Songs like JUST THE WAY YOU ARE by Masayoshi Takanaka
Based on a tempo of (+/- 10%) and a similar genre
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21st Century Band
プロローグ
99 bpm • D Maj • 02:01 • -8.66db
8% Popularity • 57% Danceability • 93% Energy • 23% Liveness
92% Instrumentalness • 86% Positiveness
8% Popularity • 57% Danceability • 93% Energy • 23% Liveness
92% Instrumentalness • 86% Positiveness
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Nucleus
Phaideaux Corner
99 bpm • G min • 06:19 • -12db
31% Popularity • 66% Danceability • 81% Energy • 5% Liveness
14% Instrumentalness • 92% Positiveness
31% Popularity • 66% Danceability • 81% Energy • 5% Liveness
14% Instrumentalness • 92% Positiveness
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鈴木 弘
ウォーク・トール
99 bpm • A Maj • 10:14 • -11.69db
39% Popularity • 48% Danceability • 52% Energy • 15% Liveness
84% Instrumentalness • 41% Positiveness
39% Popularity • 48% Danceability • 52% Energy • 15% Liveness
84% Instrumentalness • 41% Positiveness
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PRISM
BACK STREET JIVE - 2019 Remaster
99 bpm • E Maj • 05:08 • -5.33db
10% Popularity • 62% Danceability • 72% Energy • 34% Liveness
12% Instrumentalness • 88% Positiveness
10% Popularity • 62% Danceability • 72% Energy • 34% Liveness
12% Instrumentalness • 88% Positiveness
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Masayoshi Takanaka
JUST THE WAY YOU ARE
99 bpm • C Maj • 05:08 • -9.9db
37% Popularity • 67% Danceability • 61% Energy • 8% Liveness
40% Instrumentalness • 71% Positiveness
37% Popularity • 67% Danceability • 61% Energy • 8% Liveness
40% Instrumentalness • 71% Positiveness
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Laurindo Almeida
The Breeze and I
99 bpm • G Maj • 04:00 • -12.17db
29% Popularity • 49% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
29% Popularity • 49% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Taeko Onuki
Tokai
98 bpm • F min • 05:10 • -8.37db
54% Popularity • 62% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 62% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Azymuth
Unknown Jam
98 bpm • G Maj • 01:56 • -6.33db
49% Popularity • 55% Danceability • 79% Energy • 8% Liveness
94% Instrumentalness • 81% Positiveness
49% Popularity • 55% Danceability • 79% Energy • 8% Liveness
94% Instrumentalness • 81% Positiveness
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Keiichi Oku
Vamp Street
100 bpm • F Maj • 05:55 • -6.6db
9% Popularity • 55% Danceability • 74% Energy • 12% Liveness
70% Instrumentalness • 84% Positiveness
9% Popularity • 55% Danceability • 74% Energy • 12% Liveness
70% Instrumentalness • 84% Positiveness
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NANIWA EXPRESS
INSIDE OF YOU
98 bpm • F Maj • 04:23 • -8db
28% Popularity • 54% Danceability • 86% Energy • 34% Liveness
11% Instrumentalness • 80% Positiveness
28% Popularity • 54% Danceability • 86% Energy • 34% Liveness
11% Instrumentalness • 80% Positiveness
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Masayoshi Takanaka
憧れのセーシェル諸島
99 bpm • C Maj • 06:08 • -10db
48% Popularity • 51% Danceability • 70% Energy • 5% Liveness
7% Instrumentalness • 66% Positiveness
48% Popularity • 51% Danceability • 70% Energy • 5% Liveness
7% Instrumentalness • 66% Positiveness
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John Tropea
The Funk You See Is the Funk You Do
100 bpm • F Maj • 03:12 • -13.15db
28% Popularity • 74% Danceability • 69% Energy • 13% Liveness
