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Kanei Kanei
Songs like
Kanei Kanei
by
Shiba Ratha
Based on a tempo of (+/- 10%) and a similar genre
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Bhupinder Singh
Thoda Sa Kafan Chehre Se Mere
157 bpm • B min • 06:47 • -10.2db
9% Popularity • 46% Danceability • 61% Energy • 68% Liveness
0% Instrumentalness • 89% Positiveness
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Anupama
Sun Lo Meri Sada Saibaba
157 bpm • A# Maj • 09:09 • -9.98db
12% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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Bhikhari Bala
Srikhetre Mun Karichi Ghara
157 bpm • G Maj • 05:30 • -3.92db
14% Popularity • 50% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Sonu Nigam
Banshi Wale Ko Tum Yaad Kar Lo
157 bpm • G# Maj • 04:45 • -9.65db
12% Popularity • 45% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 89% Positiveness
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Shiba Ratha
Kanei Kanei
157 bpm • G# Maj • 05:14 • -14.38db
1% Popularity • 50% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Bhikari Bal
Jaga Kaliaa Re
156 bpm • F# Maj • 03:35 • -6.87db
15% Popularity • 55% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Narendra Singh Negi
Kherika Andhero Ma
158 bpm • D# min • 08:40 • -15.27db
11% Popularity • 40% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Ira Mohanty
Kakata Pure Tu Maa Mangala ( From Maa Ma...
156 bpm • B min • 06:10 • -11.03db
17% Popularity • 46% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Bhikhari Bala
Kete Dura
157 bpm • F min • 04:57 • -13.16db
7% Popularity • 41% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Kalpana
Jagmag Jare Diyanwa Nu Ho
156 bpm • F Maj • 05:33 • -9.22db
4% Popularity • 68% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Kumar Bapi
Kaliaa Re
156 bpm • C Maj • 04:45 • -5.41db
28% Popularity • 56% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 72% Positiveness
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Shiba Ratha
Sabu Tuhire Tuhi
158 bpm • G# min • 04:06 • -10.05db
0% Popularity • 52% Danceability • 63% Energy • 41% Liveness
0% Instrumentalness • 85% Positiveness
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Ajay Dhondiyal
Jai Maiyya Durga Bhawani
155 bpm • G# Maj • 07:44 • -9db
13% Popularity • 51% Danceability • 60% Energy • 46% Liveness
0% Instrumentalness • 66% Positiveness
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Tanisha Panda
Kalia Heijiba Kaale Tikie Gora
159 bpm • E min • 03:36 • -2.98db
20% Popularity • 47% Danceability • 85% Energy • 63% Liveness
0% Instrumentalness • 86% Positiveness
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Bhikhari Bala
Sri Khetre Karichi
158 bpm • G Maj • 05:27 • -3.35db
12% Popularity • 50% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Asha Bhosle
Nijer Dike Chaite Pare
159 bpm • D Maj • 04:44 • -5.63db
14% Popularity • 53% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Ashit Desai & Group
Padhao Re Popat
159 bpm • F Maj • 05:57 • -13.28db
9% Popularity • 30% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Kumar Bapi
Sakha Hey
155 bpm • G# Maj • 07:01 • -5.51db
33% Popularity • 59% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Manasi Patra
Mate Karide
159 bpm • E min • 05:49 • -4.79db
18% Popularity • 58% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Suresh Wadkar
Sindoora Nauchi
155 bpm • F min • 05:45 • -8.69db
22% Popularity • 53% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 81% Positiveness
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Bhikhari Bala
Jagannatha Mahima Sahe Nahin Badima
159 bpm • C min • 04:36 • -5.61db
15% Popularity • 42% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Mohammed Aziz
Aa Idhar Aa Meri Jaan
155 bpm • C min • 07:22 • -9.24db
16% Popularity • 32% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Baps Swaminarayan Sanstha
Sahajanand Swami Antaryami
154 bpm • A# min • 07:48 • -13.01db
8% Popularity • 42% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Ayyappa Daasan
Agilam Aalum Ayyane
160 bpm • G min • 08:41 • -6.38db
19% Popularity • 67% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Alka Yagnik
Rakhbe Mone Eai Prithibi
160 bpm • C min • 05:11 • -9.03db
29% Popularity • 53% Danceability • 65% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Subas Das
Aete Dela Pare
154 bpm • E Maj • 04:47 • -4.2db
11% Popularity • 36% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Bhikhari Bala
Jagannth Mahima
159 bpm • C min • 04:39 • -4.7db
12% Popularity • 42% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Kishore Kumar
Chal Sair Gulshan Ki Tujhko Karaoon
160 bpm • D Maj • 05:50 • -7.58db
9% Popularity • 32% Danceability • 79% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Suresh Wadkar
Parbata Jharana
160 bpm • C# min • 04:54 • -9.16db
18% Popularity • 31% Danceability • 67% Energy • 19% Liveness
20% Instrumentalness • 62% Positiveness
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Arun Dangle
Navdha Bhakt Kahin Tohi Payin Savdhan Su...
