Songs like Just The Way You Are by Diana Krall
Based on a tempo of (+/- 10%) and a similar genre
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Peggy Lee
Fever
136 bpm • E min • 03:19 • -12.61db
66% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
66% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Nat King Cole
Unforgettable
136 bpm • F Maj • 03:11 • -13.51db
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Hailey Tuck
It Must Be Love
136 bpm • C Maj • 03:41 • -14.89db
40% Popularity • 72% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 72% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Cincotti
He's Watching
136 bpm • B Maj • 04:48 • -9.93db
27% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 53% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Diana Krall
Just The Way You Are
136 bpm • G# Maj • 05:00 • -10.64db
58% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
58% Popularity • 54% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Sarah Vaughan
Tenderly (Remastered 2014)
135 bpm • G min • 02:33 • -13db
51% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
51% Popularity • 30% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Cris Delanno
Beat It
135 bpm • G min • 04:00 • -12.44db
33% Popularity • 79% Danceability • 50% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
33% Popularity • 79% Danceability • 50% Energy • 18% Liveness
1% Instrumentalness • 88% Positiveness
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Melody Gardot
Morning Sun
135 bpm • C# Maj • 05:05 • -14.97db
60% Popularity • 51% Danceability • 26% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
60% Popularity • 51% Danceability • 26% Energy • 9% Liveness
13% Instrumentalness • 20% Positiveness
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Jonny Blu
Girl from Ipanema
135 bpm • D# Maj • 02:50 • -6.52db
42% Popularity • 44% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 44% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jazzystics
Forever Young
134 bpm • C Maj • 04:19 • -15db
49% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
49% Popularity • 46% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Cincotti
I'd Rather Be With You
138 bpm • F min • 04:50 • -13.34db
30% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 62% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Brazilian Jazz Cuts
Ebony and Ivory
138 bpm • E Maj • 03:39 • -16db
45% Popularity • 84% Danceability • 45% Energy • 10% Liveness
10% Instrumentalness • 84% Positiveness
45% Popularity • 84% Danceability • 45% Energy • 10% Liveness
10% Instrumentalness • 84% Positiveness
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Chiara Civello
My Way
138 bpm • F Maj • 05:11 • -9.27db
39% Popularity • 58% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 58% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Astrud Gilberto
Fly Me To The Moon
134 bpm • G Maj • 02:22 • -14.4db
64% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
64% Popularity • 60% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Jonny Blu
Girl From Ipanema
134 bpm • D# Maj • 02:54 • -11db
20% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Kandace Springs
Solitude
133 bpm • G Maj • 04:59 • -8.5db
39% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
39% Popularity • 42% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 13% Positiveness
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Peter Cincotti
I Love Paris
139 bpm • G min • 03:47 • -8db
33% Popularity • 64% Danceability • 56% Energy • 13% Liveness
16% Instrumentalness • 59% Positiveness
33% Popularity • 64% Danceability • 56% Energy • 13% Liveness
16% Instrumentalness • 59% Positiveness
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Kurt Elling
La Vie En Rose
139 bpm • F# Maj • 08:12 • -9db
41% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 45% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Billy Joel
Just the Way You Are
139 bpm • G Maj • 04:50 • -8.91db
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
71% Popularity • 59% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Manhattan Jazz Quartett
Isn't She Lovely
132 bpm • C Maj • 05:10 • -8db
40% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 58% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Michael Franks
Down in Brazil
132 bpm • B Maj • 04:35 • -14db
42% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 70% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Berk & The Virtual Band
Alone Again (Naturally)
140 bpm • D Maj • 04:23 • -6.38db
38% Popularity • 68% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 68% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Cincotti
Are You The One?
