Songs like Kapitel 1: Theoderich - Teil 15 by Felix Dahn
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Variations on a Rococo Theme, Op. 33 (Ar...
117 bpm • F# min • 00:55 • -29.8db
11% Popularity • 32% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 34% Positiveness
11% Popularity • 32% Danceability • 0% Energy • 11% Liveness
78% Instrumentalness • 34% Positiveness
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Kurt Weill
Youkali
117 bpm • C min • 02:54 • -19.7db
9% Popularity • 33% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 33% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Edvard Grieg
Norwegian Peasant Dances, Op. 72: No. 7,...
117 bpm • A Maj • 04:03 • -24.92db
11% Popularity • 40% Danceability • 8% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
11% Popularity • 40% Danceability • 8% Energy • 7% Liveness
93% Instrumentalness • 8% Positiveness
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Mieczysław Weinberg
The Passenger, Op. 97, Act I Scene 2 "Ap...
117 bpm • A Maj • 06:34 • -28.96db
7% Popularity • 36% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 36% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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G. M. Rodriguez
Tango (La cumparsita)
118 bpm • A# Maj • 04:14 • -21.53db
10% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
10% Popularity • 40% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor: II. All...
118 bpm • F Maj • 05:12 • -15.32db
8% Popularity • 45% Danceability • 18% Energy • 16% Liveness
21% Instrumentalness • 26% Positiveness
8% Popularity • 45% Danceability • 18% Energy • 16% Liveness
21% Instrumentalness • 26% Positiveness
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Magdalena Galka
Sibelius Etude op. 76 No. 2 a-minor - Pi...
118 bpm • A min • 01:27 • -27.74db
14% Popularity • 43% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 43% Positiveness
14% Popularity • 43% Danceability • 19% Energy • 8% Liveness
92% Instrumentalness • 43% Positiveness
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钱慧娜
我曾恋爱过(02)（后宫诱逃）
116 bpm • A# Maj • 05:22 • -18.94db
7% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 38% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Franz Liszt
Ballade No. 1, S. 170 "Le chant du crois...
119 bpm • C# Maj • 06:55 • -23.7db
2% Popularity • 46% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
2% Popularity • 46% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Symphony No. 1, Op. 11: III. Menuetto: A...
115 bpm • C min • 05:18 • -20.49db
15% Popularity • 28% Danceability • 12% Energy • 24% Liveness
88% Instrumentalness • 25% Positiveness
15% Popularity • 28% Danceability • 12% Energy • 24% Liveness
88% Instrumentalness • 25% Positiveness
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Gioachino Rossini
Petite messe solennelle: IX. Gloria. Quo...
115 bpm • E Maj • 07:51 • -24.18db
7% Popularity • 34% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 34% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Strauss
Oboe Concerto in D Major, TrV 292: III. ...
114 bpm • D Maj • 08:42 • -20.02db
8% Popularity • 27% Danceability • 10% Energy • 38% Liveness
88% Instrumentalness • 10% Positiveness
8% Popularity • 27% Danceability • 10% Energy • 38% Liveness
88% Instrumentalness • 10% Positiveness
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Xaver Scharwenka
Variations for Piano, Op. 48: Var. 9. Gr...
114 bpm • D min • 01:12 • -16.74db
10% Popularity • 62% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 40% Positiveness
10% Popularity • 62% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 40% Positiveness
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Louis Spohr
Sechs deutsche Lieder, Opus 41: Nr. 5 De...
113 bpm • E Maj • 01:42 • -15.87db
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 50% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Kita Kurzgeschichten
Der Traumfänger des kleinen Timmy
114 bpm • D# min • 01:31 • -44.2db
15% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 58% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52 "...
120 bpm • A# Maj • 06:44 • -15.71db
15% Popularity • 33% Danceability • 25% Energy • 14% Liveness
18% Instrumentalness • 14% Positiveness
15% Popularity • 33% Danceability • 25% Energy • 14% Liveness
18% Instrumentalness • 14% Positiveness
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Hugo Wolf
Verborgenheit
121 bpm • D# Maj • 02:40 • -15.26db
7% Popularity • 30% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
7% Popularity • 30% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Concerto No. 1 in B-Flat Minor, Op...
113 bpm • G# Maj • 06:33 • -21.05db
9% Popularity • 30% Danceability • 14% Energy • 21% Liveness
90% Instrumentalness • 10% Positiveness
9% Popularity • 30% Danceability • 14% Energy • 21% Liveness
90% Instrumentalness • 10% Positiveness
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Xaver Scharwenka
6 Waltzes, Op. 28: No. 6, Vivace
113 bpm • F Maj • 02:01 • -21.61db
9% Popularity • 44% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
9% Popularity • 44% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 31% Positiveness
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Erik Satie
Sports et divertissements: XVII. Le tang...
