Songs like Just the Way You Are by Maureen Carol King
Based on a tempo of (+/- 10%) and a similar genre
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Lydia Gray
And I Love Him
130 bpm • D min • 03:10 • -9.69db
20% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
20% Popularity • 76% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Anders Wängdahl
Morning
130 bpm • C Maj • 04:16 • -9.55db
13% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 33% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Anjani
I'd Still Have You
130 bpm • C Maj • 02:59 • -17.91db
9% Popularity • 44% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 44% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Love music 80s
So Long Ago
130 bpm • C Maj • 03:53 • -7.51db
10% Popularity • 56% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 56% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 22% Positiveness
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Maureen Carol King
Just the Way You Are
130 bpm • F Maj • 05:41 • -8.75db
5% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
5% Popularity • 64% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Cincotti
Up On The Roof
130 bpm • G Maj • 02:53 • -10.4db
37% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Shelby Lynne
You Don't Have To Say You Love Me
130 bpm • A Maj • 04:11 • -16db
45% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
45% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Vina Morales
Nobody Does It Better
130 bpm • A# Maj • 03:25 • -13.88db
9% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 39% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Roman Davila
Circus
130 bpm • G# min • 03:41 • -13.28db
12% Popularity • 51% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
12% Popularity • 51% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Renee Olstead
Breaking up Is Hard to Do
131 bpm • F Maj • 04:11 • -10.83db
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Lani Hall
Vincent
129 bpm • E Maj • 05:57 • -19.26db
14% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 44% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Remi Lemarchand
Lovesong
129 bpm • A# min • 02:15 • -12.01db
9% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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David Foster
The Bodyguard Medley - Live
129 bpm • B Maj • 06:38 • -9.55db
24% Popularity • 34% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 34% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Christy Baron
Got to Get You Into My Life
129 bpm • A# min • 03:15 • -17.22db
18% Popularity • 78% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 78% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Kris Russell
I Concentrate On You
129 bpm • F min • 05:13 • -8.96db
24% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 42% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Petra Vlková & Band
Nowhere Man
129 bpm • E Maj • 02:30 • -12.29db
23% Popularity • 66% Danceability • 29% Energy • 10% Liveness
26% Instrumentalness • 23% Positiveness
23% Popularity • 66% Danceability • 29% Energy • 10% Liveness
26% Instrumentalness • 23% Positiveness
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Diana Drew
Just The Way You Look Tonight
131 bpm • G# Maj • 03:55 • -13db
12% Popularity • 48% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 48% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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William Goldstein
Wherever Love Takes Me
131 bpm • A# Maj • 03:42 • -13.33db
10% Popularity • 51% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 51% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Christopher & Frank
It Might as Well Be True
128 bpm • A Maj • 05:10 • -16db
14% Popularity • 62% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 62% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Jose Pimiento
As I Release
132 bpm • C Maj • 01:52 • -9db
16% Popularity • 55% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 55% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Jane Duboc
Radio Ga Ga
128 bpm • A Maj • 04:27 • -10.94db
30% Popularity • 54% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 54% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
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Maureen Carol King
Fly Me to the Moon
128 bpm • F Maj • 05:18 • -17.13db
0% Popularity • 65% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 65% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Kurt Elling
Never Say Goodbye (For Jodi)
128 bpm • D min • 05:33 • -13db
11% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Dave Mohan
Arioso in Red
132 bpm • A Maj • 04:32 • -16.06db
11% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 30% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jessy J
We Kissed
132 bpm • C Maj • 02:50 • -8.91db
10% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 62% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Soul&Roll
I Love You Just the Way You Are
132 bpm • A Maj • 04:30 • -8.47db
21% Popularity • 77% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
21% Popularity • 77% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Cordi Li
With You and Me
128 bpm • E Maj • 04:02 • -14.02db
14% Popularity • 64% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 64% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
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Maureen Carol King
East of the Sun
132 bpm • A# Maj • 05:03 • -12.06db
1% Popularity • 72% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
1% Popularity • 72% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 36% Positiveness
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Joycez
Het Is Zoals Het Is
128 bpm • D min • 04:20 • -5db
12% Popularity • 61% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 61% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Frank Sinatra
You And Me (We Wanted It All)
128 bpm • G Maj • 04:09 • -12.53db
30% Popularity • 27% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 27% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Zoe Tyler
You Are Always In My Heart. Written By D...
