Songs like Keep Your Eyes Open by Bill Frisell
Based on a tempo of (+/- 10%) and a similar genre
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Avishai Cohen
The Things You Tell Me
126 bpm • C Maj • 03:11 • -15.45db
13% Popularity • 55% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 55% Danceability • 19% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
29% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Gregoire Maret
Re: Stacks
126 bpm • G# Maj • 08:14 • -16db
32% Popularity • 40% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 6% Positiveness
32% Popularity • 40% Danceability • 9% Energy • 10% Liveness
70% Instrumentalness • 6% Positiveness
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Fred Hersch
When I'm Sixty Four
126 bpm • G min • 05:02 • -21.98db
9% Popularity • 56% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
9% Popularity • 56% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
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Skúli Sverrisson
Sweet Earth
126 bpm • G min • 02:26 • -18.39db
35% Popularity • 50% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 46% Positiveness
35% Popularity • 50% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 46% Positiveness
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Bill Frisell
Keep Your Eyes Open
126 bpm • E Maj • 06:05 • -13.17db
12% Popularity • 57% Danceability • 35% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
12% Popularity • 57% Danceability • 35% Energy • 10% Liveness
83% Instrumentalness • 37% Positiveness
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Robben Ford
Blues Connotation
126 bpm • F min • 06:06 • -16.59db
2% Popularity • 44% Danceability • 57% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
2% Popularity • 44% Danceability • 57% Energy • 13% Liveness
82% Instrumentalness • 45% Positiveness
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Joel Lyssarides
Guadalquivir
127 bpm • C# Maj • 05:37 • -14.98db
10% Popularity • 36% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
10% Popularity • 36% Danceability • 29% Energy • 9% Liveness
93% Instrumentalness • 23% Positiveness
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Jamie Saft
Little Harbor
127 bpm • F min • 04:30 • -18.2db
17% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
17% Popularity • 60% Danceability • 28% Energy • 9% Liveness
23% Instrumentalness • 69% Positiveness
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Here It Is
Bird On The Wire
127 bpm • D Maj • 03:46 • -16.83db
21% Popularity • 42% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
21% Popularity • 42% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 25% Positiveness
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John Surman
Within The Clouds
125 bpm • F min • 04:48 • -19.11db
16% Popularity • 39% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 8% Positiveness
16% Popularity • 39% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 8% Positiveness
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Bill Frisell
Blues Dream
126 bpm • D min • 02:31 • -17.78db
20% Popularity • 31% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
20% Popularity • 31% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Dave Holland
Bring It Back Home
128 bpm • D# Maj • 05:59 • -21.31db
9% Popularity • 79% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
9% Popularity • 79% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • A# Maj • 08:16 • -15.65db
39% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Stephane Wrembel
Nympheas
124 bpm • C Maj • 04:03 • -17.69db
20% Popularity • 58% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 40% Positiveness
20% Popularity • 58% Danceability • 11% Energy • 11% Liveness
12% Instrumentalness • 40% Positiveness
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Paolo Fresu
Obscene Boundaries
124 bpm • G# Maj • 04:33 • -12.71db
13% Popularity • 76% Danceability • 34% Energy • 9% Liveness
73% Instrumentalness • 58% Positiveness
13% Popularity • 76% Danceability • 34% Energy • 9% Liveness
73% Instrumentalness • 58% Positiveness
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Bill Frisell
Lift Off
126 bpm • D Maj • 02:17 • -18.23db
19% Popularity • 31% Danceability • 9% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
19% Popularity • 31% Danceability • 9% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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The Dave Brubeck Quartet
Strange Meadowlark
124 bpm • F min • 07:11 • -12.83db
19% Popularity • 55% Danceability • 35% Energy • 21% Liveness
42% Instrumentalness • 20% Positiveness
19% Popularity • 55% Danceability • 35% Energy • 21% Liveness
42% Instrumentalness • 20% Positiveness
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Gary Peacock
Good Morning Heartache
124 bpm • C Maj • 05:25 • -24.24db
16% Popularity • 52% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
16% Popularity • 52% Danceability • 9% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Ben Street
Rumspringa
124 bpm • G# Maj • 07:28 • -16.4db
