Songs like Katya Kabanová, Act I, Scene 1: "Is Your Mistress at Home?" (Dikoy) by Leoš Janáček
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
46% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
75 bpm • D Maj • 03:33 • -35.11db
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 18% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Leoš Janáček
On An Overgrown Path (Po zarostlém chod...
75 bpm • C# Maj • 02:46 • -23db
6% Popularity • 23% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
6% Popularity • 23% Danceability • 7% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Franz Liszt
Liebestraum No. 1 in A Flat Major, S. 54...
75 bpm • C# Maj • 07:37 • -31db
26% Popularity • 20% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Jean Sibelius
5 Pieces, Op. 75, "The Trees": No. 1 Nar...
75 bpm • D# Maj • 01:51 • -33.24db
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
49% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Nocturne No. 11 In G Minor, Op. 37 No. 1
75 bpm • A# Maj • 05:21 • -33.28db
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
44% Popularity • 25% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 10% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Arnold Schoenberg
Notturno for Strings and Harp
75 bpm • G# Maj • 03:12 • -19.64db
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
61% Popularity • 10% Danceability • 8% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Leoš Janáček
Jenufa / Act 1: Stevo, Stevo, já vim
75 bpm • G# min • 05:27 • -17.11db
6% Popularity • 35% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 35% Danceability • 20% Energy • 29% Liveness
0% Instrumentalness • 13% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
75 bpm • G Maj • 03:15 • -24.73db
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 13% Liveness
69% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: I. Alle...
75 bpm • D Maj • 08:09 • -20.62db
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
32% Popularity • 22% Danceability • 10% Energy • 16% Liveness
90% Instrumentalness • 12% Positiveness
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Amy Beach
Dreaming, Op. 15 No. 3
75 bpm • F Maj • 06:12 • -28.84db
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: Piano Sonata No. 1 in C Minor, O...
76 bpm • C min • 09:24 • -22db
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
50% Popularity • 23% Danceability • 14% Energy • 8% Liveness
93% Instrumentalness • 13% Positiveness
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Igor Stravinsky
L'Oiseau de feu (1911 Version): X. Khoro...
76 bpm • B Maj • 04:42 • -35.3db
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 1% Energy • 12% Liveness
60% Instrumentalness • 4% Positiveness
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Leoš Janáček
On an overgrown path (Po zarostlém chod...
75 bpm • C# Maj • 02:56 • -25.36db
2% Popularity • 25% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 25% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 2...
76 bpm • C# Maj • 04:08 • -28.42db
25% Popularity • 23% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Joseph Haydn
Sonata No. 13, Hob. XVI:6: Sonata No. 13...
74 bpm • G min • 04:42 • -28.44db
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
30% Popularity • 39% Danceability • 5% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Franz Liszt
Romance oubliee
76 bpm • F# min • 04:49 • -32db
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 1% Energy • 20% Liveness
15% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Charakterstücke, Op. 3, JB 1:65: No. 3,...
76 bpm • G# min • 01:49 • -23db
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
53% Popularity • 38% Danceability • 19% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Leoš Janáček
Piano: 1. Predtucha [Sonata 1.X.1905
74 bpm • G# min • 05:01 • -19.84db
4% Popularity • 19% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 20% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
13 Preludes, Op. 32: No. 5 in G Major. M...
74 bpm • G Maj • 03:13 • -38db
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 0% Energy • 5% Liveness
96% Instrumentalness • 4% Positiveness
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![For Children, Vol. 1, Sz. 42 (Excerpts): No. 17, The Young Bride. Adagio [Original Version] cover art](https://i.scdn.co/image/ab67616d00001e029ba7f8d4d73c109135eb5341)
Béla Bartók
For Children, Vol. 1, Sz. 42 (Excerpts):...
74 bpm • E min • 01:10 • -37db
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
44% Popularity • 54% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Frédéric Chopin
3 Nouvelles etudes, Op. posth.: II. Etud...
74 bpm • G# Maj • 02:31 • -37db
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
43% Popularity • 21% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Bach, JS: Goldberg Variations, BWV 988: ...
76 bpm • G Maj • 05:12 • -31.73db
52% Popularity • 28% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 19% Positiveness
52% Popularity • 28% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 19% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 11 in B Major
74 bpm • B Maj • 01:43 • -33.14db
51% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Francis Poulenc
Nocturne No. 7 in Eb Major, FP. 56
76 bpm • F min • 02:04 • -28db
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
36% Popularity • 36% Danceability • 5% Energy • 15% Liveness
96% Instrumentalness • 15% Positiveness
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Leoš Janáček
On an overgrown path (Po zarostlém chod...
74 bpm • D Maj • 01:16 • -24.87db
1% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
1% Popularity • 38% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Ilya Rachkovsky
Les saisons (The Seasons), Op. 37b: XI. ...
