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Keep On Running
Songs like
Keep On Running
by
The Living End
Based on a tempo of (+/- 10%) and a similar genre
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Villainy
Gather Yourselves
130 bpm • B min • 03:54 • -5db
18% Popularity • 48% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Machine Gun Fellatio
Rollercoaster
130 bpm • G Maj • 03:33 • -4.9db
38% Popularity • 70% Danceability • 92% Energy • 55% Liveness
1% Instrumentalness • 77% Positiveness
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Pete Murray
Sold
130 bpm • A Maj • 03:28 • -5.33db
31% Popularity • 60% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The Living End
Keep On Running
130 bpm • C# Maj • 04:07 • -6.23db
30% Popularity • 56% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Midnight Youth
World Comes Calling
130 bpm • D Maj • 03:24 • -5.66db
9% Popularity • 48% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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INHEAVEN
Treats
130 bpm • F# min • 03:34 • -5db
18% Popularity • 46% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Kisschasy
Generation Why
130 bpm • D Maj • 02:42 • -4.88db
22% Popularity • 53% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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Bernard Fanning
Wasting Time
130 bpm • A Maj • 03:15 • -5db
39% Popularity • 63% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Regurgitator
Black Bugs
130 bpm • B Maj • 02:58 • -5db
38% Popularity • 60% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Motor Ace
Five Star Laundry
131 bpm • D Maj • 04:04 • -6.92db
20% Popularity • 54% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 44% Positiveness
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Lo-tel
Teenager Of The Year
131 bpm • A# Maj • 04:29 • -7.99db
32% Popularity • 47% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Superjesus
St Peters Lane
129 bpm • F Maj • 04:11 • -4.37db
7% Popularity • 40% Danceability • 92% Energy • 16% Liveness
6% Instrumentalness • 63% Positiveness
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Trial Kennedy
Sunday Warning
131 bpm • A Maj • 04:20 • -5.67db
13% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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End Of Fashion
Love Comes In
131 bpm • E Maj • 03:34 • -5.45db
9% Popularity • 54% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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The Living End
Life As We Know It
131 bpm • A min • 02:59 • -4.85db
8% Popularity • 48% Danceability • 79% Energy • 8% Liveness
69% Instrumentalness • 70% Positiveness
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the feelers
Dasvidaniya
131 bpm • B min • 04:49 • -3.79db
14% Popularity • 49% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Spiderbait
It's Beautiful
131 bpm • F min • 03:40 • -5.94db
19% Popularity • 56% Danceability • 68% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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Jet
Seventeen
132 bpm • D Maj • 03:41 • -3.25db
38% Popularity • 53% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Deadstar
Deeper Water
129 bpm • G Maj • 04:24 • -6.05db
41% Popularity • 49% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Paul Kelly
With The One I Love
128 bpm • E min • 02:29 • -4.8db
34% Popularity • 39% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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The Living End
Resist
132 bpm • B min • 04:41 • -5.83db
9% Popularity • 50% Danceability • 89% Energy • 7% Liveness
22% Instrumentalness • 19% Positiveness
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Evermore
Hey Boys and Girls (Truth of the World, ...
128 bpm • E min • 05:48 • -4db
43% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Kisschasy
Spray On Pants
128 bpm • D# Maj • 03:47 • -4db
34% Popularity • 57% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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the feelers
Pressure Man - 2015 Remaster
128 bpm • A Maj • 04:32 • -5.22db
28% Popularity • 53% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jimmy Barnes
Lay Down Your Guns
132 bpm • D Maj • 03:33 • -3.97db
32% Popularity • 56% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew Good
Decades
128 bpm • G# Maj • 03:40 • -4.78db
29% Popularity • 55% Danceability • 91% Energy • 16% Liveness
82% Instrumentalness • 57% Positiveness
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Luger Boa
Lazy
128 bpm • G Maj • 03:22 • -3.22db
15% Popularity • 62% Danceability • 96% Energy • 35% Liveness
28% Instrumentalness • 62% Positiveness
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Evermore
Unbreakable
128 bpm • C# Maj • 03:28 • -5.51db
20% Popularity • 50% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Killing Heidi
Way Home
128 bpm • B Maj • 03:30 • -3.49db
12% Popularity • 54% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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You Am I
Soldiers
128 bpm • C# Maj • 02:31 • -5db
29% Popularity • 41% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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Silverchair
Straight Lines
127 bpm • C# Maj • 04:18 • -6.39db
57% Popularity • 54% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Hoodoo Gurus
Waking Up Tired - Remaster 2005
127 bpm • A Maj • 02:54 • -5db
33% Popularity • 55% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Paul Dempsey
Fast Friends
133 bpm • A Maj • 04:16 • -6.21db
26% Popularity • 55% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Evermore
Real Life
128 bpm • D# Maj • 04:36 • -6.3db
17% Popularity • 25% Danceability • 76% Energy • 7% Liveness
3% Instrumentalness • 7% Positiveness
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Machine Gun Fellatio
The Girl Of My Dreams Is Giving Me Night...