153 bpm • G Maj • 01:54 • -17.76db
17% Popularity • 43% Danceability • 32% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Md. Aziz
Tame Dekha Hela
161 bpm • C# Maj • 04:58 • -3.82db
23% Popularity • 47% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Srikanta Acharya
Cheltir Naam Megh
154 bpm • D Maj • 04:00 • -12.35db
21% Popularity • 45% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Bhikhari Bala
Bhagya Thile Karibu
155 bpm • C Maj • 04:57 • -3.07db
13% Popularity • 54% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 92% Positiveness
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Bhikari Bal
Benga Kahe
161 bpm • D Maj • 04:30 • -9.26db
10% Popularity • 44% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Shiba Ratha
Mati De Ha Dine
153 bpm • D min • 05:49 • -1.27db
0% Popularity • 38% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 49% Positiveness
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Arabinda Muduli
Drulabha Janma Re Thare
152 bpm • B Maj • 06:30 • -5.14db
13% Popularity • 48% Danceability • 70% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
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Md. Aziz
Mate Singhaduaru
161 bpm • B min • 05:28 • -3.3db
15% Popularity • 55% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Baps Swaminarayan Sanstha
Hori Ayi Re Ayi Re
152 bpm • G min • 08:30 • -12.54db
9% Popularity • 45% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Bhikhari Bala
Mate Karide Basa Chandana
162 bpm • C# Maj • 05:34 • -6.59db
17% Popularity • 42% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Laxmi Bora
Hit Kamla
152 bpm • C# Maj • 07:27 • -7.31db
9% Popularity • 69% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Shiba Ratha
Lage Lage Dara
153 bpm • F# min • 04:45 • -13.05db
0% Popularity • 52% Danceability • 54% Energy • 71% Liveness
0% Instrumentalness • 84% Positiveness
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Anupama
Tori Atariya Pe Aaj
152 bpm • G Maj • 05:33 • -12.22db
11% Popularity • 33% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Tapu Mishra
Maa Deithila Kajala Gara
152 bpm • A# min • 05:31 • -2.48db
8% Popularity • 38% Danceability • 80% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Mohammad Aziz
Rajani Gandhara Basa
152 bpm • C min • 05:57 • -12.14db
10% Popularity • 54% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Bhimsen Joshi
Sumati Sita Ram
151 bpm • B Maj • 05:02 • -16.41db
4% Popularity • 50% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Bhikhari Bala
Kemiti Kahibi
163 bpm • F min • 04:01 • -12.62db
7% Popularity • 46% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 75% Positiveness
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Mamta Chandrakar
Mat Ge He Bagiya Ma
151 bpm • F# Maj • 04:58 • -7.5db
16% Popularity • 57% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Ashok Bal
Sukhare Kaliaa
151 bpm • A# Maj • 04:29 • -5.94db
12% Popularity • 44% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Amrik Singh Arora
Aamar Sarboankge Likhe Dio
150 bpm • B Maj • 05:54 • -13.26db
10% Popularity • 44% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Sadhvi Purnima Ji
Kirat Ju Ke Aangan Mein
150 bpm • D# Maj • 06:55 • -7db
0% Popularity • 68% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Anusuya
Jhia Janaba
150 bpm • A# min • 06:51 • -12.5db
10% Popularity • 49% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 79% Positiveness
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Narendra Kumar
Re Baia Mana Michhe
150 bpm • C# Maj • 05:36 • -5.09db
22% Popularity • 59% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Brahma Kumaris
Antar man mein Jyoti jagalo
150 bpm • G# min • 04:14 • -11db
26% Popularity • 49% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Darpana Das
Oki Ekbar Asiya
