Songs like Just To Be Kind by Boy & Bear
Based on a tempo of (+/- 10%) and a similar genre
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The Jungle Giants
Used to Be in Love
128 bpm • B min • 03:42 • -5.24db
67% Popularity • 83% Danceability • 63% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
67% Popularity • 83% Danceability • 63% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
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Ball Park Music
Cherub
128 bpm • G# Maj • 05:28 • -8.81db
46% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 56% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Art of Sleeping
Crazy
128 bpm • C Maj • 03:09 • -6db
32% Popularity • 52% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 52% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Boy & Bear
Just To Be Kind
128 bpm • G Maj • 03:42 • -9.21db
33% Popularity • 74% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
33% Popularity • 74% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 74% Positiveness
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Augie March
Pennywhistle
127 bpm • A Maj • 04:16 • -7.14db
19% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 53% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Angus Stone
Only a Woman
127 bpm • G# min • 06:25 • -8db
24% Popularity • 53% Danceability • 50% Energy • 6% Liveness
4% Instrumentalness • 16% Positiveness
24% Popularity • 53% Danceability • 50% Energy • 6% Liveness
4% Instrumentalness • 16% Positiveness
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Tia Gostelow
Hunger
127 bpm • B min • 04:07 • -5db
33% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 52% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Sons Of The East
Lost Cause
127 bpm • G# Maj • 03:25 • -7.94db
47% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
47% Popularity • 60% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Jungle Giants
Mr Polite
129 bpm • D Maj • 04:15 • -7.36db
39% Popularity • 75% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
39% Popularity • 75% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Bell X1
Velcro
129 bpm • A min • 04:49 • -4.62db
31% Popularity • 57% Danceability • 66% Energy • 8% Liveness
11% Instrumentalness • 55% Positiveness
31% Popularity • 57% Danceability • 66% Energy • 8% Liveness
11% Instrumentalness • 55% Positiveness
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The Preatures
Take A Card
127 bpm • C# min • 03:29 • -4.76db
21% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
21% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Ben Howard
Old Pine
130 bpm • F Maj • 05:28 • -10.84db
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
68% Popularity • 40% Danceability • 36% Energy • 16% Liveness
5% Instrumentalness • 22% Positiveness
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Tia Gostelow
Vague Utopia
127 bpm • F Maj • 03:28 • -3db
38% Popularity • 44% Danceability • 83% Energy • 18% Liveness
27% Instrumentalness • 28% Positiveness
38% Popularity • 44% Danceability • 83% Energy • 18% Liveness
27% Instrumentalness • 28% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
39% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Mia Dyson
Tell Me
130 bpm • E Maj • 04:08 • -5.28db
27% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 54% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Thelma Plum
Rosie
126 bpm • A# min • 03:34 • -9.95db
27% Popularity • 62% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 62% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Methyl Ethel
Ubu
130 bpm • D# min • 05:02 • -8.87db
45% Popularity • 68% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
45% Popularity • 68% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
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Jordy Maxwell
She Came Back with Rainbows
130 bpm • G Maj • 03:50 • -9.58db
38% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 56% Danceability • 62% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Jordie Lane
Black Diamond
126 bpm • A# Maj • 03:39 • -5.94db
33% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 52% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Ben Howard
The Fear
126 bpm • B Maj • 04:20 • -9.65db
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
52% Popularity • 60% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Jack Davies and The Bush Chooks
Vegemite Sandwich
126 bpm • B Maj • 05:00 • -9.49db
35% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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The Panics
My Best Mistake
126 bpm • E Maj • 03:13 • -5.8db
24% Popularity • 45% Danceability • 67% Energy • 26% Liveness
10% Instrumentalness • 46% Positiveness
24% Popularity • 45% Danceability • 67% Energy • 26% Liveness
10% Instrumentalness • 46% Positiveness
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The Jezabels
Hurt Me
130 bpm • C min • 05:46 • -6.52db
36% Popularity • 49% Danceability • 91% Energy • 9% Liveness
12% Instrumentalness • 53% Positiveness
36% Popularity • 49% Danceability • 91% Energy • 9% Liveness
12% Instrumentalness • 53% Positiveness
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#1 Dads
Nominal
125 bpm • C Maj • 03:46 • -9.96db