133 bpm • D# Maj • 03:49 • -9.55db
24% Popularity • 36% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 36% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Healey Badger
You
133 bpm • G# Maj • 03:57 • -8.96db
23% Popularity • 37% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
23% Popularity • 37% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Wilson Phillips
Good Vibrations
133 bpm • A# Maj • 03:45 • -6.84db
25% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Queen Latifah
Poetry Man
133 bpm • D min • 04:39 • -9.12db
25% Popularity • 49% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 49% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Bill Cantos
Love Wins
127 bpm • F min • 04:14 • -7.32db
10% Popularity • 84% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 84% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Shirley Horn
Solitary Moon
133 bpm • A min • 05:05 • -15.15db
19% Popularity • 32% Danceability • 19% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
19% Popularity • 32% Danceability • 19% Energy • 14% Liveness
5% Instrumentalness • 14% Positiveness
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Deni Hines
Im Not in Love
134 bpm • E Maj • 06:02 • -11.98db
29% Popularity • 53% Danceability • 55% Energy • 6% Liveness
10% Instrumentalness • 18% Positiveness
29% Popularity • 53% Danceability • 55% Energy • 6% Liveness
10% Instrumentalness • 18% Positiveness
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Blake Shelton
Wildflower - Live
126 bpm • D Maj • 04:22 • -11.99db
32% Popularity • 48% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 48% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 13% Positiveness
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Pop up to Jazz
Isn´t she loveley
134 bpm • D# Maj • 03:54 • -15db
9% Popularity • 52% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 52% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Ilona Knopfler
Unchain My Heart
126 bpm • C min • 04:47 • -10.33db
12% Popularity • 70% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 70% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Janet Sereno
Where Do Broken Hearts Go
134 bpm • C Maj • 03:47 • -12.12db
9% Popularity • 57% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 57% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Carmen Cuesta-Loeb
La Bossa De Kris - Toots Thielemans
126 bpm • E min • 04:00 • -7db
24% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 68% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Leneir Fletcher
Some Children See Him
134 bpm • G# Maj • 02:29 • -13db
10% Popularity • 24% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 24% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Gazarek
You Are My Sunshine
126 bpm • C Maj • 03:38 • -8.44db
8% Popularity • 56% Danceability • 43% Energy • 90% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 56% Danceability • 43% Energy • 90% Liveness
0% Instrumentalness • 48% Positiveness
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Gilbert O'Sullivan
I Guess I'll Always Love You - Remix
126 bpm • C Maj • 03:37 • -7.49db
31% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 62% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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James Ingram
Everything Must Change
126 bpm • G# Maj • 04:50 • -11.42db
22% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 56% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Stephen Bishop
New York In The Fifties
126 bpm • C Maj • 03:53 • -12.81db
16% Popularity • 71% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
16% Popularity • 71% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Gordon Haskell
More Than That
126 bpm • C Maj • 04:02 • -6.62db
10% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Harriet
She's out of My Life
126 bpm • D Maj • 03:26 • -17.35db
21% Popularity • 45% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 45% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Jamie Lancaster
Joyride
134 bpm • C Maj • 04:13 • -8.39db
14% Popularity • 48% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 48% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Owen Colclough
Bigger Love
126 bpm • D# Maj • 04:18 • -11.67db
16% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 61% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Gene Miller
From Yawn 'Till Dawn
135 bpm • D Maj • 03:01 • -13.05db
10% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 56% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Jonny Blu
Girl From Ipanema
134 bpm • D# Maj • 02:54 • -11db
26% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
26% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Sam Bailey
Lord Is It Mine
125 bpm • A# Maj • 03:54 • -6.9db
10% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Junodori
No Mistakes On The Dancefloor
135 bpm • A Maj • 03:41 • -12.76db
14% Popularity • 37% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 37% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Wilson Phillips
Wouldn't It Be Nice
125 bpm • G min • 02:45 • -5.51db