35% Instrumentalness • 70% Positiveness
28% Popularity • 74% Danceability • 69% Energy • 13% Liveness
35% Instrumentalness • 70% Positiveness
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RYUSENKEI
fukushu to reisei no aidade
100 bpm • A min • 02:01 • -8.87db
26% Popularity • 61% Danceability • 34% Energy • 9% Liveness
5% Instrumentalness • 41% Positiveness
26% Popularity • 61% Danceability • 34% Energy • 9% Liveness
5% Instrumentalness • 41% Positiveness
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Shigeru Suzuki
Love on the Rocks
98 bpm • B min • 01:40 • -11.95db
32% Popularity • 61% Danceability • 87% Energy • 20% Liveness
97% Instrumentalness • 69% Positiveness
32% Popularity • 61% Danceability • 87% Energy • 20% Liveness
97% Instrumentalness • 69% Positiveness
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Minoru Mukaiya
Halle
100 bpm • D Maj • 05:17 • -11.96db
17% Popularity • 61% Danceability • 57% Energy • 5% Liveness
77% Instrumentalness • 77% Positiveness
17% Popularity • 61% Danceability • 57% Energy • 5% Liveness
77% Instrumentalness • 77% Positiveness
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NANIWA EXPRESS
LET ME TRY
100 bpm • C# min • 03:56 • -7.46db
22% Popularity • 55% Danceability • 72% Energy • 35% Liveness
62% Instrumentalness • 64% Positiveness
22% Popularity • 55% Danceability • 72% Energy • 35% Liveness
62% Instrumentalness • 64% Positiveness
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Hiromasa Suzuki
Gentle Wave
97 bpm • G min • 05:50 • -10.16db
16% Popularity • 47% Danceability • 43% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
16% Popularity • 47% Danceability • 43% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
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Masayoshi Takanaka
I REMEMBER YOU
98 bpm • A Maj • 05:27 • -10.94db
42% Popularity • 51% Danceability • 72% Energy • 57% Liveness
89% Instrumentalness • 63% Positiveness
42% Popularity • 51% Danceability • 72% Energy • 57% Liveness
89% Instrumentalness • 63% Positiveness
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RYUSENKEI
shinjitsu no theme -Focus-
100 bpm • G Maj • 02:07 • -13.31db
20% Popularity • 71% Danceability • 56% Energy • 8% Liveness
81% Instrumentalness • 66% Positiveness
20% Popularity • 71% Danceability • 56% Energy • 8% Liveness
81% Instrumentalness • 66% Positiveness
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George Benson
You're Never Too Far from Me
100 bpm • G Maj • 06:44 • -17.81db
32% Popularity • 64% Danceability • 40% Energy • 10% Liveness
76% Instrumentalness • 43% Positiveness
32% Popularity • 64% Danceability • 40% Energy • 10% Liveness
76% Instrumentalness • 43% Positiveness
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鈴木 弘
クロとシロ
101 bpm • G# Maj • 11:42 • -14.57db
38% Popularity • 57% Danceability • 41% Energy • 10% Liveness
80% Instrumentalness • 69% Positiveness
38% Popularity • 57% Danceability • 41% Energy • 10% Liveness
80% Instrumentalness • 69% Positiveness
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☆Taku Takahashi
Hard Cocktail
101 bpm • D Maj • 02:53 • -9db
32% Popularity • 78% Danceability • 57% Energy • 4% Liveness
73% Instrumentalness • 91% Positiveness
32% Popularity • 78% Danceability • 57% Energy • 4% Liveness
73% Instrumentalness • 91% Positiveness
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稲垣次郎とソウル・メディア
ブルー・ブラッド
101 bpm • F Maj • 03:55 • -14.81db
28% Popularity • 72% Danceability • 43% Energy • 7% Liveness