150 bpm • F min • 03:41 • -3.48db
11% Popularity • 55% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Lata Mangeshkar
Din Jaye Din Aaye
150 bpm • C# Maj • 05:21 • -8.55db
3% Popularity • 38% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Narendra Singh Negi
Ashaad Kuyedi
150 bpm • G# Maj • 07:25 • -13.7db
12% Popularity • 66% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Mrinal Banerjee
Darja Khuila Dekhum Jare - Male Version
165 bpm • A# Maj • 04:05 • -7.14db
12% Popularity • 46% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Asha Bhosle
Jani Na Aaj Je Apon
149 bpm • F# Maj • 02:42 • -11.9db
1% Popularity • 44% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Hari Om Sharan
Dhanya Awadh Saryusarit (Shlok), Hriday ...
149 bpm • G min • 07:07 • -10.43db
11% Popularity • 46% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Mahadev Hirwani
Aa Re Aa Janam Jodi Re
165 bpm • A# Maj • 06:11 • -10.38db
8% Popularity • 36% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Shyamal Mitra
O Shimul Bon Dao Rangiye Mon
165 bpm • C# Maj • 03:03 • -24.97db
2% Popularity • 51% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 86% Positiveness
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Nidhi Dholakia
Tane Paraniye Zulavu-Krishna Lullaby
166 bpm • A# Maj • 02:46 • -11.24db
18% Popularity • 41% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Shiba Ratha
Upare Uduchhi
149 bpm • F min • 04:37 • -11.78db
0% Popularity • 46% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Shridhay Shri Mridul krishna shastri ji maharaj
Bankey Bihari Lal Teri Jai Hovey
149 bpm • G# min • 07:28 • -6.36db
18% Popularity • 46% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Usha Mangeshkar
Sapna O Sapna
149 bpm • A# min • 04:32 • -9.63db
17% Popularity • 59% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Mahendra Kapoor
Rishta Maa Ka Hai Sab Se Pyara
166 bpm • A# Maj • 06:17 • -17.13db
12% Popularity • 45% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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T.Shourie
Sheetalo Aji Jaluchi
148 bpm • E Maj • 04:33 • -3.84db
19% Popularity • 40% Danceability • 60% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
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Kumar Sanu
Kaney Kaney Boli
147 bpm • F min • 05:36 • -10db
20% Popularity • 56% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Sonu Nigam
Mu Para Bandhli
168 bpm • E Maj • 04:40 • -9.84db
9% Popularity • 41% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Brahma Kumaris
Nile Gagan Ki Chilman Se
147 bpm • G min • 04:51 • -9.05db
14% Popularity • 47% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Kumar Bapi
Hata Thari Mate
168 bpm • F Maj • 02:56 • -3.63db
17% Popularity • 51% Danceability • 83% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Soham Chakraborty
Aasu Ta Baa
168 bpm • G min • 04:23 • -11.76db
17% Popularity • 37% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Manjari Sharma
Jhoole Radha Ke Sang Gopala
169 bpm • G# Maj • 05:55 • -12.13db
14% Popularity • 63% Danceability • 46% Energy • 62% Liveness
0% Instrumentalness • 84% Positiveness
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Kumar Sanu
Koi Na Geet Pyar Ke
146 bpm • C# min • 07:39 • -11.72db
16% Popularity • 44% Danceability • 47% Energy • 23% Liveness
2% Instrumentalness • 46% Positiveness
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Sharda Sinha
Singh Per Ek Kamal Raajit(Durga Vandana)
146 bpm • D# Maj • 07:02 • -11.82db
1% Popularity • 49% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Dilip Shadangi
Kori Kori
169 bpm • F# Maj • 06:12 • -14.07db
21% Popularity • 36% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Narendra Singh Negi
Lal Buraans Ko Phool Khilyun
146 bpm • D# min • 06:07 • -9.26db
