Songs like Karpoora Nayagiye by L. R. Eswari
Based on a tempo of (+/- 10%) and a similar genre
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M. S. Subbulakshmi
Nee Irangayenil
158 bpm • D Maj • 04:48 • -7.09db
5% Popularity • 40% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
5% Popularity • 40% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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L. R. Eswari
Karpoora Nayagiye
158 bpm • G Maj • 03:21 • -12.34db
25% Popularity • 41% Danceability • 42% Energy • 32% Liveness
1% Instrumentalness • 96% Positiveness
25% Popularity • 41% Danceability • 42% Energy • 32% Liveness
1% Instrumentalness • 96% Positiveness
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Maharajapuram Santhanam
Endraro Mahanubhavulu - Maharajapuram Sa...
158 bpm • F# Maj • 10:38 • -12.22db
27% Popularity • 49% Danceability • 67% Energy • 6% Liveness
16% Instrumentalness • 84% Positiveness
27% Popularity • 49% Danceability • 67% Energy • 6% Liveness
16% Instrumentalness • 84% Positiveness
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A. R. Ramani Ammal
Saranam Saranam Jagadamba
159 bpm • F min • 02:22 • -12db
17% Popularity • 58% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 58% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Deva
Vellai Malar
157 bpm • D Maj • 04:57 • -7.5db
14% Popularity • 43% Danceability • 96% Energy • 37% Liveness
67% Instrumentalness • 51% Positiveness
14% Popularity • 43% Danceability • 96% Energy • 37% Liveness
67% Instrumentalness • 51% Positiveness
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Visalakshi Nityanand
Devi Neeye Tunai
159 bpm • G# Maj • 04:18 • -5.6db
10% Popularity • 36% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 36% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Bombay Sisters
Sreeman Narayana
157 bpm • C# Maj • 04:26 • -11.81db
35% Popularity • 51% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 51% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Veeramani Raju
Unai Deivam
159 bpm • G min • 04:46 • -8db
19% Popularity • 59% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 59% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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K. S. Chithra
Kolavizhiamma - Language: Tamil; Genre: ...
159 bpm • G Maj • 05:50 • -7.25db
36% Popularity • 72% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 72% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Jency Anthony
Iru Paravaigal
159 bpm • F Maj • 04:30 • -5.52db
20% Popularity • 36% Danceability • 63% Energy • 56% Liveness
5% Instrumentalness • 82% Positiveness
20% Popularity • 36% Danceability • 63% Energy • 56% Liveness
5% Instrumentalness • 82% Positiveness
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L. R. Eswari
Mahamayi Samayapura
156 bpm • F min • 03:30 • -11db
17% Popularity • 45% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 45% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Pushpavanam Kuppusamy
Maruthamalai Satthiyamaa
160 bpm • A min • 12:06 • -5.27db
54% Popularity • 55% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 55% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Nithyasri
Lakshmi Vaaraai En Illame
160 bpm • D Maj • 05:21 • -5db
25% Popularity • 45% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 45% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Veeramani Raju
Ayappan Padipaatu
160 bpm • D Maj • 05:23 • -5db
30% Popularity • 51% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 51% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Uthara Unnikrishnan
Sri Chakra Raja
160 bpm • G Maj • 07:15 • -8.32db
13% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 46% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Sulamangalam Sisters
Kanda Shasti Viratham
156 bpm • B Maj • 04:44 • -5.5db
25% Popularity • 68% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
25% Popularity • 68% Danceability • 81% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Prabhakar
Giridhara Gopala Hare
156 bpm • G Maj • 05:20 • -8.94db
22% Popularity • 65% Danceability • 62% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
22% Popularity • 65% Danceability • 62% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
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Traditional
Maalai Saatrinaal
160 bpm • G# Maj • 02:28 • -6db
26% Popularity • 67% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 67% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 94% Positiveness
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Nithyasri
Bakyamthan Lakshmi Varumama
156 bpm • F Maj • 05:05 • -5.66db
28% Popularity • 58% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 58% Danceability • 61% Energy • 52% Liveness
0% Instrumentalness • 72% Positiveness
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Bombay Sisters
Srimann Naaraayana - Language: Tamil; Ge...
