Songs like Katya Kabanová, Act I, Scene 1: "Why Must I Fall in Love Too?" (Boris) by Leoš Janáček
Based on a tempo of (+/- 10%) and a similar genre
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Frédéric Chopin
Nocturne No. 19 In E Minor, Op. 72 No. 1
139 bpm • B Maj • 03:35 • -30.29db
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 26% Danceability • 1% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Leoš Janáček
Jenufa, ACT THREE: Pán Buh rac dát dob...
139 bpm • G Maj • 02:11 • -17.69db
2% Popularity • 43% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 43% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 32% Positiveness
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César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
45% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
45% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Dmitri Shostakovich
Five pieces for Two Violins and Piano: I...
140 bpm • G min • 01:52 • -28.13db
33% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
33% Popularity • 20% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
II. Andante
140 bpm • A# Maj • 06:43 • -27.65db
44% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
44% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Samuel Coleridge-Taylor
Petite Suite de Concert, Op. 77: III. Un...
140 bpm • A Maj • 03:40 • -28.62db
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 22% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Leoš Janáček
The Cunning Little Vixen (Prihody Lisky ...
137 bpm • G# min • 07:01 • -18.52db
5% Popularity • 34% Danceability • 16% Energy • 33% Liveness
2% Instrumentalness • 9% Positiveness
5% Popularity • 34% Danceability • 16% Energy • 33% Liveness
2% Instrumentalness • 9% Positiveness
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Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
51% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
51% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
135 bpm • D# Maj • 02:02 • -36db
43% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
43% Popularity • 29% Danceability • 0% Energy • 12% Liveness
97% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
37% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
37% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Francis Poulenc
Piano Concerto in C-Sharp Minor, FP 146:...
135 bpm • G# Maj • 09:40 • -22.85db
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
25% Popularity • 26% Danceability • 9% Energy • 12% Liveness
83% Instrumentalness • 6% Positiveness
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Leoš Janáček
Janáček: In the Mists: I. Andante
137 bpm • C# min • 04:23 • -27.92db
9% Popularity • 31% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: I. Prelude: Song...
134 bpm • A# Maj • 02:30 • -29db
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Franz Liszt
Consolations, S. 172: No. 3 in D-Flat Ma...
134 bpm • C# Maj • 04:43 • -24.02db
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 39% Danceability • 2% Energy • 14% Liveness
92% Instrumentalness • 5% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Leoš Janáček
In the Mists, JW VIII/22: II. Molto adag...
135 bpm • G# Maj • 04:19 • -25.62db
6% Popularity • 45% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
6% Popularity • 45% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
45% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
44% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Suite for String Orchestra, JW6 No. 2: I...
146 bpm • G Maj • 01:01 • -20db
34% Popularity • 38% Danceability • 3% Energy • 10% Liveness
60% Instrumentalness • 48% Positiveness
34% Popularity • 38% Danceability • 3% Energy • 10% Liveness
60% Instrumentalness • 48% Positiveness
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: IV. Finale ...
146 bpm • G Maj • 07:46 • -18db
34% Popularity • 29% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
34% Popularity • 29% Danceability • 26% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Leoš Janáček
Jenufa / Act 2: Tetko Koselnicko
135 bpm • G# min • 09:03 • -17.21db
5% Popularity • 30% Danceability • 18% Energy • 54% Liveness
0% Instrumentalness • 8% Positiveness
5% Popularity • 30% Danceability • 18% Energy • 54% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Debussy
Préludes / Book 1, L.117: 6. Des pas su...
132 bpm • F Maj • 04:18 • -39.48db
22% Popularity • 50% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
22% Popularity • 50% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Leoš Janáček
Janáček: On an Overgrown Path, Book I:...
134 bpm • G Maj • 04:13 • -37.37db
2% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
2% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 9% Positiveness
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Tekla Bądarzewska-Baranowska
Douce rêverie in G Minor
131 bpm • G min • 01:57 • -22.15db
37% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
37% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Camille Saint-Saëns
Cello Concerto No. 1 in A Minor, Op. 33:...
131 bpm • F Maj • 05:13 • -20db
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
35% Popularity • 29% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
33% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
33% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Symphony No. 8 in G Minor, Op. 88, B. 16...
130 bpm • G Maj • 06:59 • -25db
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
33% Popularity • 22% Danceability • 6% Energy • 34% Liveness
75% Instrumentalness • 29% Positiveness
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Leoš Janáček
The Cunning Little Vixen (Příhody liš...
144 bpm • G# min • 02:17 • -22.51db
1% Popularity • 34% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 34% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
50% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
50% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
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Pyotr Ilyich Tchaikovsky
Romance in F Minor, Op. 5: Andante canta...
128 bpm • F min • 06:08 • -26db
32% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
32% Popularity • 42% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Leoš Janáček
Jenufa / Act 2: Necham jeste dvere otevr...
134 bpm • B Maj • 07:24 • -22.82db
6% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
6% Popularity • 28% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: No. 1 in C-Sharp Minor
128 bpm • C# min • 03:21 • -23.33db
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Jean Sibelius
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Ec...
