Songs like Just Say Goodbye - Single Version by Esther Phillips
Based on a tempo of (+/- 10%) and a similar genre
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Maxine Brown
One Step at a Time
108 bpm • G min • 02:04 • -11.96db
20% Popularity • 72% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 72% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Bettye Swann
Make Me Yours
108 bpm • D# Maj • 03:15 • -8.13db
42% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
42% Popularity • 72% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Esther Phillips
Just Say Goodbye - Single Version
108 bpm • D min • 02:21 • -8.57db
11% Popularity • 72% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 72% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 84% Positiveness
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The Falcons
I'm A Fool, I Must Love You
109 bpm • C Maj • 02:20 • -10.01db
13% Popularity • 67% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 67% Danceability • 48% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Betty Wright
I Love the Way You Love
107 bpm • E min • 03:06 • -9db
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Mable John
Wait You Dog
109 bpm • D Maj • 02:07 • -12.41db
15% Popularity • 74% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
15% Popularity • 74% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Baby Washington
It'll Never Be Over For Me
107 bpm • E Maj • 03:08 • -12.07db
17% Popularity • 66% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 66% Danceability • 36% Energy • 26% Liveness
0% Instrumentalness • 86% Positiveness
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Bettye Swann
(My Heart Is) Closed For The Season
108 bpm • G min • 03:02 • -10.19db
32% Popularity • 72% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 72% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Esther Phillips
Makin' Whoopee
109 bpm • G min • 02:43 • -11.23db
17% Popularity • 63% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 63% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Margie Joseph
I Can't Move No Mountains
107 bpm • C# Maj • 02:46 • -13.33db
25% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 48% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Jimmy James & The Vagabonds
Ain't No Big Thing
106 bpm • F# min • 02:41 • -7.95db
9% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 56% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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The Emotions
I Like It
106 bpm • C Maj • 02:27 • -13.92db
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Bettye LaVette
Let Me Down Easy
106 bpm • B min • 02:47 • -2.36db
35% Popularity • 38% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 38% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
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Bettye Swann
Today I Started Loving You Again
107 bpm • G# Maj • 02:40 • -11.56db
19% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
19% Popularity • 56% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Esther Phillips
I've Forgotten More Than You'll Ever Kno...
109 bpm • D# Maj • 03:10 • -11db
16% Popularity • 55% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 45% Positiveness
16% Popularity • 55% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 45% Positiveness
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Tobi Lark
Challenge My Love
110 bpm • B Maj • 03:24 • -8.12db
8% Popularity • 72% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 72% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
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Wade Flemons
That Other Place
110 bpm • E min • 02:27 • -12.93db
11% Popularity • 58% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 58% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Lyn Collins
Fly Me To The Moon
110 bpm • C Maj • 02:41 • -7db
17% Popularity • 75% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 75% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Garnet Mimms
Look Away
110 bpm • A Maj • 02:33 • -13.23db
14% Popularity • 62% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 62% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Sugar Pie DeSanto
It's Done And Forgotten
106 bpm • A min • 02:33 • -4.66db
33% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 69% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Esther Phillips
Confessin' the Blues
109 bpm • F min • 02:58 • -11.07db
3% Popularity • 65% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
3% Popularity • 65% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Bettye Swann
Don't Look Back
111 bpm • D Maj • 02:50 • -7.71db
17% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
26% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Lyn Collins
Me And My Baby Got A Good Thing Goin'
105 bpm • C Maj • 03:18 • -9.1db
22% Popularity • 79% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 79% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 79% Positiveness
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Baby Washington