74 bpm • E Maj • 03:02 • -31.49db
37% Popularity • 34% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 3% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Jean Sibelius
6 Bagatelles, Op. 97: No. 3: Kleiner Wal...
74 bpm • D Maj • 01:15 • -22.65db
48% Popularity • 35% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
48% Popularity • 35% Danceability • 13% Energy • 9% Liveness
93% Instrumentalness • 40% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
76 bpm • F# Maj • 02:23 • -33db
45% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Lang Lang
Children's Corner, CD 119: I. Doctor Gra...
74 bpm • F Maj • 02:47 • -22.61db
37% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
37% Popularity • 27% Danceability • 7% Energy • 16% Liveness
88% Instrumentalness • 4% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: IV. Danse languide
74 bpm • D# Maj • 01:24 • -40.61db
43% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
43% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Henry Purcell
Music for a While
76 bpm • A min • 04:10 • -23db
46% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
46% Popularity • 23% Danceability • 1% Energy • 7% Liveness
90% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Adagio in E Flat (Arr. Ólafsson from St...
76 bpm • D# Maj • 08:04 • -34.22db
40% Popularity • 37% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
40% Popularity • 37% Danceability • 1% Energy • 15% Liveness
93% Instrumentalness • 19% Positiveness
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Erik Satie
Pièces froides: II. Airs à faire fuir ...
76 bpm • G Maj • 01:46 • -34.26db
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Franz Liszt
3 Études de Concert, S. 144: No. 3 in D...
76 bpm • C# Maj • 05:19 • -26.53db
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Valentin Silvestrov
Five Pieces For Violin And Piano: I. Ele...
74 bpm • D# Maj • 02:59 • -35db
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
59% Popularity • 7% Danceability • 1% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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John Field
Nocturne No. 5 in B-Flat Major
73 bpm • A# Maj • 02:54 • -35db
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
53% Popularity • 28% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 13% Positiveness
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Richard Strauss
Don Quixote, Op. 35, TrV 184: Theme
73 bpm • F Maj • 01:06 • -30.98db
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
47% Popularity • 22% Danceability • 2% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Leoš Janáček
Jenufa / Act 3: To bylo nákeho
77 bpm • D Maj • 03:25 • -20.46db
5% Popularity • 31% Danceability • 16% Energy • 86% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 31% Danceability • 16% Energy • 86% Liveness
0% Instrumentalness • 33% Positiveness
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Claude Debussy
Deux Arabesques, L66: No. 1: Andantino c...
73 bpm • E Maj • 04:32 • -28.85db
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
53% Popularity • 27% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Florence Beatrice Price
Piano Concerto in One Movement: Adagio c...
77 bpm • D Maj • 06:11 • -27.02db
21% Popularity • 15% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 3% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
44% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Robert Schumann
Symphony No. 2 in C Major, Op. 61: III. ...
73 bpm • D# Maj • 10:06 • -35.68db
43% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 32% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Leoš Janáček
On an overgrown path (Po zarostlém chod...
77 bpm • G# min • 03:31 • -29.57db
2% Popularity • 26% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 26% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Frederick Delius
Delius: 2 Pieces for Small Orchestra: No...
77 bpm • G Maj • 05:49 • -28db
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 7% Danceability • 4% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Germaine Tailleferre
String Quartet: I. Modéré
77 bpm • C# min • 02:27 • -17.97db
17% Popularity • 23% Danceability • 11% Energy • 19% Liveness
46% Instrumentalness • 14% Positiveness
17% Popularity • 23% Danceability • 11% Energy • 19% Liveness
46% Instrumentalness • 14% Positiveness
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Mily Balakirev
Balakirev : Islamey
73 bpm • D Maj • 07:57 • -19db
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
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Leoš Janáček
String Quartet No. 2, JW 7/13 "Intimate ...
73 bpm • F# Maj • 06:08 • -15db
34% Popularity • 17% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Sergei Prokofiev
10 Pieces, Op. 12: No. 7. Prelude
77 bpm • C Maj • 02:18 • -26db
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
47% Popularity • 36% Danceability • 8% Energy • 12% Liveness
91% Instrumentalness • 31% Positiveness
► Preview
Francis Poulenc
Poulenc: Cello Sonata, FP 143: II. Cavat...
77 bpm • F# Maj • 06:26 • -28db
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
57% Popularity • 13% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Frédéric Chopin
Études, Op. 25: No. 1 in A Flat Major
73 bpm • G# Maj • 02:51 • -30.01db
36% Popularity • 22% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 2:...