127 bpm • A min • 03:36 • -27.49db
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
32% Popularity • 30% Danceability • 6% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Partita Suite No. 1 for String Orchestra...
127 bpm • G Maj • 03:12 • -17db
5% Popularity • 38% Danceability • 38% Energy • 16% Liveness
89% Instrumentalness • 70% Positiveness
5% Popularity • 38% Danceability • 38% Energy • 16% Liveness
89% Instrumentalness • 70% Positiveness
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Charles-Valentin Alkan
48 Esquisses, Op. 63, Book 1: No. 1, La ...
127 bpm • C Maj • 02:55 • -40.44db
40% Popularity • 41% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
40% Popularity • 41% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Leoš Janáček
In the Mists: No. 3, Andantino
132 bpm • B min • 02:23 • -21.9db
2% Popularity • 35% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
2% Popularity • 35% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
45% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
127 bpm • F Maj • 05:41 • -21db
8% Popularity • 26% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
8% Popularity • 26% Danceability • 9% Energy • 5% Liveness
91% Instrumentalness • 12% Positiveness
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Dmitri Shostakovich
Cello Concerto No. 1, Op. 107: 1. Allegr...
126 bpm • G min • 05:59 • -24db
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
42% Popularity • 46% Danceability • 16% Energy • 9% Liveness
82% Instrumentalness • 37% Positiveness
► Preview
Leoš Janáček
In the Mists: III. Andantino
132 bpm • B min • 03:25 • -25.19db
10% Popularity • 38% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
46% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
46% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
132 bpm • G# min • 03:44 • -26.17db
4% Popularity • 38% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
4% Popularity • 38% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Gustav Holst
Brook Green Suite: I. Prelude
123 bpm • F Maj • 01:35 • -20db
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Anatoly Lyadov
Marionnettes, Op. 29
122 bpm • D# Maj • 05:52 • -28.21db
33% Popularity • 44% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
33% Popularity • 44% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 25% Positiveness
► Preview
Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
160 bpm • A# Maj • 06:53 • -16db
29% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
29% Popularity • 42% Danceability • 30% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
► Preview
Leoš Janáček
In the Mists, JW VIII/22: IV. Presto
132 bpm • G# min • 05:01 • -23.48db
5% Popularity • 40% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
5% Popularity • 40% Danceability • 3% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
► Preview
Jean Rondeau
Rondeau: Paula
120 bpm • F# Maj • 02:41 • -23.01db
42% Popularity • 29% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 29% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 28 in A Major, Op. 101:...
167 bpm • A Maj • 02:20 • -31db
38% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
38% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
131 bpm • D Maj • 01:30 • -32db
30% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
30% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
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Amy Beach
3 Compositions, Op. 40 (version for cell...
168 bpm • D Maj • 03:15 • -33db
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
10% Popularity • 10% Danceability • 1% Energy • 6% Liveness
71% Instrumentalness • 13% Positiveness
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Claude Debussy
La plus que lente, L.121
168 bpm • F# Maj • 04:12 • -26.79db
31% Popularity • 23% Danceability • 3% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 3% Energy • 15% Liveness
82% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, B.52: V...
168 bpm • E Maj • 05:49 • -21db
7% Popularity • 25% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
7% Popularity • 25% Danceability • 6% Energy • 13% Liveness
93% Instrumentalness • 15% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
30% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Leoš Janáček
Jenufa, ACT ONE: Daleko siroko (Millwork...
131 bpm • A Maj • 02:13 • -13.76db
2% Popularity • 36% Danceability • 54% Energy • 47% Liveness
11% Instrumentalness • 43% Positiveness
2% Popularity • 36% Danceability • 54% Energy • 47% Liveness
11% Instrumentalness • 43% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Claude Debussy
Debussy: Fantaisie for Piano and Orchest...
170 bpm • D Maj • 07:22 • -20.69db
12% Popularity • 17% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Sonata No. 2 in B-Flat Minor, Op. ...
169 bpm • A Maj • 06:54 • -26db
26% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 26% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 1:...
170 bpm • G# min • 01:04 • -19.85db
6% Popularity • 42% Danceability • 15% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 42% Danceability • 15% Energy • 46% Liveness
0% Instrumentalness • 39% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 6. Allegr...
169 bpm • F# min • 02:56 • -33db
35% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
35% Popularity • 26% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
26% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
26% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
24% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
Katya Kabanova, JW I/8, Act III Scene 1:...
130 bpm • G# min • 02:51 • -21.52db
6% Popularity • 39% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 39% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
► Preview
Lang Lang
Lieder ohne Worte, Op. 67: No. 4 in C Ma...
173 bpm • C Maj • 01:49 • -20db
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
► Preview
Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Antonín Dvořák
Suite for String Orchestra, JW6 No. 2: I...
175 bpm • G Maj • 03:56 • -28db
7% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
7% Popularity • 8% Danceability • 5% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