133 bpm • B Maj • 03:31 • -6.98db
38% Popularity • 67% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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You Am I
Mr. Milk
132 bpm • C# min • 03:16 • -4.24db
26% Popularity • 43% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Elemeno P
11:57
133 bpm • A Maj • 03:25 • -5.77db
36% Popularity • 65% Danceability • 69% Energy • 33% Liveness
4% Instrumentalness • 82% Positiveness
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Killing Heidi
Heavensent
127 bpm • A Maj • 04:31 • -6.1db
25% Popularity • 50% Danceability • 93% Energy • 76% Liveness
0% Instrumentalness • 48% Positiveness
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Opshop
Big Energy in Little Spaces
133 bpm • D min • 03:59 • -4.18db
20% Popularity • 56% Danceability • 78% Energy • 31% Liveness
4% Instrumentalness • 35% Positiveness
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Mia Dyson
The Passenger
133 bpm • F min • 04:47 • -6.94db
28% Popularity • 48% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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The Living End
Coma
133 bpm • A# Maj • 04:31 • -7.81db
9% Popularity • 66% Danceability • 87% Energy • 81% Liveness
0% Instrumentalness • 45% Positiveness
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You Am I
Good Mornin'
133 bpm • D# Maj • 04:12 • -4.27db
25% Popularity • 33% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Faker
Love For Sale
127 bpm • G Maj • 03:54 • -4.08db
13% Popularity • 57% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Powderfinger
Burn Your Name
127 bpm • C Maj • 03:51 • -2.92db
49% Popularity • 42% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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The Superjesus
The Setting Sun
134 bpm • B Maj • 04:28 • -5db
9% Popularity • 36% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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The Virginmarys
Motherless Land
134 bpm • G Maj • 03:23 • -3.3db
25% Popularity • 57% Danceability • 99% Energy • 42% Liveness
0% Instrumentalness • 49% Positiveness
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Killing Heidi
Mascara
134 bpm • D Maj • 04:50 • -4.49db
44% Popularity • 41% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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The Whitlams
Thankyou (For Loving Me At My Worst)
134 bpm • F Maj • 04:12 • -5.65db
33% Popularity • 57% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Art vs Science
Friend In the Field
126 bpm • C min • 03:45 • -5.56db
28% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Regurgitator
Happiness
134 bpm • A Maj • 03:55 • -5.55db
26% Popularity • 61% Danceability • 78% Energy • 10% Liveness
2% Instrumentalness • 60% Positiveness
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Opshop
Smoke and Mirrors
126 bpm • A min • 05:01 • -7.93db
10% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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End Of Fashion
Oh Strain
126 bpm • D Maj • 03:08 • -7.89db
11% Popularity • 63% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Faker
Kids On Overload
134 bpm • F# min • 04:32 • -3.64db
10% Popularity • 53% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Pete Murray
Always A Winner
126 bpm • C Maj • 04:12 • -5.19db
37% Popularity • 66% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Ben Lee
Into The Dark
126 bpm • G Maj • 02:46 • -7db
25% Popularity • 78% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Sound Of Guns
Sometimes
135 bpm • D Maj • 04:23 • -6.37db
28% Popularity • 51% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Ratcat
That Ain't Bad
134 bpm • A Maj • 04:03 • -8.32db
38% Popularity • 51% Danceability • 79% Energy • 36% Liveness
80% Instrumentalness • 53% Positiveness
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Killing Heidi
Live Without It
135 bpm • G Maj • 03:11 • -5.67db
32% Popularity • 44% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 35% Positiveness
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Powderfinger
Stumblin'
125 bpm • C# Maj • 03:46 • -4.24db
36% Popularity • 54% Danceability • 87% Energy • 4% Liveness
18% Instrumentalness • 57% Positiveness
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Bluejuice
Act Yr Age
135 bpm • D Maj • 03:20 • -3.71db
46% Popularity • 66% Danceability • 88% Energy • 24% Liveness
3% Instrumentalness • 97% Positiveness
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Bob Evans
Pasha Bulker (Where Did I Go Wrong?)
