Songs like Kaleidoscope: No. 2, Three Romantic Pieces. Allegro - Andante - Vivace, quasi scherzo by Eugen Suchoň
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Eric Coates
Cinderella: 7. Cinderella, once more sit...
148 bpm • G Maj • 01:13 • -36.75db
16% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
16% Popularity • 12% Danceability • 0% Energy • 9% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Luca Schettino
String Quartet N 20 Mov 1 Mazurka Versio...
150 bpm • C min • 01:16 • -14db
13% Popularity • 39% Danceability • 25% Energy • 83% Liveness
86% Instrumentalness • 66% Positiveness
13% Popularity • 39% Danceability • 25% Energy • 83% Liveness
86% Instrumentalness • 66% Positiveness
► Preview
Erik Satie
Relâche, Pt. 2: No. 10, La femme rejoin...
148 bpm • C min • 01:01 • -38.39db
8% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 16% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Orion King
Intend
151 bpm • C# Maj • 02:59 • -19.28db
17% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
17% Popularity • 43% Danceability • 21% Energy • 28% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Wiljami Niittykoski
Silia valssi mollissa for String Orchest...
146 bpm • G min • 01:43 • -21.12db
0% Popularity • 17% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
0% Popularity • 17% Danceability • 9% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Danke Timi Briggs
Billabong
150 bpm • G min • 02:12 • -15.02db
19% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
19% Popularity • 22% Danceability • 22% Energy • 36% Liveness
91% Instrumentalness • 38% Positiveness
► Preview
Giacomo Puccini
Preludio Sinfonico
145 bpm • A Maj • 09:25 • -21.62db
9% Popularity • 14% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 6% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Maurice Ravel
String Quartet in F Major, M. 35: II. As...
155 bpm • F Maj • 06:24 • -28.73db
2% Popularity • 26% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 3% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Édouard Lalo
Suite No.2 from "Namouna": No. 3, Dolce ...
145 bpm • G Maj • 04:01 • -29.99db
9% Popularity • 25% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
9% Popularity • 25% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Bizet: L'Arlésienne Suite No. 1, Op. 23...
142 bpm • E Maj • 04:26 • -24.85db
5% Popularity • 22% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
5% Popularity • 22% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 12% Positiveness
► Preview
Alexander Glazunov
The Seasons, Op. 67, Pt. 4 "L'automne": ...
141 bpm • A Maj • 04:26 • -27.79db
16% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
16% Popularity • 14% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
Symphonic Dances, Op. 64: I. Allegro mod...
141 bpm • G Maj • 06:28 • -19.76db
15% Popularity • 27% Danceability • 9% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
15% Popularity • 27% Danceability • 9% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
► Preview
Giacomo Puccini
Kyrie in D Major: IV. Versetto No.3, Sen...
141 bpm • D Maj • 01:02 • -26.43db
13% Popularity • 14% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
13% Popularity • 14% Danceability • 4% Energy • 10% Liveness
71% Instrumentalness • 21% Positiveness
► Preview
Antonín Dvořák
Slavonic Dances, Series II., Op. 72, B. ...
140 bpm • F# min • 04:36 • -15.1db
8% Popularity • 24% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
8% Popularity • 24% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
Eugen Suchoň
Metamorphosis: Larghetto
139 bpm • B min • 07:11 • -20.16db
0% Popularity • 15% Danceability • 5% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
0% Popularity • 15% Danceability • 5% Energy • 12% Liveness
15% Instrumentalness • 3% Positiveness
► Preview
Robert Schumann
Träumerei, Op. 15 No. 7
139 bpm • F Maj • 02:15 • -29db
16% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
16% Popularity • 18% Danceability • 0% Energy • 9% Liveness
60% Instrumentalness • 17% Positiveness
► Preview
James MacMillan
Seven Last Words from the Cross: II. Wom...
139 bpm • B min • 05:11 • -15.11db
7% Popularity • 19% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 39% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Grieg: 4 Symphonic Dances, Op. 64: No. 3...
158 bpm • D Maj • 06:32 • -18.6db
1% Popularity • 23% Danceability • 12% Energy • 34% Liveness
89% Instrumentalness • 18% Positiveness
1% Popularity • 23% Danceability • 12% Energy • 34% Liveness
89% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
Woodland Suite: III. Moon-Fairy (Arr. Of...