I Can't Wait Until I See My Baby
112 bpm • G Maj • 02:34 • -12db
25% Popularity • 74% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 74% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Irma Thomas
Cheater Man - Alternate Mix
111 bpm • C# Maj • 02:32 • -11.34db
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
29% Popularity • 66% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Esther Phillips
Just Say Goodbye
109 bpm • D min • 02:17 • -12.03db
29% Popularity • 72% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 72% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 82% Positiveness
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The Sweet Inspirations
I'm Blue
112 bpm • D Maj • 02:09 • -19db
29% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 76% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Laura Lee
It Ain't What You Do (But How You Do It)
112 bpm • F min • 02:03 • -13db
26% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 83% Danceability • 46% Energy • 57% Liveness
0% Instrumentalness • 90% Positiveness
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Ruby Johnson
Weak Spot
112 bpm • F Maj • 02:31 • -8.87db
25% Popularity • 66% Danceability • 50% Energy • 52% Liveness
4% Instrumentalness • 73% Positiveness
25% Popularity • 66% Danceability • 50% Energy • 52% Liveness
4% Instrumentalness • 73% Positiveness
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Arthur Conley
I'm Gonna Forget About You
112 bpm • F# Maj • 02:14 • -11.16db
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 69% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby McClure
Peak Of Love
112 bpm • D Maj • 02:55 • -10.88db
6% Popularity • 76% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
6% Popularity • 76% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Esther Phillips
The Shadow of Your Smile
106 bpm • D# Maj • 02:06 • -12.44db
15% Popularity • 35% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 35% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Sugar Pie DeSanto
Strange Feeling
104 bpm • F Maj • 02:22 • -8.41db
33% Popularity • 60% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 60% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Betty Wright
He's Bad, Bad, Bad
113 bpm • B min • 02:25 • -8db
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Sam & Dave
Don't Turn Your Heater On
112 bpm • G# Maj • 02:15 • -13.94db
35% Popularity • 92% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 92% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Bettye Swann
I'm Lonely For You
103 bpm • A min • 02:43 • -12.42db
29% Popularity • 57% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 57% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Marlena Shaw
It Sure Is Groovy
113 bpm • C min • 02:33 • -11.08db
12% Popularity • 61% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 61% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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Esther Phillips
I Can't Help It (If I'm Still in Love wi...
105 bpm • G# Maj • 03:05 • -10.97db
17% Popularity • 47% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
17% Popularity • 47% Danceability • 25% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Derek Martin
Soul Power
113 bpm • G min • 02:52 • -5.85db
9% Popularity • 49% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 49% Danceability • 70% Energy • 43% Liveness
0% Instrumentalness • 39% Positiveness
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Ray Pollard
The Drifter
103 bpm • D min • 03:01 • -7.96db
26% Popularity • 42% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 42% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 52% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Mitty Collier
Git Out
113 bpm • B min • 03:03 • -7db
23% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 68% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Bobby Moore & The Rhythm Aces
Hey Mr D.J.
114 bpm • F min • 02:52 • -11db
12% Popularity • 76% Danceability • 57% Energy • 16% Liveness
19% Instrumentalness • 86% Positiveness
12% Popularity • 76% Danceability • 57% Energy • 16% Liveness
19% Instrumentalness • 86% Positiveness
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Esther Phillips
Do Right Woman, Do Right Man
104 bpm • G Maj • 03:25 • -9.73db
17% Popularity • 45% Danceability • 32% Energy • 25% Liveness
1% Instrumentalness • 25% Positiveness
17% Popularity • 45% Danceability • 32% Energy • 25% Liveness
1% Instrumentalness • 25% Positiveness
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Marlena Shaw
Liberation Conversation
114 bpm • A# min • 02:02 • -10db
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
39% Popularity • 80% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 97% Positiveness
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Bettye Swann
When the Game Is Played on You - Single ...
102 bpm • E min • 03:08 • -7.79db
15% Popularity • 69% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 69% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Candi Staton
I'd Rather Be an Old Man's Sweetheart (T...
