Songs like Kann mir gar nicht imponieren by Ruth Brandin
Based on a tempo of (+/- 10%) and a similar genre
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Peter, Sue & Marc
Columbus - Remastered 2015
137 bpm • E Maj • 03:19 • -9.61db
16% Popularity • 34% Danceability • 82% Energy • 77% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 34% Danceability • 82% Energy • 77% Liveness
0% Instrumentalness • 61% Positiveness
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Les Amis
Vaarwel
137 bpm • D Maj • 03:51 • -13.2db
18% Popularity • 60% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 60% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Ben Lansink
Lydia
137 bpm • D Maj • 03:14 • -10.1db
26% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 83% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Ruth Brandin
Kann mir gar nicht imponieren
137 bpm • C Maj • 02:49 • -5.56db
9% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Wencke Myhre
Flower-Power-Kleid
138 bpm • D Maj • 02:29 • -7.94db
27% Popularity • 65% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 65% Danceability • 69% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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The Fouryo's
Hé Rob, Hé Trea
136 bpm • G Maj • 02:28 • -10.76db
23% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Switch Combo
Mooi om lief te hebben
138 bpm • D Maj • 02:26 • -12.57db
28% Popularity • 69% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 69% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Benny
Was geht da vor hinter Billy's Scheunent...
138 bpm • E Maj • 04:05 • -6.25db
15% Popularity • 71% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 71% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Radi Ensemble
Bonna Mia
136 bpm • C# Maj • 03:27 • -12.61db
14% Popularity • 57% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 57% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Bianca
L` Amour
138 bpm • D min • 04:07 • -13.36db
29% Popularity • 60% Danceability • 49% Energy • 23% Liveness
2% Instrumentalness • 51% Positiveness
29% Popularity • 60% Danceability • 49% Energy • 23% Liveness
2% Instrumentalness • 51% Positiveness
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Ruth Brandin
Wunderschön, dich wiederzuseh'n
135 bpm • F min • 03:00 • -5.24db
0% Popularity • 65% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
0% Popularity • 65% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Joly & Terry West
Magdalena (een tuin met rode rozen).
139 bpm • C Maj • 03:45 • -7.06db
24% Popularity • 50% Danceability • 83% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 50% Danceability • 83% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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The Switch Combo
Meisjes die fluiten
135 bpm • F Maj • 03:22 • -13.42db
18% Popularity • 69% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
18% Popularity • 69% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Cees and Marjan
Wij Zijn Als Muzikanten Geboren
135 bpm • G Maj • 04:03 • -6.59db
9% Popularity • 33% Danceability • 70% Energy • 16% Liveness
4% Instrumentalness • 81% Positiveness
9% Popularity • 33% Danceability • 70% Energy • 16% Liveness
4% Instrumentalness • 81% Positiveness
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Tamboerijn
Waar is de vader
135 bpm • G# Maj • 02:24 • -10.34db
32% Popularity • 74% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 74% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Ben Lansink
Het Meisje Van Mijn Dromen
135 bpm • A# Maj • 02:31 • -9.28db
27% Popularity • 75% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 75% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Pfunds-Kerle
Zwieselstoaner
135 bpm • F Maj • 02:35 • -6.27db
18% Popularity • 64% Danceability • 70% Energy • 31% Liveness
92% Instrumentalness • 92% Positiveness
18% Popularity • 64% Danceability • 70% Energy • 31% Liveness
92% Instrumentalness • 92% Positiveness
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Ruth Brandin
Guten Morgen, lieber Sonnenschein
139 bpm • D Maj • 02:26 • -3.36db
4% Popularity • 46% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
4% Popularity • 46% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Die Original Wiener Buam
Sanitätsgefreiter Neumann
139 bpm • C Maj • 03:50 • -12.92db
9% Popularity • 63% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 63% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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De Paladijns
Het Is Zo Mooi
135 bpm • G# Maj • 03:19 • -10.71db
28% Popularity • 60% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 60% Danceability • 40% Energy • 47% Liveness
0% Instrumentalness • 82% Positiveness
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Pleasure
Little darling
135 bpm • E Maj • 02:43 • -8.54db
18% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 61% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Vari-Zwillinge
Zwilling sein ist schwer
139 bpm • D Maj • 02:36 • -5.68db
13% Popularity • 48% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 48% Danceability • 75% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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The New Four
Marie José
135 bpm • C Maj • 03:13 • -9.95db
11% Popularity • 38% Danceability • 63% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 38% Danceability • 63% Energy • 49% Liveness
0% Instrumentalness • 67% Positiveness
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The Kelly Family
Wenn die weißen Wolken zieh'n
140 bpm • G Maj • 04:21 • -9.58db
14% Popularity • 50% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 50% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Ben Lansink
Leven Zonder Liefde
134 bpm • C Maj • 03:38 • -7.61db
21% Popularity • 56% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
21% Popularity • 56% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Andy de Witt
Waar kom je vandaan?