139 bpm • A Maj • 02:08 • -34.07db
6% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
6% Popularity • 15% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Nikos Skalkottas
5 Greek Dances, AK 11b (Arr. for String ...
160 bpm • G min • 02:11 • -20.19db
18% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
18% Popularity • 33% Danceability • 22% Energy • 26% Liveness
92% Instrumentalness • 72% Positiveness
► Preview
Swedish Chamber Orchestra
Sov du lilla videung - Sing along
138 bpm • B Maj • 02:00 • -20.17db
12% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 10% Energy • 13% Liveness
83% Instrumentalness • 7% Positiveness
► Preview
Arnold Rosner
Variations on a Theme by Frank Martin, O...
138 bpm • A min • 02:16 • -23.84db
14% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 4% Energy • 17% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Os justi
138 bpm • C Maj • 04:42 • -24db
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
29% Popularity • 16% Danceability • 4% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Eugen Suchoň
Serenade for String Orchestra, Op. 5: I....
138 bpm • F min • 01:37 • -16.85db
1% Popularity • 40% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 40% Positiveness
1% Popularity • 40% Danceability • 21% Energy • 11% Liveness
84% Instrumentalness • 40% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
138 bpm • C Maj • 08:03 • -27.33db
8% Popularity • 35% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 21% Positiveness
8% Popularity • 35% Danceability • 7% Energy • 11% Liveness
67% Instrumentalness • 21% Positiveness
► Preview
Jean-Baptiste Lully
Te deum, LWV 55: III. Te per orbem terra...
161 bpm • G min • 03:15 • -15.28db
16% Popularity • 15% Danceability • 26% Energy • 52% Liveness
20% Instrumentalness • 15% Positiveness
16% Popularity • 15% Danceability • 26% Energy • 52% Liveness
20% Instrumentalness • 15% Positiveness
► Preview
Bernhard Henrik Crusell
Introduction et air suédois, Op. 12: In...
137 bpm • D# min • 01:04 • -25.02db
19% Popularity • 33% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
19% Popularity • 33% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
► Preview
Charles Koechlin
Pelleas et Melisande, Op. 80 (arr. C. Ko...
137 bpm • A min • 00:59 • -38.07db
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
33% Popularity • 18% Danceability • 1% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
► Preview
Vítězslav Novák
Moravian-Slovak Suite, Op. 32 (version f...
137 bpm • D# Maj • 04:30 • -22.14db
17% Popularity • 18% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 6% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Eugen Suchoň
Sonatína na motívy slovenských vojens...
137 bpm • G min • 02:22 • -26.06db
0% Popularity • 40% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
0% Popularity • 40% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 12% Positiveness
► Preview
Erik Satie
Mercure: III. Danse de tendresse
136 bpm • F Maj • 01:50 • -27.28db
5% Popularity • 26% Danceability • 2% Energy • 40% Liveness
55% Instrumentalness • 23% Positiveness
5% Popularity • 26% Danceability • 2% Energy • 40% Liveness
55% Instrumentalness • 23% Positiveness
► Preview
Milo Paulus
Proving the Existence of Folkloric Creat...
135 bpm • A min • 03:17 • -21.72db
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
10% Popularity • 38% Danceability • 13% Energy • 9% Liveness
45% Instrumentalness • 10% Positiveness
► Preview
Lennox Berkeley
Divertimento, Op.18: I. Prelude. Moderat...
135 bpm • D min • 03:43 • -23.18db
14% Popularity • 32% Danceability • 6% Energy • 20% Liveness
85% Instrumentalness • 11% Positiveness
14% Popularity • 32% Danceability • 6% Energy • 20% Liveness
85% Instrumentalness • 11% Positiveness
► Preview
Knudåge Riisager
Etudes: I. Tendus - grands battements - ...
134 bpm • C Maj • 02:00 • -19.95db
10% Popularity • 43% Danceability • 25% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
10% Popularity • 43% Danceability • 25% Energy • 11% Liveness
82% Instrumentalness • 49% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: IV. Gloria. Glo...
165 bpm • F Maj • 00:55 • -16.32db
23% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 33% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Eugen Suchoň
Serenade for String Orchestra, Op. 5: IV...
136 bpm • F# Maj • 03:30 • -20.77db
1% Popularity • 16% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
1% Popularity • 16% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Ria Mbanefo
Love Sleeping Alone
134 bpm • G min • 02:24 • -22.2db
15% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
15% Popularity • 56% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 45% Positiveness
► Preview
Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: II. Arabi...
134 bpm • F Maj • 04:27 • -23.67db
1% Popularity • 40% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
1% Popularity • 40% Danceability • 5% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
► Preview
Igor Stravinsky
Oedipus Rex - Opera-Oratorio in 2 Acts: ...
