Songs like Keep On Swinging by Rival Sons
Based on a tempo of (+/- 10%) and a similar genre
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The Cold Stares
Hard Times
174 bpm • D Maj • 03:26 • -8.32db
31% Popularity • 37% Danceability • 83% Energy • 33% Liveness
3% Instrumentalness • 77% Positiveness
31% Popularity • 37% Danceability • 83% Energy • 33% Liveness
3% Instrumentalness • 77% Positiveness
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The Dead Daisies
Washington
174 bpm • E Maj • 03:19 • -2.85db
20% Popularity • 51% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
20% Popularity • 51% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Crobot
Nowhere To Hide
174 bpm • C# Maj • 03:03 • -4.71db
29% Popularity • 28% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 28% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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Rival Sons
Keep On Swinging
174 bpm • C# min • 03:59 • -5db
20% Popularity • 21% Danceability • 86% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 21% Danceability • 86% Energy • 49% Liveness
0% Instrumentalness • 40% Positiveness
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Kamchatka
Perfect
175 bpm • G Maj • 02:57 • -6.94db
21% Popularity • 29% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 29% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Kenny Wayne Shepherd
True Lies
173 bpm • A Maj • 05:48 • -7db
45% Popularity • 37% Danceability • 77% Energy • 6% Liveness
63% Instrumentalness • 70% Positiveness
45% Popularity • 37% Danceability • 77% Energy • 6% Liveness
63% Instrumentalness • 70% Positiveness
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John The Conqueror
I Just Wanna
175 bpm • A Maj • 03:29 • -8db
21% Popularity • 53% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 53% Danceability • 64% Energy • 64% Liveness
0% Instrumentalness • 50% Positiveness
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7Horse
Most of That Is You and Me
175 bpm • D Maj • 02:52 • -4.51db
37% Popularity • 44% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
37% Popularity • 44% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Goodbye June
Live in the Now
175 bpm • C# Maj • 04:22 • -4.5db
35% Popularity • 49% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
35% Popularity • 49% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Temperance Movement
Built-In Forgetter
173 bpm • A# Maj • 04:21 • -4.49db
32% Popularity • 46% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 46% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Black Country Communion
Collide
173 bpm • G# Maj • 04:06 • -4db
30% Popularity • 31% Danceability • 95% Energy • 20% Liveness
12% Instrumentalness • 58% Positiveness
30% Popularity • 31% Danceability • 95% Energy • 20% Liveness
12% Instrumentalness • 58% Positiveness
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Black Pistol Fire
Suffocation Blues
176 bpm • B min • 02:41 • -6db
56% Popularity • 28% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
56% Popularity • 28% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Year Long Disaster
The Fool And You
176 bpm • G Maj • 02:38 • -3.36db
27% Popularity • 29% Danceability • 92% Energy • 31% Liveness
17% Instrumentalness • 34% Positiveness
27% Popularity • 29% Danceability • 92% Energy • 31% Liveness
17% Instrumentalness • 34% Positiveness
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Greta Van Fleet
Safari Song
176 bpm • D Maj • 03:54 • -4.02db
67% Popularity • 36% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 36% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Them Crooked Vultures
No One Loves Me and Neither Do I
176 bpm • D Maj • 05:10 • -5.51db
57% Popularity • 23% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 23% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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The Company Band
Hot Topic Woman
172 bpm • F# Maj • 03:31 • -5.13db
31% Popularity • 56% Danceability • 91% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 56% Danceability • 91% Energy • 2% Liveness
0% Instrumentalness • 76% Positiveness
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The Steepwater Band
Dance Me A Number
172 bpm • G min • 03:39 • -4.87db
29% Popularity • 28% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
29% Popularity • 28% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Chickenfoot
Soap on a Rope
176 bpm • A Maj • 05:32 • -4db
32% Popularity • 26% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 26% Danceability • 91% Energy • 52% Liveness
0% Instrumentalness • 44% Positiveness
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The Temperance Movement
Caught in the Middle
176 bpm • E Maj • 02:40 • -3.97db
45% Popularity • 43% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 43% Danceability • 92% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Walking Papers
Capital T
176 bpm • C Maj • 04:56 • -6.03db