121 bpm • C Maj • 01:01 • -38.27db
5% Popularity • 33% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 27% Positiveness
5% Popularity • 33% Danceability • 4% Energy • 14% Liveness
93% Instrumentalness • 27% Positiveness
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Johannes Brahms
Liebesliederwalzer, Op. 52: XV. Nachtiga...
121 bpm • G# Maj • 01:09 • -21.79db
7% Popularity • 33% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 33% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Robert Schumann
Liederkreis, Op. 39: No. 3. Waldesgespra...
113 bpm • E Maj • 02:09 • -18.67db
8% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 41% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Jean Sibelius
Symphony No. 2 in D Major, Op. 43: I. Al...
122 bpm • D Maj • 09:58 • -25.36db
29% Popularity • 26% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book II...
112 bpm • G# Maj • 02:07 • -20.63db
11% Popularity • 43% Danceability • 6% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
11% Popularity • 43% Danceability • 6% Energy • 12% Liveness
73% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Arr. for Pia...
122 bpm • A# Maj • 02:18 • -17.62db
9% Popularity • 45% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 16% Positiveness
9% Popularity • 45% Danceability • 26% Energy • 16% Liveness
88% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
112 bpm • D# min • 01:00 • -16.31db
11% Popularity • 55% Danceability • 67% Energy • 19% Liveness
94% Instrumentalness • 36% Positiveness
11% Popularity • 55% Danceability • 67% Energy • 19% Liveness
94% Instrumentalness • 36% Positiveness
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Felix Dahn
Kapitel 1 - Track 15 - Ein Kampf um Rom ...
122 bpm • F min • 03:00 • -17.59db
0% Popularity • 73% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 73% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Heikki Rainio
Sä olet Jeesus, laulunaihe mulle
123 bpm • F min • 03:03 • -19.63db
13% Popularity • 32% Danceability • 16% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
13% Popularity • 32% Danceability • 16% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Psalm 42, Op. 42, MWV A15: Aria "Meine S...
123 bpm • D min • 05:48 • -21.44db
9% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 29% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Béla Bartók
Bartók: 14 Bagatelles, Op. 6, Sz. 38: N...
111 bpm • C# min • 01:58 • -22.12db
8% Popularity • 46% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
8% Popularity • 46% Danceability • 12% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Péchés de vieillesse, Vol. 2: No. 8, C...
123 bpm • A min • 03:24 • -14.46db
10% Popularity • 57% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
10% Popularity • 57% Danceability • 31% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Edvard Grieg
Sechs Lieder, Op. 48: Gruß, Op. 48/1
111 bpm • E Maj • 01:09 • -22db
9% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 46% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Felix Dahn
Kapitel 1 - Track 28 - Ein Kampf um Rom ...
122 bpm • F# Maj • 03:02 • -18.36db
0% Popularity • 72% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 72% Danceability • 26% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Johann Strauss II
Die Fledermaus: Act III: Finale: O Flede...
123 bpm • D Maj • 02:50 • -15.16db
8% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Alma Mahler
Bei dir ist es traut
111 bpm • E min • 01:54 • -25.52db
12% Popularity • 29% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 29% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Ernst von Dohnányi
Piano Quintet No. 1 in C Minor, Op. 1: I...
124 bpm • B min • 05:01 • -21.49db
22% Popularity • 40% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
22% Popularity • 40% Danceability • 7% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 1, Rede...
124 bpm • E Maj • 01:11 • -24.36db
8% Popularity • 24% Danceability • 13% Energy • 15% Liveness
76% Instrumentalness • 18% Positiveness
8% Popularity • 24% Danceability • 13% Energy • 15% Liveness
76% Instrumentalness • 18% Positiveness
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Frédéric Chopin
Mazurka No. 15 in C Major, Op. 24 No. 2....
111 bpm • C Maj • 02:01 • -26.71db
8% Popularity • 45% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
8% Popularity • 45% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 43% Positiveness
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Felix Dahn
Kapitel 1 - Track 30 - Ein Kampf um Rom ...
