Songs like Keep on Movin' by Deodato
Based on a tempo of (+/- 10%) and a similar genre
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Empress
Dyin' to Be Dancin'
108 bpm • F Maj • 07:02 • -10db
23% Popularity • 78% Danceability • 57% Energy • 15% Liveness
68% Instrumentalness • 86% Positiveness
23% Popularity • 78% Danceability • 57% Energy • 15% Liveness
68% Instrumentalness • 86% Positiveness
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Ben E. King
Music Trance
108 bpm • D Maj • 05:56 • -14.76db
29% Popularity • 73% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 73% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Deodato
Are You for Real
108 bpm • C Maj • 05:09 • -12.57db
19% Popularity • 72% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 72% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Janice McClain
Giving My Love
108 bpm • E min • 06:35 • -11.24db
16% Popularity • 71% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 71% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Gwen Guthrie
Seventh Heaven
108 bpm • B min • 04:18 • -8.61db
31% Popularity • 75% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 75% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Gwen McCrae
Doin' It - Remastered Version
108 bpm • A# min • 04:51 • -14db
30% Popularity • 82% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 82% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Sharon Redd
You Got My Love - Remix
108 bpm • D Maj • 07:09 • -11.31db
11% Popularity • 78% Danceability • 79% Energy • 4% Liveness
5% Instrumentalness • 88% Positiveness
11% Popularity • 78% Danceability • 79% Energy • 4% Liveness
5% Instrumentalness • 88% Positiveness
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Millie Jackson
We Got to Hit It Off
108 bpm • A# Maj • 04:09 • -12db
30% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 73% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Deodato
Keep on Movin'
108 bpm • C min • 07:51 • -13db
34% Popularity • 68% Danceability • 79% Energy • 23% Liveness
3% Instrumentalness • 95% Positiveness
34% Popularity • 68% Danceability • 79% Energy • 23% Liveness
3% Instrumentalness • 95% Positiveness
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Gayle Adams
Let's Go All the Way
108 bpm • D min • 04:55 • -11.64db
32% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 63% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Bobby Thurston
Main Attraction
108 bpm • A# min • 04:57 • -13.74db
19% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
19% Popularity • 78% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Rodney Franklin
The Groove
108 bpm • C Maj • 04:52 • -14db
34% Popularity • 62% Danceability • 63% Energy • 22% Liveness
63% Instrumentalness • 74% Positiveness
34% Popularity • 62% Danceability • 63% Energy • 22% Liveness
63% Instrumentalness • 74% Positiveness
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Melba Moore
You Stepped Into My Life - John Luongo D...
108 bpm • F min • 07:49 • -9db
21% Popularity • 79% Danceability • 81% Energy • 5% Liveness
17% Instrumentalness • 88% Positiveness
21% Popularity • 79% Danceability • 81% Energy • 5% Liveness
17% Instrumentalness • 88% Positiveness
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Delegation
It's Your Turn - Extended Version
107 bpm • C min • 07:11 • -8.81db
14% Popularity • 84% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 94% Positiveness
14% Popularity • 84% Danceability • 74% Energy • 8% Liveness
8% Instrumentalness • 94% Positiveness
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Deodato
Keep On Movin'
108 bpm • C min • 07:34 • -10.45db
2% Popularity • 68% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
2% Popularity • 68% Danceability • 87% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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The Whispers
Turn Me Out
108 bpm • C min • 05:52 • -12.93db
15% Popularity • 75% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 75% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Empress
Dyin' to Be Dancin'
107 bpm • A# min • 03:42 • -8.8db
24% Popularity • 78% Danceability • 62% Energy • 38% Liveness
65% Instrumentalness • 77% Positiveness
24% Popularity • 78% Danceability • 62% Energy • 38% Liveness
65% Instrumentalness • 77% Positiveness
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arian
Your Love Makes Me a Winner
109 bpm • A min • 04:57 • -9.46db
26% Popularity • 53% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 53% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 86% Positiveness
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Melba Moore
Standing Right Here
107 bpm • B min • 06:57 • -12.1db
27% Popularity • 84% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
27% Popularity • 84% Danceability • 59% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Delegation
It's Your Turn
107 bpm • A# min • 03:24 • -8db
32% Popularity • 84% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 84% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Sharon Redd
Can You Handle It
109 bpm • A# min • 06:26 • -11db
39% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
39% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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The Salsoul Orchestra
Getaway
109 bpm • F min • 04:20 • -7.39db
32% Popularity • 68% Danceability • 91% Energy • 6% Liveness
88% Instrumentalness • 96% Positiveness
32% Popularity • 68% Danceability • 91% Energy • 6% Liveness
88% Instrumentalness • 96% Positiveness
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Empress
Dyin' to Be Dancin' - Radio Edit
107 bpm • F Maj • 03:56 • -10db
27% Popularity • 75% Danceability • 59% Energy • 57% Liveness
55% Instrumentalness • 61% Positiveness
27% Popularity • 75% Danceability • 59% Energy • 57% Liveness
55% Instrumentalness • 61% Positiveness
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Fatback Band
Is This the Future?
