Songs like Keep Me In The Moment - Radio Version by Jeremy Camp
Based on a tempo of (+/- 10%) and a similar genre
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Jeremy Camp
Keep Me In The Moment - Radio Version
80 bpm • G# Maj • 03:27 • -4.06db
56% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Tenth Avenue North
No Shame
80 bpm • G Maj • 03:27 • -5.22db
42% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Danny Gokey
More Than You Think I Am
80 bpm • C# Maj • 04:04 • -4.84db
44% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Colton Dixon
More Of You
80 bpm • A# Maj • 04:06 • -5db
52% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 42% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Lincoln Brewster
There Is Power
80 bpm • D Maj • 03:45 • -6db
58% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
58% Popularity • 51% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Cade Thompson
Arms of Jesus
80 bpm • C Maj • 03:21 • -3.95db
47% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 54% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Crowder
Let It Rain (Is There Anybody)
80 bpm • B Maj • 03:29 • -4.2db
56% Popularity • 65% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
56% Popularity • 65% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Jeremy Camp
The Way
80 bpm • B min • 03:57 • -4.84db
42% Popularity • 50% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 50% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Pat Barrett
The Way (New Horizon)
80 bpm • D# Maj • 04:18 • -6db
48% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 51% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Cochren & Co.
Who Can
80 bpm • G Maj • 02:53 • -5.95db
62% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 68% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Evan Craft
Be Alright
80 bpm • D Maj • 04:34 • -9db
56% Popularity • 69% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 69% Danceability • 39% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Micah Tyler
Different - Acoustic
81 bpm • A# Maj • 03:15 • -6db
45% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 40% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Grant
You Will Be Found
79 bpm • F Maj • 03:41 • -6.86db
46% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 48% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Jeremy Camp
Keep Me In The Moment
80 bpm • G# Maj • 03:28 • -4.69db
54% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 58% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Tauren Wells
Hills and Valleys (The Valleys Version)
79 bpm • D Maj • 04:09 • -11db
61% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 49% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Cochren & Co.
One Day
80 bpm • C Maj • 03:25 • -8db
67% Popularity • 29% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
67% Popularity • 29% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Jon Reddick
God, Turn It Around
81 bpm • A Maj • 04:15 • -9.71db
68% Popularity • 54% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
68% Popularity • 54% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Sidewalk Prophets
Help Me Find It
79 bpm • D# Maj • 03:44 • -6db
42% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
42% Popularity • 46% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Ryan Stevenson
No Matter What
79 bpm • A Maj • 03:36 • -6.58db
44% Popularity • 56% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
44% Popularity • 56% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Camp
Give Me Jesus
79 bpm • C Maj • 04:24 • -7.73db
48% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
48% Popularity • 51% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Crabb
Good Morning Mercy
81 bpm • G Maj • 03:18 • -5.38db
41% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 59% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Crowder
Good God Almighty
81 bpm • D Maj • 03:11 • -6.51db
61% Popularity • 62% Danceability • 75% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
61% Popularity • 62% Danceability • 75% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
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Micah Tyler
Different
81 bpm • A# Maj • 03:17 • -6db
56% Popularity • 45% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 45% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Sidewalk Prophets
Come To the Table
81 bpm • C Maj • 04:15 • -6.1db
53% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 44% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Anne Wilson
Living Water
79 bpm • F Maj • 03:11 • -4.3db
59% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jeremy Camp
The Answer
81 bpm • G# Maj • 03:08 • -5.95db
40% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 54% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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We Are Messengers
God You Are
81 bpm • B Maj • 04:25 • -7db
60% Popularity • 34% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
60% Popularity • 34% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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TobyMac
Lights Shine Bright
81 bpm • G# Maj • 04:35 • -8.41db
54% Popularity • 70% Danceability • 58% Energy • 89% Liveness
0% Instrumentalness • 47% Positiveness
54% Popularity • 70% Danceability • 58% Energy • 89% Liveness
0% Instrumentalness • 47% Positiveness
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Terrian
Honestly, We Just Need Jesus
82 bpm • A# Maj • 03:28 • -6.74db
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
60% Popularity • 43% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Unspoken
Start a Fire
82 bpm • C# Maj • 03:04 • -5db
56% Popularity • 51% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 51% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Tasha Layton
Into the Sea (It's Gonna Be Ok)
82 bpm • G Maj • 03:02 • -7db
54% Popularity • 26% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
54% Popularity • 26% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jeremy Camp
Break Your Promises
81 bpm • B Maj • 03:16 • -7.43db
32% Popularity • 60% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 60% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Jon Reddick
You Keep Hope Alive
78 bpm • D# Maj • 03:51 • -7.93db
64% Popularity • 53% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
64% Popularity • 53% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Cochren & Co.
