Songs like Katya Kabanová, Act I, Scene 2: "I Wish I Really Knew" (Katya) by Leoš Janáček
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
69 bpm • C# min • 03:36 • -28.51db
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 6% Positiveness
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Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Claude Debussy
La plus que lente, L. 121
69 bpm • F# Maj • 04:22 • -25.46db
40% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
40% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Anatoly Lyadov
Prélude, Op. 11 No. 1
69 bpm • G Maj • 03:00 • -27.11db
36% Popularity • 37% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 37% Danceability • 3% Energy • 7% Liveness
91% Instrumentalness • 7% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 2 in E Major...
69 bpm • B Maj • 03:14 • -32.1db
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
29% Popularity • 36% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 6% Positiveness
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Robert Schumann
Symphonic Studies, Op. 13 - Version 1852...
69 bpm • C# min • 02:59 • -23.71db
34% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Leoš Janáček
Po zarostlem chodnicku (On the Overgrown...
69 bpm • G# min • 01:47 • -29.78db
2% Popularity • 43% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
2% Popularity • 43% Danceability • 1% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Edvard Grieg
7 Lyric Pieces, Op. 71: No. 4, Peace of ...
69 bpm • C# min • 05:13 • -30.08db
9% Popularity • 26% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
9% Popularity • 26% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Franz Liszt
3 Concert Études, S. 144: No. 3 in D-Fl...
69 bpm • C# Maj • 05:41 • -25db
40% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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Franz Schubert
Piano Sonata No. 20 in A Major, D. 959: ...
69 bpm • B min • 08:55 • -26.58db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Robert Schumann
Waldszenen, op. 82: I. Eintritt
69 bpm • A# Maj • 02:08 • -33db
39% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
39% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 29% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 30: No. 1. Andant...
69 bpm • D# Maj • 04:23 • -27db
30% Popularity • 32% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
30% Popularity • 32% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
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Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
33% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
69 bpm • C# Maj • 06:47 • -25.16db
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 12% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 3 in D Minor, Op. 30:...
69 bpm • C# Maj • 09:36 • -25db
31% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 5% Energy • 36% Liveness
92% Instrumentalness • 4% Positiveness
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Leoš Janáček
On an overgrown path (Po zarostlém chod...
70 bpm • B Maj • 03:17 • -27.4db
3% Popularity • 27% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
3% Popularity • 27% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Robert Schumann
Schumann: Davidsbündlertänze, Op. 6, H...
69 bpm • B Maj • 04:04 • -28.66db
32% Popularity • 33% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
32% Popularity • 33% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces Book V, Op. 54: No. 4 Nottu...
68 bpm • C Maj • 03:52 • -28.18db
23% Popularity • 38% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
23% Popularity • 38% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Elegie in E-Flat Minor, Op. 3, No. 1
68 bpm • D# min • 04:04 • -25.1db
34% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
34% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
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Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
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Leoš Janáček
On An Overgrown Path (Po zarostlém chod...
68 bpm • E min • 03:07 • -26.76db
5% Popularity • 23% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
5% Popularity • 23% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Vincent d'Indy
Karadec Suite, Op. 34: II. Chanson
70 bpm • D# Maj • 02:37 • -29db
29% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 2% Energy • 39% Liveness
88% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces Book III, Op. 43: No. 6 To ...
68 bpm • F# Maj • 03:19 • -23.86db
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
26% Popularity • 32% Danceability • 7% Energy • 8% Liveness
84% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 5, Adagi...
68 bpm • C# Maj • 04:06 • -36.93db
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturnes, Op. 27: No. 2 in D Flat Major...
68 bpm • C# Maj • 07:13 • -28.52db
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Robert Schumann
3 Romanzen, Op. 28: No. 2 in F-Sharp Maj...
70 bpm • F# Maj • 03:50 • -30db
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Leoš Janáček
In the Mists (V mlhách): 4. Presto
68 bpm • C# min • 04:18 • -22.51db
2% Popularity • 39% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
2% Popularity • 39% Danceability • 7% Energy • 14% Liveness
91% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Études, Op. 25: No. 1 in A-Flat Major
70 bpm • G# Maj • 02:54 • -28.28db
32% Popularity • 28% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
32% Popularity • 28% Danceability • 3% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
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Karol Szymanowski
Variations on a Polish Theme, Op. 10: No...
70 bpm • B min • 01:16 • -34db
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
50% Popularity • 33% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Crisantemi
70 bpm • F# min • 07:22 • -28.12db
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
30% Popularity • 10% Danceability • 1% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Leoš Janáček
On an overgrown path (Po zarostlém chod...
70 bpm • C# Maj • 03:37 • -28.33db
1% Popularity • 32% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
1% Popularity • 32% Danceability • 0% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Francis Poulenc
Mélancolie
70 bpm • D Maj • 05:25 • -25db
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Robert Schumann
Abendlied, Op. 85 No. 12 (Arr. Grosvenor...
68 bpm • C# Maj • 03:27 • -32.77db
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
49% Popularity • 47% Danceability • 0% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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César Franck
Prélude, Fugue et Variation, Op. 18: I....
70 bpm • D Maj • 04:16 • -28.92db
18% Popularity • 41% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
18% Popularity • 41% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 19% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
35% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Leoš Janáček
On An Overgrown Path (Po zarostlém chod...