16% Popularity • 57% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Shyamal Mitra
Jhiri Jhiri Batas Kande
170 bpm • F Maj • 03:14 • -13.14db
1% Popularity • 41% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Mahesh Kumar
Kalia Mu Tote Bhala Pauchi
170 bpm • C# min • 06:35 • -3.99db
12% Popularity • 51% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Sadhu Akshareshdas
Mane Pyari Lage Murti
145 bpm • B Maj • 05:19 • -9db
14% Popularity • 51% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Kavita Krishnamurthy
Mor Pankha
170 bpm • A# min • 04:46 • -3.18db
12% Popularity • 43% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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NIDHI DHOLKIYA-NITIN DEVKA
Pila Zablavalo Kaniyo
170 bpm • C# Maj • 08:17 • -8.42db
14% Popularity • 44% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Narendra Singh Negi
Chal Re Man Gatha Jyonla
145 bpm • C# Maj • 06:18 • -8.86db
16% Popularity • 47% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Narendra Chanchal
Shri Durga Sapshati - Baarhwan Adhyaye
170 bpm • C min • 06:11 • -5.29db
18% Popularity • 49% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Preetam Bhartwan
Rauns
144 bpm • G# Maj • 07:25 • -13.64db
10% Popularity • 64% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Milan Singh
Aanch Tumhare
145 bpm • D min • 06:40 • -5.95db
16% Popularity • 58% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Anup Jalota
Jag Mein Sunder Hain Do Naa - Live
144 bpm • D min • 06:19 • -11.65db
8% Popularity • 39% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
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Brahma Kumaris
Ham Jo Sahara Dhoondte The
144 bpm • C min • 08:54 • -10db
18% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Hari Om Sharan
Kaal Drushto Ki Maa
144 bpm • B min • 06:23 • -9.39db
10% Popularity • 54% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Kumar Bapi
Mana Mora Eka Phula Bagicha
144 bpm • G# Maj • 04:44 • -3.9db
12% Popularity • 64% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 85% Positiveness
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Shiba Ratha
Kene Gheni Jauchha Jagannathanku
144 bpm • E Maj • 08:28 • -5.96db
0% Popularity • 58% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Pratima Barua (Pande)
Aare Gailey Ki Ashiben Mor
144 bpm • C Maj • 03:28 • -11.98db
4% Popularity • 49% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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Bhikari Bal
Kahinki Asichu Mana
144 bpm • C# Maj • 08:05 • -5.12db
17% Popularity • 51% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Babool Sapriyo
Aaina Kebe Micha Kahena
172 bpm • G# Maj • 05:30 • -15db
14% Popularity • 37% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Alka Yagnik
Mere Sar Pe Tera Saya
172 bpm • B Maj • 06:25 • -3.36db
13% Popularity • 44% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Heera Singh Rana
Aajkal Haire Jwana
143 bpm • C# Maj • 08:34 • -9db
12% Popularity • 65% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 97% Positiveness
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Akshaya Mohanty
Kene Gheni Jaucha Jagannathanku
143 bpm • C# Maj • 04:25 • -8.77db
18% Popularity • 47% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Sonu Nigam
Tum Apne Rang Mein Rang Lo
173 bpm • G Maj • 04:47 • -6.07db
14% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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S. Janaki
Kau Dhana Khaila Boli
173 bpm • C Maj • 04:19 • -18.1db
17% Popularity • 37% Danceability • 39% Energy • 41% Liveness
74% Instrumentalness • 84% Positiveness
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Baps Swaminarayan Sanstha
He Anandno Avsario
142 bpm • C# Maj • 09:22 • -7.54db
8% Popularity • 44% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Kanei Kanei