166 bpm • D# min • 03:24 • -23.1db
0% Popularity • 24% Danceability • 3% Energy • 31% Liveness
1% Instrumentalness • 10% Positiveness
0% Popularity • 24% Danceability • 3% Energy • 31% Liveness
1% Instrumentalness • 10% Positiveness
► Preview
Antonin Dvorak
Symphony No.8 In G Major Op.88: III. All...
167 bpm • C Maj • 05:54 • -23.18db
9% Popularity • 16% Danceability • 10% Energy • 35% Liveness
92% Instrumentalness • 32% Positiveness
9% Popularity • 16% Danceability • 10% Energy • 35% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Gioachino Rossini
Rossini: La gazza ladra: Overture
167 bpm • E Maj • 10:13 • -20.71db
20% Popularity • 34% Danceability • 10% Energy • 26% Liveness
75% Instrumentalness • 33% Positiveness
20% Popularity • 34% Danceability • 10% Energy • 26% Liveness
75% Instrumentalness • 33% Positiveness
► Preview
Erik Satie
Relâche, Pt. 1: No. 3, Entrée de la fe...
133 bpm • D Maj • 01:16 • -33.3db
9% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 0% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Eugen Suchoň
Hej, javorová hužva
134 bpm • F# Maj • 02:48 • -16.16db
0% Popularity • 31% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
0% Popularity • 31% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Daniel Auber
Couvin, S. 2: Act II Prelude
167 bpm • C Maj • 01:27 • -34db
23% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
23% Popularity • 26% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Pezzo capriccioso in B Minor, Op. 62
132 bpm • B min • 07:18 • -26.29db
7% Popularity • 23% Danceability • 10% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
7% Popularity • 23% Danceability • 10% Energy • 13% Liveness
81% Instrumentalness • 14% Positiveness
► Preview
Benedetto Marcello
Introduzione, aria e presto: I. Largo e ...
133 bpm • E min • 01:04 • -11.83db
23% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
23% Popularity • 41% Danceability • 38% Energy • 45% Liveness
69% Instrumentalness • 50% Positiveness
► Preview
Jean Sibelius
Karelia Suite, Op. 11: III. Alla marcia....
168 bpm • A Maj • 04:45 • -19.56db
14% Popularity • 24% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
14% Popularity • 24% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: Tuba Concerto in F Min...
131 bpm • G Maj • 05:10 • -25.37db
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
► Preview
Eugen Suchoň
Adagio g mol (1928)
132 bpm • A# Maj • 07:42 • -26.42db
1% Popularity • 37% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
1% Popularity • 37% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Anton Bruckner
Equale No. 2, WAB 149
131 bpm • G# Maj • 01:38 • -28.37db
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 0% Energy • 7% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Variations on a Theme by Tchaikovsky, Op...
169 bpm • G Maj • 01:40 • -22.43db
15% Popularity • 10% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
15% Popularity • 10% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Clara Schumann
3 Romances: Andante molto
170 bpm • C# Maj • 02:56 • -22.92db
15% Popularity • 16% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 16% Danceability • 2% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Symphony N. 1 in C Minore, Op. 68 - IV. ...
131 bpm • C Maj • 05:02 • -26.78db
10% Popularity • 17% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Édouard Lalo
Suite No.1 from "Namouna": No.1, Prelude...
130 bpm • G Maj • 05:26 • -14.77db
7% Popularity • 17% Danceability • 25% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
7% Popularity • 17% Danceability • 25% Energy • 36% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Eugen Suchoň
Muzikanti s gajdošom (z cyklu "Preletel...
169 bpm • D Maj • 01:42 • -23.84db
0% Popularity • 35% Danceability • 16% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
0% Popularity • 35% Danceability • 16% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
► Preview
Ottorino Respighi
Trittico botticelliano, P. 151: I. La pr...
130 bpm • A Maj • 06:05 • -21.8db
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
9% Popularity • 38% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for Strings in C Major, Op. 48,...
170 bpm • G Maj • 04:11 • -32.2db
12% Popularity • 17% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 22% Positiveness
12% Popularity • 17% Danceability • 3% Energy • 12% Liveness
7% Instrumentalness • 22% Positiveness
► Preview
Wojciech Kilar
Orawa
171 bpm • G Maj • 09:11 • -15.36db
16% Popularity • 31% Danceability • 36% Energy • 4% Liveness
89% Instrumentalness • 13% Positiveness
16% Popularity • 31% Danceability • 36% Energy • 4% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
LeoRoads
Harmony of Angels
130 bpm • E min • 02:19 • -16.85db
9% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
9% Popularity • 48% Danceability • 18% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
Gloria, FP 144: III. Domine Deus
130 bpm • G Maj • 04:35 • -24.74db
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
23% Popularity • 21% Danceability • 9% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Eugen Suchoň
Metamorfózy, päť variácii na vlastn�...