109 bpm • C min • 06:17 • -11db
26% Popularity • 84% Danceability • 47% Energy • 25% Liveness
8% Instrumentalness • 78% Positiveness
26% Popularity • 84% Danceability • 47% Energy • 25% Liveness
8% Instrumentalness • 78% Positiveness
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Deodato
Bus Stop
109 bpm • A Maj • 07:05 • -14.1db
7% Popularity • 75% Danceability • 45% Energy • 5% Liveness
90% Instrumentalness • 74% Positiveness
7% Popularity • 75% Danceability • 45% Energy • 5% Liveness
90% Instrumentalness • 74% Positiveness
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Rufus & Chaka Khan
Live In Me
107 bpm • A# min • 03:54 • -15.07db
33% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 71% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Carol Ray Band
Quelques mots gentils
107 bpm • G# Maj • 04:57 • -13.23db
15% Popularity • 85% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 85% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Shalamar
A Night to Remember (Single Version)
109 bpm • C# Maj • 03:32 • -10.12db
59% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
59% Popularity • 76% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Michael Wycoff
Diamond Real
107 bpm • C Maj • 03:47 • -9.63db
26% Popularity • 85% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 85% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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The Valentine Brothers
Money's Too Tight To Mention - Original ...
109 bpm • B min • 05:49 • -10db
32% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Sharon Redd
You Got My Love
107 bpm • D Maj • 05:54 • -11.47db
19% Popularity • 78% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
19% Popularity • 78% Danceability • 80% Energy • 8% Liveness
6% Instrumentalness • 96% Positiveness
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Gladys Knight & The Pips
Taste of Bitter Love
109 bpm • G min • 04:38 • -6db
39% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
39% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Leon Ware
Why I Came to California
107 bpm • C# Maj • 04:10 • -10db
40% Popularity • 69% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 69% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Leroy Hutson
Paradise - Remastered
109 bpm • F min • 05:40 • -8.71db
20% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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CHIC
My Forbidden Lover
107 bpm • D Maj • 04:34 • -9.77db
44% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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The Salsoul Orchestra
Run Away
110 bpm • B min • 04:44 • -7.49db
25% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 66% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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The S.O.S Band
Groovin' (That's What We're Doin')
106 bpm • C Maj • 04:25 • -15db
37% Popularity • 87% Danceability • 26% Energy • 5% Liveness
57% Instrumentalness • 81% Positiveness
37% Popularity • 87% Danceability • 26% Energy • 5% Liveness
57% Instrumentalness • 81% Positiveness
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Esther Williams
I'll Be Your Pleasure
110 bpm • A# min • 07:43 • -9.73db
20% Popularity • 71% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 71% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 03:42 • -15.67db
66% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
66% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
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Leroy Hutson
Classy Lady - Remastered Version
106 bpm • C Maj • 05:31 • -7db
27% Popularity • 72% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 72% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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France Joli
Gonna Get Over You
110 bpm • F min • 04:11 • -9.34db
49% Popularity • 78% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 78% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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The Salsoul Orchestra
Runaway
110 bpm • B min • 04:45 • -7.28db
35% Popularity • 67% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 67% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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The S.O.S Band
High Hopes
106 bpm • D Maj • 06:30 • -10.46db
32% Popularity • 83% Danceability • 70% Energy • 5% Liveness
3% Instrumentalness • 87% Positiveness
32% Popularity • 83% Danceability • 70% Energy • 5% Liveness
3% Instrumentalness • 87% Positiveness
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Double Exposure
Everyman
106 bpm • C# Maj • 07:22 • -9.19db
28% Popularity • 54% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 54% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 80% Positiveness
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Inner Life
I'm Caught up (In a One Night Love Affai...
110 bpm • B min • 07:26 • -6.14db
37% Popularity • 83% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
37% Popularity • 83% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
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Ago
Stop Your Life - Original Album
110 bpm • B min • 04:38 • -4.7db
31% Popularity • 83% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 83% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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The Controllers
I Can't Turn the Boogie Loose
110 bpm • C# Maj • 06:21 • -5.42db
17% Popularity • 74% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 74% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 05:01 • -7.83db
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
64% Popularity • 84% Danceability • 76% Energy • 12% Liveness
7% Instrumentalness • 86% Positiveness
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Deodato
Pina Colada
106 bpm • F Maj • 05:55 • -13.93db
21% Popularity • 72% Danceability • 64% Energy • 6% Liveness
91% Instrumentalness • 91% Positiveness
21% Popularity • 72% Danceability • 64% Energy • 6% Liveness
91% Instrumentalness • 91% Positiveness
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T.S. Monk
Can't Keep My Hands to Myself
106 bpm • F Maj • 04:01 • -7.82db
36% Popularity • 70% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 70% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Instant Funk
I Got My Mind Made Up (You Can Get It Gi...