140 bpm • F Maj • 02:56 • -10.09db
18% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 67% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Ingriani
Lady
134 bpm • C min • 03:07 • -5.76db
14% Popularity • 58% Danceability • 76% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
14% Popularity • 58% Danceability • 76% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
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Calimeros
Du Bist Für Mich Der Schönste Engel
134 bpm • D Maj • 03:23 • -8.18db
13% Popularity • 57% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 57% Danceability • 76% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Heintje Simons
Ruiter van die windjie - Remastered
134 bpm • D Maj • 03:21 • -7.77db
18% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 45% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Birgit Hansen
Glück und Liebe
140 bpm • D# Maj • 02:19 • -6.97db
11% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 56% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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D'Original Oberpfälzer Spitzboum
Des is a seltsame G'schicht
134 bpm • F Maj • 02:47 • -11.17db
10% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Katja Ebstein
Was hat sie, das ich nicht habe
140 bpm • G# Maj • 02:56 • -3.42db
10% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Het Noorder Bar trio
Ach, Marian
133 bpm • G Maj • 03:40 • -8.84db
20% Popularity • 70% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 70% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Calimeros
Teeny hab ich sie genannt
140 bpm • A Maj • 03:29 • -5.77db
24% Popularity • 71% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 99% Positiveness
24% Popularity • 71% Danceability • 92% Energy • 8% Liveness
1% Instrumentalness • 99% Positiveness
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Nina Lizell
Fahr mit mir Auto
134 bpm • A Maj • 02:02 • -6.19db
12% Popularity • 45% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 45% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Irene Lardy
Lord Lester Uit Manchester
133 bpm • D Maj • 02:30 • -10.51db
10% Popularity • 65% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 65% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Fernando Express
Mit dem Albatros nach Süden
133 bpm • D# Maj • 03:54 • -12db
28% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 58% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Anita
Jimmy Der Bandit
133 bpm • D Maj • 02:37 • -6.95db
14% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 76% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 97% Positiveness
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Theo Diepenbrock
Maria Bonita
133 bpm • D Maj • 02:17 • -12.56db
15% Popularity • 78% Danceability • 58% Energy • 89% Liveness
0% Instrumentalness • 98% Positiveness
15% Popularity • 78% Danceability • 58% Energy • 89% Liveness
0% Instrumentalness • 98% Positiveness
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Calimeros
Natacha
140 bpm • G Maj • 03:17 • -5.5db
16% Popularity • 57% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 57% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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JJOOOOSSTT
Lieve Lina - Remastered
141 bpm • G Maj • 03:01 • -10.94db
12% Popularity • 67% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 67% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Andrea Jürgens
Ich hab`dir nie den Himmel versprochen
133 bpm • F# Maj • 03:49 • -6db
28% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
28% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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Harry En De Spoetniks
Zolang Voorbij
133 bpm • D Maj • 02:51 • -11.76db
10% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 47% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Nina Lizell
So wie Eis
133 bpm • G# Maj • 02:51 • -6.94db
16% Popularity • 54% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 54% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Claudia Jung
Schmetterlinge
133 bpm • C# Maj • 03:57 • -11.05db
14% Popularity • 57% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 57% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Tina York
Das Haus am Meer - Remastered
132 bpm • C min • 03:25 • -6.29db
29% Popularity • 59% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 59% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Brigitte Ahrens
Da ging für mich die Sonne auf
132 bpm • A# Maj • 02:20 • -5.85db
17% Popularity • 62% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 62% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Exit
't Meisje Uit M'n Dromen
132 bpm • D Maj • 05:05 • -11.37db
24% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
24% Popularity • 48% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Manuela
Schwimmen lernt man im See
142 bpm • F Maj • 02:16 • -9.45db
23% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
23% Popularity • 56% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Nina & Mike
Kinder Der Sonne
132 bpm • A Maj • 03:16 • -10db
26% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Claudia Jung
Roter Horizont
132 bpm • F Maj • 03:59 • -10.5db
19% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
19% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Kristina Bach
Fortuna, Fortuna
132 bpm • C# Maj • 03:23 • -12.28db
10% Popularity • 69% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 69% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Theo Diepenbrock
Good Morning