24% Popularity • 60% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 60% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Joyce Cooling
Carry On
125 bpm • D Maj • 04:24 • -11.85db
10% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
10% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Gene Miller
From Yawn 'Till Dawn (instrumental)
135 bpm • D Maj • 03:01 • -14.24db
9% Popularity • 54% Danceability • 10% Energy • 8% Liveness
43% Instrumentalness • 17% Positiveness
9% Popularity • 54% Danceability • 10% Energy • 8% Liveness
43% Instrumentalness • 17% Positiveness
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Noel Paul Stookey
Wedding Song (There Is Love)
135 bpm • D# Maj • 03:46 • -11.82db
41% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
41% Popularity • 52% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Jay Graydon
After The Love Has Gone
125 bpm • F# Maj • 05:01 • -12.85db
29% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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![Why Can't It Wait Till Morning [Remix] (feat. Phil Collins) cover art](https://i.scdn.co/image/ab67616d00001e02a8a4780e569a73d3085a289c)
Fourplay
Why Can't It Wait Till Morning [Remix]
125 bpm • G# Maj • 04:00 • -12.17db
27% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
27% Popularity • 64% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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noon
ドント・レット・ミー・ビー�...
135 bpm • G# Maj • 04:41 • -13.19db
9% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Dave Mohan
Broken Angel
124 bpm • D Maj • 03:43 • -18.53db
11% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 46% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Alberte Winding
Min Nats Hyacinther
136 bpm • C Maj • 04:06 • -12.82db
11% Popularity • 41% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 41% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Harriet
Nothing Until (Demo)
136 bpm • F Maj • 03:00 • -13.99db
10% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Rose Sullard
Dawn
136 bpm • C Maj • 03:04 • -6.93db
9% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Frank Sinatra
Witchcraft
124 bpm • D# Maj • 03:22 • -11.67db
34% Popularity • 48% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 48% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Kurt Ackermann
Final Days Of The Year
136 bpm • D Maj • 03:39 • -7.94db
8% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
8% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Boz Scaggs
Do Nothing Till You Hear From Me
136 bpm • F Maj • 04:04 • -14.26db
10% Popularity • 44% Danceability • 11% Energy • 22% Liveness
3% Instrumentalness • 20% Positiveness
10% Popularity • 44% Danceability • 11% Energy • 22% Liveness
3% Instrumentalness • 20% Positiveness
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Maria Confait
Somebody to Love
124 bpm • G# Maj • 03:48 • -9.61db
12% Popularity • 46% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 46% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Gino Vannelli
Road To Redemption
136 bpm • C Maj • 03:34 • -8.64db
17% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Karen Carpenter
Karen/Ella Medley
136 bpm • F min • 05:56 • -12db
35% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 37% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Christopher Cross
Never Be The Same
124 bpm • C Maj • 04:57 • -7.62db
33% Popularity • 80% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 78% Positiveness
33% Popularity • 80% Danceability • 65% Energy • 8% Liveness
4% Instrumentalness • 78% Positiveness
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Samantha Sang
When Love Is Gone
137 bpm • D# Maj • 03:50 • -13db
16% Popularity • 33% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
16% Popularity • 33% Danceability • 27% Energy • 13% Liveness
4% Instrumentalness • 26% Positiveness
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Robbie Williams
Mr Bojangles
137 bpm • D min • 03:17 • -10.55db
54% Popularity • 51% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 51% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Bill Cantos
Go 'way Moon
123 bpm • D min • 04:54 • -10.04db
8% Popularity • 80% Danceability • 53% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
8% Popularity • 80% Danceability • 53% Energy • 9% Liveness
3% Instrumentalness • 60% Positiveness
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Nigel Hitchcock
You're Mine
123 bpm • C Maj • 02:46 • -8.98db
14% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 67% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Debby Boone
Sleep My Child
123 bpm • D# Maj • 04:19 • -12.54db
11% Popularity • 34% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 34% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Twiggy
Angel of the Morning
138 bpm • G Maj • 03:56 • -10.09db
7% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 63% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Karen Drucker
Brave
138 bpm • A Maj • 04:27 • -12.53db
14% Popularity • 75% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 75% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Chicago Bossa
Will You Still Love Me?
