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Kantate: Legende von der Entstehung des Buches Tao...
Songs like
Kantate: Legende von der Entstehung des Buches Taoteking
by
Hanns Eisler
Based on a tempo of (+/- 10%) and a similar genre
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Hanns Eisler
Hollywood Songbook: No. 5, Speisekammer ...
80 bpm • D min • 01:20 • -15.76db
4% Popularity • 40% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Ballade ü...
80 bpm • E min • 03:56 • -17.91db
13% Popularity • 52% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Pierre Degeyter
Internacionale
80 bpm • A# Maj • 01:43 • -13.26db
15% Popularity • 22% Danceability • 17% Energy • 10% Liveness
94% Instrumentalness • 73% Positiveness
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Mikhail Glinka
Patrioticheskaya Pesn
80 bpm • C Maj • 01:35 • -12db
11% Popularity • 14% Danceability • 37% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Soldier Chorus
Hymn of Bolshevik Party of the Urss
80 bpm • E Maj • 02:21 • -7.02db
16% Popularity • 12% Danceability • 82% Energy • 95% Liveness
0% Instrumentalness • 14% Positiveness
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Schmetterlinge
Jelka - Drei Rote Pfiffe In Wald
80 bpm • D# Maj • 03:58 • -17.3db
12% Popularity • 49% Danceability • 18% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
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Marinemusikkorps Ostsee
Marine Präsentiermarsch
80 bpm • C# Maj • 01:14 • -14db
26% Popularity • 71% Danceability • 63% Energy • 6% Liveness
86% Instrumentalness • 74% Positiveness
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Hanns Eisler
Die Mutter (The Mother), Op. 25: VII. Lo...
81 bpm • C Maj • 01:29 • -8.76db
1% Popularity • 64% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Commandantes
Der rote Wedding
81 bpm • F Maj • 04:19 • -4.02db
11% Popularity • 36% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Die Seerä...
81 bpm • F min • 04:20 • -25.28db
16% Popularity • 44% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Usa Singer
Communist Party Soviet Anthem in English
81 bpm • F Maj • 02:59 • -15db
16% Popularity • 40% Danceability • 12% Energy • 12% Liveness
76% Instrumentalness • 44% Positiveness
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Ural Cossacks Choir
The Song of the Ural Cossacks
81 bpm • E min • 02:39 • -16db
28% Popularity • 35% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 47% Positiveness
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Werra
Bundeslied vor der Schlacht
82 bpm • E min • 04:12 • -4.13db
18% Popularity • 35% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Hanns Eisler
Kinderhymne
81 bpm • D# Maj • 02:16 • -15.06db
5% Popularity • 57% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 58% Positiveness
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Commandantes
Des Geyers schwarzer Haufen
78 bpm • E Maj • 03:45 • -5.39db
16% Popularity • 42% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Kurt Weill
Die Dreigroschenoper: 2. Dreigroschenfin...
79 bpm • G min • 04:17 • -14.46db
2% Popularity • 48% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Mark Reizen
Песня о Щорсе
78 bpm • D# min • 03:47 • -11.98db
14% Popularity • 46% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Johann Immanuel Müller
Beresinalied
78 bpm • D# Maj • 02:57 • -18db
11% Popularity • 24% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Motettenchor Tegernsee
Bayernhymne
82 bpm • G# Maj • 02:30 • -13.59db
16% Popularity • 23% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Rans & Flagel
Der Tod in Flandern
82 bpm • B min • 04:15 • -12.9db
17% Popularity • 51% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Georg Kreisler
Hurra, wir sterben
77 bpm • C min • 03:23 • -12db
14% Popularity • 72% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt I, Die Moritat...
82 bpm • G Maj • 03:10 • -18db
19% Popularity • 36% Danceability • 15% Energy • 89% Liveness
0% Instrumentalness • 52% Positiveness
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Vocal Heroes
Die Gedanken Sind Frei
77 bpm • G Maj • 03:16 • -8db
22% Popularity • 69% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Hanns Eisler
Die Hollywood Elegien: I saw many friend...
83 bpm • C min • 02:28 • -19.11db
2% Popularity • 38% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Arne
Rule Britannia
83 bpm • A# Maj • 04:48 • -11.6db
33% Popularity • 35% Danceability • 37% Energy • 14% Liveness
55% Instrumentalness • 53% Positiveness
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Klaus Schulze Welberg
"Geh mal Bier holen" als romantisches Ku...