132 bpm • A Maj • 02:18 • -10.92db
22% Popularity • 77% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 77% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 98% Positiveness
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De Four Tak
Bye Bye, Tot Ziens
132 bpm • D Maj • 02:50 • -10.36db
31% Popularity • 47% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
31% Popularity • 47% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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Hepie
Met jou misschien
132 bpm • A# Maj • 03:40 • -9.84db
20% Popularity • 62% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 62% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Ben Lansink
Lente Voor Ieder
132 bpm • D Maj • 03:03 • -8.89db
17% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 66% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Gaby Baginsky
Diebe kommen am Abend - Remastered 2006
132 bpm • E Maj • 03:08 • -6db
30% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 62% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Eddy Romy
De Kleine Jager
132 bpm • D min • 02:44 • -6.92db
18% Popularity • 78% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 78% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Ruth Brandin
Das kann der Mann für's Leben sein
132 bpm • F Maj • 02:01 • -4.72db
0% Popularity • 58% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
0% Popularity • 58% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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De Jageto's
Marian
131 bpm • A# Maj • 02:38 • -8.23db
17% Popularity • 71% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 99% Positiveness
17% Popularity • 71% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 99% Positiveness
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The Rapsodie's
Carolien
131 bpm • C# Maj • 02:47 • -9.38db
25% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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De Willyjo's
Jij bent niet meer van mij
131 bpm • C Maj • 03:10 • -9.18db
16% Popularity • 75% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 75% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 97% Positiveness
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Die Alpenfrieden
I lass di net geh'n
131 bpm • G Maj • 03:40 • -13.67db
15% Popularity • 68% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 68% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Claudia Jung
Immer wieder eine Handvoll Zärtlichkeit
143 bpm • E Maj • 03:20 • -8.85db
20% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Pleasure
Buena
143 bpm • D# Maj • 03:33 • -6db
16% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 63% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Ted Brown & Company
Dardanella
131 bpm • F Maj • 03:03 • -9.25db
16% Popularity • 69% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
16% Popularity • 69% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 96% Positiveness
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D'Neuneralm Musi
Holzmusik-Marsch
131 bpm • G# Maj • 02:26 • -5.57db
28% Popularity • 80% Danceability • 66% Energy • 6% Liveness
77% Instrumentalness • 98% Positiveness
28% Popularity • 80% Danceability • 66% Energy • 6% Liveness
77% Instrumentalness • 98% Positiveness
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De Willyjo's
Met jou wil ik verder leven
131 bpm • A Maj • 03:26 • -8.95db
17% Popularity • 84% Danceability • 68% Energy • 12% Liveness
90% Instrumentalness • 98% Positiveness
17% Popularity • 84% Danceability • 68% Energy • 12% Liveness
90% Instrumentalness • 98% Positiveness
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The Cosy's
Marie Jose
131 bpm • G Maj • 03:37 • -8db
15% Popularity • 60% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 60% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Monika Herz
Charly, ade
131 bpm • C Maj • 03:27 • -12.15db
12% Popularity • 44% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 44% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Tommy en de Javelin
Oude liefde roest niet
131 bpm • C# Maj • 02:48 • -8.35db
22% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 80% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 97% Positiveness
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Tony Cajee Orchestra
Zuerst kam die Sonne
130 bpm • D Maj • 02:43 • -8.66db
16% Popularity • 64% Danceability • 70% Energy • 18% Liveness
77% Instrumentalness • 98% Positiveness
16% Popularity • 64% Danceability • 70% Energy • 18% Liveness
77% Instrumentalness • 98% Positiveness
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Gaby Dirne
Bye Bye Bis Morgen
130 bpm • D Maj • 02:57 • -12.19db
10% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Duo Torosa
Das Girl Im Minirock
130 bpm • D Maj • 02:50 • -10.17db
15% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 51% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Theo & Marjan
Marjan, Wat Heb Je Gedaan?
130 bpm • F Maj • 02:17 • -8db
17% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Dorthe
Ich werde hundert Jahre alt
130 bpm • G# Maj • 02:36 • -9.78db
11% Popularity • 53% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 53% Danceability • 58% Energy • 75% Liveness
0% Instrumentalness • 96% Positiveness
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Marc & Dave
Ze Was Zo Mooi
130 bpm • G Maj • 03:15 • -10db
27% Popularity • 70% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 70% Danceability • 61% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Jacob Sisters
In Jedem Manne Steckt Ein Kind (Il Va Fa...