131 bpm • C# min • 03:10 • -31.79db
0% Popularity • 40% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
0% Popularity • 40% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
► Preview
Ludwig van Beethoven
Symphonic Art
172 bpm • A# Maj • 02:36 • -34.78db
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Jean Sibelius
Symphony No. 5 in E-flat major, Op. 82: ...
129 bpm • G Maj • 09:26 • -26.97db
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 22% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Sirkka Rautakoski
Aaria, Palvelkaamme Toisiamme
172 bpm • C# Maj • 03:41 • -20.26db
11% Popularity • 16% Danceability • 10% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 6% Liveness
4% Instrumentalness • 8% Positiveness
► Preview
Edward Elgar
Nimrod
129 bpm • D# Maj • 01:14 • -18.21db
13% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 21% Energy • 36% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Eugen Suchoň
3 Slovakian Folksongs: III. —
131 bpm • A# min • 03:00 • -21.73db
0% Popularity • 18% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
0% Popularity • 18% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Guy Farley
To the Montains
172 bpm • D min • 01:07 • -26.99db
21% Popularity • 9% Danceability • 6% Energy • 12% Liveness
57% Instrumentalness • 29% Positiveness
21% Popularity • 9% Danceability • 6% Energy • 12% Liveness
57% Instrumentalness • 29% Positiveness
► Preview
Gustav Holst
St. Paul's Suite, Op. 29, No. 2: I. Jig
129 bpm • C Maj • 03:44 • -18.17db
15% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
15% Popularity • 31% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
► Preview
Jean Sibelius
Karelia Overture, Op. 10
129 bpm • C Maj • 08:00 • -13.45db
0% Popularity • 20% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
0% Popularity • 20% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Selim Palmgren
Illusion, Op. 1, No. 2
172 bpm • E min • 02:33 • -29db
16% Popularity • 8% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 8% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Erik Satie
Relâche, Pt. 1: No. 10, Final
129 bpm • D Maj • 01:14 • -21.39db
7% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
7% Popularity • 48% Danceability • 15% Energy • 9% Liveness
49% Instrumentalness • 36% Positiveness
► Preview
Eugen Suchoň
Žiaľ (z cyklu "Keď sa vlci zišli, ma...
130 bpm • G min • 01:22 • -34.98db
0% Popularity • 49% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 40% Positiveness
0% Popularity • 49% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 40% Positiveness
► Preview
Taipei New Dynasty Philharmonic & Chorus
Transcendental Symphony Part IV. Finale ...
172 bpm • G Maj • 07:37 • -20.89db
9% Popularity • 12% Danceability • 20% Energy • 12% Liveness
25% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 20% Energy • 12% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Romances on Poems by A.Blok, Op. 127: I....
172 bpm • G# Maj • 02:34 • -25.99db
11% Popularity • 14% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 14% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: VI. Agnus...
129 bpm • G Maj • 05:50 • -28.55db
7% Popularity • 23% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
7% Popularity • 23% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
A Fugal Concerto, Op. 40: II. Adagio
128 bpm • D Maj • 03:10 • -28.77db
19% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 18% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Nicolay Rimsky-Korsakov
Spanish Capriccio In A Major Op.34: I. A...
128 bpm • A Maj • 01:12 • -17.51db
14% Popularity • 48% Danceability • 25% Energy • 13% Liveness
17% Instrumentalness • 42% Positiveness
14% Popularity • 48% Danceability • 25% Energy • 13% Liveness
17% Instrumentalness • 42% Positiveness
► Preview
Eugen Suchoň
Nox et solitudo, Op. 4: No. 2. Balada (B...
130 bpm • F# min • 01:44 • -18.08db
0% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 36% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Albéric Magnard
Suite d'orchestre dans le style ancien, ...
174 bpm • D# Maj • 02:52 • -19.12db
11% Popularity • 17% Danceability • 12% Energy • 15% Liveness
94% Instrumentalness • 30% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 15% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Modest Mussorgsky
Khovanshchina: Morgendammerung an der Mo...