76 bpm • A Maj • 03:18 • -17.84db
7% Popularity • 23% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Bertolt Brecht
Der Morgenchoral des Peachum (1.Akt) (Jo...
76 bpm • G min • 01:14 • -21.52db
8% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kurt Weill
Die Dreigroschenoper: Seeräuberjenny
78 bpm • D min • 03:34 • -24.24db
7% Popularity • 54% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Georg Kreisler
Mein Weib will mich verlassen
77 bpm • D# Maj • 02:01 • -16db
25% Popularity • 78% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Hanns Eisler
4 Balladen, Op. 22: No. 3. Lied der Berg...
83 bpm • D Maj • 02:55 • -7.67db
0% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ludwig van Beethoven
La Marmotte
84 bpm • G min • 01:59 • -19.94db
13% Popularity • 65% Danceability • 18% Energy • 17% Liveness
26% Instrumentalness • 46% Positiveness
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Wolfgang Neuss
Lied Vom Wirtschaftswunder
76 bpm • A# Maj • 02:38 • -7.87db
14% Popularity • 69% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Bertolt Brecht
Die moritat von mackie messer
85 bpm • G# min • 02:55 • -14db
20% Popularity • 41% Danceability • 13% Energy • 21% Liveness
3% Instrumentalness • 49% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt II, Die Ballad...
76 bpm • C min • 03:42 • -20.85db
12% Popularity • 52% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Elin Manahan Thomas
Gott Erhalte Franz den Kaiser
85 bpm • G Maj • 02:06 • -11db
22% Popularity • 40% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Hanns Eisler
Hollywood Songbook: No. 30, Der Schatzgr...
77 bpm • D Maj • 03:39 • -20.73db
2% Popularity • 40% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Leck mich im Arsch, K.231
85 bpm • A Maj • 02:17 • -23db
23% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Rundfunkchor- und Sinfonieorchester Leipzig
Thälmannlied (1951)
85 bpm • C Maj • 03:26 • -12db
16% Popularity • 40% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Jugendchöre
Eisenbahner-Lied
75 bpm • E Maj • 02:20 • -13.93db
11% Popularity • 55% Danceability • 40% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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Gruppe Jahrgang '49
Fahnenlied
86 bpm • D Maj • 02:59 • -8.34db
7% Popularity • 57% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The People's Liberation Army Orchestra
The Internationale
86 bpm • A# Maj • 01:49 • -11.79db
23% Popularity • 34% Danceability • 34% Energy • 33% Liveness
95% Instrumentalness • 39% Positiveness
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Hanns Eisler
Das Lied von der Moldau
76 bpm • G min • 01:55 • -20db
16% Popularity • 58% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Georg Kreisler
Der General
86 bpm • G# Maj • 04:07 • -11.81db
15% Popularity • 59% Danceability • 64% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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German Choir
Deutschlandlied
74 bpm • D# Maj • 03:27 • -23.19db
41% Popularity • 21% Danceability • 15% Energy • 20% Liveness
89% Instrumentalness • 52% Positiveness
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Liederjan
Die Moorsoldaten
74 bpm • D Maj • 05:05 • -14.88db
13% Popularity • 42% Danceability • 26% Energy • 76% Liveness
0% Instrumentalness • 37% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt III, Die Schlu...
74 bpm • G Maj • 01:22 • -25.52db
10% Popularity • 54% Danceability • 1% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Claire Waldoff
Wer schmeisst denn da mit Lehm
87 bpm • F Maj • 03:14 • -10db
19% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Hanns Eisler
Zuckerbrot und Peitsche
84 bpm • C# Maj • 02:54 • -13.95db
3% Popularity • 57% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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MTA Fürth
Gehe nicht, o Gregor
87 bpm • D min • 05:31 • -20.93db
9% Popularity • 25% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Edvard Grieg
Grieg: Peer Gynt, Op. 23, Act 2: No. 7, ...