103 bpm • A# Maj • 02:09 • -16db
32% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Margie Joseph
One More Chance
114 bpm • F Maj • 02:24 • -7db
15% Popularity • 46% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 46% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Kenny Wells
Isn't It Just a Shame
115 bpm • F Maj • 02:38 • -5.16db
11% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Esther Phillips
C.C. Rider
103 bpm • F min • 02:44 • -11.56db
3% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bobby Womack
What Is This - Original Mix
115 bpm • E Maj • 02:32 • -7.88db
31% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 70% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Bettye Swann
Don't Touch Me
102 bpm • A Maj • 02:33 • -13.94db
22% Popularity • 58% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 57% Positiveness
22% Popularity • 58% Danceability • 28% Energy • 9% Liveness
11% Instrumentalness • 57% Positiveness
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The Apollas
Seven Days
102 bpm • F Maj • 02:40 • -8.65db
11% Popularity • 62% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 62% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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LaVern Baker
Wrapped Tied & Tangled
115 bpm • F Maj • 02:06 • -5db
14% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 73% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Inez & Charlie Foxx
La De Da I Love You
115 bpm • D Maj • 02:23 • -6.58db
16% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Esther Phillips
Release Me
114 bpm • C# Maj • 03:19 • -12.46db
52% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
52% Popularity • 43% Danceability • 24% Energy • 8% Liveness
6% Instrumentalness • 41% Positiveness
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Erma Franklin
Baby I Love You
102 bpm • C Maj • 02:48 • -7.37db
15% Popularity • 71% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 71% Danceability • 63% Energy • 67% Liveness
0% Instrumentalness • 83% Positiveness
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The Marvelettes
The Hunter Gets Captured By The Game
115 bpm • B min • 02:50 • -11.43db
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Irma Thomas
We Got Something Good
115 bpm • C Maj • 02:34 • -13.85db
21% Popularity • 70% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 70% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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September Jones
I'm Coming Home
115 bpm • C# Maj • 02:48 • -10.97db
16% Popularity • 62% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 62% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Marlena Shaw
Woman Of The Ghetto
101 bpm • A min • 06:02 • -12.69db
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 64% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Esther Phillips
I've Never Found a Man (To Love Me Like ...
115 bpm • C Maj • 03:24 • -8.15db
19% Popularity • 64% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 64% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Erma Franklin
Light My Fire
115 bpm • C# Maj • 02:44 • -9db
32% Popularity • 63% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
32% Popularity • 63% Danceability • 60% Energy • 10% Liveness
2% Instrumentalness • 82% Positiveness
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Veda Brown
Short Stopping
101 bpm • A# Maj • 02:19 • -9.09db
15% Popularity • 91% Danceability • 53% Energy • 7% Liveness
17% Instrumentalness • 95% Positiveness
15% Popularity • 91% Danceability • 53% Energy • 7% Liveness
17% Instrumentalness • 95% Positiveness
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The Soul Survivors
Mama Soul
116 bpm • F min • 02:37 • -7.37db
11% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 32% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Clark
I Want To Go Back There Again - Single V...
116 bpm • F Maj • 02:34 • -13.17db
17% Popularity • 62% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 62% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Barbara Lewis
Thankful for What I've Got
116 bpm • C Maj • 02:47 • -17db
21% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Esther Phillips
Just out of Reach
102 bpm • G# Maj • 03:07 • -10.91db
13% Popularity • 39% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 39% Danceability • 32% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Major Lance
Since I Lost My Baby’s Love
116 bpm • C Maj • 03:21 • -9.31db
14% Popularity • 81% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 81% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
I Don't Wanna Fuss
117 bpm • A Maj • 03:20 • -8.3db
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 80% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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The Marvelettes
Destination: Anywhere
117 bpm • G min • 02:38 • -8db
33% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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The Emotions
Going On Strike
117 bpm • B Maj • 02:37 • -15db
9% Popularity • 53% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 53% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Lyn Collins
Wheels Of Life
117 bpm • E min • 03:05 • -4.93db
16% Popularity • 82% Danceability • 55% Energy • 31% Liveness
