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Keep the Light On
Songs like
Keep the Light On
by
The Whitlams
Based on a tempo of (+/- 10%) and a similar genre
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Del Amitri
Spit In The Rain
113 bpm • D Maj • 03:44 • -7db
36% Popularity • 56% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Clare Bowditch
Autumn Bone
113 bpm • B min • 04:33 • -9.16db
7% Popularity • 52% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 12% Positiveness
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You Am I
Heavy Heart
113 bpm • C Maj • 03:11 • -11db
41% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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The Whitlams
Up Against The Wall
113 bpm • B min • 05:28 • -5.92db
17% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Tim Rogers & The Twin Set
Twenty Eight
113 bpm • D Maj • 03:28 • -8.52db
8% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Lisa Mitchell
Cruel to Be Kind
113 bpm • D# Maj • 03:34 • -12.04db
13% Popularity • 65% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
25% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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The Mutton Birds
While You Sleep
113 bpm • E Maj • 04:34 • -7.12db
8% Popularity • 47% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Whitlams
Keep the Light On
113 bpm • D Maj • 03:40 • -8.33db
20% Popularity • 44% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Paul Dempsey
Safety In Numbness
113 bpm • A# Maj • 05:01 • -4.25db
13% Popularity • 50% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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The Panics
Feeling Is Gone
114 bpm • E Maj • 03:23 • -6.61db
21% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Gemma Hayes
Undercover
112 bpm • C# min • 04:10 • -6.75db
12% Popularity • 57% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Taxiride
Can You Feel
114 bpm • G# Maj • 03:17 • -7db
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
29% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Hawksley Workman
Ilfracombe
114 bpm • F# Maj • 05:05 • -5.03db
10% Popularity • 59% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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The Finn Brothers
Part of Me, Part of You
112 bpm • D Maj • 03:29 • -5.16db
18% Popularity • 48% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 53% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Panics
Something In The Garden
112 bpm • D Maj • 04:57 • -7.8db
8% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
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The Whitlams
God Drinks At The Sando
115 bpm • C Maj • 02:53 • -13.8db
15% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Dempsey
Addicted
115 bpm • C# Maj • 04:09 • -11.91db
23% Popularity • 55% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Shane Howard
Let the Franklin Flow
111 bpm • F Maj • 03:22 • -5.76db
15% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Evermore
Never Let You Go
111 bpm • D# Maj • 04:16 • -6.08db
32% Popularity • 24% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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The Panics
Creaks
116 bpm • C# Maj • 04:02 • -6.31db
14% Popularity • 56% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 37% Positiveness
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The Whitlams
Keep The Light On (Live)
111 bpm • D Maj • 03:54 • -7db
27% Popularity • 30% Danceability • 43% Energy • 69% Liveness
0% Instrumentalness • 24% Positiveness
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Gemma Hayes
Easy On The Eye
116 bpm • D Maj • 03:56 • -12.61db
9% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Paul Dempsey
Lifetime Supply
116 bpm • F# min • 04:10 • -7.76db
18% Popularity • 49% Danceability • 58% Energy • 30% Liveness
1% Instrumentalness • 6% Positiveness
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David Gray
Slow Motion
116 bpm • B Maj • 05:00 • -7.41db
8% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Birds Of Tokyo
Heard It Through The Grapevine - Acousti...
116 bpm • C Maj • 04:27 • -14.03db
21% Popularity • 50% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
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Darren Hanlon
Happiness Is A Chemical
117 bpm • D Maj • 05:12 • -8.85db
11% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Powderfinger
Pick You Up
109 bpm • A# min • 04:19 • -7db
43% Popularity • 57% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Lior
Safety of Distance
117 bpm • G# Maj • 02:19 • -11.96db
20% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Don McGlashan
Miracle Sun
117 bpm • B min • 07:02 • -10.5db
11% Popularity • 38% Danceability • 44% Energy • 23% Liveness
1% Instrumentalness • 17% Positiveness
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Holly Throsby
Making A Fire
109 bpm • A# Maj • 03:39 • -9.62db
13% Popularity • 70% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Darren Hanlon
We All Cope in Different Ways
109 bpm • C Maj • 04:21 • -16.41db
15% Popularity • 57% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Tim Minchin
I Can’t Save You
117 bpm • A# Maj • 03:41 • -13.64db
24% Popularity • 43% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Youth Group
Forever Young - Live Acoustic Version
109 bpm • F# min • 03:49 • -7.09db
15% Popularity • 43% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lior
This Old Love
117 bpm • C# Maj • 03:03 • -15db
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Whitlams
Been Away Too Long
117 bpm • G# Maj • 03:57 • -8.58db
17% Popularity • 57% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Paul Dempsey
Edge Of Town - triple j Like A Version
109 bpm • G# Maj • 03:37 • -6.9db
34% Popularity • 58% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Augie March
Bottle Baby
117 bpm • C Maj • 04:28 • -9.5db
12% Popularity • 46% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Machine Translations
She Wears a Mask
118 bpm • G Maj • 03:12 • -6.63db
22% Popularity • 67% Danceability • 77% Energy • 13% Liveness
2% Instrumentalness • 90% Positiveness
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Bob Evans
Someone So Much
118 bpm • D Maj • 03:34 • -7.05db
6% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Greg Johnson
Hold Tight
108 bpm • G Maj • 03:28 • -12.67db
8% Popularity • 64% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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George
Breaking It Slowly
118 bpm • C Maj • 04:02 • -8.32db
21% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Holly Throsby
Things Between People
118 bpm • G# Maj • 04:05 • -9db
11% Popularity • 37% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Custard
Girls Like That (Don't Go for Guys Like ...