71 bpm • D# min • 01:55 • -25.57db
4% Popularity • 46% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
4% Popularity • 46% Danceability • 2% Energy • 13% Liveness
93% Instrumentalness • 5% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: Berceuse in D-Flat Major, Op. 57
67 bpm • C# Maj • 04:27 • -30.91db
49% Popularity • 30% Danceability • 2% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 30% Danceability • 2% Energy • 19% Liveness
89% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: No. 6...
67 bpm • F# min • 02:52 • -32.82db
39% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 35% Danceability • 1% Energy • 13% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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Anatoly Lyadov
The Enchanted Lake, Op. 62
71 bpm • C# Maj • 06:53 • -26.14db
35% Popularity • 7% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
35% Popularity • 7% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Leoš Janáček
Intimate Sketches: No. 13, Lord Jesus Ch...
67 bpm • G Maj • 01:02 • -47db
27% Popularity • 21% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 56% Positiveness
27% Popularity • 21% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 56% Positiveness
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Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
43% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Gustav Mahler
Mahler / Transcr. Tharaud: Symphony No. ...
71 bpm • F Maj • 10:36 • -19.43db
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
43% Popularity • 34% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Leoš Janáček
Jenufa, ACT THREE: Ha - vidíte, jeho po...
67 bpm • A# Maj • 00:51 • -9.57db
1% Popularity • 43% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 31% Positiveness
1% Popularity • 43% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 2 in B Flat Major, Op...
71 bpm • D# Maj • 09:07 • -23db
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
24% Popularity • 23% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Claude Debussy
Préludes / Book 1, L. 117: No. 8, The G...
71 bpm • F# Maj • 02:52 • -31.07db
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
► Preview
Leoš Janáček
On an overgrown path (Po zarostlém chod...
67 bpm • E min • 03:03 • -28.61db
7% Popularity • 40% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
7% Popularity • 40% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Ferruccio Busoni
Elegies BV 249: VII. Berceuse
67 bpm • C Maj • 05:14 • -41db
32% Popularity • 18% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Valentin Silvestrov
Bagatelle, Op. 1: No. 1, Allegretto
72 bpm • D# Maj • 02:19 • -35.31db
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
44% Popularity • 36% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
6 Morceaux, Op. 19: No. 4. Nocturne in C...
72 bpm • C# min • 03:33 • -28db
29% Popularity • 43% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Ludwig van Beethoven
Sonata for Cello and Piano No. 4 in C Ma...
66 bpm • C Maj • 02:59 • -33db
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
49% Popularity • 18% Danceability • 1% Energy • 7% Liveness
59% Instrumentalness • 13% Positiveness
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Leoš Janáček
In the Mists: I. Andante
67 bpm • C# min • 03:40 • -26db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
49% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
49% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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César Franck
Prélude, fugue et variation in B Minor,...
66 bpm • D Maj • 03:43 • -33.59db
20% Popularity • 38% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
20% Popularity • 38% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
72 bpm • A Maj • 05:52 • -25db
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 30 in E Major, Op. 109:...
72 bpm • E Maj • 02:36 • -37.31db
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
16% Popularity • 40% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Pyotr Ilyich Tchaikovsky
Symphony No. 6 in B Minor, Op. 74 "Path�...
66 bpm • D Maj • 07:42 • -19db
31% Popularity • 11% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
31% Popularity • 11% Danceability • 22% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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Baldassare Galuppi
I. Allegro moderato
66 bpm • C min • 02:10 • -25.34db
48% Popularity • 33% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 21% Positiveness
48% Popularity • 33% Danceability • 14% Energy • 13% Liveness
88% Instrumentalness • 21% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
42% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
66 bpm • D# Maj • 06:16 • -24.47db
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Valentin Silvestrov
Bagatellen: III
72 bpm • C Maj • 03:40 • -43.66db
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
40% Popularity • 20% Danceability • 0% Energy • 5% Liveness
86% Instrumentalness • 23% Positiveness
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Mikhail Glinka
La separation, Nocturne in F Minor
72 bpm • F min • 04:28 • -23.32db
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
20% Popularity • 38% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Frédéric Chopin
Études, Op. 25: No. 1 in A Flat Major
73 bpm • G# Maj • 02:51 • -30.01db
36% Popularity • 22% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Elegie, Op. 24
72 bpm • G# Maj • 06:46 • -26db
31% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 2% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Antonín Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Franz Schubert
Schubert: Piano Sonata No. 20 in A Major...
66 bpm • F# min • 09:29 • -23.97db
34% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
34% Popularity • 31% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Amilcare Ponchielli
La Gioconda / Act 3: Dance of the Hours
65 bpm • E Maj • 01:25 • -17.79db
41% Popularity • 62% Danceability • 11% Energy • 50% Liveness
41% Instrumentalness • 41% Positiveness
41% Popularity • 62% Danceability • 11% Energy • 50% Liveness
41% Instrumentalness • 41% Positiveness
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John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
31% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Montero: Adagio (After Bach's Violin Con...
73 bpm • F# min • 05:01 • -35.44db
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
57% Popularity • 36% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 18% Positiveness
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Mily Balakirev
Balakirev : Islamey
73 bpm • D Maj • 07:57 • -19db
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 18% Energy • 25% Liveness
86% Instrumentalness • 11% Positiveness
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Francis Poulenc
Nocturnes n°4 en ut mineur
73 bpm • C Maj • 01:28 • -28.78db
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 52% Danceability • 1% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