14% Popularity • 27% Danceability • 75% Energy • 9% Liveness
9% Instrumentalness • 72% Positiveness
14% Popularity • 27% Danceability • 75% Energy • 9% Liveness
9% Instrumentalness • 72% Positiveness
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Rival Sons
Electric Man
171 bpm • A# Maj • 03:20 • -3.08db
20% Popularity • 39% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 39% Danceability • 87% Energy • 51% Liveness
0% Instrumentalness • 53% Positiveness
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Zac Brown Band
Heavy Is the Head
171 bpm • G# Maj • 03:59 • -3.43db
52% Popularity • 40% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 40% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Eagles Of Death Metal
The Reverend
177 bpm • C Maj • 03:29 • -6db
25% Popularity • 41% Danceability • 93% Energy • 7% Liveness
17% Instrumentalness • 56% Positiveness
25% Popularity • 41% Danceability • 93% Energy • 7% Liveness
17% Instrumentalness • 56% Positiveness
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The Parlor Mob
Doe Eyed Dear
171 bpm • G Maj • 04:11 • -8.16db
19% Popularity • 30% Danceability • 74% Energy • 14% Liveness
10% Instrumentalness • 16% Positiveness
19% Popularity • 30% Danceability • 74% Energy • 14% Liveness
10% Instrumentalness • 16% Positiveness
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Philip Sayce
Save Me from Myself
170 bpm • F# Maj • 04:00 • -4db
30% Popularity • 21% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 21% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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the Graveltones
Forget About The Trouble
170 bpm • A Maj • 02:25 • -5db
21% Popularity • 41% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 41% Danceability • 97% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Rival Sons
Angel
170 bpm • A min • 03:27 • -5.61db
20% Popularity • 16% Danceability • 87% Energy • 20% Liveness
2% Instrumentalness • 44% Positiveness
20% Popularity • 16% Danceability • 87% Energy • 20% Liveness
2% Instrumentalness • 44% Positiveness
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Clutch
In Walks Barbarella
178 bpm • C Maj • 03:49 • -4.7db
33% Popularity • 38% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 38% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Black Label Society
Machine Gun Man
170 bpm • A Maj • 04:55 • -4.85db
36% Popularity • 39% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
36% Popularity • 39% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Parlor Mob
Carnival of Crows
170 bpm • D min • 03:26 • -4.26db
23% Popularity • 42% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 42% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Henrik Freischlader
Openness
170 bpm • D Maj • 04:26 • -5db
32% Popularity • 45% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 75% Positiveness
32% Popularity • 45% Danceability • 89% Energy • 47% Liveness
1% Instrumentalness • 75% Positiveness
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Five Horse Johnson
Lightning When I Need
169 bpm • G Maj • 04:12 • -6.5db
28% Popularity • 31% Danceability • 91% Energy • 36% Liveness
56% Instrumentalness • 74% Positiveness
28% Popularity • 31% Danceability • 91% Energy • 36% Liveness
56% Instrumentalness • 74% Positiveness
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Them Crooked Vultures
Elephants
180 bpm • A# Maj • 06:49 • -5db
48% Popularity • 23% Danceability • 88% Energy • 38% Liveness
7% Instrumentalness • 53% Positiveness
48% Popularity • 23% Danceability • 88% Energy • 38% Liveness
7% Instrumentalness • 53% Positiveness
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Lance Lopez
El Paso Sugar
180 bpm • D Maj • 05:42 • -6.4db
27% Popularity • 24% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
27% Popularity • 24% Danceability • 81% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Rival Sons
Gypsy Heart
168 bpm • E Maj • 03:28 • -5.06db
24% Popularity • 19% Danceability • 91% Energy • 30% Liveness
1% Instrumentalness • 51% Positiveness
24% Popularity • 19% Danceability • 91% Energy • 30% Liveness
1% Instrumentalness • 51% Positiveness
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Kamchatka
Get Your Game On
180 bpm • F min • 03:30 • -6db
16% Popularity • 51% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 51% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Black Country Communion
Man In The Middle
180 bpm • A Maj • 04:35 • -5.21db
28% Popularity • 43% Danceability • 97% Energy • 32% Liveness
4% Instrumentalness • 33% Positiveness
28% Popularity • 43% Danceability • 97% Energy • 32% Liveness
4% Instrumentalness • 33% Positiveness
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Five Horse Johnson
She Don't Know
179 bpm • A min • 04:50 • -5.33db
17% Popularity • 22% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 22% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Wanton Bishops
Time to Go
168 bpm • G Maj • 02:41 • -5.01db