155 bpm • F# Maj • 04:56 • -10.12db
25% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 65% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Thaman S
Kalasala Kalasala
155 bpm • B min • 04:11 • -7.33db
64% Popularity • 69% Danceability • 90% Energy • 23% Liveness
3% Instrumentalness • 84% Positiveness
64% Popularity • 69% Danceability • 90% Energy • 23% Liveness
3% Instrumentalness • 84% Positiveness
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T. L. Maharajan
Jai Krishna Deva
161 bpm • E min • 02:19 • -5db
17% Popularity • 37% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 37% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 55% Positiveness
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REGI ANAND
Kannil Paarvai Thanthavalae
155 bpm • D min • 04:46 • -7.53db
17% Popularity • 68% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
17% Popularity • 68% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Krishh
Palamudhir Cholai
162 bpm • G Maj • 03:58 • -12.27db
29% Popularity • 52% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 52% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 27% Positiveness
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Sangeetha Sivakumar
Sama Gana Lolane
162 bpm • F min • 09:20 • -7.11db
14% Popularity • 40% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 40% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Maharajapuram Santhanam
Alaipayuthey - Maharajapuram Santhanam
154 bpm • G Maj • 05:56 • -12.23db
26% Popularity • 43% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 43% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Jamuna Rani
Naan Sirithal Deepavali
154 bpm • G min • 04:46 • -8db
43% Popularity • 52% Danceability • 67% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
43% Popularity • 52% Danceability • 67% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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Vani Jairam
Aadhi Lakshmi
164 bpm • D Maj • 05:02 • -5.83db
13% Popularity • 50% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 50% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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REGI ANAND
Punnainallur Maayiramma
154 bpm • G Maj • 05:13 • -6.48db
22% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 68% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Balaji,Shankar,Uma,Radha
Enna Thavam
164 bpm • D Maj • 04:43 • -8.65db
2% Popularity • 44% Danceability • 59% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
2% Popularity • 44% Danceability • 59% Energy • 55% Liveness
0% Instrumentalness • 60% Positiveness
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Saindhavi
Kandanaal Mudhalai
164 bpm • F# min • 04:19 • -9.64db
16% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 64% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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L. R. Eswari
Devi Karumariamma
152 bpm • G min • 02:54 • -13.37db
13% Popularity • 49% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 93% Positiveness
13% Popularity • 49% Danceability • 40% Energy • 15% Liveness
1% Instrumentalness • 93% Positiveness
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S. Sowmya
Muddugare Yesoda - Sowmya
152 bpm • C Maj • 04:57 • -12.57db
34% Popularity • 52% Danceability • 33% Energy • 7% Liveness
21% Instrumentalness • 69% Positiveness
34% Popularity • 52% Danceability • 33% Energy • 7% Liveness
21% Instrumentalness • 69% Positiveness
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P. Unnikrishnan
Theerada Vilayattu Pillai
165 bpm • F# Maj • 03:42 • -10.71db
16% Popularity • 51% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 51% Danceability • 51% Energy • 67% Liveness
0% Instrumentalness • 85% Positiveness
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Anuradha Sriram
Oyaadha Mukkoodal
165 bpm • D Maj • 05:01 • -3.62db
10% Popularity • 61% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
10% Popularity • 61% Danceability • 67% Energy • 41% Liveness
0% Instrumentalness • 77% Positiveness
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Vijay Yesudas
Sai Oh Sai Baba
165 bpm • F Maj • 04:23 • -17.42db
21% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
21% Popularity • 55% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Jency
Deiveega Raagam
151 bpm • C# min • 04:21 • -12.87db
47% Popularity • 44% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
47% Popularity • 44% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Murali
Kondalekki
165 bpm • E min • 06:18 • -3.83db
2% Popularity • 70% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 70% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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M. S. Rajeswari
Mannukku Maram Baarama
151 bpm • F# Maj • 03:13 • -8.94db
7% Popularity • 67% Danceability • 36% Energy • 18% Liveness