88% Instrumentalness • 69% Positiveness
28% Popularity • 72% Danceability • 43% Energy • 7% Liveness
88% Instrumentalness • 69% Positiveness
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Issei Noro
TRANSPARENCY
101 bpm • A# min • 04:06 • -10.99db
16% Popularity • 72% Danceability • 79% Energy • 19% Liveness
55% Instrumentalness • 93% Positiveness
16% Popularity • 72% Danceability • 79% Energy • 19% Liveness
55% Instrumentalness • 93% Positiveness
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SEATBELTS
Slipper Sleaze
97 bpm • G# Maj • 03:32 • -10.1db
29% Popularity • 65% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 79% Positiveness
29% Popularity • 65% Danceability • 68% Energy • 10% Liveness
88% Instrumentalness • 79% Positiveness
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Masayoshi Takanaka
RAINY DAY BLUE
96 bpm • E min • 04:05 • -10.79db
25% Popularity • 66% Danceability • 53% Energy • 4% Liveness
84% Instrumentalness • 91% Positiveness
25% Popularity • 66% Danceability • 53% Energy • 4% Liveness
84% Instrumentalness • 91% Positiveness
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セキトオ・シゲオ
ブルー・スター
102 bpm • D# Maj • 03:29 • -10.75db
23% Popularity • 20% Danceability • 22% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 22% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Masaki Matsubara
Can't Let Go
96 bpm • E min • 04:23 • -12.95db
17% Popularity • 74% Danceability • 58% Energy • 30% Liveness
71% Instrumentalness • 92% Positiveness
17% Popularity • 74% Danceability • 58% Energy • 30% Liveness
71% Instrumentalness • 92% Positiveness
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Cro-Magnon
GOUBI
96 bpm • B min • 04:15 • -11.15db
25% Popularity • 63% Danceability • 55% Energy • 10% Liveness
81% Instrumentalness • 65% Positiveness
25% Popularity • 63% Danceability • 55% Energy • 10% Liveness
81% Instrumentalness • 65% Positiveness
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鈴木宏昌
Smash
102 bpm • F Maj • 04:55 • -11.29db
19% Popularity • 61% Danceability • 61% Energy • 11% Liveness
81% Instrumentalness • 93% Positiveness
19% Popularity • 61% Danceability • 61% Energy • 11% Liveness
81% Instrumentalness • 93% Positiveness
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鈴木 弘
キャット
102 bpm • C# Maj • 05:26 • -14.36db
34% Popularity • 72% Danceability • 36% Energy • 33% Liveness
92% Instrumentalness • 16% Positiveness
34% Popularity • 72% Danceability • 36% Energy • 33% Liveness
92% Instrumentalness • 16% Positiveness
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Minoru Mukaiya
Omoe-de-Omoba
102 bpm • G Maj • 05:53 • -7.22db
13% Popularity • 71% Danceability • 76% Energy • 30% Liveness
7% Instrumentalness • 68% Positiveness
13% Popularity • 71% Danceability • 76% Energy • 30% Liveness
7% Instrumentalness • 68% Positiveness
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CASIOPEA-P4
DAILY BREAD
102 bpm • D Maj • 05:01 • -7.84db
14% Popularity • 65% Danceability • 78% Energy • 14% Liveness
45% Instrumentalness • 71% Positiveness
14% Popularity • 65% Danceability • 78% Energy • 14% Liveness
45% Instrumentalness • 71% Positiveness
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岡沢 章
朝の都会には乾いた花がよく�...
96 bpm • D Maj • 04:58 • -8.53db
19% Popularity • 28% Danceability • 53% Energy • 17% Liveness
3% Instrumentalness • 20% Positiveness
19% Popularity • 28% Danceability • 53% Energy • 17% Liveness
3% Instrumentalness • 20% Positiveness
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猫 シ Corp.