26% Popularity • 73% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 32% Positiveness
26% Popularity • 73% Danceability • 57% Energy • 10% Liveness
7% Instrumentalness • 32% Positiveness
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San Cisco
Reasons
125 bpm • E min • 03:12 • -3.68db
47% Popularity • 60% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 60% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Tia Gostelow
Phone Me
125 bpm • C Maj • 03:10 • -6db
36% Popularity • 56% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
36% Popularity • 56% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Lior
Burst Your Bubble
125 bpm • A# Maj • 03:22 • -7.67db
24% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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The Panics
Majesty
125 bpm • C# Maj • 04:03 • -8db
20% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
20% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
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Foy Vance
She Burns
125 bpm • E Maj • 03:49 • -10.15db
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 73% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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DMA'S
Delete
125 bpm • B Maj • 04:31 • -7.71db
50% Popularity • 54% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 54% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Augie March
The Cold Acre
132 bpm • B min • 05:38 • -9.28db
19% Popularity • 49% Danceability • 67% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
19% Popularity • 49% Danceability • 67% Energy • 7% Liveness
10% Instrumentalness • 37% Positiveness
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DOPE LEMON
Streets Of Your Town
132 bpm • D# Maj • 03:27 • -5.98db
49% Popularity • 54% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 54% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 54% Positiveness
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Methyl Ethel
Twilight Driving
124 bpm • A min • 03:59 • -6.5db
45% Popularity • 60% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 59% Positiveness
45% Popularity • 60% Danceability • 75% Energy • 36% Liveness
1% Instrumentalness • 59% Positiveness
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Lior
Grey Ocean
124 bpm • G min • 03:35 • -14.24db
30% Popularity • 62% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
30% Popularity • 62% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Cousin Tony's Brand New Firebird
Pray November
124 bpm • D Maj • 04:51 • -7.59db
18% Popularity • 57% Danceability • 51% Energy • 16% Liveness
3% Instrumentalness • 16% Positiveness
18% Popularity • 57% Danceability • 51% Energy • 16% Liveness
3% Instrumentalness • 16% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
26% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Carla Geneve
The Right Reasons
124 bpm • D Maj • 03:33 • -10.75db
31% Popularity • 78% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
31% Popularity • 78% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 46% Positiveness
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Mt Warning
Sinking Sun (Acoustic Version)
123 bpm • F Maj • 03:08 • -7db
43% Popularity • 66% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 66% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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The Panics
Live Without
123 bpm • G Maj • 04:15 • -6.33db
14% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Lior
Gypsy Girl
124 bpm • C Maj • 03:09 • -8.06db
28% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Tia Gostelow
We Are the People - triple j Like a Vers...
123 bpm • G# min • 04:40 • -12.4db
30% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 45% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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San Cisco
When I Dream
123 bpm • F# min • 03:11 • -6.58db
46% Popularity • 67% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
46% Popularity • 67% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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The Jungle Giants
Feel the Way I Do
123 bpm • B min • 03:25 • -5db
59% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
59% Popularity • 80% Danceability • 64% Energy • 8% Liveness
1% Instrumentalness • 82% Positiveness
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Hein Cooper
The Fear - triple j Like a Version
123 bpm • F Maj • 03:31 • -9.62db
29% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Dempsey
Blindspot
123 bpm • D min • 03:52 • -6.09db
16% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Clean Cut Kid
Emily
123 bpm • B Maj • 04:16 • -8.84db
35% Popularity • 62% Danceability • 62% Energy • 19% Liveness
8% Instrumentalness • 76% Positiveness
35% Popularity • 62% Danceability • 62% Energy • 19% Liveness
8% Instrumentalness • 76% Positiveness
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Kim Churchill
The Summer
134 bpm • E min • 02:46 • -6.51db
23% Popularity • 73% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
23% Popularity • 73% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Ball Park Music
Leef
134 bpm • G Maj • 03:30 • -11.4db