135 bpm • B min • 03:15 • -6.37db
3% Popularity • 42% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Jebediah
Benedict
135 bpm • D Maj • 04:03 • -3.34db
24% Popularity • 58% Danceability • 98% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Ratcat
Baby Baby
135 bpm • D Maj • 03:45 • -9.7db
22% Popularity • 47% Danceability • 81% Energy • 26% Liveness
38% Instrumentalness • 50% Positiveness
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Luger Boa
New Hot Nights
125 bpm • D Maj • 03:50 • -4.15db
12% Popularity • 60% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Machine Gun Fellatio
Pussy Town
125 bpm • A Maj • 02:59 • -6.16db
32% Popularity • 69% Danceability • 63% Energy • 25% Liveness
48% Instrumentalness • 65% Positiveness
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Bluejuice
On My Own
135 bpm • F# Maj • 03:17 • -4.67db
14% Popularity • 55% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Twin Atlantic
You Are the Devil
125 bpm • C Maj • 03:09 • -6.4db
22% Popularity • 55% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Jebediah
Teflon
125 bpm • B Maj • 03:46 • -6.31db
31% Popularity • 49% Danceability • 92% Energy • 10% Liveness
7% Instrumentalness • 71% Positiveness
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You Am I
Kick A Hole In The Sky
125 bpm • A Maj • 03:54 • -4.02db
18% Popularity • 46% Danceability • 89% Energy • 15% Liveness
23% Instrumentalness • 49% Positiveness
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Taxiride
Everywhere You Go
135 bpm • D Maj • 03:32 • -5.04db
38% Popularity • 54% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Trial Kennedy
Living Undesigned
124 bpm • A min • 04:06 • -5.11db
14% Popularity • 47% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Spiderbait
Old Man Sam
136 bpm • D Maj • 02:40 • -6.99db
36% Popularity • 63% Danceability • 65% Energy • 11% Liveness
12% Instrumentalness • 53% Positiveness
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Midnight Youth
Learning to Fall
136 bpm • B Maj • 03:48 • -6.13db
10% Popularity • 41% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Black River Drive
Everywhere
136 bpm • A Maj • 03:59 • -6db
13% Popularity • 52% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Whitlams
I Make Hamburgers
136 bpm • C Maj • 03:34 • -6.39db
36% Popularity • 63% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Motor Ace
Criminal Past - 2017 Remaster
136 bpm • A Maj • 03:20 • -5db
6% Popularity • 61% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Bernard Fanning
America (Glamour And Prestige)
124 bpm • B Maj • 03:07 • -4.1db
16% Popularity • 67% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Spiderbait
Shazam!
136 bpm • G Maj • 02:03 • -3.36db
46% Popularity • 51% Danceability • 89% Energy • 24% Liveness
93% Instrumentalness • 86% Positiveness
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Bluejuice
No Time For Tears
124 bpm • E Maj • 03:10 • -4.48db
11% Popularity • 62% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 84% Positiveness
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Pete Murray
Lines
136 bpm • A Maj • 03:00 • -6.88db
35% Popularity • 50% Danceability • 81% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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The Superjesus
Saturation
137 bpm • C min • 04:04 • -5.95db
28% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 25% Positiveness
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Jebediah
Military Strongmen
137 bpm • C# Maj • 03:27 • -4.43db
31% Popularity • 37% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Motor Ace
Criminal Past
137 bpm • A Maj • 03:19 • -6.77db
17% Popularity • 55% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Wesley Dean
Feels Like Woah
137 bpm • B Maj • 03:12 • -3.48db
31% Popularity • 47% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Twin Atlantic
The Chaser
137 bpm • A Maj • 04:02 • -4.43db
27% Popularity • 47% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Midnight Youth
All on Our Own
137 bpm • F# Maj • 03:46 • -5.03db
30% Popularity • 52% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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End Of Fashion
She's Love
137 bpm • E Maj • 03:45 • -5.75db
21% Popularity • 49% Danceability • 92% Energy • 85% Liveness
0% Instrumentalness • 61% Positiveness
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The Maze
On Your Own
137 bpm • D Maj • 03:11 • -4.74db
19% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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The Whitlams
I Will Not Go Quietly
137 bpm • C Maj • 03:53 • -5.54db
30% Popularity • 49% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Opshop
Maybe
137 bpm • F# Maj • 03:27 • -4.1db
33% Popularity • 56% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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The Living End
Waiting For The Silence
137 bpm • D Maj • 05:01 • -5.29db
12% Popularity • 49% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 27% Positiveness
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Ammonia
You're Not The Only One Who Feels This W...
123 bpm • F min • 03:53 • -8.21db
27% Popularity • 33% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
27% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Trial Kennedy
Neighbours
123 bpm • D Maj • 04:05 • -2.72db
12% Popularity • 45% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Bernard Fanning
Wish You Well
123 bpm • D Maj • 02:31 • -3.98db
59% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Faker
Are You Magnetic?
138 bpm • D Maj • 03:50 • -3.87db
29% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
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The Living End
Whats On Your Radio?
137 bpm • E min • 03:02 • -4.49db
25% Popularity • 29% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
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End Of Fashion
Too Careful
138 bpm • E Maj • 03:13 • -4.64db
13% Popularity • 51% Danceability • 86% Energy • 63% Liveness
0% Instrumentalness • 70% Positiveness
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Spiderbait
Four On The Floor
122 bpm • A Maj • 03:07 • -4.52db
32% Popularity • 58% Danceability • 99% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Pete Murray
H.O.L.L.A.N.D.
139 bpm • G Maj • 04:36 • -5.84db
12% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Keep On Running