Online Office V4.20
96 bpm • A# min • 01:37 • -16.14db
48% Popularity • 72% Danceability • 70% Energy • 22% Liveness
80% Instrumentalness • 94% Positiveness
48% Popularity • 72% Danceability • 70% Energy • 22% Liveness
80% Instrumentalness • 94% Positiveness
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Akira Jimbo
アメアガリ:AMEAGARI
96 bpm • B min • 03:40 • -6.28db
19% Popularity • 64% Danceability • 72% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
19% Popularity • 64% Danceability • 72% Energy • 10% Liveness
73% Instrumentalness • 46% Positiveness
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NANIWA EXPRESS
CHARCOAL BREAK
103 bpm • A# Maj • 04:14 • -7.95db
25% Popularity • 72% Danceability • 63% Energy • 18% Liveness
87% Instrumentalness • 67% Positiveness
25% Popularity • 72% Danceability • 63% Energy • 18% Liveness
87% Instrumentalness • 67% Positiveness
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Sadistics
あこがれのセイシェル
96 bpm • A min • 08:12 • -7.19db
22% Popularity • 50% Danceability • 84% Energy • 68% Liveness
75% Instrumentalness • 50% Positiveness
22% Popularity • 50% Danceability • 84% Energy • 68% Liveness
75% Instrumentalness • 50% Positiveness
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Jun Fukamachi
LETTER TO NEW YORK
96 bpm • F min • 04:59 • -7.04db
29% Popularity • 59% Danceability • 87% Energy • 9% Liveness
3% Instrumentalness • 85% Positiveness
29% Popularity • 59% Danceability • 87% Energy • 9% Liveness
3% Instrumentalness • 85% Positiveness
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Ryo Fukui
I Don't Like a Bustle
95 bpm • F min • 03:28 • -12.73db
10% Popularity • 77% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 77% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Masayoshi Takanaka
バードアイランド急行
95 bpm • F Maj • 03:42 • -14.58db
38% Popularity • 63% Danceability • 46% Energy • 9% Liveness
85% Instrumentalness • 85% Positiveness
38% Popularity • 63% Danceability • 46% Energy • 9% Liveness
85% Instrumentalness • 85% Positiveness
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Chick Corea
Lenore
95 bpm • A min • 03:25 • -15.47db
33% Popularity • 32% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
33% Popularity • 32% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 30% Positiveness
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杉本喜代志
I'm Blind to All but You
95 bpm • D min • 05:39 • -13.71db
16% Popularity • 65% Danceability • 39% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
16% Popularity • 65% Danceability • 39% Energy • 12% Liveness
87% Instrumentalness • 33% Positiveness
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Sadistics
WE ARE JUST TAKING OFF
95 bpm • E min • 06:47 • -6.63db
17% Popularity • 59% Danceability • 89% Energy • 57% Liveness
65% Instrumentalness • 74% Positiveness
17% Popularity • 59% Danceability • 89% Energy • 57% Liveness
65% Instrumentalness • 74% Positiveness
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Macabre Plaza
Smoke Coming from a Cabin in the Distanc...
103 bpm • E min • 01:17 • -16.49db
44% Popularity • 62% Danceability • 57% Energy • 67% Liveness
86% Instrumentalness • 56% Positiveness
44% Popularity • 62% Danceability • 57% Energy • 67% Liveness
86% Instrumentalness • 56% Positiveness
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Taeko Onuki
Nani mo Iranai
103 bpm • E min • 04:02 • -8.85db
44% Popularity • 65% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 65% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Pyramid
Love Lights
103 bpm • D Maj • 05:06 • -10.1db
30% Popularity • 62% Danceability • 66% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
30% Popularity • 62% Danceability • 66% Energy • 11% Liveness
78% Instrumentalness • 76% Positiveness
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本田竹曠
リンズ・ガーデン・ブルース
103 bpm • F Maj • 03:48 • -9.16db
9% Popularity • 71% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 71% Positiveness
9% Popularity • 71% Danceability • 72% Energy • 10% Liveness
36% Instrumentalness • 71% Positiveness
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JIMSAKU
THE ROAD OF THE WIND
95 bpm • E Maj • 04:22 • -5.28db
16% Popularity • 68% Danceability • 67% Energy • 18% Liveness
50% Instrumentalness • 77% Positiveness
16% Popularity • 68% Danceability • 67% Energy • 18% Liveness
50% Instrumentalness • 77% Positiveness
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ビクター・ファンタスティック・オーケストラ
SPARKLE
103 bpm • C# min • 04:17 • -8.26db
40% Popularity • 65% Danceability • 74% Energy • 51% Liveness
92% Instrumentalness • 72% Positiveness
40% Popularity • 65% Danceability • 74% Energy • 51% Liveness
92% Instrumentalness • 72% Positiveness
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Masabumi Kikuchi
スカイ・ウォズ・フォーリン�...