77 bpm • B Maj • 01:56 • -21.1db
5% Popularity • 36% Danceability • 12% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 36% Danceability • 12% Energy • 76% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Edvard Grieg
Lyric Pieces, Op. 12: No. 1, Arietta
78 bpm • D# Maj • 01:31 • -39.59db
24% Popularity • 24% Danceability • 0% Energy • 13% Liveness
66% Instrumentalness • 34% Positiveness
24% Popularity • 24% Danceability • 0% Energy • 13% Liveness
66% Instrumentalness • 34% Positiveness
► Preview
![Rybář [The Fisherman], JB1: 7 cover art](https://i.scdn.co/image/ab67616d00001e02dbc59afaa96ed1809cd43b0c)
Antonín Dvořák
Rybář [The Fisherman], JB1: 7
78 bpm • D# Maj • 04:19 • -20.16db
6% Popularity • 13% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
6% Popularity • 13% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Gabriel Fauré
Elegie, Op. 24
72 bpm • G# Maj • 06:46 • -26db
31% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
► Preview
Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
73 bpm • E min • 03:19 • -23.82db
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
49% Popularity • 34% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Mikhail Glinka
La separation, Nocturne in F Minor
72 bpm • F min • 04:28 • -23.32db
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37b: X. October (Autumn...
78 bpm • D min • 04:51 • -38db
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
36% Popularity • 23% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
► Preview
Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
► Preview
Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
The Cunning Little Vixen (Prihody Lisky ...
78 bpm • D# Maj • 01:49 • -20.88db
7% Popularity • 56% Danceability • 26% Energy • 21% Liveness
55% Instrumentalness • 74% Positiveness
7% Popularity • 56% Danceability • 26% Energy • 21% Liveness
55% Instrumentalness • 74% Positiveness
► Preview
Domenico Scarlatti
Sonate en La Mineur, K. 109. Adagio
78 bpm • A min • 06:26 • -29.41db
31% Popularity • 33% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 33% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
72 bpm • A Maj • 05:52 • -25db
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 30 in E Major, Op. 109:...
72 bpm • E Maj • 02:36 • -37.31db
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Morceaux, Op. 19: No. 4. Nocturne in C...
72 bpm • C# min • 03:33 • -28db
29% Popularity • 43% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Alexander Scriabin
5 Preludes, Op. 16: IV. Prelude No. 4 in...
79 bpm • D# min • 01:01 • -42db
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
58% Popularity • 40% Danceability • 0% Energy • 7% Liveness
95% Instrumentalness • 36% Positiveness
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Leoš Janáček
In The Mists (V mlhách): 4. Presto
78 bpm • G# min • 04:28 • -20.18db
2% Popularity • 30% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
2% Popularity • 30% Danceability • 12% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: When I am Laid ...
79 bpm • G min • 03:09 • -21.75db
43% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
43% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Siciliano (After "Erbarme dich" from Mat...
79 bpm • G min • 02:05 • -22.72db
56% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
56% Popularity • 30% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 35% Positiveness
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Fanny Mendelssohn
Allegro molto in C Minor
79 bpm • F min • 03:23 • -21.24db
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
34% Popularity • 45% Danceability • 19% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Leoš Janáček
The Cunning Little Vixen (Prihody Lisky ...
79 bpm • F# Maj • 03:58 • -18.33db
6% Popularity • 38% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 38% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Louise Farrenc
Nonet in E-Flat Major, Op. 38: III. Sche...
79 bpm • C Maj • 05:07 • -25db
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
45% Popularity • 39% Danceability • 5% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Anatoly Lyadov
The Enchanted Lake, Op. 62
71 bpm • C# Maj • 06:53 • -26.14db
35% Popularity • 7% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
44% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Leoš Janáček
Káta Kabanová / Act 1: Zázrak!
79 bpm • B Maj • 06:20 • -20db
5% Popularity • 18% Danceability • 12% Energy • 22% Liveness
25% Instrumentalness • 4% Positiveness
5% Popularity • 18% Danceability • 12% Energy • 22% Liveness
25% Instrumentalness • 4% Positiveness
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Franz Schubert
Nacht und Träume, Op. 43 No. 2, D. 827
80 bpm • E Maj • 03:25 • -25.16db
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 6% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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César Franck
Prélude, Fugue et Variation, Op. 18: I....
70 bpm • D Maj • 04:16 • -28.92db
18% Popularity • 41% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
18% Popularity • 41% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
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Edward Elgar
Chanson de nuit, Op.15 No.1
80 bpm • G Maj • 04:32 • -28db
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
29% Popularity • 13% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: I....
80 bpm • C Maj • 08:16 • -21.17db
33% Popularity • 15% Danceability • 11% Energy • 8% Liveness
23% Instrumentalness • 18% Positiveness
33% Popularity • 15% Danceability • 11% Energy • 8% Liveness
23% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Leoš Janáček
On An Overgrown Path (Po zarostlém chod...
71 bpm • D# min • 01:55 • -25.57db
4% Popularity • 46% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
4% Popularity • 46% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