39% Popularity • 34% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 34% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Clutch
X-Ray Visions
181 bpm • D Maj • 03:42 • -5db
42% Popularity • 43% Danceability • 100% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 43% Danceability • 100% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Dan Patlansky
Sonova Faith
182 bpm • B Maj • 04:06 • -6.71db
9% Popularity • 34% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 34% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Seasick Steve
You Can't Teach An Old Dog New Tricks
182 bpm • E min • 03:34 • -6.69db
44% Popularity • 31% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
44% Popularity • 31% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Band Of Skulls
Black Magic
166 bpm • G Maj • 02:48 • -2.21db
43% Popularity • 43% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 43% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Foo Fighters
Outside
166 bpm • E min • 05:14 • -6.32db
45% Popularity • 36% Danceability • 87% Energy • 8% Liveness
31% Instrumentalness • 37% Positiveness
45% Popularity • 36% Danceability • 87% Energy • 8% Liveness
31% Instrumentalness • 37% Positiveness
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Paul McCartney
Cut Me Some Slack
166 bpm • D Maj • 04:38 • -4.24db
36% Popularity • 30% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 30% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Steepwater Band
High and Humble
166 bpm • C Maj • 04:42 • -5db
28% Popularity • 34% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
28% Popularity • 34% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 80% Positiveness
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Rival Sons
Tell Me Something
166 bpm • F# Maj • 04:06 • -4.6db
29% Popularity • 18% Danceability • 83% Energy • 36% Liveness
22% Instrumentalness • 55% Positiveness
29% Popularity • 18% Danceability • 83% Energy • 36% Liveness
22% Instrumentalness • 55% Positiveness
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The Raconteurs
Carolina Drama
166 bpm • A min • 05:55 • -5.89db
46% Popularity • 36% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 36% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Clutch
Electric Worry
165 bpm • C Maj • 05:14 • -4.23db
51% Popularity • 38% Danceability • 81% Energy • 32% Liveness
11% Instrumentalness • 26% Positiveness
51% Popularity • 38% Danceability • 81% Energy • 32% Liveness
11% Instrumentalness • 26% Positiveness
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Black Spiders
What Good's A Rock Without A Roll?
184 bpm • F# min • 04:29 • -3db
23% Popularity • 28% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 28% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Goodbye June
Liberty Mother - Bonus Track
184 bpm • A Maj • 02:28 • -3.48db
38% Popularity • 23% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 23% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Richie Kotzen
Stand Tall
184 bpm • F min • 03:58 • -6.09db
31% Popularity • 61% Danceability • 68% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 61% Danceability • 68% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
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Dirty Honey
The Wire
184 bpm • G# Maj • 03:05 • -4.24db
40% Popularity • 39% Danceability • 89% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 39% Danceability • 89% Energy • 43% Liveness
0% Instrumentalness • 69% Positiveness
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Bleeker
Free
184 bpm • D Maj • 02:25 • -5.28db
47% Popularity • 52% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 52% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Clutch
Firebirds
165 bpm • G Maj • 03:00 • -6db
41% Popularity • 50% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 50% Danceability • 99% Energy • 64% Liveness
0% Instrumentalness • 56% Positiveness
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The Company Band
Zombie Barricades
184 bpm • E min • 03:39 • -4.36db
38% Popularity • 48% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 48% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Blue Stones
Rolling With the Punches
164 bpm • D Maj • 03:20 • -4.71db
52% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Jesse Roper
The Hurricane's Eye
164 bpm • A Maj • 03:35 • -8.2db
43% Popularity • 36% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 36% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Imperial State Electric
Empire of Fire
185 bpm • C# Maj • 03:28 • -3.31db
16% Popularity • 29% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 29% Danceability • 98% Energy • 68% Liveness
0% Instrumentalness • 55% Positiveness
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Dirty Honey
Fire Away
164 bpm • B min • 04:45 • -7.34db
38% Popularity • 47% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 47% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Clutch
Electric Worry - The Weathermaker Vault ...