138 bpm • B Maj • 03:35 • -11.68db
8% Popularity • 72% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 72% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 50% Positiveness
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Steve Michaels
I Like Dreamin'
138 bpm • F# Maj • 03:37 • -9.5db
12% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 49% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Brian Childers
New York Is Where I Live
122 bpm • C min • 02:18 • -9.49db
10% Popularity • 68% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 68% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Beth Nielsen Chapman
All I Have
138 bpm • D Maj • 04:16 • -8db
35% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 46% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Neil Sedaka
The Hungry Years
138 bpm • C Maj • 04:06 • -11.06db
39% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 38% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Duke Solorio
Show Me
138 bpm • G Maj • 01:36 • -13.64db
11% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Johnson
Distant Fire
138 bpm • D Maj • 03:14 • -18.02db
9% Popularity • 44% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 44% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jonny Blu
King Of The Road
122 bpm • A# min • 03:05 • -11db
11% Popularity • 75% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 75% Danceability • 32% Energy • 37% Liveness
0% Instrumentalness • 28% Positiveness
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Rare Gems Odyssey's Charles & Sandy Givings
You're Just Too Good To Be true
122 bpm • B min • 03:41 • -6.04db
33% Popularity • 62% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 62% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 31% Positiveness
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Sergio Mendes & Brasil '66
Pretty World
122 bpm • F Maj • 03:20 • -14.33db
17% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Sara Gazarek
You Are My Sunshine
122 bpm • C Maj • 03:34 • -10db
44% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 63% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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The 5th Dimension
Day By Day
122 bpm • C Maj • 03:36 • -9.38db
21% Popularity • 37% Danceability • 51% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 37% Danceability • 51% Energy • 55% Liveness
0% Instrumentalness • 75% Positiveness
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Beverley Craven
Mollie's Song (Live)
121 bpm • C min • 04:57 • -10.46db
10% Popularity • 44% Danceability • 50% Energy • 77% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 44% Danceability • 50% Energy • 77% Liveness
0% Instrumentalness • 19% Positiveness
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Wayne Perry & Friends
My Love Will Follow
121 bpm • F# min • 04:09 • -10.66db
17% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Knut Nordhagen & Bluepack
The Girl I Left Behind
139 bpm • A Maj • 03:54 • -12.09db
12% Popularity • 53% Danceability • 24% Energy • 14% Liveness
4% Instrumentalness • 10% Positiveness
12% Popularity • 53% Danceability • 24% Energy • 14% Liveness
4% Instrumentalness • 10% Positiveness
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Maureen Carol King
Let's Fall In Love
121 bpm • F min • 04:31 • -14.66db
1% Popularity • 70% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
1% Popularity • 70% Danceability • 27% Energy • 10% Liveness
1% Instrumentalness • 44% Positiveness
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Barbara Redford
I'm In Love With You
140 bpm • C Maj • 03:27 • -7.39db
9% Popularity • 51% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
9% Popularity • 51% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Kerstin Fransson
Things That We Do
140 bpm • G Maj • 04:41 • -19.28db
19% Popularity • 74% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 74% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
