Songs like Kalakapovathu Yaaru by Kamal Haasan
Based on a tempo of (+/- 10%) and a similar genre
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Bharadwaj
Kalaka Povathu
126 bpm • G Maj • 04:43 • -11.69db
44% Popularity • 79% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 79% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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P. Jayachandran
Kodiyile Malliyapoo
126 bpm • A Maj • 04:24 • -12db
58% Popularity • 67% Danceability • 40% Energy • 11% Liveness
11% Instrumentalness • 42% Positiveness
58% Popularity • 67% Danceability • 40% Energy • 11% Liveness
11% Instrumentalness • 42% Positiveness
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Vijay Antony
Ussumu Laresey
125 bpm • D Maj • 04:47 • -7.27db
64% Popularity • 85% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
64% Popularity • 85% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Kay Kay
Kathalikkum
126 bpm • A min • 04:24 • -8.35db
61% Popularity • 79% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
61% Popularity • 79% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Kamal Haasan
Chahe Pandit Ho Chahe Kazi Ho - Hey Ram ...
127 bpm • A min • 04:06 • -13.08db
6% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 84% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Sichith
Karuppu Perazhaga
125 bpm • A# min • 04:59 • -7.39db
59% Popularity • 87% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 87% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Thaman S
Pondatti
125 bpm • A min • 04:26 • -8db
40% Popularity • 86% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
40% Popularity • 86% Danceability • 80% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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Pradeep Kumar
Kannamma
125 bpm • E min • 04:49 • -13.43db
53% Popularity • 64% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 64% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Vijay Antony
Dailamo Dailamo
125 bpm • F# min • 04:27 • -7.77db
51% Popularity • 81% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 82% Positiveness
51% Popularity • 81% Danceability • 67% Energy • 60% Liveness
0% Instrumentalness • 82% Positiveness
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Velmurugan
Pottadhu Pathala
125 bpm • D Maj • 04:52 • -6.27db
49% Popularity • 86% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 86% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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Kamal Haasan
Ramaranalalum
127 bpm • C Maj • 04:06 • -8.73db
23% Popularity • 83% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 83% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Shankar-Ehsaan-Loy
Unnai Kaanadhu Naan
127 bpm • G Maj • 05:37 • -7.63db
51% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Ghibran
Laali Laali - Tamil
124 bpm • G Maj • 03:51 • -8.44db
58% Popularity • 72% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 72% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Jen Martin
Namma Thamizh Folku
128 bpm • G min • 04:33 • -7db
52% Popularity • 70% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 70% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Soni Chhammak Chhallo
Dekho Dekho Bhool Mat Jana Mera Thandi S...
124 bpm • F# min • 08:19 • -9.54db
1% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
1% Popularity • 65% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Supriya Joshi
Mascara
128 bpm • D min • 04:56 • -4db
46% Popularity • 87% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 87% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Kamal Haasan
Ammama Vanthathu
127 bpm • E Maj • 06:58 • -8.05db
10% Popularity • 71% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 71% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 93% Positiveness
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Shankar-Ehsaan-Loy
Anu Vidhaiththa Boomiyile
127 bpm • E min • 04:17 • -9.7db
29% Popularity • 60% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
29% Popularity • 60% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Dhanush
Mayakkama Kalakkama
124 bpm • A min • 02:22 • -5db
68% Popularity • 79% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
68% Popularity • 79% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Tippu
Venmathiye
124 bpm • B Maj • 05:26 • -14.19db
43% Popularity • 84% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 84% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Sam C.S.