3% Instrumentalness • 92% Positiveness
7% Popularity • 67% Danceability • 36% Energy • 18% Liveness
3% Instrumentalness • 92% Positiveness
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Swarnalatha
Pudhdhanga Ninaivale
150 bpm • G Maj • 04:12 • -10.61db
16% Popularity • 56% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
16% Popularity • 56% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 86% Positiveness
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S.A. Rajkumar
Aadi Vanthen Aadi Vanthen
166 bpm • A min • 04:18 • -9.91db
21% Popularity • 78% Danceability • 81% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
21% Popularity • 78% Danceability • 81% Energy • 6% Liveness
85% Instrumentalness • 96% Positiveness
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Sooryagayathri
Enna Thavam Seithanai
150 bpm • D# min • 06:43 • -9.5db
30% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 53% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Ramu
Swamy Appa Shrananam Ayyappa
150 bpm • G min • 09:56 • -3.53db
9% Popularity • 61% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 61% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 71% Positiveness
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L. R. Eswari
Kaaathoduthaan Naan
150 bpm • E min • 03:11 • -5.88db
13% Popularity • 27% Danceability • 50% Energy • 16% Liveness
44% Instrumentalness • 36% Positiveness
13% Popularity • 27% Danceability • 50% Energy • 16% Liveness
44% Instrumentalness • 36% Positiveness
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Uthara Unnikrishnan
Maadu Meikum Kanne
150 bpm • D Maj • 07:20 • -8.33db
14% Popularity • 71% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 71% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Bombay Saradha
Varahi Gayatri
150 bpm • G# Maj • 03:00 • -8.16db
33% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Nithyasri
Sri Mahalakshmi Pottri
167 bpm • D Maj • 05:55 • -6.74db
22% Popularity • 41% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 41% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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T. L. Maharajan
Arupadaiveedu
149 bpm • F Maj • 05:19 • -16.27db
42% Popularity • 62% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 62% Danceability • 25% Energy • 42% Liveness
0% Instrumentalness • 85% Positiveness
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Sooryagayathri
Alaipayuthey Kanna
168 bpm • G Maj • 07:35 • -9.98db
30% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 44% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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L. R. Eswari
Kannirendum Minna Minna
149 bpm • D# min • 03:36 • -11.54db
16% Popularity • 45% Danceability • 33% Energy • 38% Liveness
4% Instrumentalness • 82% Positiveness
16% Popularity • 45% Danceability • 33% Energy • 38% Liveness
4% Instrumentalness • 82% Positiveness
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Pithukuli Murugadas
Aadathu Asangathu Vaa Kanna
149 bpm • B min • 09:18 • -9.55db
8% Popularity • 54% Danceability • 60% Energy • 65% Liveness
11% Instrumentalness • 77% Positiveness
8% Popularity • 54% Danceability • 60% Energy • 65% Liveness
11% Instrumentalness • 77% Positiveness
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Mahanadi Shobana
Bhagyam Tharum
168 bpm • G Maj • 05:21 • -6.48db
17% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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P.Devanesan
Sadha Sagaya Thayae
169 bpm • A Maj • 05:00 • -7.57db
6% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
6% Popularity • 43% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Nithyasri
Poojai Yerka Varuvaai
147 bpm • E Maj • 02:40 • -5db
19% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
19% Popularity • 58% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Visalakshi Nityanand
Jagajjanani
169 bpm • D# min • 04:10 • -7db
10% Popularity • 37% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 37% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Pushpavanam Kuppusamy
Chendai Satham
170 bpm • G Maj • 03:57 • -3.1db
15% Popularity • 46% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 46% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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Kalabhavan Mani
Malayimeloru
170 bpm • F min • 04:33 • -9.8db
16% Popularity • 74% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 74% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Mahanadi Shobana
Vaibhoga Vazhvu
149 bpm • C min • 06:46 • -5db
13% Popularity • 64% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 64% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Chinna Rasa Urumee Melam Masana Kali
Samaya Puratha Vitte
170 bpm • D Maj • 04:51 • -6.33db