123 bpm • F min • 03:00 • -19.22db
0% Popularity • 72% Danceability • 23% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 72% Danceability • 23% Energy • 44% Liveness
0% Instrumentalness • 60% Positiveness
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Heikki Rainio
Ihana rauhan ranta
110 bpm • E min • 04:31 • -18.54db
8% Popularity • 27% Danceability • 12% Energy • 13% Liveness
25% Instrumentalness • 10% Positiveness
8% Popularity • 27% Danceability • 12% Energy • 13% Liveness
25% Instrumentalness • 10% Positiveness
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Béla Bartók
Bartók: 14 Bagatelles, Op. 6, Sz. 38: N...
111 bpm • F# min • 01:36 • -34.43db
9% Popularity • 50% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 51% Positiveness
9% Popularity • 50% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 51% Positiveness
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Ludwig van Beethoven
An die ferne Geliebte, Op. 98: No. 4, Di...
124 bpm • F Maj • 01:11 • -19.71db
12% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jochen Malmsheimer
Teil 12 - Zwei Füße für ein Halleluja...
110 bpm • A min • 03:00 • -11.52db
13% Popularity • 39% Danceability • 40% Energy • 17% Liveness
77% Instrumentalness • 34% Positiveness
13% Popularity • 39% Danceability • 40% Energy • 17% Liveness
77% Instrumentalness • 34% Positiveness
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Anton Bruckner
Symphony No. 2 in C Minor, WAB 102 (1872...
110 bpm • G# Maj • 08:11 • -15.13db
9% Popularity • 35% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 35% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Felix Dahn
Kapitel 2 - Track 30 - Ein Kampf um Rom ...
111 bpm • F min • 03:00 • -18.28db
0% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
0% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 58% Positiveness
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Johannes Brahms
Liebeslieder-Walzer, Op. 52: No. 8, Wenn...
124 bpm • G# Maj • 01:30 • -24.57db
7% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
7% Popularity • 23% Danceability • 12% Energy • 12% Liveness
71% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Symphony No. 2, Op. 52, "Lobgesang": II....
125 bpm • A# Maj • 06:37 • -19.32db
13% Popularity • 30% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
13% Popularity • 30% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Fanny Mendelssohn
Bergeslust
110 bpm • A Maj • 01:29 • -17db
12% Popularity • 49% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 49% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: V. Ich will meine ...
109 bpm • A min • 01:05 • -28.84db
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 32% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Johannes Brahms
Piano Quintet In F Minor Op.36: III. Sch...
126 bpm • C min • 07:22 • -17.32db
8% Popularity • 44% Danceability • 21% Energy • 16% Liveness
50% Instrumentalness • 32% Positiveness
8% Popularity • 44% Danceability • 21% Energy • 16% Liveness
50% Instrumentalness • 32% Positiveness
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Felix Dahn
Kapitel 1 - Track 9 - Ein Kampf um Rom I
111 bpm • C# Maj • 03:05 • -17.1db
0% Popularity • 75% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
0% Popularity • 75% Danceability • 24% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Arr. for Pia...
126 bpm • A# Maj • 03:54 • -24.11db
8% Popularity • 51% Danceability • 8% Energy • 14% Liveness
92% Instrumentalness • 27% Positiveness
8% Popularity • 51% Danceability • 8% Energy • 14% Liveness
92% Instrumentalness • 27% Positiveness
► Preview
Mieczysław Weinberg
The Passenger, Op. 97, Act I Scene 1 "Sc...
126 bpm • G Maj • 09:13 • -21.53db
8% Popularity • 35% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 35% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Emmanuel Chabrier
Lied
109 bpm • C Maj • 02:22 • -18.88db
17% Popularity • 53% Danceability • 12% Energy • 14% Liveness
23% Instrumentalness • 58% Positiveness
17% Popularity • 53% Danceability • 12% Energy • 14% Liveness
23% Instrumentalness • 58% Positiveness
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Mariss Jansons
Was gleicht wohl auf Erden (Jaegerchor),...
108 bpm • D Maj • 03:10 • -16.87db
22% Popularity • 52% Danceability • 28% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 52% Danceability • 28% Energy • 72% Liveness
0% Instrumentalness • 24% Positiveness
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Johannes Brahms
9 Lieder und Gesänge, Op. 32: No. 4, De...
126 bpm • C# min • 01:14 • -15.23db
6% Popularity • 47% Danceability • 27% Energy • 12% Liveness
48% Instrumentalness • 9% Positiveness
6% Popularity • 47% Danceability • 27% Energy • 12% Liveness
48% Instrumentalness • 9% Positiveness
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Felix Dahn
Kapitel 2 - Track 32 - Ein Kampf um Rom ...
124 bpm • C# Maj • 03:05 • -18.73db
0% Popularity • 72% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 72% Danceability • 25% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Christoph Prégardien
Schneeflöckchen, Weißröckchen
126 bpm • D Maj • 01:10 • -13.3db
11% Popularity • 48% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 48% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: No. 1...