140 bpm • F min • 03:55 • -12db
35% Popularity • 63% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 63% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Nara
Ain't No Sunshine
140 bpm • F min • 02:17 • -14.87db
60% Popularity • 78% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
60% Popularity • 78% Danceability • 29% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Jamie Lancaster
Endless Love
132 bpm • G Maj • 02:53 • -13.7db
52% Popularity • 77% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
52% Popularity • 77% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Heather Rigdon
Spring
132 bpm • C# Maj • 03:25 • -11.62db
47% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 76% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Bob Tostes
Fly Me to the Moon - In Other Words
140 bpm • A# min • 02:29 • -13.71db
46% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 55% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Harrison Craig
My Eyes Adored You
140 bpm • C Maj • 03:53 • -6.81db
33% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Jimmy McHugh
Let's Get Lost - Vocal
132 bpm • C min • 05:10 • -19db
17% Popularity • 60% Danceability • 20% Energy • 6% Liveness
10% Instrumentalness • 52% Positiveness
17% Popularity • 60% Danceability • 20% Energy • 6% Liveness
10% Instrumentalness • 52% Positiveness
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Diana Krall
Like Someone In Love
140 bpm • C min • 03:16 • -15.35db
42% Popularity • 64% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
42% Popularity • 64% Danceability • 16% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Lizz Wright
Reaching For The Moon
140 bpm • G min • 02:52 • -15.44db
33% Popularity • 22% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 22% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Dionne Warwick
I'll Never Love This Way Again
132 bpm • B min • 03:31 • -10.54db
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Molly Johnson
Body And Soul
141 bpm • A min • 04:39 • -11db
27% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Van Morrison
Someone Like You
141 bpm • G Maj • 04:09 • -8.3db
62% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 47% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Tostes
Sunny (Bossa version)
131 bpm • G Maj • 02:47 • -15db
44% Popularity • 79% Danceability • 37% Energy • 12% Liveness
78% Instrumentalness • 54% Positiveness
44% Popularity • 79% Danceability • 37% Energy • 12% Liveness
78% Instrumentalness • 54% Positiveness
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Nancy Wilson
The Boy From Ipanema
141 bpm • C min • 02:14 • -11db
48% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Elvis Costello
She
131 bpm • C# Maj • 03:07 • -12.87db
66% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
66% Popularity • 33% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ida Sand
Here Comes the Rain Again
131 bpm • C Maj • 04:03 • -11.92db
47% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
47% Popularity • 72% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Diana Krall
L-O-V-E
131 bpm • A min • 04:20 • -13.29db
49% Popularity • 68% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 68% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Renee Olstead
Breaking up Is Hard to Do
131 bpm • F Maj • 04:11 • -10.83db
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
47% Popularity • 45% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Stan Getz
The Girl From Ipanema
130 bpm • A# min • 05:20 • -17.87db
68% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Peter Cincotti
Up On The Roof
130 bpm • G Maj • 02:53 • -10.4db
37% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Menescal
Don't Speak
130 bpm • A min • 04:09 • -13.14db
58% Popularity • 72% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 72% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Mario Biondi
Upside Down (Flor de Lis)
130 bpm • E min • 03:57 • -7.37db
37% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 68% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Diana Krall
'S Wonderful
131 bpm • D# Maj • 04:28 • -16db
55% Popularity • 57% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
55% Popularity • 57% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Maria Luiza
Lullaby of Birdland
130 bpm • B min • 02:17 • -10.69db
46% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 68% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Heather Rigdon
Slow Fuse
130 bpm • G Maj • 03:45 • -13.31db
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 68% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Shelby Lynne
You Don't Have To Say You Love Me
130 bpm • A Maj • 04:11 • -16db
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 67% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Sarah Menescal
Here Comes the Sun
130 bpm • C Maj • 02:32 • -14db
53% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Bob Tostes
I've Got You Under My Skin
143 bpm • G min • 04:05 • -12.49db
30% Popularity • 46% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 46% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Diana Krall
Let's Face The Music And Dance
130 bpm • F min • 05:18 • -16.85db
44% Popularity • 54% Danceability • 27% Energy • 8% Liveness
21% Instrumentalness • 54% Positiveness
44% Popularity • 54% Danceability • 27% Energy • 8% Liveness
21% Instrumentalness • 54% Positiveness
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Malene Mortensen
City Love
143 bpm • A min • 04:11 • -14db
19% Popularity • 49% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 49% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Roberta Gambarini
Over The Rainbow
143 bpm • G# Maj • 03:55 • -17db
28% Popularity • 40% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 40% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Hailey Tuck
Sunday Morning
144 bpm • G Maj • 03:41 • -9db
52% Popularity • 70% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 70% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Paul McCartney
I'm Gonna Sit Right Down And Write Mysel...
129 bpm • A# Maj • 02:35 • -17.23db
44% Popularity • 66% Danceability • 17% Energy • 13% Liveness
4% Instrumentalness • 40% Positiveness
44% Popularity • 66% Danceability • 17% Energy • 13% Liveness
4% Instrumentalness • 40% Positiveness
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Norah Jones
It's A Wonderful Time For Love
129 bpm • F min • 03:53 • -18.43db
52% Popularity • 67% Danceability • 22% Energy • 10% Liveness
41% Instrumentalness • 37% Positiveness
52% Popularity • 67% Danceability • 22% Energy • 10% Liveness
41% Instrumentalness • 37% Positiveness
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Diana Krall
Don't Dream It's Over
143 bpm • C Maj • 03:36 • -12.36db
46% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Nikki Yanofsky
Bienvenue dans ma vie
144 bpm • F min • 03:49 • -10db
44% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 63% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Tony DeSare
Smile
128 bpm • D# min • 01:50 • -15.53db
48% Popularity • 49% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 49% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Maria Luiza
The Way You Look Tonight
128 bpm • A min • 04:26 • -13.73db
38% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 67% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Juliana Aquino
Stayin' alive
128 bpm • A min • 04:36 • -11db
48% Popularity • 72% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 72% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Norah Jones
Seven Years
127 bpm • G Maj • 02:25 • -13.88db
65% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