130 bpm • G min • 02:10 • -9.64db
19% Popularity • 65% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 65% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Pijanco"s
Nee Nee Ik Wil Niet
130 bpm • G Maj • 02:41 • -7db
12% Popularity • 79% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 97% Positiveness
12% Popularity • 79% Danceability • 82% Energy • 13% Liveness
1% Instrumentalness • 97% Positiveness
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Nina & Mike
Rund Um Die Welt (Geht Das Lied Der Lieb...
130 bpm • A Maj • 04:04 • -11.26db
25% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 67% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Tony Tornado
Ich sprenge alle Ketten
145 bpm • A Maj • 02:14 • -6.48db
8% Popularity • 53% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 53% Danceability • 93% Energy • 40% Liveness
0% Instrumentalness • 89% Positiveness
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Apollo Trio
Op een tropisch eiland
130 bpm • A# Maj • 03:00 • -10db
31% Popularity • 70% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 70% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Carinthia Express
Glocknerhof Polka (Vocal)
145 bpm • A# Maj • 03:14 • -8.65db
15% Popularity • 61% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 61% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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Zillertaler Schürzenjäger
Disco-Polka
145 bpm • G Maj • 03:21 • -7.17db
18% Popularity • 56% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
18% Popularity • 56% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Peggy March
Costa Brava
130 bpm • D Maj • 02:48 • -7.47db
15% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 55% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Cees Alleen
Meisje In Je Spijkerbroek
130 bpm • G Maj • 04:05 • -10db
32% Popularity • 66% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 66% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Britt Kersten
La Bostella bei Tante Ella
129 bpm • G Maj • 02:59 • -7.14db
12% Popularity • 38% Danceability • 80% Energy • 64% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 38% Danceability • 80% Energy • 64% Liveness
0% Instrumentalness • 74% Positiveness
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Nico Haak
Winter
129 bpm • A Maj • 03:07 • -8.1db
24% Popularity • 71% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 71% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Carinthia Express
Glocknerhof Polka (Instrumental)
145 bpm • A# Maj • 03:14 • -9.5db
13% Popularity • 60% Danceability • 80% Energy • 62% Liveness
80% Instrumentalness • 96% Positiveness
13% Popularity • 60% Danceability • 80% Energy • 62% Liveness
80% Instrumentalness • 96% Positiveness
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Ted Brown & Company
Happy Days Are Here Again
129 bpm • E Maj • 02:32 • -11db
17% Popularity • 67% Danceability • 55% Energy • 24% Liveness
52% Instrumentalness • 93% Positiveness
17% Popularity • 67% Danceability • 55% Energy • 24% Liveness
52% Instrumentalness • 93% Positiveness
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Margret Fürer & die Penny-Pipers
Gammel Shake
129 bpm • B Maj • 02:46 • -10.82db
15% Popularity • 76% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 76% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Het Radi Ensemble
Lady Cathalina - Bonustrack
129 bpm • E Maj • 03:09 • -7db
22% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 68% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Brunner & Brunner
Cabriolet
129 bpm • C Maj • 03:15 • -9.96db
11% Popularity • 68% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 68% Danceability • 83% Energy • 41% Liveness
0% Instrumentalness • 84% Positiveness
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Lasse Berghagen
Im Weichen Moos
129 bpm • G Maj • 03:21 • -8.15db
8% Popularity • 58% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 58% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Al Meixner
Christiane Polka
129 bpm • G# Maj • 02:13 • -8.13db
14% Popularity • 88% Danceability • 63% Energy • 4% Liveness
15% Instrumentalness • 99% Positiveness
14% Popularity • 88% Danceability • 63% Energy • 4% Liveness
15% Instrumentalness • 99% Positiveness
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Peter Orloff
City-Girl
129 bpm • A Maj • 02:19 • -11.47db
12% Popularity • 55% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 55% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Ensemble Franz Mihelic
Ein Markttag
129 bpm • C# Maj • 02:52 • -9.68db
17% Popularity • 80% Danceability • 53% Energy • 8% Liveness
29% Instrumentalness • 97% Positiveness
17% Popularity • 80% Danceability • 53% Energy • 8% Liveness
29% Instrumentalness • 97% Positiveness
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Ingriani
Hey Hey Dandy
129 bpm • G Maj • 03:17 • -7.05db
15% Popularity • 74% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 74% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 52% Positiveness