164 bpm • C Maj • 05:35 • -6.85db
22% Popularity • 38% Danceability • 89% Energy • 37% Liveness
14% Instrumentalness • 16% Positiveness
22% Popularity • 38% Danceability • 89% Energy • 37% Liveness
14% Instrumentalness • 16% Positiveness
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The Stone Foxes
Ulysses Jones
164 bpm • A# min • 03:19 • -6db
34% Popularity • 26% Danceability • 78% Energy • 27% Liveness
1% Instrumentalness • 37% Positiveness
34% Popularity • 26% Danceability • 78% Energy • 27% Liveness
1% Instrumentalness • 37% Positiveness
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Kyle Gass Band
Manchild
163 bpm • C Maj • 03:25 • -4.65db
24% Popularity • 27% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 27% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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The Parlor Mob
The Kids
186 bpm • F Maj • 03:45 • -3.2db
18% Popularity • 30% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 30% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Dixie Witch
What You Want
186 bpm • F# Maj • 02:49 • -8.53db
11% Popularity • 12% Danceability • 88% Energy • 46% Liveness
1% Instrumentalness • 72% Positiveness
11% Popularity • 12% Danceability • 88% Energy • 46% Liveness
1% Instrumentalness • 72% Positiveness
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The Cold Stares
The Great Unknown
162 bpm • C# Maj • 03:00 • -3.33db
31% Popularity • 44% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 44% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Foo Fighters
Something from Nothing
187 bpm • D Maj • 04:48 • -5.3db
54% Popularity • 23% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 23% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Jack White
Freedom At 21
161 bpm • A Maj • 02:51 • -11db
44% Popularity • 38% Danceability • 76% Energy • 59% Liveness
2% Instrumentalness • 52% Positiveness
44% Popularity • 38% Danceability • 76% Energy • 59% Liveness
2% Instrumentalness • 52% Positiveness
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Moreland & Arbuckle
18 Counties
187 bpm • A min • 03:59 • -6.29db
31% Popularity • 21% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 21% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Radio Moscow
Rancho Tehama Airport
160 bpm • G Maj • 03:36 • -7.09db
24% Popularity • 28% Danceability • 91% Energy • 15% Liveness
2% Instrumentalness • 48% Positiveness
24% Popularity • 28% Danceability • 91% Energy • 15% Liveness
2% Instrumentalness • 48% Positiveness
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The Dead Weather
I Feel Love (Every Million Miles)
189 bpm • E Maj • 03:15 • -6.96db
43% Popularity • 24% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
43% Popularity • 24% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Jaded Sun
Breaking Through
160 bpm • D min • 04:05 • -4.87db
11% Popularity • 40% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 40% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Goodbye June
Good Side
160 bpm • F# min • 03:25 • -4db
31% Popularity • 45% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 45% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Philip Sayce
Burning Out
160 bpm • C Maj • 03:28 • -4.14db
35% Popularity • 26% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 26% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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Them Crooked Vultures
New Fang
190 bpm • G Maj • 03:48 • -3.85db
60% Popularity • 28% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
60% Popularity • 28% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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Eagles Of Death Metal
Wannabe in L.A
158 bpm • F min • 02:15 • -3.95db
55% Popularity • 64% Danceability • 94% Energy • 9% Liveness
15% Instrumentalness • 97% Positiveness
55% Popularity • 64% Danceability • 94% Energy • 9% Liveness
15% Instrumentalness • 97% Positiveness
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Rival Sons
Company Man
158 bpm • F# min • 03:09 • -2.97db
23% Popularity • 19% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 19% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Royal Blood
Out of the Black
159 bpm • D Maj • 04:00 • -2.75db
61% Popularity • 52% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
61% Popularity • 52% Danceability • 98% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Dirty Honey
Scars
158 bpm • A# min • 04:15 • -3.96db
34% Popularity • 42% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 42% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Inglorious
Until I Die
158 bpm • C# Maj • 05:54 • -5.97db
28% Popularity • 35% Danceability • 80% Energy • 13% Liveness
16% Instrumentalness • 13% Positiveness
28% Popularity • 35% Danceability • 80% Energy • 13% Liveness
16% Instrumentalness • 13% Positiveness