110 bpm • F Maj • 05:17 • -10.62db
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
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Love Unlimited
High Steppin', Hip Dressin' Fella (You G...
106 bpm • F# min • 05:30 • -9db
36% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 71% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Gayle Adams
Love Fever
106 bpm • C# Maj • 06:41 • -11db
35% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 77% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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France Joli
Gonna Get Over You - 12" Mix
111 bpm • F min • 07:21 • -10.43db
32% Popularity • 80% Danceability • 53% Energy • 4% Liveness
1% Instrumentalness • 90% Positiveness
32% Popularity • 80% Danceability • 53% Energy • 4% Liveness
1% Instrumentalness • 90% Positiveness
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Circle City Band
Magic
111 bpm • C Maj • 06:41 • -7db
29% Popularity • 70% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 70% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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T-Connection
Born to Boogie
111 bpm • A# min • 04:02 • -6.49db
17% Popularity • 82% Danceability • 80% Energy • 8% Liveness
49% Instrumentalness • 96% Positiveness
17% Popularity • 82% Danceability • 80% Energy • 8% Liveness
49% Instrumentalness • 96% Positiveness
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Delight
Is It Too Late - Long Version
111 bpm • E Maj • 04:35 • -7.97db
14% Popularity • 66% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 66% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Rene & Angela
I Love You More - Remastered
105 bpm • B min • 05:32 • -7.15db
39% Popularity • 87% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 87% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Ray Parker Jr.
It's Time to Party Now
111 bpm • D Maj • 05:00 • -13.59db
34% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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The Crusaders
Street Life - Single Edit
111 bpm • F min • 05:32 • -8db
49% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Deodato
Groovitation
111 bpm • F Maj • 06:11 • -16.76db
14% Popularity • 76% Danceability • 44% Energy • 6% Liveness
84% Instrumentalness • 92% Positiveness
14% Popularity • 76% Danceability • 44% Energy • 6% Liveness
84% Instrumentalness • 92% Positiveness
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Charles Earland
Mercy
105 bpm • E min • 04:17 • -11.87db
11% Popularity • 68% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 68% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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Rene & Angela
I Love You More
105 bpm • E Maj • 05:34 • -7.27db
38% Popularity • 86% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 86% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Hipnotic
Are You Lonely?
105 bpm • F min • 05:05 • -8.21db
24% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Trussel
I Love It
105 bpm • D Maj • 08:36 • -13db
14% Popularity • 89% Danceability • 59% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 89% Danceability • 59% Energy • 58% Liveness
0% Instrumentalness • 91% Positiveness
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Gene Dunlap
There's Talk - Remastered
111 bpm • G# min • 03:34 • -11.05db
40% Popularity • 74% Danceability • 56% Energy • 4% Liveness
34% Instrumentalness • 89% Positiveness
40% Popularity • 74% Danceability • 56% Energy • 4% Liveness
34% Instrumentalness • 89% Positiveness
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Gayle Adams
Stretchin' Out
111 bpm • G# min • 06:09 • -14.43db
13% Popularity • 80% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 80% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Sister Sledge
Thinking of You - Dimitri from Paris Ins...
105 bpm • F min • 06:17 • -18.56db
15% Popularity • 74% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 89% Positiveness
15% Popularity • 74% Danceability • 53% Energy • 14% Liveness
76% Instrumentalness • 89% Positiveness
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Gene Harris
As
105 bpm • E Maj • 07:37 • -12.34db
33% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 56% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Odyssey
Going Back To My Roots
111 bpm • B min • 04:19 • -6db
45% Popularity • 69% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 69% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Hi-Gloss
I Want Your Love to Last
111 bpm • C Maj • 05:13 • -13.63db
14% Popularity • 79% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 79% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Machine
Is It Love
111 bpm • C Maj • 05:46 • -9.53db
14% Popularity • 86% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
14% Popularity • 86% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Garfield Fleming
Don't Send Me Away
105 bpm • G min • 05:25 • -9.13db
43% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Crown Heights Affair
Dance Lady Dance
111 bpm • A# Maj • 06:26 • -9.63db
13% Popularity • 80% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 80% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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People's Choice
Do It Any Way You Wanna
111 bpm • C min • 03:18 • -10.99db
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • G# Maj • 04:42 • -6.7db
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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B.T. (Brenda Taylor)
You Can't Have Your Cake and Eat It Too ...