Kannamma
128 bpm • C# Maj • 04:16 • -8.52db
67% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
67% Popularity • 73% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Thaman S
U R My Darling
128 bpm • G# Maj • 04:39 • -6db
57% Popularity • 81% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
57% Popularity • 81% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
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Kamal Haasan
Alla Jane -2
128 bpm • C# Maj • 04:32 • -7.8db
2% Popularity • 55% Danceability • 88% Energy • 48% Liveness
5% Instrumentalness • 22% Positiveness
2% Popularity • 55% Danceability • 88% Energy • 48% Liveness
5% Instrumentalness • 22% Positiveness
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Hariharan
Kutti Puli Kootam
124 bpm • A min • 06:08 • -5.74db
47% Popularity • 80% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
47% Popularity • 80% Danceability • 87% Energy • 16% Liveness
3% Instrumentalness • 63% Positiveness
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Shankar-Ehsaan-Loy
Koi Kahin
128 bpm • E min • 04:19 • -10.09db
4% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
4% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Andrea Jeremiah
Oo Solriya Oo Oo Solriya
128 bpm • F min • 03:43 • -6.72db
62% Popularity • 90% Danceability • 71% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
62% Popularity • 90% Danceability • 71% Energy • 20% Liveness
9% Instrumentalness • 49% Positiveness
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M. G. Sreekumar
Thakilu Pukilu
128 bpm • G min • 05:42 • -8.17db
49% Popularity • 81% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
49% Popularity • 81% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Hiphop Tamizha
Indru Netru Naalai
128 bpm • C min • 03:05 • -5.38db
62% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
62% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Vidyasagar
Machan Meesai
124 bpm • A min • 04:51 • -8.12db
54% Popularity • 77% Danceability • 83% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
54% Popularity • 77% Danceability • 83% Energy • 2% Liveness
0% Instrumentalness • 87% Positiveness
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Vijay
Google Google
129 bpm • F min • 06:09 • -6.78db
54% Popularity • 92% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 92% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Soni Chhammak Chhallo
Haye Re Dallab Gaddi Ho Gayi Izzat Radhi
122 bpm • B Maj • 06:41 • -9.22db
0% Popularity • 63% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 63% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 78% Positiveness
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Santhosh Narayanan
Sirukki Vaasam
130 bpm • C# min • 04:34 • -6.56db
61% Popularity • 57% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
61% Popularity • 57% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Darbuka Siva
Naan Pizhaippeno
123 bpm • F Maj • 06:01 • -8.51db
51% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 60% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Sriram Parthasarathy
Kaarkuzhal Kadavaiye
130 bpm • E min • 05:12 • -11.24db
51% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 70% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Vidyasagar
Palaanadhu Palaanadhu
129 bpm • G Maj • 04:11 • -3.79db
57% Popularity • 77% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
57% Popularity • 77% Danceability • 95% Energy • 8% Liveness
1% Instrumentalness • 68% Positiveness
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Ghibran
Ae Le Le Etti Paarthale
130 bpm • G Maj • 04:48 • -5.22db
50% Popularity • 67% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
50% Popularity • 67% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Anirudh Ravichander
Kannaana Kanne
130 bpm • D Maj • 04:27 • -9.58db
60% Popularity • 36% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
60% Popularity • 36% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Santhosh Narayanan
Agasatha
130 bpm • D min • 04:57 • -9db
52% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
52% Popularity • 55% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Hariharan
Pala Pala
130 bpm • F Maj • 05:25 • -7.7db
63% Popularity • 74% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 74% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Vijay Antony
Bombay Ponnu
130 bpm • E min • 03:54 • -7.31db
61% Popularity • 81% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
61% Popularity • 81% Danceability • 94% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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Shankar Mahadevan
Machakari
130 bpm • B min • 05:31 • -6.84db
46% Popularity • 75% Danceability • 84% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
46% Popularity • 75% Danceability • 84% Energy • 17% Liveness
1% Instrumentalness • 48% Positiveness
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D. Imman
Un Mele Oru Kannu
122 bpm • D min • 04:31 • -4.36db
55% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 79% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Anirudh Ravichander
Mathuga Mathuga
130 bpm • C Maj • 03:31 • -5.69db
42% Popularity • 83% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 83% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Kirby Dominant
Come Outside
122 bpm • C# Maj • 05:30 • -4.76db
1% Popularity • 43% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 43% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Hariharan
Anbae Anbae
122 bpm • F min • 05:32 • -11.19db
61% Popularity • 68% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
61% Popularity • 68% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Ilaiyaraaja
Thenpandi Cheemayile
121 bpm • E min • 04:32 • -11.44db
56% Popularity • 46% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 46% Danceability • 22% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Soni Chhamak Chhallo
Ratiya Sanan Sanan Hoye More Raja
121 bpm • G min • 06:13 • -10.92db
0% Popularity • 52% Danceability • 58% Energy • 47% Liveness
25% Instrumentalness • 75% Positiveness
0% Popularity • 52% Danceability • 58% Energy • 47% Liveness
25% Instrumentalness • 75% Positiveness
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S. Janaki
Ninaivo Oru
132 bpm • G min • 04:44 • -8.32db
53% Popularity • 46% Danceability • 44% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
53% Popularity • 46% Danceability • 44% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Anirudh Ravichander
Pathala Pathala
130 bpm • C Maj • 03:31 • -5.61db
67% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
67% Popularity • 83% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Kamal Haasan
Main Bhi Aa Rahin Hun (Dialogues)
132 bpm • G Maj • 02:10 • -13.34db
4% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
4% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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M.L.R. Karthikeyan
Hey Vaada Vaada ("From Kacheri Aarambam"...