24% Popularity • 33% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
24% Popularity • 33% Danceability • 35% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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Tord Gustavsen Quartet
Eg Veit I Himmerik Ei Borg
124 bpm • A min • 05:39 • -13db
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
21% Popularity • 29% Danceability • 41% Energy • 12% Liveness
81% Instrumentalness • 5% Positiveness
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Gregoire Maret
Back Home
129 bpm • A Maj • 05:15 • -13.98db
18% Popularity • 49% Danceability • 12% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
18% Popularity • 49% Danceability • 12% Energy • 9% Liveness
45% Instrumentalness • 4% Positiveness
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Bill Frisell
Monica Jane
127 bpm • C Maj • 05:39 • -20.23db
12% Popularity • 52% Danceability • 4% Energy • 17% Liveness
73% Instrumentalness • 5% Positiveness
12% Popularity • 52% Danceability • 4% Energy • 17% Liveness
73% Instrumentalness • 5% Positiveness
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Maya Dunietz
Opus 1
129 bpm • C# Maj • 06:17 • -15db
17% Popularity • 44% Danceability • 35% Energy • 15% Liveness
70% Instrumentalness • 22% Positiveness
17% Popularity • 44% Danceability • 35% Energy • 15% Liveness
70% Instrumentalness • 22% Positiveness
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Brandee Younger
Tickled Pink
123 bpm • C# Maj • 03:01 • -14.49db
29% Popularity • 67% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 75% Positiveness
29% Popularity • 67% Danceability • 47% Energy • 10% Liveness
79% Instrumentalness • 75% Positiveness
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Joey Baron
Mighty Fine
129 bpm • G Maj • 05:18 • -11.93db
5% Popularity • 80% Danceability • 45% Energy • 14% Liveness
51% Instrumentalness • 62% Positiveness
5% Popularity • 80% Danceability • 45% Energy • 14% Liveness
51% Instrumentalness • 62% Positiveness
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Michel Benita
Elisian/Inutil Paisagem
129 bpm • G# Maj • 04:56 • -19.72db
13% Popularity • 27% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 10% Positiveness
13% Popularity • 27% Danceability • 15% Energy • 14% Liveness
73% Instrumentalness • 10% Positiveness
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Dave Holland
Ziandi
129 bpm • A min • 07:23 • -12.23db
12% Popularity • 67% Danceability • 35% Energy • 8% Liveness
91% Instrumentalness • 41% Positiveness
12% Popularity • 67% Danceability • 35% Energy • 8% Liveness
91% Instrumentalness • 41% Positiveness
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Bill Frisell
Small Town
128 bpm • C Maj • 08:57 • -27.1db
16% Popularity • 49% Danceability • 6% Energy • 21% Liveness
94% Instrumentalness • 24% Positiveness
16% Popularity • 49% Danceability • 6% Energy • 21% Liveness
94% Instrumentalness • 24% Positiveness
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Abdullah Ibrahim
Nisa
129 bpm • G min • 06:36 • -12.29db
13% Popularity • 57% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 38% Positiveness
13% Popularity • 57% Danceability • 29% Energy • 25% Liveness
16% Instrumentalness • 38% Positiveness
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Avishai Cohen
Moonlight Sonata
123 bpm • C# min • 05:30 • -13.8db
18% Popularity • 42% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
18% Popularity • 42% Danceability • 32% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Andrew Cyrille
Pretty Beauty
129 bpm • C Maj • 06:24 • -27.23db
9% Popularity • 25% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 5% Positiveness
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Bobo Stenson
Reflections In D
123 bpm • A Maj • 05:22 • -28.77db
14% Popularity • 34% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
14% Popularity • 34% Danceability • 5% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Either/Orchestra
Harvey's Entrance
129 bpm • F Maj • 07:29 • -8.86db
7% Popularity • 49% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
7% Popularity • 49% Danceability • 62% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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Bill Frisell
Outlaws
129 bpm • G min • 07:55 • -15.19db
21% Popularity • 50% Danceability • 29% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
21% Popularity • 50% Danceability • 29% Energy • 11% Liveness
70% Instrumentalness • 24% Positiveness
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Matt Carmichael
Dear Grandma
123 bpm • G Maj • 06:34 • -21.05db
9% Popularity • 41% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
9% Popularity • 41% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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David Helbock
Theme from Schindler's List
130 bpm • G min • 05:04 • -22.23db
25% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
25% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Trio Viret
Saint Awawa
130 bpm • E min • 06:03 • -12.55db
22% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
22% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
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Joshua Redman
Flash
122 bpm • C Maj • 04:43 • -13.32db
9% Popularity • 56% Danceability • 46% Energy • 18% Liveness
91% Instrumentalness • 77% Positiveness
9% Popularity • 56% Danceability • 46% Energy • 18% Liveness
91% Instrumentalness • 77% Positiveness
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Pat Martino
Both Sides Now
130 bpm • D Maj • 02:18 • -26.97db
50% Popularity • 42% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
50% Popularity • 42% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Lis Wessberg
The Strip
122 bpm • D min • 04:36 • -15.38db
11% Popularity • 50% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
11% Popularity • 50% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 29% Positiveness
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Kansas Smitty's
The Carpenter
122 bpm • A Maj • 03:40 • -12.79db
23% Popularity • 66% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
23% Popularity • 66% Danceability • 20% Energy • 11% Liveness
81% Instrumentalness • 16% Positiveness
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Tom Harrell
Journey to the Stars
122 bpm • F min • 06:34 • -17.6db
29% Popularity • 48% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
29% Popularity • 48% Danceability • 11% Energy • 14% Liveness
80% Instrumentalness • 39% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
26% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
26% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Niklas Fernqvist
St. Joseph
130 bpm • B Maj • 05:04 • -20.43db
30% Popularity • 54% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 54% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Jorge Roeder
El Suelo Mio
122 bpm • D Maj • 03:29 • -20db
27% Popularity • 70% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
27% Popularity • 70% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
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Larry Goldings
Solidity
122 bpm • G# Maj • 03:56 • -13.91db
22% Popularity • 61% Danceability • 52% Energy • 20% Liveness
73% Instrumentalness • 74% Positiveness
22% Popularity • 61% Danceability • 52% Energy • 20% Liveness
73% Instrumentalness • 74% Positiveness
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Espen Eriksen Trio
Where The River Runs
122 bpm • A Maj • 04:57 • -18.11db
16% Popularity • 60% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
16% Popularity • 60% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 25% Positiveness
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Kit Downes
Sister, Sister
131 bpm • C# Maj • 04:21 • -28db
22% Popularity • 38% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
22% Popularity • 38% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Skúli Sverrisson
Instants
122 bpm • G min • 05:15 • -13.68db
15% Popularity • 56% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
15% Popularity • 56% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 25% Positiveness
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Joshua Redman
Sun on Sand
131 bpm • G Maj • 06:01 • -15.27db
7% Popularity • 62% Danceability • 27% Energy • 11% Liveness
76% Instrumentalness • 32% Positiveness
7% Popularity • 62% Danceability • 27% Energy • 11% Liveness
76% Instrumentalness • 32% Positiveness
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Hans Ulrik
Loose Caboose
121 bpm • D# Maj • 03:48 • -9.49db
19% Popularity • 66% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
19% Popularity • 66% Danceability • 39% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Airelle Besson
O Grande Amor
121 bpm • F Maj • 04:38 • -19.68db
32% Popularity • 57% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
32% Popularity • 57% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 36% Positiveness
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Espen Eriksen Trio
Back To Base
131 bpm • D# Maj • 04:30 • -17.32db
19% Popularity • 45% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
19% Popularity • 45% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Ron Carter
595
121 bpm • G Maj • 07:10 • -15.06db
7% Popularity • 46% Danceability • 32% Energy • 15% Liveness
44% Instrumentalness • 24% Positiveness
7% Popularity • 46% Danceability • 32% Energy • 15% Liveness
44% Instrumentalness • 24% Positiveness
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Bill Frisell
Good Dog, Happy Man
131 bpm • F Maj • 02:34 • -13db
27% Popularity • 51% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 50% Positiveness
27% Popularity • 51% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 50% Positiveness
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Andy Sheppard
1974
121 bpm • D# Maj • 06:04 • -15.79db
18% Popularity • 73% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
18% Popularity • 73% Danceability • 28% Energy • 10% Liveness
82% Instrumentalness • 35% Positiveness
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Oded Tzur
Noam
121 bpm • A# Maj • 06:37 • -17.47db
19% Popularity • 29% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
