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KEEP ON HANGING ON
Songs like
KEEP ON HANGING ON
by
Morgan Saint
Based on a tempo of (+/- 10%) and a similar genre
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Morgan Saint
KEEP ON HANGING ON
101 bpm • C Maj • 03:00 • -8.02db
18% Popularity • 73% Danceability • 41% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Delaney Jane
On Paper
101 bpm • C Maj • 03:14 • -6.83db
8% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Shallou
Technicolor Wave
101 bpm • E Maj • 03:25 • -7.31db
25% Popularity • 48% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 43% Positiveness
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Chloe Lilac
Special
101 bpm • F# Maj • 03:41 • -4db
20% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Laur Elle
All That We Didn't
100 bpm • C Maj • 03:38 • -7.21db
16% Popularity • 69% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Ricky Reed
Fav Boy
100 bpm • A Maj • 02:36 • -9.25db
23% Popularity • 75% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Georgia Ku
Lighthouse
100 bpm • G# min • 02:20 • -6.58db
24% Popularity • 56% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Matilda Cole
The Clouds
100 bpm • E Maj • 02:19 • -6.3db
21% Popularity • 60% Danceability • 70% Energy • 12% Liveness
4% Instrumentalness • 31% Positiveness
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Morgan Saint
New Regime
100 bpm • C Maj • 04:13 • -4.74db
20% Popularity • 56% Danceability • 76% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Katelyn Tarver
So Would I
102 bpm • C# Maj • 03:36 • -6.54db
16% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Carla Wehbe
Don't Tell Me
102 bpm • F# Maj • 03:20 • -8db
20% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Far Places
For Worse
100 bpm • B min • 03:04 • -7db
11% Popularity • 64% Danceability • 61% Energy • 26% Liveness
14% Instrumentalness • 38% Positiveness
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Lennon Stella
Much Too Much
100 bpm • C Maj • 03:30 • -9db
42% Popularity • 76% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Satellite Mode
Gave It All 2.0
100 bpm • G Maj • 03:25 • -7.12db
20% Popularity • 77% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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deryk
MEN
102 bpm • G Maj • 02:31 • -11.85db
13% Popularity • 66% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Belot
Familiar
100 bpm • D Maj • 03:33 • -9.92db
22% Popularity • 83% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 15% Positiveness
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Transviolet
Drugs in California
102 bpm • C Maj • 03:25 • -7db
31% Popularity • 76% Danceability • 48% Energy • 14% Liveness
28% Instrumentalness • 28% Positiveness
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Minke
Frantic Love
102 bpm • C Maj • 04:12 • -9.03db
20% Popularity • 57% Danceability • 54% Energy • 10% Liveness
27% Instrumentalness • 15% Positiveness
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WYLDE
Castles
100 bpm • C Maj • 03:15 • -8.91db
15% Popularity • 38% Danceability • 60% Energy • 35% Liveness
0% Instrumentalness • 30% Positiveness
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Brigetta
Could've, Should've, Would've
100 bpm • D Maj • 02:09 • -11.3db
12% Popularity • 81% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Cyn
Nobody’s Keeping Score
102 bpm • C Maj • 03:20 • -7db
17% Popularity • 53% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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beaux
I Don't Want To Make It Alone, I Want To...
102 bpm • C Maj • 03:05 • -4.12db
13% Popularity • 60% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Yianna
Hard Pill to Swallow
100 bpm • A Maj • 03:02 • -8db
14% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Evie Irie
Sink Swim
102 bpm • F Maj • 03:00 • -7.21db
11% Popularity • 65% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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GRACEY
Alone In My Room (Gone)
103 bpm • G# Maj • 03:35 • -9db
27% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Chelsea Jade
Ride Or Cry
103 bpm • C# min • 03:09 • -6db
31% Popularity • 78% Danceability • 70% Energy • 18% Liveness
2% Instrumentalness • 68% Positiveness
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Morgan Saint
SWITCH
103 bpm • C# Maj • 02:16 • -5.21db
6% Popularity • 85% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Star Abelar
Kawaii
99 bpm • G Maj • 03:15 • -9.56db
22% Popularity • 72% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Delaney Jane
Strangers in the Dark
99 bpm • F Maj • 03:17 • -6.29db
18% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Rainsford
Crying In The Mirror
99 bpm • D Maj • 03:09 • -6.32db
26% Popularity • 75% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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GRACEY
If You Loved Me
99 bpm • B min • 02:58 • -7.71db
34% Popularity • 66% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Baker Grace
B.Y.F.M.