65% Popularity • 59% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Diana Krall
Fly Me To The Moon - Live
128 bpm • C Maj • 05:39 • -13.8db
13% Popularity • 61% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 61% Danceability • 32% Energy • 71% Liveness
0% Instrumentalness • 35% Positiveness
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Stan Getz
Corcovado (Quiet Nights Of Quiet Stars)
127 bpm • C Maj • 04:16 • -17.86db
63% Popularity • 52% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
63% Popularity • 52% Danceability • 13% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Viktoria Tolstoy
Out Here on My Own
127 bpm • F Maj • 04:29 • -13db
23% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 52% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Frank Sinatra
Fly Me To The Moon
146 bpm • A min • 03:05 • -14db
37% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 48% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Juliana Aquino
I'm so Glad That I'm a Woman
145 bpm • F# Maj • 05:08 • -11db
44% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 75% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Shirley Horn
Hit The Road Jack
146 bpm • D min • 03:11 • -17.4db
49% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Diana Krall
Operator (That's Not The Way It Feels)
128 bpm • G# Maj • 03:41 • -13.01db
32% Popularity • 66% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 66% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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48th St. Collective
Breakfast in America
147 bpm • A# min • 03:13 • -9.24db
35% Popularity • 53% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 53% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Ray Brown Trio
Little Boy
126 bpm • C Maj • 02:25 • -13.69db
18% Popularity • 68% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 68% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Celso Mendes
Lately
126 bpm • C# Maj • 04:57 • -14db
45% Popularity • 88% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
45% Popularity • 88% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Neri Per Caso
What A Fool Believes
126 bpm • G min • 03:14 • -8.71db
39% Popularity • 77% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 77% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Jesse Palter
Hey Jude
147 bpm • C Maj • 06:28 • -10.74db
41% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 54% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Diana Krall
Fly Me To The Moon - Live
128 bpm • C Maj • 06:05 • -12.17db
34% Popularity • 54% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 54% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 40% Positiveness
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Renee Olstead
When I Fall in Love
125 bpm • C# Maj • 04:43 • -11db
51% Popularity • 39% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
51% Popularity • 39% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ruth Cameron
A Sunday Kind Of Love
126 bpm • C min • 04:52 • -12.22db
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 54% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Fourplay
Why Can't It Wait Till Morning
125 bpm • G# Maj • 05:19 • -12.54db
33% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 42% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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BossArt Ensemble
Slave to Love
125 bpm • D min • 03:31 • -13.51db
56% Popularity • 84% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 67% Positiveness
56% Popularity • 84% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 67% Positiveness
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Michelle Simonal
I Just Wanna Stop
125 bpm • E Maj • 02:22 • -9db
51% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 78% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Taryn Spilmann
My Cherrie Amour (Bossa Version)
125 bpm • E min • 03:19 • -11db
42% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 69% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Claire Martin
Going out of My Head
125 bpm • A Maj • 04:29 • -12.46db
21% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 73% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah Menescal
Never Be the Same
125 bpm • B min • 03:56 • -11.12db
41% Popularity • 77% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 77% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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George White Group
Gypsy Woman (She's Homeless)
125 bpm • D min • 02:40 • -10.78db
50% Popularity • 75% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 75% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Manhattan Jazz Quartett
My Funny Valentine
148 bpm • G min • 06:54 • -10db
31% Popularity • 28% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 28% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Diana Krall
Let's Fall In Love
125 bpm • F min • 04:18 • -16.93db
59% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 62% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Fred Buccini
I Love You for Sentimental Reasons
124 bpm • C# min • 04:18 • -9db
25% Popularity • 58% Danceability • 53% Energy • 22% Liveness
10% Instrumentalness • 54% Positiveness
25% Popularity • 58% Danceability • 53% Energy • 22% Liveness
10% Instrumentalness • 54% Positiveness
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Juliana Aquino
Don't Let Me Be Misunderstood
124 bpm • C min • 04:27 • -12.43db
50% Popularity • 83% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
50% Popularity • 83% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Matteo Brancaleoni
How Am I Supposed to Live Without You
124 bpm • C# Maj • 05:20 • -9.67db
27% Popularity • 64% Danceability • 45% Energy • 13% Liveness
23% Instrumentalness • 30% Positiveness
27% Popularity • 64% Danceability • 45% Energy • 13% Liveness
23% Instrumentalness • 30% Positiveness
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Cassandra Wilson
Fragile
124 bpm • G min • 04:37 • -14db
43% Popularity • 82% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
43% Popularity • 82% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 65% Positiveness
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Lara Louise
Alone Together
124 bpm • F min • 03:35 • -14.42db
46% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 80% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Willie Nelson
I Won't Dance
150 bpm • C Maj • 03:25 • -8.27db
22% Popularity • 54% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 54% Danceability • 41% Energy • 4% Liveness
0% Instrumentalness • 52% Positiveness
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Diana Krall
Everybody's Talkin'
124 bpm • F# Maj • 03:37 • -10.99db
35% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 45% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Juliana Aquino
On the Radio
124 bpm • D Maj • 04:30 • -12db
55% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
55% Popularity • 77% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Sant Andreu Jazz Band
Que Reste Till De Nos Amours
123 bpm • D min • 03:54 • -9db
33% Popularity • 56% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 56% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Maria Luiza
Speak Low
122 bpm • F Maj • 03:56 • -10.94db
41% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 80% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Ella Fitzgerald
Cheek To Cheek
122 bpm • C Maj • 05:53 • -13.4db
63% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
63% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Manhattan Jazz Quartett
Summertime
122 bpm • A min • 03:24 • -8.89db
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