174 bpm • C# min • 05:08 • -27.08db
11% Popularity • 12% Danceability • 3% Energy • 5% Liveness
66% Instrumentalness • 4% Positiveness
11% Popularity • 12% Danceability • 3% Energy • 5% Liveness
66% Instrumentalness • 4% Positiveness
► Preview
Ferdinand David
Trombone Concertino in E-flat Major, Op....
127 bpm • D# Maj • 01:00 • -14.56db
17% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
17% Popularity • 32% Danceability • 32% Energy • 15% Liveness
92% Instrumentalness • 33% Positiveness
► Preview
Johannes Brahms
Begrabnisgesang, Op. 13
175 bpm • C min • 08:00 • -23db
8% Popularity • 12% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 3. Los pasos de Jehov...
127 bpm • D min • 04:08 • -33.21db
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
13% Popularity • 21% Danceability • 1% Energy • 8% Liveness
58% Instrumentalness • 7% Positiveness
► Preview
Eugen Suchoň
Hlboký jarčok (z cyklu "Keď sa vlci z...
128 bpm • D min • 01:21 • -33.26db
0% Popularity • 55% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
0% Popularity • 55% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 36% Positiveness
► Preview
Return Of Dream
Made Of Dreams
175 bpm • C Maj • 02:13 • -50.01db
10% Popularity • 9% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 8% Positiveness
10% Popularity • 9% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 8% Positiveness
► Preview
Antonín Dvořák
Serenade for Strings in E Major, Op. 22/...
176 bpm • A Maj • 06:40 • -21.53db
13% Popularity • 16% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 13% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
Franz Liszt
Via Crucis, S. 53: Andante Maestoso "Vex...
176 bpm • G min • 04:24 • -24.04db
7% Popularity • 8% Danceability • 7% Energy • 21% Liveness
11% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 7% Energy • 21% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Siegfried Wagner
Glück: I. Andante
177 bpm • D# Maj • 04:02 • -31.4db
1% Popularity • 8% Danceability • 3% Energy • 32% Liveness
82% Instrumentalness • 3% Positiveness
1% Popularity • 8% Danceability • 3% Energy • 32% Liveness
82% Instrumentalness • 3% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: II. Playful Pizz...
178 bpm • F Maj • 03:19 • -31.97db
7% Popularity • 34% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 21% Positiveness
7% Popularity • 34% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 21% Positiveness
► Preview
Eugen Suchoň
Škoda ťa, šuhajko (z cyklu "Preletel ...
127 bpm • C Maj • 02:15 • -32.93db
0% Popularity • 45% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
0% Popularity • 45% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 29% Positiveness
► Preview
Ralph Vaughan Williams
Vaughan Williams: 5 Variants of "Dives a...
178 bpm • D min • 01:08 • -22.66db
24% Popularity • 21% Danceability • 7% Energy • 28% Liveness
80% Instrumentalness • 52% Positiveness
24% Popularity • 21% Danceability • 7% Energy • 28% Liveness
80% Instrumentalness • 52% Positiveness
► Preview
Antonín Dvořák
Suite for String Orchestra, JW6 No. 2: I...
175 bpm • G Maj • 03:56 • -28db
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
9% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Arnold Rosner
6 Pastoral Dances, Op. 40: No. 2. Waltz
178 bpm • A min • 02:09 • -28.59db
11% Popularity • 24% Danceability • 1% Energy • 10% Liveness
60% Instrumentalness • 13% Positiveness
11% Popularity • 24% Danceability • 1% Energy • 10% Liveness
60% Instrumentalness • 13% Positiveness
► Preview
Juan Pablo Fernández Ramos
Las tres culturas: 1. Las mil y una noch...
179 bpm • A min • 07:23 • -27.25db
14% Popularity • 14% Danceability • 5% Energy • 28% Liveness
93% Instrumentalness • 8% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 28% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Felix Mendelssohn
Symphony No.5 In D Minor Op.107: II. All...
181 bpm • A# Maj • 04:12 • -22.92db
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
77% Instrumentalness • 16% Positiveness
7% Popularity • 21% Danceability • 5% Energy • 8% Liveness
77% Instrumentalness • 16% Positiveness
► Preview
Eugen Suchoň
Preletel sokol (z cyklu "Preletel sokol,...
178 bpm • E min • 01:52 • -27.62db
0% Popularity • 43% Danceability • 0% Energy • 5% Liveness
93% Instrumentalness • 41% Positiveness
0% Popularity • 43% Danceability • 0% Energy • 5% Liveness
93% Instrumentalness • 41% Positiveness