99 bpm • G# Maj • 03:19 • -8.04db
8% Popularity • 67% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Kat Cunning
Broken Heart
99 bpm • C min • 03:38 • -5db
18% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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MisterWives
3 small words
99 bpm • B Maj • 03:13 • -7.17db
41% Popularity • 65% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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Lennon Stella
Fear Of Being Alone - Acoustic
104 bpm • F# min • 02:43 • -10.27db
22% Popularity • 78% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Daya
Tokyo Drifting
104 bpm • D Maj • 03:23 • -5.37db
28% Popularity • 65% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Cait
I Was Never Here
104 bpm • F# Maj • 02:47 • -9db
15% Popularity • 63% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Olivia Lunny
Bedsheets
98 bpm • D# Maj • 02:54 • -12.85db
26% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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TRACE
RIP To My Feelings
98 bpm • C min • 03:24 • -7.35db
22% Popularity • 76% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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Transviolet
Rituals
98 bpm • C Maj • 03:17 • -7.04db
17% Popularity • 71% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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CARR
Strangers
104 bpm • F Maj • 04:10 • -10.22db
16% Popularity • 68% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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GRAE
Woman's World
98 bpm • B Maj • 02:27 • -5.3db
11% Popularity • 65% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Charlotte Lawrence
Sin x Secret
98 bpm • C Maj • 03:13 • -8db
30% Popularity • 43% Danceability • 48% Energy • 51% Liveness
0% Instrumentalness • 31% Positiveness
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wens
Cinderella
104 bpm • A Maj • 03:16 • -6db
23% Popularity • 62% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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GRACEY
Care Less
105 bpm • C# Maj • 03:46 • -7.19db
20% Popularity • 80% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Lennon Stella
Golf On TV JP Saxe
105 bpm • F Maj • 03:12 • -8.38db
44% Popularity • 56% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Zealyn
Airline Wine
97 bpm • B min • 03:27 • -7.14db
8% Popularity • 46% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Griff
Say It Again
105 bpm • A min • 03:36 • -6db
43% Popularity • 84% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Dava
Papercut
105 bpm • A min • 02:40 • -9.98db
18% Popularity • 78% Danceability • 26% Energy • 26% Liveness
2% Instrumentalness • 66% Positiveness
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JMR
Last You Hear From Me
105 bpm • F Maj • 03:30 • -8.68db
16% Popularity • 64% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Minke
Something Better
105 bpm • D Maj • 03:33 • -6db
39% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Chelsea Jade
Over Sensitive
105 bpm • G# Maj • 02:59 • -7.65db
33% Popularity • 82% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Emily Warren
How It Ends
97 bpm • E Maj • 03:36 • -4.09db
20% Popularity • 46% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Eluera
Good When We Fight
97 bpm • D min • 03:16 • -6.24db
18% Popularity • 66% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Raffaella
Balaclava
97 bpm • A Maj • 04:32 • -7.16db
23% Popularity • 62% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Cassidy King
Wasted
97 bpm • C# min • 02:31 • -6.14db
11% Popularity • 58% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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chloe mk
To Be Young
96 bpm • F Maj • 02:51 • -3.03db
19% Popularity • 42% Danceability • 89% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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SHAED
Wish We Had Longer
106 bpm • E Maj • 03:01 • -6.24db
15% Popularity • 71% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Claire Ernst
How's It Feel?