118 bpm • F# Maj • 03:10 • -7db
36% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Paddy Casey
Everybody Wants
118 bpm • F Maj • 03:57 • -10db
16% Popularity • 60% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Tim Finn
Couldn't Be Done
108 bpm • B Maj • 02:50 • -8.85db
19% Popularity • 70% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Evermore
For One Day
108 bpm • F# min • 04:10 • -6.72db
27% Popularity • 48% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Regurgitator
Polyester Girl
108 bpm • G# Maj • 03:30 • -6db
35% Popularity • 75% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The Finn Brothers
All God's Children
108 bpm • C Maj • 03:47 • -6.06db
15% Popularity • 50% Danceability • 84% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
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Augie March
When I Am Old
108 bpm • C Maj • 04:42 • -12db
11% Popularity • 63% Danceability • 35% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Greg Johnson
Don't Be The One
119 bpm • D Maj • 04:47 • -9.38db
9% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Darren Hanlon
The Last Night Of Not Knowing You
119 bpm • D Maj • 04:53 • -14.32db
8% Popularity • 64% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Things Of Stone and Wood
Heidelberg
107 bpm • D Maj • 03:47 • -7db
11% Popularity • 65% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Justin Currie
If I Ever Loved You
119 bpm • C# Maj • 04:30 • -6db
19% Popularity • 42% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Whitlams
Life's A Beach
107 bpm • C Maj • 03:39 • -10.73db
20% Popularity • 78% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 62% Positiveness
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Greg Johnson
If I Swagger
119 bpm • A# Maj • 04:35 • -13.67db
11% Popularity • 52% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Darren Hanlon
I Wish That I Was Beautiful For You
107 bpm • C Maj • 04:07 • -12.76db
16% Popularity • 55% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Goanna
On the Platform - Remastered Version
120 bpm • C Maj • 05:16 • -8.04db
17% Popularity • 30% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Evermore
Morning Star
120 bpm • C Maj • 03:15 • -12.21db
12% Popularity • 49% Danceability • 24% Energy • 9% Liveness
60% Instrumentalness • 9% Positiveness
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Deborah Conway
Today I Am a Daisy
120 bpm • C Maj • 03:34 • -10db
17% Popularity • 66% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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The Audreys
Don't Change
106 bpm • C Maj • 04:45 • -9.82db
23% Popularity • 64% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Holly Throsby
Not The Girl You Think You Are
120 bpm • E Maj • 03:36 • -10.78db
21% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Newton Faulkner
If This is It
120 bpm • C Maj • 04:00 • -6db
19% Popularity • 64% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Taxiride
Back Again
106 bpm • A Maj • 01:28 • -13db
26% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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George
Still Real
120 bpm • D Maj • 04:25 • -10db
14% Popularity • 58% Danceability • 52% Energy • 17% Liveness
6% Instrumentalness • 36% Positiveness
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Greg Johnson
Swagger (Wedding Version)
120 bpm • A# Maj • 04:19 • -9.46db
15% Popularity • 64% Danceability • 36% Energy • 13% Liveness
1% Instrumentalness • 36% Positiveness
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David Ford
I Don't Care What You Call Me
120 bpm • E Maj • 06:30 • -13.76db
17% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lior
The Art of Cruelty
120 bpm • A# Maj • 03:34 • -10.13db
13% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
14% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jebediah
Please Leave
121 bpm • G# min • 03:36 • -6.25db
25% Popularity • 70% Danceability • 94% Energy • 11% Liveness
7% Instrumentalness • 82% Positiveness
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The Audreys
Come on In
105 bpm • C Maj • 03:49 • -7.49db
16% Popularity • 40% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Diana Anaid
I go off
121 bpm • C Maj • 03:16 • -13.34db
24% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Seeker Lover Keeper
Even Though I'm A Woman
121 bpm • F Maj • 04:08 • -10.31db
35% Popularity • 66% Danceability • 45% Energy • 11% Liveness
3% Instrumentalness • 21% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Deadstar
Run Baby Run
122 bpm • C Maj • 03:30 • -5db
29% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Diesel
Dig
105 bpm • E Maj • 04:52 • -5.35db
23% Popularity • 48% Danceability • 90% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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The Superjesus
So Lonely
105 bpm • F Maj • 03:55 • -11.18db
6% Popularity • 58% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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David Gray
Hospital Food
122 bpm • F Maj • 04:43 • -4.57db
7% Popularity • 57% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Sarah Blasko
Always On This Line
122 bpm • F min • 04:11 • -8.49db
26% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Lior
Apple Tree
105 bpm • D# Maj • 04:11 • -16.93db
24% Popularity • 52% Danceability • 21% Energy • 13% Liveness
20% Instrumentalness • 32% Positiveness
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Killing Heidi
Black Sheep
122 bpm • C Maj • 02:17 • -7.51db
16% Popularity • 70% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Icecream Hands
Dodgy
122 bpm • F Maj • 02:40 • -3.7db
15% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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The Audreys
Where Are You Now?
123 bpm • D Maj • 04:38 • -11.41db
20% Popularity • 51% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
► Preview
You Am I
Hourly Daily
123 bpm • D Maj • 04:22 • -10db
18% Popularity • 40% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 21% Positiveness
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Waltons
In the Meantime
123 bpm • C Maj • 03:50 • -12.21db
10% Popularity • 68% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Deadstar
Lights Go Down
104 bpm • D Maj • 03:33 • -7.33db
12% Popularity • 61% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 22% Positiveness
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Merril Bainbridge
Under The Water
104 bpm • F# Maj • 04:13 • -9.24db
32% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Paul Dempsey
Blindspot
123 bpm • D min • 03:52 • -6.09db
16% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Keep the Light On