95 bpm • F Maj • 06:05 • -12.83db
36% Popularity • 48% Danceability • 55% Energy • 11% Liveness
11% Instrumentalness • 59% Positiveness
36% Popularity • 48% Danceability • 55% Energy • 11% Liveness
11% Instrumentalness • 59% Positiveness
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Masataka Matsutoya
ココナッツ・アイランド
103 bpm • C min • 04:43 • -9.82db
21% Popularity • 61% Danceability • 82% Energy • 36% Liveness
73% Instrumentalness • 59% Positiveness
21% Popularity • 61% Danceability • 82% Energy • 36% Liveness
73% Instrumentalness • 59% Positiveness
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Pyramid
(Interlude) Sweet Relationship
95 bpm • C Maj • 01:30 • -17.75db
30% Popularity • 50% Danceability • 48% Energy • 41% Liveness
80% Instrumentalness • 21% Positiveness
30% Popularity • 50% Danceability • 48% Energy • 41% Liveness
80% Instrumentalness • 21% Positiveness
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イノマタタケシ
アイル・リメンバー・ユー
104 bpm • A# Maj • 05:42 • -17.34db
29% Popularity • 62% Danceability • 28% Energy • 9% Liveness
67% Instrumentalness • 49% Positiveness
29% Popularity • 62% Danceability • 28% Energy • 9% Liveness
67% Instrumentalness • 49% Positiveness
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Kazumi Watanabe
I'm in You
104 bpm • A Maj • 05:59 • -14.61db
25% Popularity • 46% Danceability • 60% Energy • 11% Liveness
69% Instrumentalness • 76% Positiveness
25% Popularity • 46% Danceability • 60% Energy • 11% Liveness
69% Instrumentalness • 76% Positiveness
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Jun Fukamachi
PERPETUAL (MOVEMENT)
95 bpm • C min • 10:28 • -12.25db
18% Popularity • 42% Danceability • 60% Energy • 37% Liveness
58% Instrumentalness • 66% Positiveness
18% Popularity • 42% Danceability • 60% Energy • 37% Liveness
58% Instrumentalness • 66% Positiveness
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Komuchiwa
Baby Talk (Flying Beagle)
94 bpm • D min • 05:28 • -14db
43% Popularity • 65% Danceability • 60% Energy • 6% Liveness
77% Instrumentalness • 67% Positiveness
43% Popularity • 65% Danceability • 60% Energy • 6% Liveness
77% Instrumentalness • 67% Positiveness
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Masayoshi Takanaka
RAINBOW
94 bpm • F Maj • 06:13 • -10.04db
39% Popularity • 59% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 73% Positiveness
39% Popularity • 59% Danceability • 62% Energy • 8% Liveness
87% Instrumentalness • 73% Positiveness
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稲垣次郎とソウル・メディア
ペインテッド・パラダイス
104 bpm • G# Maj • 06:52 • -11.71db
42% Popularity • 63% Danceability • 62% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
42% Popularity • 63% Danceability • 62% Energy • 8% Liveness
88% Instrumentalness • 85% Positiveness
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Kenji Omura
BAMBOO BONG
94 bpm • E min • 03:03 • -12.69db
17% Popularity • 64% Danceability • 53% Energy • 12% Liveness
58% Instrumentalness • 67% Positiveness
17% Popularity • 64% Danceability • 53% Energy • 12% Liveness
58% Instrumentalness • 67% Positiveness
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Masaki Matsubara
Moonlight Cruise
94 bpm • F Maj • 05:37 • -8.32db
19% Popularity • 68% Danceability • 71% Energy • 5% Liveness
88% Instrumentalness • 82% Positiveness
19% Popularity • 68% Danceability • 71% Energy • 5% Liveness
88% Instrumentalness • 82% Positiveness
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Vulfmon
Take Me to a Higher Place
94 bpm • C# Maj • 03:19 • -11db
34% Popularity • 79% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 90% Positiveness