25% Popularity • 38% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 38% Danceability • 33% Energy • 33% Liveness
0% Instrumentalness • 19% Positiveness
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BANFF
My Love, My Lover
122 bpm • G Maj • 03:31 • -9db
28% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Busby Marou
Biding My Time
135 bpm • E Maj • 04:03 • -6.59db
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
44% Popularity • 70% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Middle Kids
Mistake
135 bpm • D Maj • 03:32 • -2.83db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Sons Of The East
Come Away
122 bpm • C Maj • 04:20 • -8.39db
57% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 67% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Seeker Lover Keeper
Even Though I'm A Woman
121 bpm • F Maj • 04:08 • -10.31db
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Ball Park Music
Day & Age
122 bpm • A# Maj • 03:50 • -5.96db
36% Popularity • 51% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
36% Popularity • 51% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The Dreggs
Postcards
136 bpm • G Maj • 03:53 • -11.68db
48% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 73% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tay Oskee
We Were Young
136 bpm • A Maj • 04:53 • -9.63db
36% Popularity • 31% Danceability • 56% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
36% Popularity • 31% Danceability • 56% Energy • 10% Liveness
17% Instrumentalness • 8% Positiveness
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Boy & Bear
Man Alone
120 bpm • E min • 03:17 • -7.04db
22% Popularity • 66% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 66% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Bear's Den
Writing On The Wall
136 bpm • E Maj • 04:13 • -8db
9% Popularity • 59% Danceability • 64% Energy • 11% Liveness
32% Instrumentalness • 36% Positiveness
9% Popularity • 59% Danceability • 64% Energy • 11% Liveness
32% Instrumentalness • 36% Positiveness
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Tia Gostelow
Giants
120 bpm • F Maj • 03:52 • -5db
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 46% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Chris Staples
Dark Side of the Moon
120 bpm • D Maj • 03:27 • -10db
55% Popularity • 71% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
55% Popularity • 71% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 37% Positiveness
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Lime Cordiale
Waking Up Easy
120 bpm • B Maj • 03:56 • -5.5db
56% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Hein Cooper
Rusty
120 bpm • F# Maj • 03:18 • -8db
46% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 87% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Gordi
Extraordinary Life
120 bpm • A Maj • 03:41 • -11.45db
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 56% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Ball Park Music
Stars In My Eyes
120 bpm • G Maj • 03:47 • -5.79db
41% Popularity • 57% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 57% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 37% Positiveness
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The Preatures
Yanada
120 bpm • C# min • 05:19 • -5.22db
37% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Ocean Alley
Knees
120 bpm • C Maj • 04:46 • -9.36db
62% Popularity • 55% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 55% Danceability • 59% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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Boy & Bear
Mexican Mavis
120 bpm • B min • 03:06 • -6.89db
27% Popularity • 57% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 57% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Art of Sleeping
Win Your Heart
120 bpm • C Maj • 03:50 • -8db
33% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 60% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kings of Leon
Comeback Story
120 bpm • A Maj • 03:59 • -7.3db
59% Popularity • 46% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
59% Popularity • 46% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Howard
The Wolves
119 bpm • C min • 05:09 • -9.9db
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
54% Popularity • 48% Danceability • 54% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Bernard Fanning
Further Down The Road
137 bpm • B Maj • 04:41 • -7.92db
26% Popularity • 57% Danceability • 48% Energy • 17% Liveness
8% Instrumentalness • 29% Positiveness
26% Popularity • 57% Danceability • 48% Energy • 17% Liveness
8% Instrumentalness • 29% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Boy & Bear
Hold Your Nerve
120 bpm • C# min • 03:35 • -5db
41% Popularity • 51% Danceability • 79% Energy • 15% Liveness
38% Instrumentalness • 34% Positiveness
41% Popularity • 51% Danceability • 79% Energy • 15% Liveness
38% Instrumentalness • 34% Positiveness
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The War On Drugs
Comin' Through
119 bpm • C# min • 03:21 • -7.32db
57% Popularity • 53% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 46% Positiveness
57% Popularity • 53% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 46% Positiveness