2% Instrumentalness • 96% Positiveness
16% Popularity • 82% Danceability • 55% Energy • 31% Liveness
2% Instrumentalness • 96% Positiveness
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Esther Phillips
'Tis Autumn
115 bpm • G Maj • 02:26 • -11.39db
16% Popularity • 45% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 45% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Willie Hutch
Lucky to Be Loved by You
117 bpm • C# min • 02:55 • -6db
26% Popularity • 62% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 62% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Timi Yuro
It'll Never Be Over For Me
117 bpm • C min • 02:55 • -10.39db
32% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Mitty Collier
Pain
118 bpm • A# min • 02:31 • -7.47db
24% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
24% Popularity • 74% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Major Lance
Rhythm
118 bpm • C# Maj • 02:20 • -8.93db
20% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 67% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Dottie & Millie
Talkin' About My Baby
118 bpm • F min • 02:32 • -7.43db
9% Popularity • 76% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 76% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Esther Phillips
I Really Don't Want to Know
115 bpm • C Maj • 02:02 • -10.22db
15% Popularity • 46% Danceability • 35% Energy • 7% Liveness
21% Instrumentalness • 43% Positiveness
15% Popularity • 46% Danceability • 35% Energy • 7% Liveness
21% Instrumentalness • 43% Positiveness
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Bobby Sheen
Something New to Do
118 bpm • G Maj • 02:33 • -9.47db
24% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Baby Washington
That's How Heartaches Are Made
99 bpm • C# min • 02:41 • -11.22db
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 54% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Mable John
I'm A Big Girl Now
118 bpm • F Maj • 02:28 • -14.22db
17% Popularity • 64% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
17% Popularity • 64% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 33% Positiveness
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Leon Haywood
Soul Cargo
118 bpm • A min • 03:40 • -8db
8% Popularity • 74% Danceability • 67% Energy • 91% Liveness
88% Instrumentalness • 69% Positiveness
8% Popularity • 74% Danceability • 67% Energy • 91% Liveness
88% Instrumentalness • 69% Positiveness
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Brenda Holloway
Just Look What You've Done - Single Vers...
118 bpm • D min • 02:54 • -10.31db
26% Popularity • 77% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 77% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Esther Phillips
Nobody but You
116 bpm • F Maj • 02:50 • -7.93db
5% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
5% Popularity • 50% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Maxine Brown
Oh No Not My Baby
99 bpm • G# Maj • 02:37 • -12.52db
35% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 58% Danceability • 34% Energy • 51% Liveness
0% Instrumentalness • 74% Positiveness
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Candi Staton
As Long as He Takes Care of Home
118 bpm • A Maj • 03:21 • -11.26db
17% Popularity • 80% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 80% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Tobi Lark
Talkin' About Love
118 bpm • C Maj • 02:29 • -6.04db
10% Popularity • 76% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 76% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Betty Everett
Hands Of
99 bpm • D# Maj • 01:59 • -10.58db
13% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
13% Popularity • 82% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Major Lance
I Just Can't Help It
119 bpm • A Maj • 02:26 • -11.1db
14% Popularity • 88% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
14% Popularity • 88% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 95% Positiveness
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Esther Phillips
Am I That Easy to Forget
100 bpm • A# Maj • 02:46 • -9.97db
24% Popularity • 42% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
24% Popularity • 42% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
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Maxine Brown
Yesterday's Kisses
118 bpm • G# Maj • 02:30 • -9.26db
10% Popularity • 76% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 76% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Garnet Mimms
Looking For You
119 bpm • A# Maj • 02:25 • -13.27db
28% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 64% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Oscar Mack
Don't Be Afraid Of Love
119 bpm • G Maj • 02:28 • -11.09db
9% Popularity • 73% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 73% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Bobby Womack
I'm A Midnight Mover
119 bpm • A Maj • 02:02 • -10.41db
42% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
42% Popularity • 77% Danceability • 54% Energy • 9% Liveness
3% Instrumentalness • 93% Positiveness
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The Dynells
Call on Me
119 bpm • C Maj • 02:07 • -6.48db
14% Popularity • 66% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 66% Danceability • 59% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