132 bpm • F min • 05:12 • -5db
55% Popularity • 76% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 76% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 69% Positiveness
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Mani Sharma
Vaa Chellam
132 bpm • C Maj • 05:05 • -4db
53% Popularity • 78% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 78% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
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Vijay Antony
Karigalan
132 bpm • F min • 04:15 • -3.22db
61% Popularity • 80% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 80% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Gopi Sundar
Nee Mukilo
132 bpm • G min • 03:29 • -11.89db
57% Popularity • 75% Danceability • 39% Energy • 22% Liveness
33% Instrumentalness • 56% Positiveness
57% Popularity • 75% Danceability • 39% Energy • 22% Liveness
33% Instrumentalness • 56% Positiveness
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D. Imman
Adiyae Ivalaey
132 bpm • G min • 04:47 • -4.72db
51% Popularity • 73% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 73% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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Vidyasagar
Neeya Pesiyathu
120 bpm • G Maj • 04:37 • -8.61db
47% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kamal Haasan
Unna Vida
120 bpm • F Maj • 06:25 • -11.06db
60% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Shankar-Ehsaan-Loy
Thuppaki Engal Tholile
120 bpm • A Maj • 04:43 • -6db
32% Popularity • 67% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
32% Popularity • 67% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Udit Narayan
Emaindhi Eevela
120 bpm • G min • 05:19 • -5.62db
58% Popularity • 80% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 80% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Govind Vasantha
Thozhi
120 bpm • D# Maj • 04:57 • -12db
53% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
53% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 39% Positiveness
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D. Imman
Koodamela Koodavechi
120 bpm • E min • 05:00 • -5.04db
62% Popularity • 69% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 69% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Anuradha Sriram
Enna Nenatche ("From Chokkathangam" )
120 bpm • A# min • 04:51 • -6.13db
49% Popularity • 74% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 74% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Sadhana Sargam
Akkam Pakkam
120 bpm • B min • 05:16 • -6.74db
61% Popularity • 77% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 77% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Devi Sri Prasad
Yenna Solla Pore
120 bpm • A min • 04:24 • -4.91db
45% Popularity • 81% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 81% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Sirpy
Enge Andha Vennila (Male Version)
120 bpm • G Maj • 05:00 • -9.84db
27% Popularity • 83% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
27% Popularity • 83% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 95% Positiveness
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Anirudh Ravichander
Porkanda Singam
120 bpm • F min • 03:18 • -8db
56% Popularity • 53% Danceability • 59% Energy • 38% Liveness
1% Instrumentalness • 54% Positiveness
56% Popularity • 53% Danceability • 59% Energy • 38% Liveness
1% Instrumentalness • 54% Positiveness
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Vivek - Mervin
Nenjukulle Nee
120 bpm • D Maj • 04:58 • -5.63db
57% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 50% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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P. Jayachandran
Vaishaka Sandhya
133 bpm • A min • 03:53 • -13.06db
54% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
54% Popularity • 58% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Swarnalatha
Aattama Therottama
120 bpm • A# Maj • 05:14 • -12.22db
58% Popularity • 82% Danceability • 47% Energy • 15% Liveness
20% Instrumentalness • 60% Positiveness
58% Popularity • 82% Danceability • 47% Energy • 15% Liveness
20% Instrumentalness • 60% Positiveness
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Hariharan
Ragasiya Kanavugal
133 bpm • D Maj • 05:59 • -7db
46% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Devi Sri Prasad
Vaada Maappilley
133 bpm • D Maj • 03:34 • -5.05db
49% Popularity • 95% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
49% Popularity • 95% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 98% Positiveness
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Gana Ulaganathan
ValamenuKkum
133 bpm • E min • 04:41 • -5.41db
55% Popularity • 73% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 73% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Mani Sharma
Thanjavoor Jilla Kaari
119 bpm • C Maj • 05:16 • -6db
63% Popularity • 88% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
63% Popularity • 88% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Santhosh Narayanan
Poi Vazhva
119 bpm • G# min • 03:59 • -10.19db
59% Popularity • 69% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 69% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Shankar Mahadevan
Kokku Meena
118 bpm • F min • 04:36 • -9db
