9% Popularity • 71% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 71% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Plethyn
Mi Gysgi Di 'Maban
112 bpm • F Maj • 03:05 • -12.35db
9% Popularity • 49% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 49% Danceability • 13% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Danú
County Down
127 bpm • F Maj • 04:50 • -14.23db
25% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 48% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Jim Reid
The Wild Geese
111 bpm • A# Maj • 03:31 • -13.97db
15% Popularity • 41% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 41% Danceability • 18% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