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All Them Witches
When God Comes Back
157 bpm • G# Maj • 03:33 • -8.02db
33% Popularity • 31% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
33% Popularity • 31% Danceability • 94% Energy • 9% Liveness
1% Instrumentalness • 22% Positiveness
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Anders Osborne
Five Bullets
157 bpm • G Maj • 03:10 • -3.67db
33% Popularity • 49% Danceability • 77% Energy • 59% Liveness
5% Instrumentalness • 50% Positiveness
33% Popularity • 49% Danceability • 77% Energy • 59% Liveness
5% Instrumentalness • 50% Positiveness
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Ayron Jones
Take Me Away
156 bpm • D# min • 04:06 • -4db
44% Popularity • 47% Danceability • 85% Energy • 22% Liveness
14% Instrumentalness • 57% Positiveness
44% Popularity • 47% Danceability • 85% Energy • 22% Liveness
14% Instrumentalness • 57% Positiveness
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Dan Auerbach
I Want Some More
157 bpm • C# min • 03:46 • -8.05db
43% Popularity • 40% Danceability • 81% Energy • 21% Liveness
69% Instrumentalness • 68% Positiveness
43% Popularity • 40% Danceability • 81% Energy • 21% Liveness
69% Instrumentalness • 68% Positiveness
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Goodbye June
Man Of The Moment
156 bpm • C# Maj • 03:12 • -4db
41% Popularity • 40% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 40% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Black Country Communion
Song Of Yesterday
156 bpm • A min • 08:32 • -8.05db
40% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
40% Popularity • 36% Danceability • 71% Energy • 30% Liveness
52% Instrumentalness • 29% Positiveness
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Bleeker
Where's Your Money
195 bpm • D# Maj • 03:42 • -5.19db
34% Popularity • 57% Danceability • 78% Energy • 12% Liveness
4% Instrumentalness • 89% Positiveness
34% Popularity • 57% Danceability • 78% Energy • 12% Liveness
4% Instrumentalness • 89% Positiveness
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John The Conqueror
Lucille
155 bpm • G min • 04:46 • -8db
28% Popularity • 57% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 57% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 84% Positiveness
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The Stone Foxes
I Know Who You Are
155 bpm • B Maj • 03:11 • -8.12db
28% Popularity • 49% Danceability • 66% Energy • 10% Liveness
33% Instrumentalness • 35% Positiveness
28% Popularity • 49% Danceability • 66% Energy • 10% Liveness
33% Instrumentalness • 35% Positiveness
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Reignwolf
Lonely Sunday
154 bpm • G# Maj • 02:51 • -4db
44% Popularity • 21% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 21% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Five Horse Johnson
Jake Leg Boogie
197 bpm • C Maj • 02:39 • -6.83db
27% Popularity • 28% Danceability • 90% Energy • 31% Liveness
53% Instrumentalness • 80% Positiveness
27% Popularity • 28% Danceability • 90% Energy • 31% Liveness
53% Instrumentalness • 80% Positiveness
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The Parlor Mob
When I Was an Orphan
153 bpm • A Maj • 04:47 • -5.86db
19% Popularity • 42% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 42% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Bleeker
Highway
154 bpm • F# Maj • 03:21 • -5.17db
54% Popularity • 46% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 46% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Soundgarden
Been Away Too Long
153 bpm • A Maj • 03:36 • -3.54db
40% Popularity • 48% Danceability • 97% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
40% Popularity • 48% Danceability • 97% Energy • 37% Liveness
1% Instrumentalness • 64% Positiveness
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Anders Osborne
Black Tar
152 bpm • C# min • 04:58 • -5.91db
24% Popularity • 46% Danceability • 83% Energy • 13% Liveness
37% Instrumentalness • 54% Positiveness
24% Popularity • 46% Danceability • 83% Energy • 13% Liveness
37% Instrumentalness • 54% Positiveness
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Henry's Funeral Shoe
Overflow
152 bpm • D Maj • 03:28 • -2.78db
20% Popularity • 22% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 22% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Crobot
Legend Of The Spaceborne Killer
152 bpm • G# Maj • 03:18 • -5.89db
26% Popularity • 23% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 23% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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The Fumes
Python For A Pillow
152 bpm • B Maj • 03:11 • -4.03db
31% Popularity • 30% Danceability • 99% Energy • 54% Liveness
2% Instrumentalness • 56% Positiveness
31% Popularity • 30% Danceability • 99% Energy • 54% Liveness
2% Instrumentalness • 56% Positiveness