106 bpm • C Maj • 04:20 • -7db
22% Popularity • 71% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Sawyer
Older Now
106 bpm • G# Maj • 03:02 • -5.36db
10% Popularity • 77% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Minke
Too Late
106 bpm • B Maj • 04:13 • -5.97db
26% Popularity • 67% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Parson James
High Tide, Low Tide
106 bpm • C Maj • 02:51 • -6db
20% Popularity • 67% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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CXLOE
Cry & Drive
106 bpm • F# Maj • 03:28 • -10db
24% Popularity • 38% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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AFTRHOURS
Sleepy Town
96 bpm • A# Maj • 02:26 • -6.59db
17% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Erthlings
Returning
96 bpm • F# Maj • 03:36 • -6.46db
30% Popularity • 55% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Nightly
so sly (alternate version)
96 bpm • G Maj • 02:52 • -6.76db
20% Popularity • 73% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Delaney Jane
Somewhere Else
96 bpm • A# Maj • 03:28 • -6.44db
18% Popularity • 60% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Lennon Stella
Fancy
107 bpm • A# min • 03:11 • -7.64db
41% Popularity • 44% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Gaustad
Out Of Time
107 bpm • A min • 02:49 • -5.52db
12% Popularity • 66% Danceability • 57% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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RAC
Boomerang
107 bpm • C Maj • 04:07 • -7.43db
22% Popularity • 65% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Griff
Forgive Myself
107 bpm • A Maj • 02:53 • -6.14db
43% Popularity • 76% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Savannah Sgro
Talk Shit
107 bpm • D# Maj • 03:06 • -8.42db
17% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Arlissa
Healing
107 bpm • C Maj • 02:46 • -1db
32% Popularity • 51% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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The Swoons
Lost Frequency
95 bpm • F min • 03:34 • -11db
25% Popularity • 65% Danceability • 51% Energy • 16% Liveness
1% Instrumentalness • 26% Positiveness
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Minke
Another Me
95 bpm • A Maj • 02:56 • -5db
22% Popularity • 64% Danceability • 79% Energy • 8% Liveness
18% Instrumentalness • 53% Positiveness
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XYLØ
APPLE PIE
95 bpm • A min • 02:57 • -7db
23% Popularity • 60% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Morgan Saint
Take Me Back
95 bpm • A# min • 04:14 • -7db
15% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Ricky Himself
Hush
95 bpm • D# Maj • 02:42 • -6db
15% Popularity • 66% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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Andrey Azizov
Take Me Down
95 bpm • C min • 03:05 • -8.77db
16% Popularity • 62% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Lennon Stella
Games
95 bpm • F Maj • 02:24 • -9.33db
40% Popularity • 57% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Daniella Mason
Girl in the Box
95 bpm • C Maj • 02:57 • -6.09db
18% Popularity • 62% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Overcoats
Leave If You Wanna
95 bpm • F Maj • 03:47 • -5db
25% Popularity • 58% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Morgan Saint
Did You Lose Your Heart
95 bpm • C Maj • 04:04 • -7.9db
34% Popularity • 74% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 91% Positiveness
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Greyson Chance
Dancing Next To Me
108 bpm • B Maj • 02:50 • -6db
40% Popularity • 75% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Transviolet
Small Victory (Semblance Remix)
108 bpm • D# Maj • 02:53 • -8.46db
9% Popularity • 65% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 53% Positiveness
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Benji Lewis
Stay Around
108 bpm • G Maj • 02:54 • -8.57db
28% Popularity • 82% Danceability • 45% Energy • 13% Liveness
6% Instrumentalness • 32% Positiveness
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Tyzo Bloom
i want you to stay.
108 bpm • B Maj • 03:26 • -9db
29% Popularity • 72% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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ELIO
LA in Two
108 bpm • A# Maj • 03:44 • -8.15db
32% Popularity • 72% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Lizzy Land
Losing My Head
108 bpm • D Maj • 03:23 • -5db
24% Popularity • 45% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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SAYGRACE
Feel Good
94 bpm • D# min • 03:53 • -5db
26% Popularity • 61% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Nightly
not like you (stripped)
94 bpm • C Maj • 02:58 • -10.8db
17% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Morgan Saint
End Of Time
94 bpm • G Maj • 02:38 • -9.72db
31% Popularity • 68% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Julia Wolf
RBF: Part 1 - Spotify Singles
94 bpm • A# Maj • 02:16 • -9db
29% Popularity • 72% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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OSTON
Shrug
94 bpm • G# min • 03:07 • -4.84db
17% Popularity • 83% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Lizzy Land
Messed Up
94 bpm • C Maj • 03:50 • -8.11db
23% Popularity • 66% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Peter Thomas
Unfinished
94 bpm • E Maj • 02:10 • -12.64db
23% Popularity • 67% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 46% Positiveness
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St. South
If It's Not You
109 bpm • F Maj • 03:19 • -8.39db
23% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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ZEMBU
Overgrown
109 bpm • E Maj • 04:36 • -9.63db
19% Popularity • 66% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Kat Cunning
Boys
109 bpm • E Maj • 03:35 • -5.5db
22% Popularity • 64% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Sleeping Lion
Tendencies
93 bpm • F Maj • 03:22 • -8.13db
12% Popularity • 64% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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KEEP ON HANGING ON