Don't Lose Hope
82 bpm • G Maj • 03:18 • -5.27db
49% Popularity • 60% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 60% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Aaron Shust
My Savior My God
78 bpm • D Maj • 04:51 • -6.09db
53% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 56% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Colton Dixon
The Other Side
82 bpm • F# min • 03:56 • -7.27db
39% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
39% Popularity • 33% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Stephen Stanley
Rest In The Father
78 bpm • B Maj • 03:16 • -4.08db
49% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
49% Popularity • 46% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Fuller
But the Cross
78 bpm • C Maj • 03:19 • -5.82db
46% Popularity • 50% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
46% Popularity • 50% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 46% Positiveness
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Tauren Wells
Known
78 bpm • C# Maj • 03:18 • -10.36db
62% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
62% Popularity • 58% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Pat Barrett
Better
78 bpm • G Maj • 04:57 • -6db
44% Popularity • 28% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 28% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Cory Asbury
Endless Alleluia
77 bpm • A Maj • 04:25 • -10.42db
57% Popularity • 26% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 26% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Colton Dixon
Through All Of It
78 bpm • C Maj • 03:25 • -8db
55% Popularity • 44% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
55% Popularity • 44% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 23% Positiveness
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Jeremy Camp
There Will Be A Day
77 bpm • F# Maj • 04:39 • -6db
55% Popularity • 34% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
55% Popularity • 34% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Big Daddy Weave
All Things New
77 bpm • A# Maj • 04:52 • -8db
39% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Anne Wilson
Closer To God
83 bpm • F# Maj • 03:33 • -6.08db
46% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 38% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Ryan Stevenson
Eye of the Storm
83 bpm • A Maj • 05:31 • -6.38db
60% Popularity • 48% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 48% Danceability • 73% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Riley Clemmons
For The Good
77 bpm • G Maj • 03:26 • -6db
53% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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CAIN
Revival
77 bpm • D# Maj • 03:55 • -5.85db
47% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 47% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 51% Positiveness
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Jeremy Camp
Here I Am To Worship
77 bpm • F# Maj • 03:22 • -3.66db
41% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 50% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Ripp
Fill My Cup
83 bpm • F Maj • 03:27 • -5.16db
54% Popularity • 34% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 34% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Mandisa
You Keep Hope Alive
77 bpm • D# Maj • 04:11 • -6.02db
53% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
53% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Golden
How Deep the Father's Love for Us
77 bpm • D Maj • 03:36 • -8.06db
63% Popularity • 28% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 28% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Third Day
God of Wonders
83 bpm • A# Maj • 04:39 • -3.17db
52% Popularity • 39% Danceability • 89% Energy • 96% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 39% Danceability • 89% Energy • 96% Liveness
0% Instrumentalness • 43% Positiveness
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Tasha Layton
Look What You've Done
77 bpm • F# Maj • 03:25 • -7db
52% Popularity • 57% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 57% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Jeremy Camp
Father I Thank You
77 bpm • B Maj • 03:53 • -7.73db
34% Popularity • 50% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 50% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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TobyMac
Faithfully
84 bpm • C Maj • 02:46 • -11.16db
62% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 51% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tauren Wells
Hills and Valleys
84 bpm • D Maj • 03:55 • -5.93db
53% Popularity • 54% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 54% Danceability • 69% Energy • 37% Liveness
0% Instrumentalness • 59% Positiveness
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Brandon Heath
Jesus In Disguise
84 bpm • G# min • 03:38 • -6db
43% Popularity • 51% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 51% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Mac Powell
Love Is The Reason
84 bpm • F Maj • 03:32 • -9db
41% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 57% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Crowder
Milk & Honey
84 bpm • C min • 03:46 • -6.69db
53% Popularity • 50% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 50% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Alive City
Only Ever
84 bpm • E Maj • 03:21 • -6.23db
55% Popularity • 34% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
55% Popularity • 34% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Tasha Layton
Love Lifting Me
84 bpm • D Maj • 03:19 • -6.42db
45% Popularity • 62% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 62% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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TobyMac
Promised Land
84 bpm • G Maj • 03:29 • -8.01db
51% Popularity • 45% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
51% Popularity • 45% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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RICHLIN
Good Mood
76 bpm • B Maj • 03:11 • -7db
46% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 63% Danceability • 79% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Anne Wilson
Strong
76 bpm • F Maj • 03:24 • -5.53db
61% Popularity • 50% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 50% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Crowder