111 bpm • E min • 06:03 • -7db
26% Popularity • 78% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 78% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Donna Summer
(If It) Hurts Just a Little
112 bpm • D min • 03:53 • -8db
31% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
31% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Karen Silver
Nobody Else
111 bpm • G Maj • 06:03 • -14db
19% Popularity • 94% Danceability • 29% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 94% Danceability • 29% Energy • 2% Liveness
0% Instrumentalness • 77% Positiveness
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Klaps
All the Way You Move
112 bpm • G Maj • 04:47 • -8.32db
10% Popularity • 88% Danceability • 76% Energy • 33% Liveness
17% Instrumentalness • 92% Positiveness
10% Popularity • 88% Danceability • 76% Energy • 33% Liveness
17% Instrumentalness • 92% Positiveness
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The Hudsons
Show Me You Care
112 bpm • E min • 05:18 • -6db
22% Popularity • 77% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 77% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Deodato
East Side Strut
104 bpm • B min • 05:35 • -13db
16% Popularity • 82% Danceability • 74% Energy • 5% Liveness
84% Instrumentalness • 71% Positiveness
16% Popularity • 82% Danceability • 74% Energy • 5% Liveness
84% Instrumentalness • 71% Positiveness
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Donald Byrd
Love Has Come Around
112 bpm • D min • 07:52 • -8.98db
35% Popularity • 73% Danceability • 72% Energy • 29% Liveness
27% Instrumentalness • 52% Positiveness
35% Popularity • 73% Danceability • 72% Energy • 29% Liveness
27% Instrumentalness • 52% Positiveness
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Surface
Falling in Love (Alternate Mix)
112 bpm • C# Maj • 09:21 • -11.83db
38% Popularity • 84% Danceability • 44% Energy • 3% Liveness
17% Instrumentalness • 92% Positiveness
38% Popularity • 84% Danceability • 44% Energy • 3% Liveness
17% Instrumentalness • 92% Positiveness
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Michael Wycoff
Looking Up to You
104 bpm • G min • 05:20 • -9.01db
46% Popularity • 69% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 69% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Gayle Adams
I Loved Every Minute of It
104 bpm • D min • 05:48 • -10.92db
35% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Suzy Q
Get On Up and Do It Again
112 bpm • C# Maj • 05:56 • -9.99db
34% Popularity • 97% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 97% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Deodato
Arranha Ceu (Skyscrapers)
112 bpm • B min • 04:51 • -5.32db
17% Popularity • 54% Danceability • 93% Energy • 18% Liveness
90% Instrumentalness • 75% Positiveness
17% Popularity • 54% Danceability • 93% Energy • 18% Liveness
90% Instrumentalness • 75% Positiveness
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Positive Force
People Get On Up (12" Mix)
112 bpm • A# min • 06:20 • -9.15db
12% Popularity • 80% Danceability • 80% Energy • 4% Liveness
21% Instrumentalness • 84% Positiveness
12% Popularity • 80% Danceability • 80% Energy • 4% Liveness
21% Instrumentalness • 84% Positiveness
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The Whatnauts
Help Is On The Way
104 bpm • F min • 07:13 • -13.31db
28% Popularity • 78% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 78% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Gwen Guthrie
Peanut Butter - Larry Levan Mix / Bonus ...
112 bpm • G Maj • 06:05 • -8db
32% Popularity • 81% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 69% Positiveness
32% Popularity • 81% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 69% Positiveness
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Loleatta Holloway
All About the Paper
112 bpm • A Maj • 06:14 • -8.35db
17% Popularity • 75% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
17% Popularity • 75% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Scandal
Love Either Grows or Goes
112 bpm • G Maj • 06:36 • -9.21db
7% Popularity • 81% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 81% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ivana Spagna
Upside Down - Radio Edit
112 bpm • D min • 03:37 • -6.32db
1% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
1% Popularity • 68% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Sharon Redd
Can You Handle It - Francois Kevorkian R...
112 bpm • F# min • 08:59 • -13db
22% Popularity • 76% Danceability • 66% Energy • 12% Liveness
58% Instrumentalness • 93% Positiveness
22% Popularity • 76% Danceability • 66% Energy • 12% Liveness
58% Instrumentalness • 93% Positiveness
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Imagination
Changes
112 bpm • D min • 05:49 • -12db
34% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
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Gwen Guthrie
Peanut Butter
112 bpm • C Maj • 05:00 • -7.5db
33% Popularity • 75% Danceability • 79% Energy • 5% Liveness
18% Instrumentalness • 82% Positiveness
33% Popularity • 75% Danceability • 79% Energy • 5% Liveness
18% Instrumentalness • 82% Positiveness