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Ball Park Music
All I Want is You
138 bpm • C Maj • 03:29 • -8db
42% Popularity • 51% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
42% Popularity • 51% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Riley Pearce
Bottle It Up
119 bpm • E Maj • 03:05 • -9.55db
47% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
47% Popularity • 82% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Bernard Fanning
Believe
119 bpm • A Maj • 03:07 • -8db
37% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Alex the Astronaut
Already Home
119 bpm • A min • 03:31 • -5.97db
28% Popularity • 49% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 49% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Boy & Bear
Back Down The Black
137 bpm • A min • 06:17 • -8.44db
27% Popularity • 49% Danceability • 44% Energy • 30% Liveness
2% Instrumentalness • 20% Positiveness
27% Popularity • 49% Danceability • 44% Energy • 30% Liveness
2% Instrumentalness • 20% Positiveness
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The Dreggs
Feel Alive
119 bpm • C# Maj • 03:27 • -7.06db
47% Popularity • 74% Danceability • 51% Energy • 25% Liveness
3% Instrumentalness • 37% Positiveness
47% Popularity • 74% Danceability • 51% Energy • 25% Liveness
3% Instrumentalness • 37% Positiveness
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Art of Sleeping
One Hundred Thousand
138 bpm • A min • 03:52 • -6.37db
11% Popularity • 49% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 49% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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The Panics
Get Us Home
119 bpm • D min • 04:16 • -5.77db
24% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
24% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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DMA'S
Silver
119 bpm • E Maj • 04:19 • -6.35db
48% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 51% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Daily J
Left Me Like Summer
118 bpm • C Maj • 04:45 • -5.28db
58% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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Boy & Bear
A Thousand Faces
137 bpm • C# min • 02:52 • -7.06db
30% Popularity • 62% Danceability • 63% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
30% Popularity • 62% Danceability • 63% Energy • 33% Liveness
1% Instrumentalness • 88% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Sons Of The East
Fool Me
118 bpm • C# Maj • 03:52 • -8db
45% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 66% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Leif Vollebekk
Blood Brother
139 bpm • A# Maj • 04:23 • -9.05db
38% Popularity • 65% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 65% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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The War On Drugs
Eyes To The Wind
117 bpm • D Maj • 05:55 • -7.25db
48% Popularity • 49% Danceability • 76% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
48% Popularity • 49% Danceability • 76% Energy • 10% Liveness
6% Instrumentalness • 40% Positiveness
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Didirri
Blind You
117 bpm • D Maj • 02:54 • -12.83db
36% Popularity • 58% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 58% Danceability • 15% Energy • 35% Liveness
0% Instrumentalness • 28% Positiveness
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Boy & Bear
Limit Of Love - Acoustic
118 bpm • A min • 03:40 • -7.58db
23% Popularity • 71% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 71% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Cousin Tony's Brand New Firebird
Morning Person
118 bpm • D Maj • 04:13 • -7.69db
20% Popularity • 43% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 43% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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DOPE LEMON
Uptown Folks
117 bpm • B min • 04:48 • -4.94db
60% Popularity • 48% Danceability • 82% Energy • 14% Liveness
16% Instrumentalness • 41% Positiveness
60% Popularity • 48% Danceability • 82% Energy • 14% Liveness
16% Instrumentalness • 41% Positiveness
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A Blaze of Feather
Dust in the Wind
117 bpm • D Maj • 04:31 • -6db
27% Popularity • 37% Danceability • 66% Energy • 10% Liveness
30% Instrumentalness • 17% Positiveness
27% Popularity • 37% Danceability • 66% Energy • 10% Liveness
30% Instrumentalness • 17% Positiveness
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Dylan LeBlanc
Cautionary Tale
117 bpm • C Maj • 03:40 • -7.43db
48% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 68% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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#1 Dads
Two Weeks - triple j Like A Version
117 bpm • A# Maj • 03:37 • -8.74db
31% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 66% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Boy & Bear
Southern Sun
118 bpm • C Maj • 04:40 • -5.95db
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
53% Popularity • 54% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