34% Popularity • 79% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 90% Positiveness
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Duncan Lamont
The Apartment
94 bpm • F min • 01:55 • -24db
44% Popularity • 60% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
44% Popularity • 60% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 10% Positiveness
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Masayoshi Takanaka
SAMBA PATI
104 bpm • G Maj • 05:44 • -11.8db
39% Popularity • 46% Danceability • 66% Energy • 8% Liveness
48% Instrumentalness • 37% Positiveness
39% Popularity • 46% Danceability • 66% Energy • 8% Liveness
48% Instrumentalness • 37% Positiveness
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稲垣次郎とソウル・メディア
ワン・フォー・ジロー
104 bpm • C Maj • 04:51 • -10db
33% Popularity • 53% Danceability • 46% Energy • 16% Liveness
63% Instrumentalness • 19% Positiveness
33% Popularity • 53% Danceability • 46% Energy • 16% Liveness
63% Instrumentalness • 19% Positiveness
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本田竹曠
What's Going On
105 bpm • C# min • 04:41 • -13.62db
21% Popularity • 43% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
21% Popularity • 43% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 32% Positiveness
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Masaki Matsubara
Sunset Lullaby
94 bpm • A Maj • 04:04 • -11.35db
14% Popularity • 59% Danceability • 42% Energy • 14% Liveness
45% Instrumentalness • 36% Positiveness
14% Popularity • 59% Danceability • 42% Energy • 14% Liveness
45% Instrumentalness • 36% Positiveness
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RYUSENKEI
mayonaka no homonsha
105 bpm • C Maj • 01:26 • -10.51db
44% Popularity • 62% Danceability • 60% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
44% Popularity • 62% Danceability • 60% Energy • 11% Liveness
38% Instrumentalness • 4% Positiveness
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Return To Forever
Where Have I Loved You Before
105 bpm • F# min • 01:01 • -21db
38% Popularity • 36% Danceability • 13% Energy • 36% Liveness
68% Instrumentalness • 26% Positiveness
38% Popularity • 36% Danceability • 13% Energy • 36% Liveness
68% Instrumentalness • 26% Positiveness
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Masayoshi Takanaka
BREEZIN'
104 bpm • B min • 05:50 • -9.61db
51% Popularity • 59% Danceability • 78% Energy • 4% Liveness
84% Instrumentalness • 76% Positiveness
51% Popularity • 59% Danceability • 78% Energy • 4% Liveness
84% Instrumentalness • 76% Positiveness
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セキトオ・シゲオ
ザ・ワード I
93 bpm • G Maj • 05:40 • -13.62db
23% Popularity • 39% Danceability • 48% Energy • 6% Liveness
48% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 48% Energy • 6% Liveness
48% Instrumentalness • 33% Positiveness
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Taeko Onuki
Summer Connection
105 bpm • D# Maj • 04:30 • -7.08db
44% Popularity • 53% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
44% Popularity • 53% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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CASIOPEA-P4
UNTHINKABLE
93 bpm • G# Maj • 05:46 • -6.03db
18% Popularity • 64% Danceability • 84% Energy • 22% Liveness
49% Instrumentalness • 64% Positiveness
18% Popularity • 64% Danceability • 84% Energy • 22% Liveness
49% Instrumentalness • 64% Positiveness
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Issei Noro
TRANSPARENCY
105 bpm • F# min • 04:37 • -13.78db
13% Popularity • 71% Danceability • 72% Energy • 28% Liveness