Forgiven
76 bpm • C Maj • 03:56 • -5.64db
54% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 49% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Jeremy Camp
This Man
76 bpm • G# Maj • 03:33 • -5db
40% Popularity • 38% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 38% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Mandisa
My First Love
76 bpm • F Maj • 03:40 • -5.64db
23% Popularity • 44% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 44% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Riley Clemmons
Godsend
76 bpm • C Maj • 04:11 • -7.53db
42% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 52% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Benjamin William Hastings
That's The Thing About Praise
76 bpm • C# Maj • 03:57 • -6db
56% Popularity • 43% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
56% Popularity • 43% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Anne Wilson
My Jesus
76 bpm • F# Maj • 03:37 • -5db
51% Popularity • 51% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 51% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Sidewalk Prophets
Save My Life
76 bpm • D Maj • 03:45 • -5db
42% Popularity • 41% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 41% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Patrick Mayberry
How You Love Me
76 bpm • G Maj • 04:03 • -8.56db
46% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 32% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Stars Go Dim
Authority (In The Name Of Jesus)
85 bpm • G Maj • 02:55 • -4.94db
56% Popularity • 49% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
56% Popularity • 49% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Ryan Stevenson
I Cry Jesus
85 bpm • G Maj • 03:38 • -6.13db
54% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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I AM THEY
Scars
75 bpm • A# Maj • 03:58 • -7db
61% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
61% Popularity • 42% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Anne Wilson
My Jesus
76 bpm • F# Maj • 03:37 • -6db
66% Popularity • 51% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
66% Popularity • 51% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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We Are Messengers
God Be The Glory
85 bpm • C Maj • 03:35 • -5.68db
33% Popularity • 56% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 56% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Mac Powell
Everlasting Arms
85 bpm • E Maj • 03:33 • -6.43db
45% Popularity • 47% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
45% Popularity • 47% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Steven Malcolm
Even Louder
85 bpm • G Maj • 03:29 • -4.62db
44% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Vertical Worship
Yes I Will
75 bpm • C Maj • 03:54 • -7.14db
64% Popularity • 43% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
64% Popularity • 43% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 24% Positiveness
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Sidewalk Prophets
I Believe It Now
75 bpm • A# Maj • 03:41 • -7db
34% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Anne Wilson
Something About That Name
75 bpm • D Maj • 03:32 • -6db
57% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 46% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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We Are Messengers
A Thousand Times
75 bpm • B Maj • 03:39 • -5.76db
33% Popularity • 57% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 57% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 45% Positiveness
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Micah Tyler
Even Then
75 bpm • F# min • 03:16 • -6.78db
59% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
59% Popularity • 62% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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TobyMac
See The Light
75 bpm • C Maj • 03:51 • -4.95db
49% Popularity • 36% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 36% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 31% Positiveness
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Mass Anthem
Goodness of God / O Praise the Name
75 bpm • F Maj • 02:48 • -8.97db
62% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
62% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Jason Gray
I'm Gonna Let It Go
86 bpm • G Maj • 03:09 • -7.57db
44% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Anne Wilson
Hey Girl
75 bpm • C Maj • 03:08 • -6db
55% Popularity • 55% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 55% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Citizen Way
When I'm with You
86 bpm • D Maj • 03:33 • -5.67db
45% Popularity • 52% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 52% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Unspoken
If We Only Knew
74 bpm • B min • 03:50 • -7.82db
41% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Lincoln Brewster
While I Wait
74 bpm • F# min • 04:58 • -8db
50% Popularity • 45% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
50% Popularity • 45% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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We The Kingdom
Holy Water - Church Sessions
74 bpm • G Maj • 07:44 • -7.28db
41% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 52% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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CAIN
The Commission
87 bpm • F Maj • 03:16 • -8db
56% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
56% Popularity • 33% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Jeremy Camp
Consumed
74 bpm • B Maj • 03:43 • -8db
30% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Riley Clemmons
Broken Prayers
87 bpm • G Maj • 03:13 • -7db
44% Popularity • 63% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 63% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Rhett Walker
Believer
87 bpm • D# Maj • 03:23 • -5.99db
52% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
52% Popularity • 52% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Renzema
Springtime
73 bpm • F Maj • 04:14 • -7.95db
59% Popularity • 40% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
59% Popularity • 40% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