87 bpm • B min • 02:16 • -18db
17% Popularity • 35% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 58% Positiveness
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Zentrales Orchester der NVA
Präsentiermarsch der NVA
87 bpm • A# Maj • 01:21 • -15.96db
24% Popularity • 58% Danceability • 55% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Zentraler Pionier- und Jugendchor "Edgar André" Berlin
Lenin, unser Freund (1969)
87 bpm • F Maj • 01:52 • -10.46db
7% Popularity • 48% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Ifa Wartburg
Zur konferenz in rostock
88 bpm • C min • 02:56 • -3.06db
24% Popularity • 47% Danceability • 95% Energy • 62% Liveness
85% Instrumentalness • 90% Positiveness
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Hanns Eisler
Goethe-Fragment
76 bpm • C Maj • 01:45 • -21.43db
0% Popularity • 24% Danceability • 4% Energy • 25% Liveness
1% Instrumentalness • 5% Positiveness
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Alexandrov Red Army Choir
My Country
88 bpm • C Maj • 03:37 • -9db
23% Popularity • 21% Danceability • 54% Energy • 6% Liveness
58% Instrumentalness • 19% Positiveness
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Herbert Brust
Land der dunklen Walder
88 bpm • F Maj • 01:59 • -11.14db
12% Popularity • 21% Danceability • 29% Energy • 13% Liveness
14% Instrumentalness • 25% Positiveness
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Vienna State Opera Orchestra
East Germany
88 bpm • F Maj • 01:16 • -10.44db
14% Popularity • 18% Danceability • 30% Energy • 6% Liveness
90% Instrumentalness • 22% Positiveness
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Richard Wagner
Die Walküre, WWV 86B: Ritt der Walküre...
88 bpm • G Maj • 05:33 • -16.07db
25% Popularity • 20% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Free Willy
Unter dem Pflaster
72 bpm • A min • 02:54 • -6.08db
22% Popularity • 54% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Hanns Eisler
An die Nachgeborenen
85 bpm • A min • 03:35 • -13.14db
6% Popularity • 54% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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German Choir
Ich Hatt Einen Kameraden
72 bpm • D# Maj • 03:02 • -19.53db
32% Popularity • 26% Danceability • 23% Energy • 14% Liveness
75% Instrumentalness • 17% Positiveness
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Kurt Weill
Die Dreigroschenoper: Akt III, Das Lied ...
72 bpm • A min • 02:14 • -22.49db
12% Popularity • 55% Danceability • 10% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Bertolt Brecht
Ballade von der unzulanglichkeit menschl...
72 bpm • B Maj • 02:53 • -14db
10% Popularity • 66% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Pablo Cabello González
Teufelslied (Organ)
71 bpm • D min • 02:31 • -24db
34% Popularity • 15% Danceability • 6% Energy • 15% Liveness
96% Instrumentalness • 19% Positiveness
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Gustav Reichardt
Was ist des Deutschen Vaterland - Histor...
71 bpm • C# Maj • 02:21 • -16.87db
27% Popularity • 41% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Hanns Eisler
Hollywood Songbook: No. 4, Frühling
85 bpm • A# min • 01:18 • -19.66db
4% Popularity • 46% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Commandantes
Auf die Barrikaden
90 bpm • E min • 04:07 • -5.15db
11% Popularity • 47% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Alexandrov Red Army Choir
Civil War's Songs
70 bpm • C min • 05:52 • -10.95db
24% Popularity • 25% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Chor und Orchester Harry Pleva
Prinz Eugen, der edle Ritter
92 bpm • G# Maj • 03:38 • -15.97db
15% Popularity • 66% Danceability • 20% Energy • 13% Liveness
3% Instrumentalness • 55% Positiveness
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Erich-Weinert-Ensemble
Lied der unruhevollen
70 bpm • D# min • 02:30 • -11.23db
25% Popularity • 29% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Oktoberklub
Kleine weiße Friedenstaube
69 bpm • C Maj • 01:25 • -13.05db
14% Popularity • 50% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Hanns Eisler
Deutsche Sinfonie, Op. 50: Präludium
75 bpm • C Maj • 06:55 • -23.62db
1% Popularity • 7% Danceability • 2% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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German Choir
Prinz Eugen
92 bpm • E Maj • 01:52 • -18.82db
26% Popularity • 60% Danceability • 42% Energy • 75% Liveness
89% Instrumentalness • 61% Positiveness
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Franz Josef Degenhardt
Befragung eines Kriegsdienstverweigerers
93 bpm • D Maj • 04:04 • -17.83db
16% Popularity • 73% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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arbeit
Die Internationale
93 bpm • C# min • 04:01 • -8.56db
10% Popularity • 60% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Clausthaler Studentenchor
Burschen heraus!