47% Instrumentalness • 93% Positiveness
13% Popularity • 71% Danceability • 72% Energy • 28% Liveness
47% Instrumentalness • 93% Positiveness
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CASIOPEA
ミッドナイト・ランデブー
106 bpm • B Maj • 05:23 • -8.19db
49% Popularity • 60% Danceability • 70% Energy • 6% Liveness
68% Instrumentalness • 88% Positiveness
49% Popularity • 60% Danceability • 70% Energy • 6% Liveness
68% Instrumentalness • 88% Positiveness
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Masayoshi Takanaka
OH! TENGO SUERTE
94 bpm • D Maj • 04:12 • -9db
59% Popularity • 52% Danceability • 74% Energy • 12% Liveness
5% Instrumentalness • 41% Positiveness
59% Popularity • 52% Danceability • 74% Energy • 12% Liveness
5% Instrumentalness • 41% Positiveness
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The Dog Walker
Baby Talk
93 bpm • D min • 05:37 • -13.4db
30% Popularity • 63% Danceability • 56% Energy • 5% Liveness
84% Instrumentalness • 66% Positiveness
30% Popularity • 63% Danceability • 56% Energy • 5% Liveness
84% Instrumentalness • 66% Positiveness
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RYUSENKEI
shinjitsu no theme -City Light-
106 bpm • B min • 02:11 • -9.37db
29% Popularity • 76% Danceability • 73% Energy • 16% Liveness
62% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 73% Energy • 16% Liveness
62% Instrumentalness • 70% Positiveness
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Shigeru Suzuki
Suna no Onna
92 bpm • G Maj • 03:55 • -4.3db
32% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 56% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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村上“ポンタ”秀一 スペシャル バンド
SEA LINE
92 bpm • E min • 05:14 • -9.79db
15% Popularity • 53% Danceability • 77% Energy • 36% Liveness
86% Instrumentalness • 74% Positiveness
15% Popularity • 53% Danceability • 77% Energy • 36% Liveness
86% Instrumentalness • 74% Positiveness
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稲垣次郎とソウル・メディア
ザ・ヴァンプ
106 bpm • F Maj • 05:22 • -12.87db
33% Popularity • 52% Danceability • 54% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
33% Popularity • 52% Danceability • 54% Energy • 13% Liveness
78% Instrumentalness • 62% Positiveness
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Masayoshi Takanaka
SUNDROPS
94 bpm • G Maj • 05:10 • -15db
37% Popularity • 74% Danceability • 48% Energy • 5% Liveness
80% Instrumentalness • 96% Positiveness
37% Popularity • 74% Danceability • 48% Energy • 5% Liveness
80% Instrumentalness • 96% Positiveness
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杉本喜代志
君に捧げるサンバ
92 bpm • G Maj • 04:36 • -12.49db
10% Popularity • 61% Danceability • 48% Energy • 7% Liveness
14% Instrumentalness • 69% Positiveness
10% Popularity • 61% Danceability • 48% Energy • 7% Liveness
14% Instrumentalness • 69% Positiveness
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Arawak
Accadde a Yellow Park
92 bpm • A# min • 02:33 • -18.6db
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
30% Popularity • 63% Danceability • 43% Energy • 18% Liveness
90% Instrumentalness • 52% Positiveness
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David Matthews
Arrakis
92 bpm • D min • 06:07 • -11.04db
28% Popularity • 48% Danceability • 51% Energy • 40% Liveness
90% Instrumentalness • 21% Positiveness
28% Popularity • 48% Danceability • 51% Energy • 40% Liveness
90% Instrumentalness • 21% Positiveness
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Spin
Baby´s Delight
92 bpm • D Maj • 05:37 • -12.84db
9% Popularity • 36% Danceability • 55% Energy • 16% Liveness