126 bpm • G min • 04:36 • -24.12db
11% Popularity • 48% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 62% Positiveness
11% Popularity • 48% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 62% Positiveness
► Preview
Franz Schubert
Schwanengesang, D.957: Die Taubenpost
108 bpm • E Maj • 04:09 • -27.6db
8% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 35% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Peter Cornelius
Vöglein fliegt dem Nestchen zu
127 bpm • D Maj • 02:29 • -23.27db
9% Popularity • 39% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 39% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Wolfgang Amadeus Mozart
Der Stein der Weisen, Act I: Recitative....
108 bpm • C Maj • 03:24 • -23.96db
8% Popularity • 38% Danceability • 10% Energy • 52% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 38% Danceability • 10% Energy • 52% Liveness
1% Instrumentalness • 14% Positiveness
► Preview
Felix Dahn
Kapitel 2 - Track 18 - Ein Kampf um Rom ...
109 bpm • C# Maj • 03:00 • -17.06db
0% Popularity • 72% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 72% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Franz Liszt
Liszt: Réminiscences de Don Juan, S. 65...
127 bpm • A# Maj • 02:11 • -19.1db
8% Popularity • 43% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
8% Popularity • 43% Danceability • 24% Energy • 13% Liveness
92% Instrumentalness • 39% Positiveness
► Preview
Antonín Dvořák
Bagatelles, Op. 47, B. 79: No. 5, Poco a...
127 bpm • G Maj • 04:24 • -16.9db
13% Popularity • 45% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
13% Popularity • 45% Danceability • 23% Energy • 9% Liveness
85% Instrumentalness • 17% Positiveness
► Preview
Mieczysław Weinberg
The Passenger, Op. 97, Act I Scene 1 "Sc...
127 bpm • C# Maj • 07:11 • -30.16db
10% Popularity • 36% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 36% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Schwanengesang, D.957: Das Fischermädch...
127 bpm • A min • 02:01 • -28.68db
8% Popularity • 42% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
8% Popularity • 42% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Charlotte Hoather
Haugtussa, Op. 67: VI. Killingdans
108 bpm • G Maj • 01:44 • -10.49db
10% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Felix Dahn
Kapitel 1 - Track 2 - Ein Kampf um Rom I
109 bpm • F min • 03:00 • -16.37db
0% Popularity • 71% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 71% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Igor Stravinsky
Pulcinella Suite: III. Scherzino - Alleg...
108 bpm • C Maj • 04:22 • -20.53db
9% Popularity • 38% Danceability • 11% Energy • 6% Liveness
50% Instrumentalness • 45% Positiveness
9% Popularity • 38% Danceability • 11% Energy • 6% Liveness
50% Instrumentalness • 45% Positiveness
► Preview
Heinrich Schütz
Matthäus-Passion, SWV 479: Introitus: "...
107 bpm • C Maj • 02:11 • -20.87db
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 37% Danceability • 8% Energy • 53% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, WWV 90: I, AUFZUG 1:...
108 bpm • F# min • 09:06 • -18.83db
13% Popularity • 16% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
13% Popularity • 16% Danceability • 15% Energy • 8% Liveness
74% Instrumentalness • 3% Positiveness
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Franz Abt
Morgenständchen von Fr. Schubert, Op. 7...
128 bpm • C Maj • 03:21 • -24.85db
9% Popularity • 28% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 28% Danceability • 10% Energy • 31% Liveness
0% Instrumentalness • 22% Positiveness
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Josef Labor
Piano Concerto for the Left Hand No. 1: ...
128 bpm • D Maj • 04:13 • -22.16db
10% Popularity • 28% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
10% Popularity • 28% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
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Felix Dahn
Strauss, R: Schlichte Weisen, Op. 21: No...
126 bpm • G# min • 01:53 • -20.77db
0% Popularity • 38% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 38% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Strauss
Die erwachte Rose, TrV 90
107 bpm • E Maj • 02:46 • -28.4db
10% Popularity • 34% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 34% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Robert Schumann
Liederkreis nach Gedichten von Heinrich ...
107 bpm • C Maj • 01:02 • -30.41db
8% Popularity • 41% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 41% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book II...
128 bpm • G# min • 03:58 • -21.34db
11% Popularity • 41% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 12% Positiveness
11% Popularity • 41% Danceability • 1% Energy • 9% Liveness
81% Instrumentalness • 12% Positiveness
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Edvard Grieg
Norwegian Dances, Op. 35: No. 2 in A Maj...