20% Popularity • 57% Danceability • 87% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
20% Popularity • 57% Danceability • 87% Energy • 11% Liveness
3% Instrumentalness • 45% Positiveness
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S. P. Sailaja
Aasaiye Kaathule
147 bpm • A min • 04:40 • -9.19db
57% Popularity • 70% Danceability • 48% Energy • 8% Liveness
27% Instrumentalness • 52% Positiveness
57% Popularity • 70% Danceability • 48% Energy • 8% Liveness
27% Instrumentalness • 52% Positiveness
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M.R.Seshan
Devi Song
170 bpm • D Maj • 05:37 • -11.96db
18% Popularity • 59% Danceability • 28% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 59% Danceability • 28% Energy • 41% Liveness
0% Instrumentalness • 46% Positiveness
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S. Varalakshmi
Vellimalai Mannava
146 bpm • D# min • 01:51 • -11.42db
15% Popularity • 35% Danceability • 60% Energy • 65% Liveness
2% Instrumentalness • 40% Positiveness
15% Popularity • 35% Danceability • 60% Energy • 65% Liveness
2% Instrumentalness • 40% Positiveness
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S.A. Rajkumar
Enakkoru Snehidhi
172 bpm • E min • 04:54 • -9.87db
55% Popularity • 70% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
55% Popularity • 70% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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Sikkil Gurucharan
Keechu Keechendrengum
172 bpm • A min • 02:18 • -9db
18% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 50% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Sirkazhi Govindarajan
Aanai Mugathaan
172 bpm • D# Maj • 04:19 • -11db
20% Popularity • 40% Danceability • 83% Energy • 20% Liveness
53% Instrumentalness • 75% Positiveness
20% Popularity • 40% Danceability • 83% Energy • 20% Liveness
53% Instrumentalness • 75% Positiveness
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Thiruthuraipoondi Radhakrishnan Pappa
Thiruvum Meiperulum Aalandhaan
172 bpm • G# Maj • 06:20 • -10.48db
30% Popularity • 42% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 42% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Veeramanidaasan
Aadi Velliyilae - Language: Tamil; Genre...
145 bpm • G min • 04:48 • -6.35db
18% Popularity • 49% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
18% Popularity • 49% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Sriraman
Sunaadhavinodhini
172 bpm • C Maj • 07:00 • -7.74db
19% Popularity • 50% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 50% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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M. S. Subbulakshmi
Kurai Onrum Illai
172 bpm • D# min • 04:00 • -6.35db
32% Popularity • 30% Danceability • 57% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 30% Danceability • 57% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Sathyaprakash
Paasi Padarntha Malai Murugaiah
145 bpm • C min • 05:56 • -4.53db
7% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 64% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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D.V. Ramani
Thiruneetru Pathigam
144 bpm • D Maj • 11:06 • -9db
23% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 71% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Sooryagayathri
Kakkai Siraginile
144 bpm • F# Maj • 06:23 • -9.57db
20% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 63% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Veeramani S. Raju
Maari Bhavani Varaal
142 bpm • D Maj • 04:56 • -9.04db
5% Popularity • 81% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 81% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Veeramani Raju
108 Ayyapan Saranangal
176 bpm • D Maj • 11:36 • -3.26db
28% Popularity • 40% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 40% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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M. S. Subbulakshmi
Jagadaanandakaraka - Nattai - Adi
173 bpm • F# Maj • 08:27 • -10db
29% Popularity • 41% Danceability • 84% Energy • 15% Liveness
93% Instrumentalness • 74% Positiveness
29% Popularity • 41% Danceability • 84% Energy • 15% Liveness
93% Instrumentalness • 74% Positiveness
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L. R. Eswari
Mariyamma
176 bpm • A# Maj • 04:44 • -3.79db
6% Popularity • 54% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
6% Popularity • 54% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Maharajapuram Santhanam
Sadhinchane - Maharajapuram Santhanam
142 bpm • B Maj • 09:32 • -12.36db
23% Popularity • 49% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 92% Positiveness
23% Popularity • 49% Danceability • 66% Energy • 20% Liveness
61% Instrumentalness • 92% Positiveness
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A. R. Ramani Ammal
Swamiye Saranamaiyya
141 bpm • D# Maj • 02:46 • -10db