50% Popularity • 60% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
50% Popularity • 60% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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D. Imman
Yembuttu Irukkuthu Aasai
118 bpm • F min • 04:29 • -5.86db
59% Popularity • 69% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 69% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Devi Sri Prasad
En Peeru Meenakumari
135 bpm • A# min • 04:20 • -2.04db
64% Popularity • 89% Danceability • 90% Energy • 11% Liveness
31% Instrumentalness • 61% Positiveness
64% Popularity • 89% Danceability • 90% Energy • 11% Liveness
31% Instrumentalness • 61% Positiveness
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Vijay Antony
Mayam Seidhayo
135 bpm • D min • 04:14 • -7.45db
52% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
52% Popularity • 79% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Teejay
Thean Kudika
136 bpm • D# min • 04:14 • -6.16db
59% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
59% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Santhosh Narayanan
Rakita Rakita Rakita
134 bpm • A# min • 04:07 • -5.17db
52% Popularity • 77% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 94% Positiveness
52% Popularity • 77% Danceability • 83% Energy • 55% Liveness
0% Instrumentalness • 94% Positiveness
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Justin Prabhakaran
Enakkaaga Poranthaayae
137 bpm • D Maj • 03:41 • -4.41db
51% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Naveen Madhav
Kathala Kannala
136 bpm • G# Maj • 04:34 • -3.13db
52% Popularity • 74% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
52% Popularity • 74% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Devi Sri Prasad
Andhamyna Bhamalu
136 bpm • A# min • 04:18 • -9db
59% Popularity • 75% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
59% Popularity • 75% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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Sathyaprakash
Saayaali
115 bpm • D Maj • 05:08 • -6db
49% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 67% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Vidyasagar
Ente Ellaamellaamalle
138 bpm • D Maj • 05:29 • -12.06db
34% Popularity • 76% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 76% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Santhosh Narayanan
Agayam Theepiditha
118 bpm • C Maj • 03:50 • -8.39db
61% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Justin Prabhakaran
Onakkaaga Poranthaenae
137 bpm • D Maj • 04:49 • -4.47db
52% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
52% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Kamal Haasan
Kadavaul Paadhi
115 bpm • F Maj • 03:14 • -8.62db
32% Popularity • 75% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 75% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Devi Sri Prasad
Dheemthanakka Thillana
137 bpm • D Maj • 04:09 • -6db
58% Popularity • 85% Danceability • 65% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
58% Popularity • 85% Danceability • 65% Energy • 11% Liveness
3% Instrumentalness • 77% Positiveness
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Soni Chhammak Chhallo
Baitho Ya Chale Jaao Nania Nahi Milan Ke
138 bpm • D min • 07:41 • -10.08db
0% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
0% Popularity • 61% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Malaysia Vasudevan
Poongatru Thirumbuma
115 bpm • C min • 04:21 • -10.03db
56% Popularity • 96% Danceability • 35% Energy • 10% Liveness
55% Instrumentalness • 86% Positiveness
56% Popularity • 96% Danceability • 35% Energy • 10% Liveness
55% Instrumentalness • 86% Positiveness
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Santhosh Narayanan
Maya Nadhi
136 bpm • D# min • 04:35 • -10.93db
63% Popularity • 68% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
63% Popularity • 68% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Vidyasagar
Pinneyum Pinneyum
139 bpm • F Maj • 05:12 • -15.33db
37% Popularity • 58% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 58% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Thaman S
Yaarukkum Sollaama
114 bpm • G min • 04:33 • -6.91db
36% Popularity • 87% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
36% Popularity • 87% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 85% Positiveness
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Devi Sri Prasad
Kozhi Veda Kozhi
115 bpm • C Maj • 04:55 • -12.89db
12% Popularity • 83% Danceability • 72% Energy • 5% Liveness
10% Instrumentalness • 77% Positiveness
12% Popularity • 83% Danceability • 72% Energy • 5% Liveness
10% Instrumentalness • 77% Positiveness
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K. J. Yesudas
Poove Sem Poove - Male
139 bpm • D min • 05:33 • -9.5db
56% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Tippu
Ennai Konjum
114 bpm • A min • 05:56 • -5.97db
36% Popularity • 84% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 84% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 84% Positiveness
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Santhosh Narayanan
Aasai Oru Pulveli
116 bpm • A Maj • 03:50 • -8.84db
54% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
54% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