106 bpm • A Maj • 02:27 • -28.51db
15% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
15% Popularity • 25% Danceability • 2% Energy • 15% Liveness
95% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 18 in B-Flat Major, K...
106 bpm • G min • 09:58 • -23.82db
23% Popularity • 30% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
23% Popularity • 30% Danceability • 5% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
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Felix Dahn
Kapitel 1 - Track 10 - Ein Kampf um Rom ...
109 bpm • C# Maj • 03:00 • -17.14db
0% Popularity • 71% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 71% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Camille Saint-Saëns
Piano Concerto No. 2 in G Minor, Op. 22:...
106 bpm • G min • 06:49 • -14.8db
26% Popularity • 33% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
26% Popularity • 33% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 18% Positiveness
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Johannes Brahms
9 Lieder und Gesänge, Op. 32: No. 3, Ic...
129 bpm • D min • 01:25 • -18.73db
6% Popularity • 29% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
6% Popularity • 29% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
106 bpm • D# min • 01:12 • -30.12db
4% Popularity • 42% Danceability • 1% Energy • 7% Liveness
39% Instrumentalness • 22% Positiveness
4% Popularity • 42% Danceability • 1% Energy • 7% Liveness
39% Instrumentalness • 22% Positiveness
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Engelbert Humperdinck
Hänsel und Gretel: Abends will ich schl...
129 bpm • D Maj • 02:27 • -18.83db
20% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
20% Popularity • 20% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Christus am Ölberge, Op. 85: 6c. "Welte...
106 bpm • C Maj • 04:40 • -13.51db
0% Popularity • 31% Danceability • 33% Energy • 5% Liveness
14% Instrumentalness • 19% Positiveness
0% Popularity • 31% Danceability • 33% Energy • 5% Liveness
14% Instrumentalness • 19% Positiveness
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Felix Dahn
Kapitel 1 - Track 4 - Ein Kampf um Rom I
126 bpm • F min • 03:00 • -15.72db
0% Popularity • 72% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 72% Danceability • 27% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Heitor Villa-Lobos
Cirandas, W220: No. 5, Pobre cega
105 bpm • A# min • 01:24 • -31.47db
10% Popularity • 58% Danceability • 6% Energy • 13% Liveness
74% Instrumentalness • 26% Positiveness
10% Popularity • 58% Danceability • 6% Energy • 13% Liveness
74% Instrumentalness • 26% Positiveness
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Gioachino Rossini
Petite messe solennelle: VII. Gloria. Do...
105 bpm • D Maj • 05:42 • -22db
9% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 31% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Gustav Mahler
Rückert Lieder (Arr. for Voice & String...
105 bpm • G# Maj • 01:24 • -18.64db
12% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 41% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Antonin Dvorak
Piano Trio No.4 In E Minor Op.90: V. All...
105 bpm • D# Maj • 04:09 • -21.13db
8% Popularity • 41% Danceability • 8% Energy • 30% Liveness
67% Instrumentalness • 11% Positiveness
8% Popularity • 41% Danceability • 8% Energy • 30% Liveness
67% Instrumentalness • 11% Positiveness
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Hugo Wolf
Mörike-Lieder: 12. "Verborgenheit"
131 bpm • C Maj • 02:59 • -24db
8% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Felix Dahn
Kapitel 2 - Track 2 - Ein Kampf um Rom I
127 bpm • C# Maj • 03:00 • -16.43db
0% Popularity • 72% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 72% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Wolfgang Amadeus Mozart
Sehnsucht nach dem Frühling, K. 596
105 bpm • F Maj • 01:52 • -17.24db
8% Popularity • 47% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 47% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: IV. Wenn ich in de...
105 bpm • A# Maj • 01:37 • -30.07db
8% Popularity • 31% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Charlotte Hoather
Haugtussa, Op. 67: IV. Møte
105 bpm • F Maj • 03:48 • -13.81db
10% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
10% Popularity • 35% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander von Zemlinsky
Walzer-Gesänge, Op. 6: No. 5, Blaues St...
105 bpm • G Maj • 01:49 • -28.12db
5% Popularity • 34% Danceability • 2% Energy • 8% Liveness
23% Instrumentalness • 13% Positiveness
5% Popularity • 34% Danceability • 2% Energy • 8% Liveness
23% Instrumentalness • 13% Positiveness
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Gustav Mahler
Rückert-Lieder: Ich bin der Welt abhand...
131 bpm • F Maj • 06:00 • -36.91db
19% Popularity • 16% Danceability • 0% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
19% Popularity • 16% Danceability • 0% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