19% Popularity • 29% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 27% Positiveness
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Airelle Besson
The Sound of Your Voice, Pt. II
121 bpm • B min • 02:33 • -11.53db
38% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
38% Popularity • 53% Danceability • 45% Energy • 10% Liveness
95% Instrumentalness • 42% Positiveness
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Nils Petter Molvær
Honey in Your Head
132 bpm • B min • 03:42 • -17.76db
24% Popularity • 43% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
24% Popularity • 43% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Pat Martino
You Don't Know What Love Is
131 bpm • F min • 04:46 • -19.46db
31% Popularity • 36% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 14% Positiveness
31% Popularity • 36% Danceability • 3% Energy • 13% Liveness
95% Instrumentalness • 14% Positiveness
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Bill Frisell
A Flower Is A Lovesome Thing
121 bpm • F# Maj • 07:23 • -17.98db
11% Popularity • 56% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
11% Popularity • 56% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Black Art Jazz Collective
Mr. Willis
121 bpm • A# min • 04:16 • -8.57db
10% Popularity • 53% Danceability • 67% Energy • 10% Liveness
84% Instrumentalness • 40% Positiveness
10% Popularity • 53% Danceability • 67% Energy • 10% Liveness
84% Instrumentalness • 40% Positiveness
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Alex Guilbert Trio
April Come She Will
121 bpm • G# Maj • 04:07 • -14.34db
8% Popularity • 42% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 67% Positiveness
8% Popularity • 42% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 67% Positiveness
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Gregoire Maret
Brothers in Arms
132 bpm • G# min • 03:08 • -16db
28% Popularity • 59% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 59% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Abdullah Ibrahim
Maraba Blue
120 bpm • G Maj • 04:35 • -31.65db
37% Popularity • 61% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
37% Popularity • 61% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 38% Positiveness
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Andrew Cyrille
Lebroba
120 bpm • F# Maj • 05:44 • -24.67db
13% Popularity • 58% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 58% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Tony Allen
Coconut Jam
120 bpm • G Maj • 03:31 • -11.19db
21% Popularity • 78% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 54% Positiveness
21% Popularity • 78% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 54% Positiveness
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Yotam Silberstein
Future Memories
120 bpm • G min • 07:18 • -17.09db
10% Popularity • 37% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
10% Popularity • 37% Danceability • 16% Energy • 11% Liveness
85% Instrumentalness • 11% Positiveness
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Trilok Gurtu
Josef Erich
120 bpm • A# min • 05:40 • -13.14db
13% Popularity • 70% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
13% Popularity • 70% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 72% Positiveness
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Jacob Karlzon
Open Waters
120 bpm • F# min • 05:06 • -22db
17% Popularity • 55% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
17% Popularity • 55% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Brian Blade & The Fellowship Band
Stoner Hill
120 bpm • A min • 03:19 • -12.58db
37% Popularity • 55% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
37% Popularity • 55% Danceability • 15% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Bobo Stenson Trio
Kalimba Impressions
120 bpm • A Maj • 03:12 • -22db
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
35% Popularity • 45% Danceability • 21% Energy • 9% Liveness
90% Instrumentalness • 31% Positiveness
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Mary Halvorson
With A Little Help From My Friends
120 bpm • A Maj • 03:08 • -13.37db
15% Popularity • 57% Danceability • 38% Energy • 15% Liveness
89% Instrumentalness • 32% Positiveness
15% Popularity • 57% Danceability • 38% Energy • 15% Liveness
89% Instrumentalness • 32% Positiveness
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Avishai Cohen
This Time It’s Different
120 bpm • G# Maj • 03:20 • -13.42db
10% Popularity • 60% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
10% Popularity • 60% Danceability • 49% Energy • 8% Liveness
88% Instrumentalness • 48% Positiveness
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Karin Hammar
Sai Fora
120 bpm • F min • 04:42 • -13.95db
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
74% Instrumentalness • 40% Positiveness
9% Popularity • 52% Danceability • 34% Energy • 10% Liveness
74% Instrumentalness • 40% Positiveness
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Greg Cohen
Robbin's Nest
133 bpm • F min • 04:17 • -15.24db