14% Instrumentalness • 75% Positiveness
9% Popularity • 36% Danceability • 55% Energy • 16% Liveness
14% Instrumentalness • 75% Positiveness
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Kenji Omura
YUMEDONO
92 bpm • C# Maj • 04:58 • -7.67db
19% Popularity • 64% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 64% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Dog Walker
A Seagull & Clouds
91 bpm • D# Maj • 04:55 • -14.1db
37% Popularity • 53% Danceability • 52% Energy • 25% Liveness
91% Instrumentalness • 49% Positiveness
37% Popularity • 53% Danceability • 52% Energy • 25% Liveness
91% Instrumentalness • 49% Positiveness
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セキトオ・シゲオ
サマータイム
107 bpm • A# min • 06:12 • -8.25db
34% Popularity • 70% Danceability • 64% Energy • 6% Liveness
69% Instrumentalness • 69% Positiveness
34% Popularity • 70% Danceability • 64% Energy • 6% Liveness
69% Instrumentalness • 69% Positiveness
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杉本喜代志
Marmalade Sky
107 bpm • G# Maj • 05:15 • -10.9db
12% Popularity • 66% Danceability • 61% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
12% Popularity • 66% Danceability • 61% Energy • 10% Liveness
14% Instrumentalness • 59% Positiveness
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稲垣次郎とソウル・メディア
フォー・アップ
91 bpm • A Maj • 06:38 • -10.19db
30% Popularity • 64% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 85% Positiveness
30% Popularity • 64% Danceability • 62% Energy • 8% Liveness
92% Instrumentalness • 85% Positiveness
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Tomo Fujita
Kyoto
91 bpm • F min • 07:46 • -7db
27% Popularity • 59% Danceability • 61% Energy • 18% Liveness
27% Instrumentalness • 38% Positiveness
27% Popularity • 59% Danceability • 61% Energy • 18% Liveness
27% Instrumentalness • 38% Positiveness
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Sadistics
ON THE SEASHORE
91 bpm • C# Maj • 05:16 • -10.4db
9% Popularity • 52% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 52% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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MALTA
FANCY WALKIN'
108 bpm • F min • 04:34 • -12.17db
11% Popularity • 70% Danceability • 51% Energy • 10% Liveness
39% Instrumentalness • 93% Positiveness
11% Popularity • 70% Danceability • 51% Energy • 10% Liveness
39% Instrumentalness • 93% Positiveness
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セキトオ・シゲオ
シェアー・ザ・ジョイ
91 bpm • D# Maj • 02:51 • -22.83db
24% Popularity • 27% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
24% Popularity • 27% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
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Sadao Watanabe
マサイ・トーク
108 bpm • C# Maj • 07:14 • -10.55db
14% Popularity • 43% Danceability • 61% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
14% Popularity • 43% Danceability • 61% Energy • 8% Liveness
85% Instrumentalness • 56% Positiveness
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稲垣次郎とソウル・メディア
ファンキー・スタッフ
91 bpm • G Maj • 04:33 • -9.3db
31% Popularity • 80% Danceability • 73% Energy • 8% Liveness
82% Instrumentalness • 84% Positiveness
31% Popularity • 80% Danceability • 73% Energy • 8% Liveness
82% Instrumentalness • 84% Positiveness
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Stuff
My Sweetness
91 bpm • G min • 03:26 • -15.86db
28% Popularity • 64% Danceability • 40% Energy • 5% Liveness
69% Instrumentalness • 36% Positiveness
28% Popularity • 64% Danceability • 40% Energy • 5% Liveness
69% Instrumentalness • 36% Positiveness