19% Popularity • 50% Danceability • 79% Energy • 85% Liveness
1% Instrumentalness • 65% Positiveness
19% Popularity • 50% Danceability • 79% Energy • 85% Liveness
1% Instrumentalness • 65% Positiveness
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Malaysia Vasudevan
Kakki Sattai Potta Machan
141 bpm • A Maj • 04:32 • -11.89db
42% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Dhina
Karthika Maasa Udayam
177 bpm • D Maj • 05:06 • -9db
22% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Priya Sisters
Perumal - Language: Tamil
141 bpm • C# min • 04:14 • -7.23db
19% Popularity • 58% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
19% Popularity • 58% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Krishh
Swamimalai
141 bpm • A# Maj • 04:25 • -13.39db
30% Popularity • 75% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 75% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Kanmaniraja
Aigiri Nandini
141 bpm • G min • 06:08 • -6.16db
1% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
1% Popularity • 66% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Thevaara Isai Mani Ka. Venkatesan
Velundu Vinai Illai Mayil Undu
141 bpm • G Maj • 04:23 • -5.9db
38% Popularity • 52% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 52% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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T. M. Soundararajan
Kettukkodi
140 bpm • C min • 04:39 • -8.75db
4% Popularity • 37% Danceability • 89% Energy • 32% Liveness
11% Instrumentalness • 69% Positiveness
4% Popularity • 37% Danceability • 89% Energy • 32% Liveness
11% Instrumentalness • 69% Positiveness
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T. Rajendar
Vetri Nadai
140 bpm • G# Maj • 02:57 • -9.05db
5% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 74% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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D.V. Ramani
Sivan Avan
140 bpm • G Maj • 03:59 • -9db
29% Popularity • 65% Danceability • 51% Energy • 84% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 65% Danceability • 51% Energy • 84% Liveness
0% Instrumentalness • 57% Positiveness
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P. Unnikrishnan
Vaa Vaa Murugane
140 bpm • C min • 06:10 • -10.89db
19% Popularity • 62% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 62% Danceability • 53% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Priya
Pachchai Mayil Vaahanane
140 bpm • F Maj • 05:02 • -15.6db
28% Popularity • 75% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 75% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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S. N. Surendar
Maamarathu Poo
140 bpm • A Maj • 04:48 • -14db
22% Popularity • 39% Danceability • 45% Energy • 61% Liveness
82% Instrumentalness • 38% Positiveness
22% Popularity • 39% Danceability • 45% Energy • 61% Liveness
82% Instrumentalness • 38% Positiveness
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L. R. Eswari
SEMBHAVAZHA MAARIYAMMA
179 bpm • C Maj • 04:42 • -2.67db
22% Popularity • 37% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 37% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Pushpavanam Kuppusamy
Anjumalai Azhaga - Language: Tamil; Genr...
140 bpm • F# min • 05:11 • -7db
28% Popularity • 78% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 78% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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D.V. Ramani
Kadhalagi
140 bpm • A min • 08:56 • -8.76db
23% Popularity • 65% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
23% Popularity • 65% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Mambalam Sisters Vijayalakshmi-Chitra & B. Ramana
Nithyanandakari
139 bpm • C Maj • 08:08 • -10.43db
9% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
9% Popularity • 63% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Bombay Saradha
Omkara
180 bpm • E Maj • 05:31 • -7.9db
18% Popularity • 60% Danceability • 59% Energy • 25% Liveness
3% Instrumentalness • 90% Positiveness
18% Popularity • 60% Danceability • 59% Energy • 25% Liveness
3% Instrumentalness • 90% Positiveness
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Krishh
Thiruttani
139 bpm • D Maj • 05:48 • -10.66db
31% Popularity • 70% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 70% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Malaysia Vasudevan
Pethu Eduthavathaan
139 bpm • A min • 04:33 • -5.26db
47% Popularity • 75% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 75% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Jamuna Rani
Vantha Naal Muthal
139 bpm • C# Maj • 04:28 • -11.65db
1% Popularity • 56% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 82% Positiveness
1% Popularity • 56% Danceability • 36% Energy • 8% Liveness
3% Instrumentalness • 82% Positiveness