2% Popularity • 70% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
2% Popularity • 70% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
35% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
35% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Kansas Smitty's
Riders
134 bpm • E min • 04:12 • -12db
25% Popularity • 56% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
25% Popularity • 56% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 22% Positiveness
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Manu Katché
Bliss
134 bpm • G# Maj • 04:22 • -21.45db
13% Popularity • 45% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
13% Popularity • 45% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 43% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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HÃ¥kon Kornstad
Oslo - Out Of The Loop Edition
119 bpm • C Maj • 04:14 • -22.72db
15% Popularity • 64% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
15% Popularity • 64% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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John Abercrombie
Backward Glance
134 bpm • B min • 04:35 • -24.79db
15% Popularity • 36% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
15% Popularity • 36% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
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Larry Goldings
Shelly My Love
118 bpm • E Maj • 04:14 • -14.35db
21% Popularity • 56% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
21% Popularity • 56% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Espen Eriksen Trio
1974
134 bpm • D# Maj • 08:42 • -12.03db
13% Popularity • 54% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 24% Positiveness
13% Popularity • 54% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 24% Positiveness
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Avishai Cohen
Hidden Chamber
134 bpm • A min • 04:42 • -11.99db
13% Popularity • 35% Danceability • 43% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
13% Popularity • 35% Danceability • 43% Energy • 39% Liveness
88% Instrumentalness • 9% Positiveness
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Snorre Kirk
Exotica
134 bpm • D Maj • 04:36 • -16.58db
8% Popularity • 48% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
8% Popularity • 48% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 38% Positiveness
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Bill Frisell
Egg Radio
118 bpm • D Maj • 05:07 • -13.75db
13% Popularity • 73% Danceability • 40% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
13% Popularity • 73% Danceability • 40% Energy • 13% Liveness
77% Instrumentalness • 63% Positiveness
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Chris Potter
The Peanut
134 bpm • F Maj • 05:12 • -9.31db
7% Popularity • 50% Danceability • 17% Energy • 8% Liveness
76% Instrumentalness • 36% Positiveness
7% Popularity • 50% Danceability • 17% Energy • 8% Liveness
76% Instrumentalness • 36% Positiveness
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Walter Smith III
Loping
118 bpm • A min • 05:07 • -8.14db
2% Popularity • 52% Danceability • 46% Energy • 10% Liveness
57% Instrumentalness • 40% Positiveness
2% Popularity • 52% Danceability • 46% Energy • 10% Liveness
57% Instrumentalness • 40% Positiveness
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Helge Lien Trio
Popkoral
135 bpm • F Maj • 04:27 • -21db
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Jakob Bro
Evening Song
118 bpm • E Maj • 04:40 • -19.16db
28% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
28% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
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Snorre Kirk
Blues Arabesque
118 bpm • C# Maj • 04:40 • -17.56db
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
38% Popularity • 73% Danceability • 23% Energy • 23% Liveness
65% Instrumentalness • 64% Positiveness
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Oded Tzur
Miniature 2
118 bpm • G Maj • 01:44 • -40.16db
39% Popularity • 40% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
39% Popularity • 40% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 61% Positiveness
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Billy Pod
L
135 bpm • G min • 03:32 • -14.36db
10% Popularity • 32% Danceability • 36% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
10% Popularity • 32% Danceability • 36% Energy • 12% Liveness
95% Instrumentalness • 30% Positiveness
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Bill Frisell
Baba Drame
117 bpm • B min • 04:59 • -9.89db
23% Popularity • 48% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 61% Positiveness
23% Popularity • 48% Danceability • 55% Energy • 11% Liveness
82% Instrumentalness • 61% Positiveness
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Avishai Cohen
Honey Fountain
135 bpm • C# min • 04:34 • -14.36db
18% Popularity • 64% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
18% Popularity • 64% Danceability • 38% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