93 bpm • C# Maj • 01:13 • -19.1db
12% Popularity • 54% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Alexandrov Red Army Choir
Partisan's Song
93 bpm • B min • 02:51 • -11.18db
30% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Hanns Eisler
Hollywood Songbook: No. 1a, Der Sohn. We...
74 bpm • B Maj • 01:38 • -21.14db
5% Popularity • 40% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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The Red Military
Old Anthem Union of Soviet Socialist Rep...
93 bpm • C# Maj • 00:59 • -7db
22% Popularity • 33% Danceability • 72% Energy • 43% Liveness
63% Instrumentalness • 48% Positiveness
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Paul Dessau
Die Thälmann-Kolonne
93 bpm • G Maj • 03:26 • -9.7db
12% Popularity • 59% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 42% Positiveness
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Georg Kreisler
Bidlah Buh
93 bpm • A# Maj • 03:30 • -12.31db
19% Popularity • 64% Danceability • 53% Energy • 21% Liveness
0% Instrumentalness • 85% Positiveness
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First Exemplary Orchestra of the USSR Defense Ministry
Military March "Preobrazhensky Regiment ...
93 bpm • A# Maj • 02:07 • -10.39db
19% Popularity • 62% Danceability • 46% Energy • 20% Liveness
90% Instrumentalness • 92% Positiveness
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Hannes Wader
Lied vom Knüppelchen
94 bpm • D min • 04:21 • -14.79db
22% Popularity • 41% Danceability • 53% Energy • 82% Liveness
0% Instrumentalness • 69% Positiveness
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Hanns Eisler
The Hollywood Songbook (1943): An den kl...
74 bpm • D Maj • 01:04 • -42db
3% Popularity • 18% Danceability • 0% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Berliner Pavillon Orchester
York'scher Marsch
94 bpm • D# Maj • 01:31 • -9.47db
19% Popularity • 63% Danceability • 59% Energy • 27% Liveness
97% Instrumentalness • 69% Positiveness
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Song and Dance Ensemble
Sacred War Broke Out [Svjashtennaja vojn...
95 bpm • A min • 02:40 • -7.73db
19% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Georg Kreisler
Tauben vergiften
68 bpm • F Maj • 03:33 • -12.02db
28% Popularity • 68% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Gotteshorn
Die Grenzwacht hielt im Osten
94 bpm • A min • 03:26 • -13.76db
28% Popularity • 36% Danceability • 31% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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La Musique Des Armées
Le pas redoublé de la garde impériale
95 bpm • A# Maj • 01:01 • -5db
38% Popularity • 70% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Hanns Eisler
Hollywood Songbook: No. 13, Ostersonntag
87 bpm • C Maj • 01:31 • -18.72db
4% Popularity • 43% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Großer Chor Des Berliner Rundfunks
Nationalhymne der DDR (1949)
95 bpm • F Maj • 02:54 • -12.96db
24% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Bruderschaft Orchester
DDR - Auferstanden aus Ruinen - National...
95 bpm • F Maj • 02:52 • -11.7db
21% Popularity • 37% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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The Brothers Four
55 Days At Peking
96 bpm • A# min • 02:04 • -11db
35% Popularity • 89% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Kurt Weill
Die Dreigroschenoper: Kanonen-Song
96 bpm • C# min • 02:43 • -19.08db
5% Popularity • 73% Danceability • 25% Energy • 52% Liveness
0% Instrumentalness • 62% Positiveness
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Erich-Weinert-Ensemble
Auferstanden aus Ruinen
96 bpm • F Maj • 02:54 • -9db
39% Popularity • 36% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Hanns Eisler
Palmstrom, Op. 5: No. 3. L'art pour l'ar...
87 bpm • A# Maj • 00:53 • -21.28db
1% Popularity • 60% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Bettina Wegner
Soldaten
96 bpm • F Maj • 02:49 • -6db
30% Popularity • 65% Danceability • 52% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
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Stars Of St. Petersburg
Vladimirskii Rojok
96 bpm • D min • 01:09 • -10db
36% Popularity • 65% Danceability • 34% Energy • 12% Liveness
79% Instrumentalness • 64% Positiveness
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Georg Kreisler
Wir sind alle Terroristen
97 bpm • C min • 03:17 • -15db
16% Popularity • 67% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Zupfgeigenhansel
Mein Michel
98 bpm • D min • 02:42 • -14.09db
20% Popularity • 71% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Kantate: Legende von der Entstehung des Buches Tao...